1 february 2018

i will spare you the details, but after a year of hopelessly suffering my quickly degenerating web host i have decided to discontinue our collaboration - and spread the word: freewebs sucks!

which means that with immediate effect captain beefheart electricity will be flashing on at the new address
see you there, you're welcome...

captain beefheart electricity



monday 27.03.72 LONDON england ALBERT HALL
tuesday 28.03.72 LONDON england ALBERT HALL

REVIEW - PICTURE - go to the main page

tuesday 28.03.72

danny holloway - new musical express - april 1, 1972

notes by teejo:
exact town, venue and date not mentioned - i have chosen for the most likely event
the writer also did the interview a trip into the mind of the spotlight kid


as a prelude to the good captain, a ballerina dressed in white, with a crown to match, did her stuff, followed by a belly dancer in all the traditional garb. after she exit-ed, rockette morton (mark boston) - looking like a gangster from the twenties - played a five minute bass solo. he has an exceptional stage presence as he moves down in a crouch (similar to chuck berry's duck walk) and prances from one side of the stage to the other.

the congenial captain, spiffily dressed in a red satin suit, was accompanied by rockette morton on bass and guitars, with zoot horn rollo (bill harkleroad) and winged eel fingerling (elliot ingber) plucking guitars. ed marimba (art tripp) exercised the drum kit while roy estrada (aka orejon and audi hon) - an original mother of invention - caressed the bass strings.

the band performed skits and the captain told a few jokes and recited some poetry. the members of the magic band were often spotlighted in their own solo spots. they played 'click clack', 'i'm gonna booglarize you baby', 'long black snake' (a john lee hooker original - t.t.), a surprise rendering of 'abba zaba', 'woe is uh me bop', 'alice in blunderland' and 'neon meate dream of a octafish' (not the song, but the bass line of it - teejo) before disappearing from the stage.

the audience stamped, yelled and clapped for more. after a good three minutes the captain came out and asked: 'what are you yelling?', to which the crowd replied: 'more'. at that point the spotlight kid gave way to a touching version à la whistle of the all time classic 'more' (the tune of an american teevee show - t.t.).

someone called for 'beg, steal or borrow' but i don't think the captain heard him because he went on to do 'my human gets me blues'. it was a unique experience - i only hope he returns soon.



live picture 'london, england, royal albert hall' concert 1972 - don van vliet / captain beefheart, mark boston / rockette morton, roy estrada / oréjon, bill harkleroad / zoot horn rollo - the dig #10 011296 japan
from left to right
DON VAN VLIET captain beefheart vocals
MARK BOSTON rockette morton bass guitar
ROY ESTRADA oréjon / audi hon bass guitar
BILL HARKLEROAD zoot horn rollo guitar

picture by michael putland

notes by teejo:
* unfortunately undated picture from glossy the dig #10 011296 japan
* reproduced in liner notes to first hoboism bootleg
* i have chosen for the most likely event (beefheart didn't forget his cape often)


facts provided by theo tieman ©1995-2007

click clack to the power station, the news or the other CONCERTS

captain beefheart electricity
as felt by teejo