1 february 2018
i will spare you the details, but after a year of hopelessly suffering my quickly degenerating web host i have decided to discontinue our collaboration - and spread the word: freewebs sucks!
which means that with immediate effect captain beefheart electricity will be flashing on at the new address
see you there, you're welcome...
DON'T ARGUE THE CAPTAIN
IS YOGURT WITH WRENCHES'
van vliet, painter
collection of fragments
THIS is PART 1 1985/89 - 1990/95
painting with melody
from NEW YORK TIMES
by jon parelas
is first half 12.85 telephone interview
i'm real serious. a lot of people didn't know that; they thought it was just random function. my music and the paintings are the same thing, really. i don't think i would have been able to do the music if i hadn't been an artist. with both of them, you have to capture the moment in your mind and maintain it.
i did the music out of boredom, and out of irritation, and the paintings too - when you see them, you can tell that i was very upset when i was doing them. i guess i've been upset for 44 years.
right now, trying not to laugh when i look in the mirror is enough performance for me. i will never quit doing music. but i'm definitely enjoying the time to be able to paint. i've never had so much fun with my clothes on.
on live performances:
from NEW MUSICAL
EXPRESS 220386 england
by david belcher
is first half 03.86 telephone interview
on their crackling telephone connectiondo you know how strange it has gotten, the connections? do you hear that ssshhhhh...? it's like that cheap perfume in a damn telephone booth, that smell, constantly. that noise discombobulates me (disturbs - editor).
i'm painting the stuff i played.
i paint all the time..., 18 hours a day which is beginning to get up to more than 18 hours a day. i miss going on tour.... i'm painting so damn much, i don't drive any more because painting makes you very far out.
do you know about all the reissues in england by virgin, and that, off the record, wea says that 'safe as milk' is selling better than some of their current advertised elpees?
i'll be damned. not many things out there, huh? ha ha ha..., two pound 99 - four dollars? that's a bargain - i'll come and buy some. it's funny...: they don't even have anything out on me over here. all you can get is 'trout mask replica'.
from (andy warhol's)
INTERVIEW vol.16 #4 010486 usa
by robert becker
is early 1986 telephone interview
picture by paula bullwinkel gardner
b&w original replaced by a comparable coloured one
from the italian magazine 010391 rockstar #126
i hate music, i always have. it was an allergy or an irritation that i had to soothe. i'm very serious about painting, however. when we were on the road i would paint on anything i could find. i carried watercolors, oil paints and color markers with me when we travelled and kept canvases at home.
captain beefheart was just the shingle that gave me shingles. painting is my true love.
BEEFHEART'S BRUSH WITH ART
from SAN FRANCISCO EXAMINER 251188 usa
as well as
DIFFERENT LIFE, DIFFERENT MEDIUM FOR CAPTAIN BEEFHEART
from THE BOSTON GLOBE 301288 usa
IN TUNE WITH ART
today captain beefheart aims to make the canvas sing
from CHICAGO TRIBUNE 080189 usa
by rip rense
is mid 11.88 telephone interview
note: all three, slightly different versions were based on the same text
yeah, i'm 47 years out. but i string the four and shoot the seven so fast that it becomes a one - that's how old i am!
actually, i am making music - on canvas.
actually, what i try to do is turn myself inside out on canvas, to freeze the moment so that the person seeing it can observe what i froze. i try to turn what is going on in me into a still life of that moment.
what am i reading? that guy, i can never think of his name - dick francis [a british mystery writer - ed.]. he's good. you know who reads him? phillip larkin [a postwar british poet]. god, i'd love to have met him. great poet. the best, really, i think.
what is my favorite poem by larkin? the one about the moon: Ďand looking out to see the moon thinned / to an air-sharpened blade'. god, that's good.
the artist often speaks fondly of his painting 'band and cat panda', perhaps because in its creation he had a collaborator, of sorts. one morning as he worked, his cat garland, proceeded to sharpen his claws on the lower right corner of the work.
garland just fooled around. i won. i bought the canvas! he just enjoyed scratching it, cleaning his little toenails, his little protein points.
business is yogurt with wrenches.
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captain beefheart electricity
as felt by teejo