1 february 2018

i will spare you the details, but after a year of hopelessly suffering my quickly degenerating web host i have decided to discontinue our collaboration - and spread the word: freewebs sucks!

which means that with immediate effect captain beefheart electricity will be flashing on at the new address
see you there, you're welcome...

captain beefheart electricity

odds and ends


a rare interview

from BAM (bay area music) #114 091081 usa
by david gans

note: ted - who worked with a lot of famous musicians - produced 'clear spot' in summer 1972. outtake

top: captain beefheart / don van vliet, bottom: ted templeman (producer) - detail of front picture 'clear spot'elpee 1972 - picture by jim mccrary
don (top) and ted (bottom) on the cover of the album
picture by jim mccrary


what did you expect when you did captain beefheart's clear spot?

i liked his rhythmic ideas, for one thing, and he had good players. his other albums were interesting, and i was fascinated by his lyrics.

beefheart was so crazy! if he didn't think the drummer (art tripp, aka ed marimba - t.t.) was playing with enough soul, he made him wear blackface. one day he stopped and said to the bass player (roy estrada, aka orjon): 'did you eat? did you at?!'. he said: 'yeah'. beefheart said: 'what did you have?'. 'a taco.' 'a tc', beefheart says, and then bm! he threw him out of the chair. just nutso.

what did this accomplish in the way of motivating his musicians?

he was a complete fascist, and he was physically intimidating. but they all lived together, and they did everything he said. he used to sing the guitar parts to the guitar players, and he came up with great beats for the drummer - who had been with a symphony orchestra and could do anything.

one time, i was trying to record a vocal, and he said: 'i can't use this microphone - i will blow this apart'. so i shock-mounted an old rca ribbon mike - and put it in front of him. then i put another mike on the stand, a 545, and actually recorded with that one. he stopped in the middle of the tune, threw his headphones down, and said (produces a menaging growl): 'god dammit! i can hear the typewriter through the walls!'.

he made up lyrics, but he would never figure out exactly how they'd go with the song until he actually started to sing it. he would nver have tried it before.

once he said: 'okay, ted. the way i'm going to get this is, i don't want any headphones. you point to me when the track starts and i'll start singing' (laughs). he was serious! we tried it a couple of times. it sounded ridiculous, of course.

did 'clear spot' do well?

probably a little better than his other albums. it's recorded well.

did you want to work with him again?

i never wanted to se him again! later, i became friendly with him. he's a nice guy, but unpredictable.


makes you curious to know what captain beefheart thought, isn't it....?


click clack back to the history or the power station

captain beefheart electricity
as felt by teejo