

Depending on the people telling the story, the Thunderbird is either
a singular entity or a species. In both cases, it is intelligent,
powerful, and wrathful. All agree that one should go out of one's way
to keep from getting thunderbirds angry.
The singular Thunderbird (as the Nootka believed) was said to reside on the top of a mountain, and was the servant of the Great Spirit. The Thunderbird only flew about to carry messages from one spirit to another.
The plural thunderbirds (as the Kwakiutl and Cowichan tribes believed) could shapeshift to human form by tilting back their beak as if it were only a mask, and by removing their feathers as if it were a feather-covered blanket. There are stories of thunderbirds in human form marrying into human families; some families may trace their lineage to such an event. Families of thunderbirds who kept to themselves but wore human form were said to have lived along the northern tip of Vancouver Island. The story goes that other tribes soon forgot the nature of one of these thunderbird families, and when one tribe tried to take them as slaves the thunderbirds put on their feather blankets and transformed to take vengeance upon their foolish captors.
The Sioux believed that in "old times" the thunderbirds destroyed dangerous reptilian monsters called the Unktehila.
A famous story of the Thunderbird is "Thunderbird and Whale
In Buddhist mythology, the garuḍas (Pāli: garuḷā) are enormous predatory birds with intelligence and social organization. Another name for the garuḍa is suparṇa (Pāli: supaṇṇa), meaning "well-winged, having good wings". Like the Nāgas, they combine the characteristics of animals and divine beings, and may be considered to be among the lowest devas.
The exact size of the garuḍa is uncertain, but its wings are said to have a span of many miles. This may be poetical exaggeration, but it is also said that when a garuḍa's wings flap, they create hurricane-like winds that darken the sky and blow down houses. A human being is so small compared to a garuḍa that a man can hide in the plumage of one without being noticed (Kākātī Jātaka, J.327). They are also capable of tearing up entire banyan trees from their roots and carrying them off. The garuḍas have kings and cities, and at least some of them have the magical power of changing into human form when they wish to have dealings with people. On some occasions Garuḍa kings have had romances with human women in this form. Their dwellings are in groves of the simbalī, or silk-cotton tree.
The garuḍas are enemies to the Nāgas, a race of intelligent serpent- or dragon-like beings, whom they hunt. The garuḍas at one time caught the nāgas by seizing them by their heads; but the nāgas learned that by swallowing large stones, they could make themselves too heavy to be carried by the garuḍas, wearing them out and killing them from exhaustion. This secret was divulged to one of the garuḍas by the ascetic Karambiya, who taught him how to seize a nāga by the tail and force him to vomit up his stone (Pandara Jātaka, J.518).
The garuḍas were among the beings appointed by Śakra to guard Mount Sumeru and the Trāyastriṃśa heaven from the attacks of the asuras.
In the Mahasamyatta Sutta, the Buddha is shown making temporary peace between the Nagas and the garuḍas.
The Sanskrit word garuḍa has been borrowed and modified in the languages of several Buddhist countries. InThe concept of SANKOFA is derived from King Adinkera of the Akan people of West Afrika. SANKOFA is expressed in the Akan language as "se wo were fi na wosan kofa a yenki."
Literally translated it means "it is not taboo to go back and fetch what you forgot".
"Sankofa" teaches us that we must go back to our roots in order to move forward. That is, we should reach back and gather the best of what our past has to teach us, so that we can achieve our full potential as we move forward. Whatever we have lost, forgotten, forgone or been stripped of, can be reclaimed, revived, preserved and perpetuated.
Visually and symbolically "Sankofa" is expressed as a mythic bird that flies forward while looking backward with an egg (symbolizing the future) in its mouth.

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