FART AT PLAY !
08.04.72 AMSTERDAM holland CONCERTGEBOUW
REVIEW - two PICTURES - go to the main page
REVIEW 2 & PICTURE 4
peter de vries - algemeen handelsblad - 10 april 1972
CAPTAIN BEAFHEART PRACTISED GIANT FRAUD
note: don't mind the spelling error
AMSTERDAM, april 10th - With the performance last Saturday night by the American Captain Beefheart and his Magic Band in a practically sold out Amsterdam Concertgebouw one of the extremes of the contemporary pop happening got a chance. The musical course which Beefheart is following seems to be derived from the monotonous sound of the Velvet Underground and the bizarre performing art of Zappa and the Mothers of Invention. The sturdy Captain (alias Don van Vliet) Beefheart has dedicated himself to producing almost animal-like throat sounds which sometimes slightly resemble the blues.
In any case, with modest musical means blown up to tornado loudness, Saturday night there surely was being performed a spectacular act. Like a musical Dali, Beefheart walked around in a red satin costume with a black cape around his shoulders, growling and conjuring across the stage. Surrounding him were five musicians dressed up as fools of which especially ex-Mothers bassist Roy Estrada held steady the rhythmical helm.
to the left:
ELLIOT INGBER winged eel fingerling
[ART TRIPP ed marimba]
ROY ESTRADA oréjon
better in the picture:
MARK BOSTON rockette morton
BILL HARKLEROAD zoot horn rollo
DON VAN VLIET captain beefheart
Drummer Arthur Tripp III, equipped with a sort of fool's cap on some wild hair, banged a load of rhythmics into the hall while discharging battle screams. Casually but dignified the Captain once confided to the audience that he thinks a psychiatrist to be a person "who wants to die in someone else’s life". What about that?! Guitar player Mark Boston - with a straw hat and floral patterned satin suit - constantly circled around his Magic Captain in stealy dances, and perpetrated guitar exhibitionism.
Besides the capers with his roaring stentorian voice Beefheart devoted himself to some free jazz on his soprano sax for a while, or was it just the result of a suddenly arising outburst of anger? The audience showed a lukewarm response to the bombastic, clever fraud. But that’s no real worry for this man who called himself the "master of fake" (see additional note).
translation by Robert
THE MASTER OF FAKE ?
additional note by ben waters
In some reviews of the '72 Amsterdam gig it mentions Beefheart referring to himself as Master of Fake. I believe this must be a mishearing / misinterpreting of Mascara Snake. Let me explain:
I saw them on 290372 in Brighton, England. During Mark Boston's opening bass solo, a band member would come on, carrying a wooden fish with ridges down its back. You often see this instrument in Latin American bands. They don't usually look like fish though [or snake - teejo]. The ridges are scraped with a stick to produce a percussive effect.
note by teejo: some investigations learned me that the meant instrument, which exists in several variations, is called 'guiro' (with g pronounced as k). here's an example:
The Magic Band member would scrape the fish, and announce: "This is the Mascara Snake". Then another member would get the fish and say: "This is the Mascara Fake". Finally someone would say: "...and this is the mascara for God's sake".
So, Master of Fake = Mascara Fake, I reckon.
thanks a lot, ben (whose home page includes some beefheart stuff)!
MARK BOSTON rockette morton
to the left: elliot ingber (winged eel fingerling)
which means it may not be published in whatever way without his permission
if you have plans to use it you can email me to get in touch with him
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captain beefheart electricity
as felt by teejo