1 february 2018
i will spare you the details, but after a year of hopelessly suffering my quickly degenerating web host i have decided to discontinue our collaboration - and spread the word: freewebs sucks!
which means that with immediate effect captain beefheart electricity will be flashing on at the new address
see you there, you're welcome...
SUGAR AND SPIKES
odds and ends
SPUTNIK AND THE BLIMP
an odd journey through one man’s mind
as told to and related by c. linstrom
BUT JUST A FEW EXPLANATORY NOTES BY THE EDITOR FIRST:
as we all know - from the stories that former magic band members tell - it was very hard to work with don van vliet. beefheart always wanted to be the captain and so it's a miracle some fools even resisted the torture for several years. but then, he could be very funny too, so that's maybe why...
in fact don just was a lonesome, selfish artist who by chance went into pop (oh no, wrong word) music. as he was a different fish in that school he had but few contacts with fellow musicians that lead to collaborations or participations. almost all the records he had a guest role on are products by FRANK ZAPPA, his youth buddy who probably could stand don's whims because he was accustomed to them. to mention the main collaborations: their joint debut as recording artists 'the soots', don's vocals to 'willie the pimp' on zappa's first solo album 'hot rats', and the 1975 'bongo fury' tour of course - in which the captain stole the show.
and further? well, don was involved in hardly any other recording. his most well known guest appearance is his singing on hard workin' man, the main title of the paul schrader film BLUE COLLAR. that would have been all, if not... - but let's start at the start. which was me back in '78 buying the dutch release of 'what do you want from live', the live double-album that made THE TUBES famous. the inner sleeves were decorated with press cuttings of their european tour from the previous fall, and most prominent was a part of a dutch interview with head tube bill 'sputnik' spooner under the header:
-- Someone who has influenced us more than Zappa [previous item - teejo] is Captain Beefheart. He's such an unique talent. Everyone in the band has a weakness for that man. On NOW we've also recorded one of his songs, which we had on our repertoire for a long time ('my head is my only house unless it rains' - teejo). Beefheart himself plays on that album too. He plays soprano saxophone on 'Cathy's Clone' and harmonica on 'Golden Boy'. An unbelievable creature to work with... Did you know he's got a new band together? All very young people he personally taught how to play. They've recorded an album, Bed Chain Puller [unedited title - teejo], but no-one wants to get involved with it. No record company's interested in Beefheart anymore. He's too weird. The music sounds just like 'Trout Mask Replica'. The guy's years ahead of his time. Just like us. --
[from holland 161177 oor]
about five years later i heard the cover version and don's wild guest sax on a dutch radio special, and a few years ago i bought the elpee (not re-issued on ceedee), so also know his - disappointing, as being middle of the road - harmonica contribution. but...: don has his doubts about the result of his participation. the interview captain beefheart pulls a hat out of his rabbit contains the following confession:
How do you like covers of your songs? Like the Tubes' 'My Head Is My Only House Unless It Rains'?.
I thought, at first, that it was awfully nice.
Did you play harp with the Tubes?
I played on a thing called 'Golden Boy' and they turned it way down. I also played soprano on 'Cathy's Clone'. I like the girl who wrote it, I think she wrote a good song. I told her I really liked what she had done and that I'd really play for her, and I played it. I thought it would be on there, but again it was turned way down. I don't want anyone to govern me. That I didn't like too much.
so i wonder: who's right?... that would have been all, if i hadn't met someone through this website (no, it's nót a contact site) who is a beefheart fan but coincidentally also a good acquaintance of the former tube. a remark about don's participation on 'now' lead to a wild plan which resulted in the amazing stories bill spooner was glad to remember (whilst this is nót a chat site!).
while this interview was in preparation some-one who didn't know anything about it provided a nice addition to the mentioned weakness of the tubes: they already did a cover version of beefheart on their 1976 usa tour (a fact bill diddn't remember)! 'gimme dat harp boy' is one of the songs on the 1991 bootleg 'darted in my own armchair'.
a last thing you need to know to understand the following tales: harry duncan, beefheart's manager at the time of don's collaboration with the tubes, was a passionated harmonica player - he even accompanied the captain and the band on their live performances around '77.
right, here we go...
Strange new blast...
A not-too-distant past...
A song credited but un-done...
A lightbulb unthreaded and gone.
Gather now, my strange children. Hold fast against the weirdness that lives beyond the light that mankind can see. I have swallowed truth and the end result is this: it is not Don van Vliet alias Captain Beefheart on The Tubes song ‘Golden Boy’. No, stop - don’t scurry away; I have that and more interesting tales to be told. A reckoning of the tale of The Thought Harmonica; The Horrible Light, and the eternal mystery of whére is the drawing of the Three Fat Ladies?
We’ll have no commercial breaks so get your sammiches now! Settle in and listen to the awesome tale of Captain Beefheart, Bill ‘Sputnik’ Spooner, and The Tubes' album 'NOW'.
But bear in mind that those were strange years - the end of the ’70’s - the second coming of punk, the beginning of The Big Eighties. No small wonder, then, that two kindred souls should be drawn together in a preternaturally drawn scene at The Record Plant, in or around 1977. Bill Spooner sought the rights to record the Captain’s haunting ballad 'My Head is My Only House Unless it Rains', Don thought it would be fun to record a track for the Tubes. Seems simple, don’t it? The short of it: the track (Golden Boy) was essentially complete but all concerned agreed that a harp track from Captain Beefheart would be five shades this side of cool.
As to the album, we thought we’d have him play the harmonica on 'Golden Boy', which he didn’t end up doing, but, um - he’s credited doing it, but...
We knew, uh, someone that knew Frank Zappa - we were sharing some time with him at a studio and we said that we wanted to get ahold of Don, y’know, so he gave me his phone number and I called him up and he was really, really strange. We became phone buddies - and uh, we would just talk and talk about anything, y’know? Just talk and talk - culminating in one night, my wife called me and said it’s time to eat dinner, and we’d prob’ly been talking like, 45 minutes or so, maybe almost an hour and I said “Don, I gotta go. I gotta go eat dinner. Great, I’ll call you...” and he said, “No, no, just put the phone down and come back when you’re done.” I said “Don, no.” And he said “No, it’s fine, it’s fine, just put the phone down.” I thought for sure he was kidding but he really wanted me to go eat dinner and then come back and pick up the phone again.
I needed to know more. I heard these stories one night over many odd plates of sushi. I settled back and let the sound of Spooner’s voice hypnotize me...
IT'S THE PHONE, BILL !
bill 'sputnik' spooner now
IF YOU WANT TO KNOW
HOW THIS ENDS, CLICK CLACK TO PAGE TWO
click clack back to the power station
captain beefheart electricity
as felt by teejo