Head Rushes and Forgetfulness vs. Tasty Treats and an Even Keel: Feeding Your Adrenals

  Interference in Healing, in Body Mind Spirit

Inactivating Alien Implants in Alternative Approaches Magazine

In the Wee Hour with the Priest of the Serpent Mound in Alternative Approaches Magazine

 I am Sacred Fire
is my article in the website, Spiral Muse. Just published.
 http://www.waterbrain.com/ issue one, has my article, The Eye Bugging Meditation, at the beginning of their magazine, which you download as a pdf.

Four articles in Body Mind Spirit Magazine, issue 22, "Bypassing the Reticular Activating System," (for more detail about this, read my article in Heaven to Earth Journal, The Complete Feeling Exercise.

 How to Change Harmful Currents Passing through your House.

 Flying to Higher Realms

 Auras Around Crystals


     Heaven to Earth Journal
has three of my articles in their columns section. They are "The Complete Feeling Exercise," "Filaments of Maya," and "Take a Flying Leap at the Sun." To go straight to mine, click on my name and it will take to to that section of the page.

  This is part of a wonderful project that includes international television shows and an art show about bridging heaven and earth which you can read about at their site. The whole site is interesting, but as a jumping off point, go here.

See below for more spiritual articles in magazines, such as my Tantra yoga column in Oysters and Chocolate.

 This was published in MKZine, the print magazine about government mind control programs, for which I was the illustrator

                                                                                    Art to Break Illusions With

“If you just think that evil instuitions and bad government and inhuman corporations pushing their programs people, then the response is way: the people must push back. And although that is true, it is only a part of the story. The truth is, the Formula of the Secret society and ultimately organized life on this planet consists of art that is dedicated to deceiving and then controlling people. Whet you really see this, you begin to glimpse the fact that these artists can be outcreated by us‑and if we do that, we build and evolve institutions that are not simply pushing back, they are outflanking and outdistancing and outcompelling the controllers. Then we really have done  something. Then we have taken giant steps toward re‑structuring the whole basis of society. Then we have built another world. Other worlds. That is called victory.”

‑Jon Rappoport

The Secret Behind Secret

Societies 1998

 A startling number of traditional symbols and geometries in the world of art have been given to us by ruling families and secret societies, by religious cults, black magicians, and murderers. So what will we do with them? By looking at them more clearly, we may be able free ourselves from them and also understand our heritage inside of them. To do so will take great discrimination and clarity of vision, as well as extensive research, if we expect to free ourselves from their subtle control.

My illustrations often attempt to free up these symbols so they can float around, do what they want, move in relation to each other in different ways, so that they lose some of their potency as rigid mind control tools. I like to take the liberty of moving beyond the symbols by deeply thinking through the relationships between the various images of people, creatures, and objects for long periods of time before arranging them in ways that create the best message I can find. I try to keep the compositions open enough for viewers to bring their own meaning to it as well, and put together the relationships between the images in ways that are useful to them.

My compositions portray the seriousness of mind control with respect, without making sac­charine platitudes about recovery. Even seeing horror portrayed by someone who is trying to understand it can be exhilarating, because we can feel that we are not alone in our feelings. While some of us have not been mind‑controlled by a specific program, we have all been mind­ controlled by our present civilization all our lives, and to see an artistic reaction to that fact can sometimes be much more comforting than looking at a placid picture of flowers. I acknowl­edge my desire for freedom through making and looking at art. I recommend artistic self‑expres­sion as a way of strengthening the self to coun­teract the

disempowering fear we may feel when we learn about subjects like mind control. I like to make pictures that go beyond referring to specific CIA/military programs, but also go to the heart of mind control itself.

Government mind control is a topic I have researched for 20 years, though my interest in the general topic has haunted my whole life. I could see societal mind control from the beginning. I used to wonder, How can people view this manipulated world as normal? I took this question into the arts from the beginning, throwing myself into experimental writing, reading, studying, learning the background of it. As a child, I liked the way this question often broke up the linear way of looking at the world, broke it into a variety of perspectives. I fell in love with the spaces between chapters and poems. In the void, life was huge and pulsating, beyond the passages from which the passages came, in which they could be arranged if freed up to play within it. I felt suppressed by literature and films that made each moment rise inevitably out of the last, instead of letting it pulse anew out of the creative urge. I wanted to unglue all moments from each other, so they would not portray reality as stuck together seamlessly in a rigid unchanging whole supposedly representing normalcy. Movies and books and art like that pushed against my body like barbed‑wire fencing. I didn't want to be trapped within mendacity's single official perspective on what reality is comprised of, the story that is supposed to represent the way life unfolds while totally ignoring the profundity of it.

Although I was ignorant of his methods, I was taken by the poet Rimbaud's admonition to systematically disorder our senses. Trying to interpret his advice thrust me into the surrealism that wants to break apart the whole "movie" culture puts us in, the "movie" that makes the workings of this world seem like just the way things are and the only way they could be. By going into the void that images rest upon, the absolute, I could feel freedom from the "movie" I was supposed to be in; I could juggle it around, collage it however I wanted. I could be in the void if I wanted, just as easily as in the illusions, because the specific illusions were no longer blocking the view. They were just playfully manifesting out on the edge of the void, or created by people and other beings who had the desire to keep the movie seamlessly "real," so that people wouldn't see past it into the much larger background of our being. For some people and beings want power over us, and if we can just get past their movie screen,they might lose us.

During World War Two, artists who didn't portray the solid, inescapable monolithic image of reality were persecuted as Decadent Artists. That is what I consider myself, for the Nazi regime has continued, and given that my art questions that reality, it is threatening to it. The Nazis continued working through programs such as Project Paperclip, and came to America to design deeper mind‑control programs here, after making the OSS/CIA indistinguishable from the SS. Think of them as magicians casting spells on the world called "perception management." My art is a protest against these spells.

Although most of the images within my art are my own, one of my favorite ways to expose the mind control from all sectors involves collaging symbols/images from the past and present. Mind control has been passed down through history by people holding control through royalty, priesthoods, and secret societies. They have created a kind of artifice, which we can easily see in the architecture and facades of buildings made by Freemasons and similar orders, but less easily see in media advertising and movies. The repetitive symbols on all the walls, obsessive geometric shapes around archways and windows, and sculptures of grotesques and angels impact modern consciousness like a kind of hypnosis. By juxtaposing old and new images, I open a dialogue in viewers' minds. By making an unconscious image conscious, the relationship between image and viewer begins to vibrate, and if the images are out of context i.e. not glued to the setting they are normally portrayed in ‑what happens? The angelic and heroic begin to look very similar to the demonic and alien, and religious icons throughout history begin to look very much like copies of each other. Those who know well how to mind control use the appearances of the benign, but really play both sides so as to stir up conflict and war and thus control us. Official art has created the

pictures we hold of history. It is time to rebel against the very idea of reality the elite have created for us and re‑envision the world. Liberty lies through making unconscious images conscious.

My art in general includes illustrations of ideas I believe in passionately. My website, www.Tantragarden.com, has an educational section on such topics as government deception, government involvement in 911 serving as an excuse to control the population more thoroughly and destroy other countries, the plan for forced smallpox vaccinations, Satanism in high places, reptilians, the CIA, and a long section on mind control. It also embraces the rest of life as a whole. {Note: my Tantragarden site was replaced by someone else’s porn site, but it may resurface at a later date. However, I do have some information in my lens,.http://www.squidoo.com/mindmanipulators  and my site, http://lucidvision.mosaicglobe.com.} My art is most often called "haunting" and is often intense, enigmatic, subtle, and sensual. It is receiving international attention.

It is important to face the truth and learn what we can. It is also important to keep joy in our lives, and art can do that for us, as I have seen over and over. To stay strong and keep cur souls intact, we must bolster ourselves with beauty and enliven ourselves with vision. And when the art we seek out is all‑inclusive, addressing the difficult issues of our times as well as creating personal excitement, we can be atone with ourselves more easily and link the euphoria of spirit with the discernment of intellect, which will liberate us from the puppetmasters so that we are at last large and free.

1. Jon Rappoport, The Secret Behind Secret Societies. San Diego CA: The Truth Seeker, 1998, 355‑356.

 This article was published in Spain in an art magazine, with many of my images, and this was also included with one of my art shows next to the art. The mood is revolutionary.

                                                            Burning Art for Light

The art of the revolution never dies, but it does burn, does writhe, does ache, does bleed intensely red red red. It takes us deeper into the reality we know is there, pulsating intimately somewhere beyond this agreed on surface illusion. It affirms that we have the power to create our own reality, can have our own perceptions that vibrate at a different frequency from that of the mind controlling formulas moving through the airwaves and scrambling the heartwaves.

Those pictures burned with with scorchvision show the burning of my heart upon the art. It is burning the frames of reality.

Sending my these pieces across customs is a risk, because they are incendiary works, and the United States is not in the mood for freedom of expression these days.
While there are portrayals of happiness, playfulness, and pure beauty, these giclee prints do hold together as an emotionally intense statement. You will find here a soulful saint, a sexy outlaw, and a veteran whom i had just watched as he put on his artificial legs. There is a strong antiwar message within these images, many of which are portrayed by a beautiful young activist who drew his own blood for some of these pictures, and allowed me to tar and feather him for art.

I bled on one such picture when the United States went to war on terrorism, and held it and another in that set in a storm in Seattle during a protest at the Federal Building, and my art caught great attention by the press. In one picture from that photo shoot, one of the politicians is telling the usual lies on television during the State of the Union Address, and his nose has grown like Pinnochio's, and pierces the side of the crucified activist like the spear of Longinus pierced the side of Christ, according to legend.

How to be a great model

Sensual lubricants and lubricated condoms are responsible for many health problems, and it is important to use organic ones.

Personal Lubricants:Does Sex Kill?

Liz Amini-Holmes's art present consciousness in a fascinating way.

The Art and Poetry of Non Linear Consciousness

The new artistic group in San Francisco.

The Finch Mob Collective

How can be go beyond?

Expanding Sex in the Age of STDs

Wondering the best place to camp at Burning Man? If you are the loner type, try the walk in site.

Lone Wolf Camping at Burning Man

The Taste of Blood: a Ghost Story

People like diabetics who want to watch their sugar intake should avoid artificial sweeteners which are toxic, and use the natural sweetener, stevia.

Diabetes and Stevia

Stevia is great for anyone to use. Here is a brand I recommend.

Stevia Product Review

What about this manifesting cult? The idea that everything happens for a reason, that we create everything in our reality? Can we say, "sometimes?"

New Age Manifesting: is it Really that Simple?

If Tarot readings are to be correct, that means our higher self knows what is on the cards. This article tells how to practice and achieve that.

How to Increase Your Psychic Abilities Using Tarot Cards"

How to Talk to your Anorexic Daughters: they may have Correctable Health Issues

Qutting teaching in college, I began living outdoors and doing spiritual practices. I gained abilities beyond what people realize humans are capable of. I also became disabled with M.E.. Yet, I focus on bringing through the light not only for healing others and raising their Kundalini, but also in my art, writing, and modelling.

My Life as Tantra Bensko

I live in the Sunset District, by the beach. It has wonderful life food, organcic, vegan establishments. Outer Sunset San Francisco for the Health Conscious

A great new food in the health food stores. Is it worth the extra money? Life foods, sprouted, with enzymes intact. Lydia's Organic Green Crackers