Some days in the life of an adult figure skater, and other things.
Posted by szarembski2006
at 01:50 PM on July 16, 2009
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...that I haven't posted about going back to skating. This is because, at just the moment I was planning to go back, I found out that my precious Iceland had broken. Actually it was their entire cooling system that finally gave up the ghost (it was ancient) and they are spending the summer rebuilding it.
Iceland is supposed to open again in August, but I suppose it will be all hockey until September. This has always been the case in the past.
It's a shame because for the first time in months I felt like skating today...
Posted by szarembski2006
at 05:12 PM on June 26, 2009
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I'm absolutely disgusted at having to take down my Guestbook page because of some asshole spammer. These people need to be banned from all humanity. I just wish there were a way to do it.
I have not resumed skating yet; however, in the past few weeks I've realized that my knee is now completely healed. I had become so used to favoring it that it's hard to stop doing so.
I'll try to get back to skating next week.
Posted by szarembski2006
at 09:15 PM on March 21, 2009
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I don't know yet, but I could be off the ice for a long time with a knee injury. It didn't happen while skating, it happened in a classroom -- I was taking a class for my job, and during the class stood up and found that my purse's strap had wound around my legs, and down I went.
This was over a week ago, and the knee is really not much better. So I'm going to the doc on Monday.
Posted by szarembski2006
at 01:23 PM on February 26, 2009
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Today I decided to wear my compeition dress to the rink. It's just been hanging in the damn closet for 3 years, anyway, I thought what the heck. It's a bit tight, and I may just use it as a practice dress now and then. I never did get around to putting rhinestones on it, so it doesn't look that ridiculous.
I did start working on my program. I have it all written out on paper, just have to fill in with footwork, etc. And I have to slow myself down. I knew the spins would be a challenge, but it also seems that when I hear the music, I rush into everything and lose my edges. So I'm practicing without music until I stop freaking out.
Posted by szarembski2006
at 12:20 PM on February 20, 2009
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I've skated for 2 days in a row, in spite of a fall in the parking lot (on ice, lol) that left me nearly unable to walk most of yesterday. Still have sharp pains in my legs, but I'm ignoring them.
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On Doc's suggestion, even though I do not have a coach, I'm working on a program. Having the ice and CD player all to myself this morning helped a lot. I have a recording of "Dance of the (Little) Swans" that I was actually, once upon a time, working with a choreographer on. I love it because it's the perfect length and has a dance tempo instead of a concert tempo. The program never came to fruition, however, because I abruptly ran out of money and had to stop skating for a while; also, the choreographer I was working with was talking about changing to another recording of the same music, and I'm very comfortable with the one I have. ("Dance of the Swans" can change radically from recording to recording, and sometimes it's just too fast to skate to).
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And so I figured out how to make the rink's CD player play "Dance of the Little Swans" over and over. I now have the beginning and end of the program worked out...it's the minute in the middle that's killing me, lol! I'm going to have to do a lot of fancy, fast footwork and I just don't know enough of that sort of thing. But, live and learn.
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I have all the single jumps except for the axel, of course, and the lutz, which comes and goes (right now it's gone). My toe loop has always been pretty good; the waltz-jump-toe-loop is okay if I don't panic and rush; my flip, if done out of a three-turn, is very strong; my salchow is okay, but I stop dead on the landing; ditto the loop. All that can be worked out.
Come to think of it, I think I might fill the middle minute with a lot of "footwork jumps" and three-turns. I just have to re-teach myself all those footwork jumps.
Third to last I do spirals, then I do a combination spin (that's where the layback will be). At least the very ending is screaming at me: lunge. Must be a lunge. That's what the cygnets do in the ballet, every time. Four girls, hand in hand (if I remember correctly), doing an arabesque into a lunge. I've always sucked at lunges but found that I got better and better at it as I kept trying it today. Somehow the old Queen of the Turnout always turns her working leg in and jams her toe pick into the ice. Because of that, I've always avoided lunges. But it's a simple error and can be corrected with practice.
I'm going to have to work very, very hard on my spins, which are getting better, but for testing and competition purposes are still nearly nonexistent. I have a two-footed and one-footed spin...the rest are still works in progress. To make matters harder, as I mentioned, this program is screaming for some sort of layback at the end. I I really do not have one at all (ditto a camel; I do have a kinda-sorta sit spin), and think I might try a two-footed one instead of holding myself back by trying to do a real one. .
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So there is a lot more work to do than there would have been if I had had a coach all these years. But I still loved skating to music, even if I was really skating only at the beginning and the end.
Posted by szarembski2006
at 02:03 AM on February 14, 2009
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Posted by szarembski2006
at 11:58 AM on January 27, 2009
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(cross-posted from my buddy who used to be at The Worst Blog on the Web)
It's so bad that, while watching the 2009 Nationals, I felt like I was waking up after a 100 year sleep. There were no names that were terribly familiar except for that perennial also-ran Bebe Liang, who has the distinction of having competed in Senior Ladies for approximately 100 years even though she's only about 20.
I could name two of the three girls who ended up on the Senior Ladies' podium, but honestly, this was the first time I'd seen either of them skate. Both are perfectly competent. One has artistry and the other has athleticism, but neither has the "x-factor." They just aren't stars. There was one other girl who was the Ladies' champion last year -- Mirai Nagasu. She finished off the podium, but actually did provide a flash of the old human-interest element that has, until now, always been strong in figure skating in the U.S. But it was only for a moment, and then she disappeared just like her tears did during her freeskate and we were back to watching Hoosit, Whatsit and WhytheHellIsIt.
It's hard to put a finger on what happened, because the girls who ended up on the podium are lovely kids and excellent skaters by any measure. But they aren't great. They don't have the ability to make you cry like Michelle Kwan, or make you gasp like Sasha Cohen. You don't want to know what is going on beneath the hairdo like you did with Dorothy Hamill. In fact, Hamill was in the crowd, as was Brian Boitano, and Elaine Zayak was coaching. I kept thinking about how sad it was when the most interesting skaters at the competition were sitting in the stands and in the coaches' box.
I've read a few articles that claimed that the new scoring system is conspiring against the current U.S. ladies, who have always been more artistic than athletic. Hogwash. Actually, for years the U.S. ladies' artistry has been brutally criticized, especially by European judges. I remember Dorothy Hamill being derided as "too athletic; unfeminine," and she was far from the only one who received that kind of criticism. It has continued almost to this day; in fact, a few years back I seem to remember having heard speculation that U.S. skaters would suffer under the new scoring system because so much value would be placed on what used to be called "presentation" -- which is the exact opposite of the nonsense the experts are spewing out now.
There's also been some hint that the U.S. women are too old (as in, they're past puberty) and can't jump. Again, this is nonsense. It was nonsense even in the days of the 6.0 scoring system. Think about it: the U.S. men, save for one, have not been especially famous for doing quad jumps. Part of the glory of the new scoring system was supposed to be that it would bring to attention skaters who were not necessarily known as jumpers -- and this did happen in the men's division. But prior to that, the rest of the world had been quad jumping all over the place for the better part of a decade. Does this mean the U.S. men are too old? Why do we never hear that argument from the lousy pedophiles who keep making that argument about the women?
Again, this new scoring system was initially put in place partially to deemphasize the jumps. Too many skaters under the old 6.0 system were doing nothing but crossovers between jumps, punctuated by a few anemic spins. Remember all the grumbling about Tim Goebel -- the Quad King who couldn't skate? How about Tara Lipinski and Sarah Hughes, the triple-triple jump specialists who didn't seem to know one edge of a blade from another? (Oh, by the way, they were also both very, very young when they won the Olympics.)
The new scoring system was also put in place because the quality of the jumping of very young skaters often sucks. (Again, think of Lipinski and Hughes.) Under the 6.0 system, an underrotated jump could and would be ignored if the judges liked the skater enough, as could taking off from the wrong edge. This new system leaves little room for that kind of fudging; if you started your triple Lutz facing forward on your inside edge and ended it facing sideways or backwards, you underrotated a flutz and you will get marked down accordingly. Period. Interesting that these baby jumpers tend to do that quite frequently, and the older girls, who supposedly cannot jump anymore, do not do that frequently.
There have also been some claims that younger skaters spin better than older ones. Since when? That's so totally bizarre that it's not even worth discussing at length.
To make a long rant short, I don't like the new scoring system very much, but we got rid of the old one because it sucked even worse than this one does. There's no use bringing it back. It won't help any U.S. skater bring the title of Ice Queen back home with her.
It is possible that once again putting up a barrier between Olympic-eligible and professional skating would help the situation a bit. It would force skaters to make a choice to keep in serious competitive shape, or leave it all behind forever in favor of slow ballads, feather boas and excessive illusion fabric. The trouble is, once they go over to the pro's they seldom make it back. However, the idea that they can come and go as they please is still there, and I believe it cuts into their dedication a bit. Then again, that only applies to the top names, and we don't have any right now in the women's field.
What will really take care of the problem is time. Among young kids, fashions come and go. Figure skating is wildly out of fashion with young girls at the moment. There has to be a breakthrough, genuinely interesting skater who will draw the girls back into the rinks in figure skates, rather than hockey skates. She will come along eventually.
She's not there now, though, so unless there's a miracle girl who streaks to the top in the next year, we can probably call this Olympics off as far as Championship Ladies is concerned. But the men are interesting; there are three or four who are actually true, international-quality skaters. That's more than we've had in years. And we do have one good ice dance team. Pairs...well, we do have one good ice dance team.
Meantime, let's forget the bullshit about the new scoring system and all the pedophile longing for the good old days of prepubescent skaters. The days of supposed 6.0 perfection never were (or else we would still have that system), and the only thing those little jumpers ended up with were new plastic hips for their 20th birthdays.
So don't panic. The girl we need is out there somewhere. Maybe she just learned to walk last week, or maybe she's slugging it out at the Juvenile, Intermediate, Novice, or Junior level. In time we will know her name, and these barren days will be forgotten. In the meantime, if all these commentators would just stop being stupid long enough to allow us to watch the skating without getting a headache, it would be lovely.
An aside to Scott Hamilton: I skate like a tall person. Get over it.
Posted by szarembski2006
at 11:20 AM on December 12, 2008
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I woke up this morning with, almost miraculously, almost no pain in my back and none at all in my leg. So, although it was icy cold out, I made myself go skating. It wasn't a real good skate this morning, but at least I put some names to the faces; for only the second time since I've been back skating (which admittedly hasn't been long), that mysterious adult pair team showed up again this morning. It was a good thing, too, since I'd walked into Iceland and found the front office completely dark and shuttered, and the rink itself pitch black as well. There didn't seem to be anyone around.
I put my boots on and waited...and waited...and with my back threatening to act up almost decided to leave, when a man I recognized as one of the pair skaters I'd seen a few months back came through the outside door, followed not too long after by his partner and their coach. We actually talked a little this time; I found out the pair skaters' names were Keith and Mary, and they have not tested or competed yet, although they have been doing pairs for four years. They figure they are about Bronze level.
Their coach is Jeremy Allen, who I thought I recognized and got curious enough about that I did a search and found out that he had been one of Laura Handy's partners.
Their arrival prompted me to go search for Garry, who had given up on anyone coming for a freestyle and gone to work in the back somewhere.
I could only stay on the ice a half hour, so didn't get any further chance to talk. But maybe they'll be back someday. It would be nice.
As for me, I'm back to playing "musical boots." I own two very different pairs of skates: one is Riedell Bronze Stars fitted with M-K Vision blades; the other pair is an early version of the Jackson Elites fitted with parabolic Professional blades. Talk about polar opposites! The Riedells have been making me very happy since I've had them, but now I'm wondering if, with the back problems, I should go back to the higher heel, more supportive boot and flatter blades the Jacksons have, if for no other reason that it will prevent me from so often feeling like I'm about to sit down suddenly.
I'm going to go to Oakton's pro shop in a few minutes to pick their brains. It could be that like last week, I just had a bad day and am going to have to deal with it. And find a chiropractor.
Later...
Well, I had the blades on the Jacksons sharpened and went for a short time into a public skate at Oakton to try them out. Generally, although I still have difficulties bending them, I feel more secure with the flatter blade, and it's actually easier on my knees to skate in the Jacksons than in the Riedells. However, with the flatter blade on the Jacksons, my spins made a quick disappearing act.
So now I'm in a quandry -- should I have the blades swapped and use the Jacksons? I'm so tired of this, especially since I love those pliable Riedells. Plus, I don't really think the Riedells caused the back problem to begin with...
Posted by szarembski2006
at 01:10 PM on December 11, 2008
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During my bout with whatever-it-was a few weeks back, I was confined to bed for 2 straight days. During that period, I developed a literal...for lack of a nicer way to put it...pain in the rear that radiated down my right leg and was so intense that I couldn't bend the leg. It resolved after I was back on my feet.
Until now. After ending a scratch spin in a sit-and-twirl last week, the pain is back with a vengeance. The only thing that relieves it is going to work and standing for 8 hours. I was supposed to go skating this morning, but thought better of it.
I suppose I need a chiropractor now. I'll have to call the insurance company to see if it's covered. 
Posted by szarembski2006
at 12:11 PM on December 05, 2008
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As the song says, "Spoookaaay, spoookaaay..."
I had all sorts of trouble with my left leg again today. It just didn't want to work. It got so bad that I almost bailed out of a waltz jump on my nose, and I ended a scratch spin on my rear end.
I'm always willing to blame the blades when I have a day like this, so later I'll go to the pro shop and they will, once again, reassure me that it was NOT the sharpening
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