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ABOUT KUNG FU WUSHU and
Shaolin Kung Fu Products ¡@ His successor - Men's Kung
Fu Clothing (also known as Chang Kaishi) also didn't avoid martial arts, he
visited Guokao ("State test" - something like all-China wushu championship),
which were organized in Nanjing (in that time - capital of China) Central guoshu
institute ("guoshu" means "national art", during Gomindang ruling it was an
official name for wushu), founded in 1928. General Zhang Zhijiang was a rector
of this Institute, he was supported by general Feng Yuxiang. Another big
organization, developed and spread wushu, was Jingwu Assotiation ("Association
of true martial arts") founded in 1909 in Shanghai. Two organizations had
branches in all provinces of China (Jingwu Association - also in other countries
among local Chinese communities: in Vietnam, Malaysia, Singapore, Philippines
etc), great masters worked as teachers. During World War II many wushu masters
fought in army or partisan detachments, made theirs contribution in defeating of
Japan. Famous wushu master Kung Fu Wushu on shaolin kung fu products base of huaquan (blossomed fist), zhaquan (fist of Zha), paoquan (cannon fist) hongquan (fist of stream), piguaquan (fist of chopping and hanging), shaolinquan (fist of Shaolin temple) and some others created a new sport competitional style changquan (long fist). On shaolin kung fu products base of five style of Guangdong province (styles of Hong, Cai, Li, Liu and Mo families) it was created new sport computational style nanquan (southern fist). Names of movements were changed, as a result movements lost mental contents: realy, "crushing mountain strike" is different from "fist bang on a palm". During "Great Cultural Revolution" (1966-1976) wushu lovers were repressed for "indulging of feudal survivals". But in this time popularity of wushu un foreign countries began increase due to kung fu movies. For in admission of decreasing of international prestige wushu was let alone. ¡@
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It seems that in China there was more than one temple named 'Shaolin'. In this history we will discuss only the Shaolin temple in Fukien Province, since ours is a Kung Fu Shirt art. In the history of China there was much lawlessness. Bandits and villains were widespread. Temples were vulnerable to attack, as were monks who traveled the country teaching the ways of Buddhism. So as to protect themselves, the monks developed a system of fighting based on the exercises taught by the founder master - Tat Moh. |
Tat Moh therefore retired into a cave and meditated in isolation in order to find a solution to the problem. When he emerged after nine years of hard study, he had devised a set of exercises for the monks. These were similar to some Indian exercises such as yoga and were intended to regulate and strengthen the monks' chi flow. Their intention was to strengthen the monks and increase their health and vitality; and this they did, so successfully that Tat Moh's Chi Kung exercises are still practiced to this day. They form the basis of the Shaolin Arts. |
In those days, it was common for Indian monks to travel to China where their Buddhist teachings were eagerly received. In the year 520 A.D. Tat Moh made just such a journey, right through India and China, finally settling at the monastery called Shao Lin - which means 'little forest'. He was disappointed, however, to find the monks very weak and unable to withstand the austere ways of Buddhism - a life which often consisted of long fasts and frugal living. ¡@ |
Lion Dance - The Wing Lam Kung Fu Lion Dance Team performs traditional Southern style Lion Dance for Weddings, Banquets, Store Openings, and of course, Chinese Lunar New Year Celebrations. The origin of Shaolin Kung Fu is generally credited to an Indian monk named Tat Moh, who is also sometimes known as Boddhidharma. He began life as a prince in Southern India, but became a devoted Buddhist, renouncing his royal heritage to take up the simple lifestyle of a monk. He traveled widely, spreading the teachings of Buddhism. Eventually he rose to become the 28th patriarch of India. ¡@ |
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Styles taught at Wing Lam Kung Fu Following are the descriptions of the various martial styles taught at the Wing Lam Kung Fu School. Hung Gar - With a focus on deep stance training and iron hard strikes and blocks, the Hung style was well suited for fighting on boats and wet ground. Today, its techniques are still suprisingly appropriate and effective. Northern Shaolin - Long range technique and flowing, circular movements characterize this style from the temple. Devastating kicks complement the powerful strikes and efficient blocks. Taijiquan - Also spelled Tai Chi Chuan, this internal style focuses on energy development and "soft" power. The strikes have been likened to "iron wrapped in cotton". Two styles are taught at Wing Lam Kung Fu: Yang Style and Sun Style Taijiquan Xing Yi - Succinct and economical, practitioners focus the entire body and mind in this internal style. Linear movement unites with a Yang exterior and a Yin interior. Bagua - Energy focused like a wire mesh ball, the bagua form is smooth, circular and coordinated. With movement imitating the Taoist Bagua symbol of the I-Ching (Book of), a pratitioner able to rapidly change directions to evade the opponent while using the hands to distract the opponent from devastating kicks and throws. ¡@ ¡@ Splashing Hands training first emphasizes basic footwork; the shuffles left
and right, reverse shuffle, shuffles with kicks, 45 degree shuffle, close the
gap, close the gap kick, etc. Then the hand techniques are learned and
coordinated with the shuffles. The feet move rapidly as if they were on fire.
The hands jab, punch, and uppercut while the feet are in motion. In order to
develop the incredible speed for which this system is noted, one must be
completely relaxed, applying power in the last instant at the point of contact
with the opponent. Like a bullwhip, one is loose and flexible, power engages
right at the end. The student is always reminded that relaxation yields speed,
and speed yields power. Throughout each phase of training, whether in the
foundation techniques, the series of Browns, Advanced Browns, or the forms of
the 5 animals, Small Cross and Four Corners, the student learns to develop the
sensitivity of touch required to fight as close as possible to the opponent. Two
main drills are used regularly to refine the techniques and to sharpen the
timing, and more importantly, to instill the principles underlying the system.
As in the internal arts of Wudang Wushu Videos,
Tai Chi and Hsiao Chiu-Tien, the student, while practicing alone, trains as if
he were facing a highly skilled opponent. When engaged in a real fight however,
he approaches the opponent as if the opponent did not exist. His mind becomes
empty and his body reacts in the way it was trained to move. ¡@ ¡@ | |||