Scottish Music Hall &
Variety Theatre Society

The glorious days of Scottish Music Hall and Variety Theatre

 

INFORMATION WANTED

If you have any information which will help with these requests, please contact our Secretary Bob Bain at bob.bain@ntlworld.com

Bob Roberts Productions

Royal Quixotes Concert Party

Researching Concert Parties,of the 1920s and it will be appreciated if any member of SMHVTS could provide information on 'Bob Roberts Productions' and Royal Quixotes Concert Party, touring  pavilions, theatres, 1920s. Bob Roberts, may, possibly, have been related to John Roberts, singer, 1924 - 1930, and associated with Beltona Co., North East Scotland. 
 
Best Wishes,
 
Mike Williams.
 

Roy Barbour

Roy Barbour

My Grandfather was Roy Barbour, the Northern Comedian. I know he worked in Scotland many times but do not know where. I would be glad of any information anyone can give me. His father Alfred Ernest Crawley or 'Al Norman' or 'Curly Jackson' also worked as a light comedian and appeared in Scotland.

My parents Jean and Peter Barbour performed at Her Majesty's, Aberdeen in pantomime and in many other theatres in Scotland. As Sue and Peter Barbour, my father and I also performed there, as well as in Ayr for Butlin's in 1975 and later at the Adam Smith Centre, Kirkcaldy with Frankie Howard and at the Pavilion Theatre, Glasgow.

I have started to do research on the days of 'Variety Theatre' and would be pleased to hear of anyone who toured in those days. Also, any 'Children of Variety' who like myself, had an unusual childhood.

I have great memories of performers like Denny Willis, Johnny Mulvaney, and of course, Johnny Beattie. Please could you tell him that I am still in touch with Spike and Chris Black of 'Fresh Aire' who appeared with him at the Gaiety Theatre, Ayr in 1975. In fact, I am going to stay with Chris for a month in September nr. Brisbane, Australia and see Spike frequently in the UK.

Once again, thanks for a great website,

Best regards,

Sue Barbour

sbigbootb@gmail.com 

Brunskill & Loveday

BRUNSKILL & LOVEDAY

In 1899 my late Father, Ted Loveday, started a Theatrical Scenery firm which in 1939, amalgamated with a Scenery firm owned by a Mr. Brunskill to form ‘Brunskill and Loveday Ltd’ The Victoria and Albert Museum’s Theatre Museum in London has a ‘Brunskill and Loveday’ Archive, as we do here in our registered office in Berwick – upon – Tweed: And although our archive is noticeably bigger than the V & A’s, we are constantly on the lookout for theatre programmes that we have not yet got and which feature ‘Scenery built by Brunskill and/ or Loveday’.

We currently hold records of well over 4,000 shows of all types (Variety, Music Hall, Legit, Ice Shows, Open Air Shows, Ballet, Opera, etc.) for which ‘Brunskill and/ or Loveday’ built the scenery but to date we have programmes for only 67% of those shows; and so I am constantly looking for those ‘missing’ programmes.

Throughout much of the 20th century ‘Brunskill and/or Loveday’ shows went into theatres all over the United kingdom (including many theatres in Scotland such as the Theatre Royal and the Kings in Glasgow, the Kings and the Empire in Edinburgh, and His Majesty’s in Aberdeen) as well as theatres in the United States and elsewhere: And therefore there is a reasonable chance that you just might have at least one of the programmes I am looking for. Dependent upon the condition, we usually pay between 50p and £2.00 per programme.

So, if you think that you might have a ‘Brunskill and/or Loveday’ programme that I might be looking for, please either e-mail on theatricalscenery@tiscali.co.uk or fax me on 01289 30 58 56 or write to me at Brunskill and Loveday Limited, 55 -57 Bridge Street, Berwick – upon –Tweed, TD15 1ES. Many thanks

TED LOVEDAY, MANAGING DIRECTOR

BRUNSKILL AND LOVEDAY LIMITED

Member of the Scottish Music Hall & Variety Theatre Society

Gintaro

Dear Sir,

I am researching the life of a juggler and top-spinner called Gintaro.He toured with Sir Harry Lauder and appeared in Scotland throughout his long career (eg in 1903 at the Glasgow Empire and in 1946 at the Palace Theatre (Edinburgh, I think).Towards the end of his career (1941 onwards) he used the name Ziska instead on Gintaro.

His wife Isabella McAndrew was Scottish The earliest record of his appearing in Scotland that I have was on 23 September 1903 at the Glasgow Empire. He toured America with Sir Harry Lauder from 1922 - 1924 (I am awaiting a photo of this tour from a library in Scotland). In the 1930s he appeared at "The Empire Theatre" which I think was in Edinburgh, and in 1946 appeared there under his new name of "Ziska".He died in 1952.

Peter Brunning

Charles J Cawood

I am interested in finding out more about my grandparents family who were all working in Music Hall and the theatre in the late 19 and early 20 century. After doing some research I wrote to Roy Hudd at the British Music Hall Society. He suggested I contacted you for information about the theatres in Edinburgh from 1871 to 1906. My grandfather, Charles John Cawood (1868-1943), was Acting Manager of the Empire Palace Theatre there between 1899 and 1906 and I have a scroll presented to him, recording this. I have recently spent a few days in Edinburgh and was delighted to find in the library, details of the Edinburgh theatres at that time, including a receipt book from the Empire Palace in 1903 for the fees of artists like Harry Lauder and Little Titch. Charles was classically trained, a violinist, and leader of a theatre orchestra, somewhere in Edinburgh in the 1890s.

His father John Cawood 1837-1903 was also a theatre manager, in fact is noted on his marriage certificate in 1868 as Acting Manager of the English Opera Company. This I think was in Leeds, from where the family moved to Edinburgh in 1871. In 1873 on his daughter’ s birth certificate he is noted as Acting Manager of the Princess Theatre Edinburgh, which I believe was staging Gilbert and Sullivan at the time. In the 1875 professional directory he is a theatrical agent, and in 1881 and 1891 census again theatrical manager.

I enclose a copy of the script of the scroll and details about my grandmother, who probably appeared on the halls in Edinburgh from 1900 till the family moved down to London in 1910. I just wondered if you could add any further details for me about the English Opera company, and the theatres and Music Halls that were active in Edinburgh at this period, or refer me to someone else who had a similar interest. Thank you for taking the time to read this and for any help you can give me, including any book titles you can suggest.

Yours faithfully

Brenda Young

Script from Scroll

Presented to Charles J Cawood by the staff of the Edinburgh Empire Palace Theatre on the occasion of his vacating his position of Acting Manager. This address is an acknowledgement and appreciationof his kindly and courteous disposition and as a token of the high respect and esteem in which he was held by the entire staff of the theatre. The staff assure Mr Cawood that he carries with him their most sincere good wishes for his future welfare and success.

11 May 1906

George Sinclair, Hewel Hall, Harry Stewart, James Howorth

 

Theatre Royal Glasgow.

I'm the Deputy Stage Manager at the Theatre Royal in Glasgow and i'm currently researching the history of this fantastic theatre, but i've come up against a bit of a dead end when looking into the original build in 1867.
 
The first theatre was built for James S. Baylis of the Scotia and other music halls in Glasgow. The architects were William Clarke and George Bell and the name until 1869 was the rather grand "Baylis's Royal Colosseum Theatre and Opera House (or Concert Hall), when it became the Theatre Royal with a change of management.
 
My problem is in finding plans or any other information on the original build. I have excellent news paper reports, from 1867, on this first theatre which describe the place in vivid detail, but I can't find any other information - show bills, ground plans, programmes - anything!
 
Do you think that any of your members might have any information which could assist my search?
 
Also any other info on the music hall which ran along Cowcaddens called The Bijou / Alexandra Music Hall / The Oxford Cafe. This has long gone, STVs offices sit where the auditorium once was and our own offices and function rooms occupy what was the stage. It was on the first floor above what is now the Theatre Royal box office and cafe bar. The Proscenium wall and the Stage Left and Up Stage walls - with windows in - still remain and can be seen from outside.
 
Any help you can give me would be very much appreciated.
 
Many Thanks,
 
Mike Hall,
 

Alan Gordon

 
ALAN GORDON (tenor)
 
I am looking for information on Alan Gordon, a Tenor from around the 1950's. He would stand to stage right, at the footlights and sing aria after aria, mostly without musical accompaniment and with just the spotlight upon him and held the audience spellbound.
 
I first saw him with the Jack Milroy Show between 1952/3 at the Tivoli, Aberdeen and he appeared some while later in the 1953/4 pantomime Cinderella with Jimmy Nicol (thanks to J. H. Littlejohn's book 'Aberdeen Tivoli' for the correct years) and repeated his hold on the audience and myself. I have never forgotten this tenor and even at the age of 12-13 I was taken by his fine singing.
 
During a visit to the workshop when I worked at the Tivoli in 1962 I asked Jack Milroy about Alan and while he remembered him he didn't know what became of him. It would be nice to learn something about Alan and what became of him. If you know anything about him I would appreciate hearing from you.
 
Kindest Regards.
 
Bill Reid.
 
If you have any information on Alan Gordon please e mail Bill Reid at the address below:
 

Hettie Gould

I am doing research on my grandmother, Hettie Gould,  who was in the music hall probably between 1907-1914.  She married my grandfather in Glasgow on November 1913.  One of the witnesses at her wedding was Edwin Firth also a music Hall artiste.  I believe they must have been a concert party touring around the  U.K. at that time.  She was lodging at Calderhead Cottage, Station Road, Shotts.  I believe main line trains went to Glasgow from Shotts.   She was a mezzo soprano and I think also played the mandalin.  We have photos of her, one of which was taken by Alexander Roberts who was a professional photographer in Edinburgh. In our family photo collection we have a picture of Elizabeth Firth who performed as Natalie in the Merry Widow at Daly's Theatre London in June 1907.  It was very successful.  I think she might have performed this in Glasgow in about 1908. 

CORRINA BOLTON

If you have any information for Corrina, please email it to either:

Derek Green: Chairman -  ghost.green1@btinternet.com

Bob Bain: Secretary -  bob.bain@ntlworld.com

 

 

Barrfields Pavilion

Hi.

I am researching into the history of Barrfields Pavilion, Largs for the 75th Anniversary this year. I would be grateful if anyone could share memories of the theatre with me at the below address:

Ryan Moir

 tvplayers2000@yahoo.co.uk

Harry Lamb

I have for a number of years been trying to obtain information on my Grandfather who was involved on the Music Hall circuit during the first three decades of the 20th century, using the stage name of Harry Lamb.  His real name was John Alexander Burke, born in Dundee on 6th April 1881 and died at 31 St Andrew Street, Glasgow on 1st March 1951.

The only information I have regarding his Music Hall career is a copy of a business card which contains the following details:- HARRY LAMB, The Paradox Comedian, Author and Composer - On Tour.

Any information you may have on my late relative's career would be greatly appreciated.

Alan Melville

24 Gleaneagles Way, Livingston, EH54 8EW

 

Peter Sinclair

 

I'm researching the career of Peter Sinclair, who was a singer of comic ballads in the Harry Lauder tradition. He also sang ballads that had been popularised by Will Fyffe. In his comic patter, between the songs, his styleof humour was much like Lauder's.

He was born in 1901 in Kirkintilloch. Before the Second World War, he toured the Scottish music-hall circuit, where for a time he had a double-act with Dave Bruce. In the late 1930s he began to appear in the North of England,where he was billed as the "Cock o' the North" after the traditional Scottish ballad of that name, which was the song that was most associated with him.  He was on the Collins circuit in the immediate post-war period. He appeared at the Winter Gardens, Rothesay in the 1950's, and at The Tivoli Theatre, Aberdeen in the Forties and early Fifties, as a top-liner. He also played the Clyde holiday resorts.

He had an unusual hobby, of collecting crooked sticks, which he may have gotten from Sir Harry Lauder, who also collected them. Or it may just have been a gimmick, adopting an eccentricity that people associated with Lauder in order to strengthen his own association with Lauder in the public's mind. Peter Sinclair played Scottish parts in musicals in London, and became well known on the radio as the grandfather to Lancashire comedian Jimmy Clitheroe. His daughter, Wenda Sinclair-Cohen, was also in show business. He died in 1994, at the age of 94, and is buried in the Auld Aisle Cemetery in Kirkintilloch.

I'm particularly trying to find any details of his pre-war career on the Scottish music-hall circuit, or any information about his act with Dave
Bruce.

Best wishes,
Sandra

Sandra Skuse & Stephen Poppitt
Jimmy Clitheroe - The Kid Himself
www.JimmyClitheroe.co.uk/