The Helicoid Center - Dadaism - Surrealism and THE SUREAL
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R.S. Beal 'The Inventions of Culture' Oil (DETAIL) 38 by 48" 2007
While Dadaism was not the first modern movement to introduce 'Manikens', Store dummies and Dress models into art, as a legitmate form, it was they and Giorgio Chirico who took it to a new, heightened level of metaphysics and philosophy in modern art. His presumptive, composite heirlooms were a signal and harbinger for Paul Delvaux and the likes of the First Generation Surrealists. Even Vermeer utilized Dress Manikens in his exquisite Helios Depictions of trompe oil seen thru 17th Century 'sunlit' Windows of imagination. The contemporary artists, utilizing The Artists Wooden Model, store manniquins and composites, as he does, depicts scenes from beyound even 'subconscious' imagination and sublimated dreams. It was 'Surrealism' that opened the Door To this Oneirical and heliclined subconscious that gradually ascends both upwards and downwards in a simultaneity of equivalant coincidence beyond even mans 'rational' perceptions and his absurd willful desire to CONTROL the cosmos and its intermediatory, extraordinarily unique environment.
A fur-lined 'teacup', a flying saucer in the shape of a spoon, a mesmerized and irrelevant flat-iron in the shape of a female breast . . . these are all components for the often sardonic and the ludicrously deceptive worlds of Surrealist imagination. Not a substitute for the managed labels of rationality and the well ordered universes of science, politics and mathematics, the Surrealist iconography yet encompasse's both worlds of order and chaos and recombines them into a new dialectic of mystery and imagination. 
R.S. Beal 'THE LABYRINTHE' OIL (44 by 58") 2000-02
The Freudianized belief in a noble civilization is somewhat absurd considering the equivalence and ambivalence of the current term and the amount of the current gold standard.
Ready-mades, anti-art and psycho-photographical phenomenal incursions into seemingly perfectible 'human faculties' are ludicrous in the light of real day and the so-called 'expert' art-critics.
The 'World-at-Large' is neither specific nor definite and is certainly not based on squalid geometrical parallels of prejudice and jaundice. R.s.BEAL (2004)
'Any pictorial or plastic work(s) is USELESS; unless it (the) least be a MONSTER capable of terrifying the lackey-spirited, and NOT the honeyed food-bar decorations dear to those animals dressed up as men; let them not be illustrations of the squalid fable of humanity' - TZARA (1918)

R.S.Beal 'The Small Fuehrer' Oil 40 by 40" (approx.) 1990-91
Original Work: $4000.00 US (shipping paid) Unframed
Note: (See also 'The Jesuit Bone Communion' for the Fourth and Final Version of 'The Small Fuehrer): A series of Four works in oil from 'The Infinite Observator' series. Please use your browser back button.