I currently concentrate on an american version of a centuries-old Japanese firing technique. It requires the removal of 

the item from the kiln at a temperature over 1800 degrees Fahrenheit. Scroll down for more pictures.

Next it is transferred to a sand pit, where it is sealed in a can of combustible material. I use shredded newspaper, dried leaves,

straw or sawdust. Each can give a different surface effect.

larger piece require a larger container and more combustible material.

Smoke follows the fire as seen in this sequence. I'm still there, behind the smoke!

After cooling in the can for some time, the piece is scrubbed free of residue using water, scrub pads, cleanser and brute force.

The fire in the can causes a reduction in oxygen resulting in beautiful effects including metallics,

crackles and swirls of color from the fire.