Local
New England Promoter, Anders Mar tells Bones about the
North Eastern Scene..
VOB: Hey.. How are you?
Anders: Doing okay, I guess. Preparing for the next round
of shows coming up in July at the moment...and of
course, The New England Punk, Goth, & Metal Fest in
October, which is an enormous undertaking.
VOB: Tells us a bit about yourself, where you're from,
how long you've been in the music industry.
Anders: I count Rochester, NY, as my hometown of sorts,
but I have lived in Canada, Maine, and now Boston.
I've been performing semi-professionally as a vocalist
since adolescence; my first major band was Solace, an
Upstate NY grunge outfit circa 1993-94. Dark Sky
Productions is my current company. Gallows Hill is my
current music project.
VOB: What do you do as a promoter? What bands? What
Avenues do you use?
Anders: I book bands, manage bands, set up nights/series,
issue press releases to the local media, do internet
promotion and flyering/postering, and try to revive
the New England underground music scene. I currently
handle booking/promotional/managerial duties for the
following bands: Lilac Ambush, The Leon Rich Band,
Amun Ra, and Motherseat, with more signing onto my
production company's roster every week.
VOB: What got you started? Any Inspirations?
Anders: I started working in listener-supported radio when
I was a teenager. That gave me the opportunity to give
obscure bands, especially local bands, airplay and
exposure. In the early 90's, along with some friends,
we booked all-ages punk shows in church basements. But
that was pretty much the extent of it. I didn't expect
it to blossom into the point I'm at now.
As for my rise in the Boston scene, I credit the
launch of DARK SKY PRODUCTIONS to one Lauri Murphy, of
the band Lucretia's Daggers
(http://www.lucretiasdaggers.com). She began hosting a
darker music series at The Skybar in 2003, and was
booking my friends' bands, so I was out at all the
shows. In May of 2005, Lauri decided she needed to
concentrate on Lucretia's Daggers, who were starting
to get some acclaim in the New England scene, so she
approached me about taking over the series. The rest
is history. I'm building an empire. ~laughs~
VOB: Is band promoting tied in with your running shows?
Anders: Yes. I take a 12-mile walk every Saturday to drop
off flyers for my shows at coffeehouses, record
stores, college campuses, bookstores, clubs, etc. I
need to get the word out there, esp. in the Boston
scene. Bands here are paid based on how many people
they draw at their shows. It's my job to ensure that
my people get paid. I'm the advocate for the little
guy, totally DIY.
VOB: Tell us about the offerings of Dark Sky.. What is
it? Who gets booked? Where is it?
Anders: We host at The Skybar (http://www.skybar.us) in
Somerville, Mass. (a suburb of Boston). I deal with
the "darker alternative genres" - goth, industrial,
deathrock, synthpop, ethereal, etc. Every 3 months, I
will do a metal show. I am basically looking for bands
who can draw, and not with a crayon, either.
VOB: What bands have you worked with? Any memorable
stories worth sharing?
Anders: Probably close to 100 by now. Lilac Ambush stands
out, because I first booked them for a show on
6/17/04, and that night as I was giving them their
payout, they wanted to hire me on as their manager!
I'd never managed a band before this, and I told them
I'd give them my answer the next day. I wrote a
heartfelt email to them, expressing my concern and
trepidation that I might not be qualified for the job,
esp. not having the connections they might need in the
Boston scene, being from Rochester and all. I was
honest with them about my qualms - I never want to
misrepresent myself or my abilities, ya know? That
just wouldn't be right. Spleen (the guitarist) emails
me back and tells me, "Oh, we're from Rochester, too!
Small world!" and I kind of took that as a sign of
sorts. I've been managing them over a year now and
they've been wonderful people to work with. I'd love
to see them get signed. They're at that level now.
VOB: How do you feel about bands that use the stage or
microphone to convey their beliefs?
Religious,political, etc.
Anders: I'm less concerned about that, than I am about the
professionalism of the live performance, and the music
itself. Certainly, I've had bands that some
venues
have found "a little controversial" and asked me not
to bring them back - KLONE, for instance - where the
band's members dress up as political figures and do
skits involving the audience, but I believe in the
right to freedom of expression and entertainment. I
stand by the bands that Dark Sky Productions hosts and
works with 100%. I've also dealt with alot of
"shock-rock" bands - Voodoo Screw Machine and AbSynthe
come to mind. I actually love theatrical bands like
that.
Frankly, I'm more concerned with substance, than
content. People come out to see a show, they want to
be entertained. If they are entertained, they tell
their friends and I get an increasingly larger turnout
at my shows. I've taken chances on bands that other
venues won't even touch, and it's boded well for me.
VOB: What are your plans for your role in the music
industry? Within 5 years? Beyond 5 years?
Anders: My joke is, I plan to be running the Boston music
scene within 5 years. Perhaps I'm not joking!
Actually, if you want my flat-out vision, I'll tell
you what it is: My goal is to bring ethics and
integrity back to the Boston underground. I'm tired of
seeing bands getting ripped off by clubs, promoters,
managers.
Do you know that out of town bands, esp. West Coast
bands, often boycott Boston because we have such a bad
reputation? They'll go play in Northampton (some small
podunk town in Western Mass.), or adopt a
we-don't-travel-any-further-north-than-NYC policy,
because news on the street travels, and Boston has
been tainted in the eyes of many musicians. That, and
a few other factors (lack of all-ages shows being one
of them), have been killing our scene since the
mid-90's. It's got to change. Or we won't have a music
scene left at all. I hope to be the catalyst for
change. If I accomplish nothing but that, I'll have
succeeded.
You get kids hooked in young for the local music
scene, they'll be live show-goers for life.
VOB: What is the independent music scene like where you
are?
Anders: It has been dying since the demise of Homestead
Records (who carried such artists as Dinosaur, Jr.,
Salem 66, and The Volcano Suns) in the mid-90's. The
cutoff age for people leaving the house to go to shows
around here seems to be 26. After that, many live
music fans claim that this horrible disease called
"dayjobitis" has killed their show-going life.
Frankly, I think it's an excuse - I'm a suburban
homeowner, I have a dayjob that I sometimes work 50-60
hours a week at, and I have to be up at 6:00 am every
day...and yet I'm out at 2-4 shows a week! I've heard
every excuse in the book - some claim it's too
expensive to go to shows. Excuse me, when is $5-7
going to break the piggy bank? You know some people
spend that alone for a froofy coffee drink at
Starbucks. I've heard every excuse in the book. None
of them valid in *my* book. It's all a matter of
priorities. I have a huge task before me - I don't
need to change the scene, I need to change MINDSETS.
The "ban" on all-ages shows in Boston is a killer too.
Kids have the highest amount of disposable income, and
they love live music. They will buy a band's merch at
a show - CD's, T-shirts, because if they love a band,
they want some memento of the "local heroes" they so
passionately adore. Almost every venue in Boston is
now 21+. That kills my turnout. There's some state
policy here that won't allow minors in a venue where
alcohol is served. I'm trying to overturn it. Teens in
this town that go to alternative shows are so
militantly straightedge that I don't think there would
ever be a problem with having under 21's in a venue to
see a show. Our shows in Rochester are all-ages/21+ to
drink. They mark your hand with a big black "X" if
you're not legal to purchase beverages. I don't see
what the problem is. Boston needs to adopt a
Rochesterian mindset if our scene is ever to survive.
You get kids hooked in young for the local music
scene, they'll be live show-goers for life. Case in
point: my mom sent me to my first concert at the age
of 11.
There is a ray of hope, though. Recently, one of the
local bands here, The Dresden Dolls, developed a huge
cult following and somehow, got picked up to go on
tour with Nine Inch Nails. I believe that if anyone
can do for Boston what Nirvana did for Seattle, it
will be the Dolls. All it takes is one influential
band from a city to turn the eyes of the nation toward
what else is going on in that city. I believe it's
just a matter of time.
VOB: What do you think of the mainstream music scene?
Anders: As someone who worked in the radio industry for 11
years (both listener-supported and non-commercial),
I've seen things...trends...that have contributed to
taking popular music downhill. Circa 1997, major
labels started refusing to sign artists over the age
of 25. That's why you have so many Britney
Spears/Ashlee Simpson/Backstreet Boys and their clones
dominating the airwaves and MTV. We live in a society
that is obsessed with youth and beauty. And don't even
get me started on Clear Channel, because we'll be here
all day. ~laughs~
VOB: What advice do you have for Indie bands?
Anders: Be industry and business-savvy, so that no one
will take advantage of you. Don't offer to play shows
for free, unless it's a benefit - otherwise, word will
get around, and venues will think it's okay to stiff
you - at least get gas money/travel expenses, if
nothing else. Copyright your music with the Library of
Congress. Have a positive and respectful attitude in
regard to venues and promoters - it really does make a
big impressions. And honestly- don't quit your dayjob
- it's not the 80's anymore, where that would have
been a feasible option.
VOB: Thanks for your time.. Any parting words for the
readers?
Anders: If you're even in the Boston area, I'd love to see
you at one of my shows!!!

Ms. Anderson "Othniel" Mar
Independent Boston-Based Band Promoter
Email: Othniel77@yahoo.com