N2Deep

We are actually able to approach helping the artists in several ways when choosing to approach the sequential pages for submission. You actually have a lot to of leeway when it comes to do your pages. As writers of the story, we can:

A) Let you interpret the page into your own thumbnails for dramatic exploration. You have the creative control to lay out the panels based on the line description of what needs to be shown on the page...or...

B) We can provide you with the basic recommendation of the page layout by the writer for how it might be drawn for the comic, thumbnails, panels, directional arrows for camera angles, SFX, etc to inspire you as you create...or

C) We can also provide the guest artist with an exact Page Layout of how we want the page to be drawn, including script of the four pages showing sirection, camera angle, SFX, dialogue, and tone of each page to submit.

All these ways are excellent skills-building ways to approach the comic industry. As you are not limited to genre style when approaching these four page increments, the possibilities are endless. We no doubt will have american style entries as well as Manga. I am hoping that some artists will be dynamic enough to complete the submission in their own technique as style too. Its gonna be a blast!

Each artist will sign up to draw four sequential pages in a particular part or segment of the story sequence below. This page is designed to keep everyone apprised of whom is drawing which segment as well as what is available to be drawn. Use the Contact page to alert us that you want to reserve a story segment to draw. All reserved pags will be indicated by the page number be placed in Red rather than Black. Have fun you giuys and gals!

"Pennies From the Heavens..."

These are listed "one line is one page of the comic".

P1. A young man (mid-20s) skulking in shadows on a farm.

P2. Animals move around in the barn causing noise as he moves.

P3. Young man finds a bundled sack with a mysterious bulky item inside.

P4. Young man rockets away from barn as old farmer wakes up in bed confused.

------------------------------------------   Brian Proctor

P5. In Citrus City,Pontius walks into a restaurant kitchen which is very busy.

P6. Pontius meets a couple of mob guys where they complete an arms deal.

P7. A lackey comes in screaming that the cops busted the guy with the money.

P8. Entity inside Pontius fumes casing Pontius to break steel table in front of him.

----------------------------------------Tony Bennett / Germaine Webb

P9. High above city skyline, Rocket Gold zooms wildly.

P10. Rocket Gold heads up into the clouds but the engine cuts out.

P11. The rocket pack kicks back in as he falls toward the city below.

P12. Rocket Gold flies back to the lower streets of the city.

--------------------------------------------Jason Bullock

P13. Rocket Gold gets caught in a gang shoot out from both sides of the street.

P14. Rocket Gold zooms into the fray, taking the guns away from them.

P15. Rocket Gold grabs up one of the leaders by the collar.

P16. Rocket Gold flies upwards with the thug as a photographer snaps a photo.

--------------------------------------------------Germaine Webb

P17. Pontius walks onto his balcony to find the thug giftwrapped.

P18. Rocket Gold zooms away in silhouette.

P19. Entity talks as Pontius picks up the cellphone to call in help.

P.20 Elsewhere, a mystery guy in silouette hangs up the phone in the booth in some tropical place off the continental U.S.

------------------------------------------------- Briana Higgins

P21. Pontius is walking around his apartment royally upset with the deal screwup ; he leaves.

P22. Elsewhere, Lt Andrea Summerall leaves the Veteran's Hospital, walking down the street.

P23. She stops and smells the aroma from a hotdog vendor but her attention is quickly averted as an upper apartment explodes into a fiery blaze.

P24. The Hotdog vendor screams for Help! call 911! as Andrea leaps into the air up towards the building with her hidden bionic abilities.

------------------------------------------------- Olivia Townshend

P25. Andrea sails in mid-air towards the building.

P26. She barely grabs the window ledge, pulling herself up into the window.

P27. A fireball explodes from the window, singing off Andrea's hair and facial skin.

P28. Andrea's bionics trigger a nano-repair ( can be technical design if wanted).

------------------------------------------------ Marques Huff

P29. Andrea makes her way inside the blazing room, screaming for survivors.

P30. People gather below around the hotdog vendor who tells them what he saw.

P31. A police beat cop arrives on scene and all eyes look towards the burning window.

P32. The upper corner of the building explodes outward in smoke and flames.

------------------------------------------------ Keith Daniell

P33. Suddenly Andrea lands near the crowd, denting the concrete severely!

P34. In Andrea's arms is a young woman clutching a bundle of blankets turning out to be her baby boy.

P35. EMS and Firemen on the scene get the victims into an ambulance while the officer tries to detain a half naked Andrea.

P36. Andrea leaps into the skyline towards buildings away from the crowd and cameras.

------------------------------------------------- Jason Bullock

P37. Andrea "lands" on a water tower far away from the blazing building.

P38. She flashbacks to her time in Iraq where she was almost killed by a roadside bomber.

P39. The flashback continues of her time in the military hospital and her father ordering the surgery to begin.

P40. Andrea looks to her hand grasping the water tower rigging, crushing it, wondering if she will ever be accepted as  normal again.

-------------------------------------------------- Shad Wright

P41. Later that night, a silhouette is seen skulking around a warehouse on the docks.

P42. Outside the warehouse a very visible Pontius is seen discussing business with a man.

P43. Pontius walks inside the warehouse , inspecting the crates, revealing them to hold guns.

P44. Pontius takes a firearm and aims through it at the ceiling beams.

-------------------------------------------------- Brian Proctor

P45. Pontius takes aim at the silhouette on the beams and tells the man to come out.

P46. Pontius starts firing across the warehouse chasing the stranger with bullets.

P47. The Silhouette streaks into the moonlight shining into the warehouse.

P48. We see the silhouette to be the hero Street Knight.

--------------------------------------------------- ( Jason Bullock)

P49. Street Knight makes his way through the crates to attack Pontius.

P50. Out of no where Rocket Gold streaks in , crashing into Street Knight.

P51. Rocket Gold and Street Knight fight as Pontius gets away.

P52. "Super Mistake" Fight continues until Rocket Gold calls truce.

--------------------------------------------------- Don Chooi

P53. Police make the scene in response to warehouse alarms.

P54. Rocket Gold and Street Knight are quick to escape.

P55. Police Commissioner called by Detective Jonesy on scene.

P56. Commissioner puts out APB for Rocket Gold & Street knight ( who isunknown)

--------------------------------------------------- Jason  Bullock

P57. Next week, Pontius is seen at the University Science Buildings.

P58. Pontius and two henchmen are in the public tour in the University.

P59. Also attending the tour is an Independent Studies class , focusing on

        one geeky black spiky haired youth.

P 60. Pontius's goons make a play to steal a case containing a compound but

        cause it to detonate instead bringing down the buildings.

-------------------------------------------------------- Adrian Daley

P61. Campus Security is seen trying to keep gawking onlookers away from the rubble.

P62. From the middle of the architectural wreckage erupts a glowing humanoid form, encased in a red tinted aura of energy.

P63. Obviously a male, he levitates up above the rubble as cameras zoom wildly on him.

P64. A reporter takes center stage trying to explain what has just happend on University Campus.

-------------------------------------------------------- Jeon Alford

P65. The irradiated humanoid flies away erratically from the University campus.

P66. Not used to flying, he crashes into the side of a mall store in town.

P67. The crowds scatter from the rubble and newly formed skylight as the mallcops arrive.

P68. Police helicoptors convene overhead.

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P69. Scared shoppers started to move in on the naked glowing humanoid.

P70. He reacts by sending out waves of pure electro magnetic energy.

P71. The blast knocks out all electrical appliances, lights, cars, choppers, etc.

P72. The young man breaks into the local comic shop in the mall in the confusion.

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P73. Hiding amongst the boxes of backstock comics, the young man realizes he's naked.

P74. Grabbing a cheaply sewn Spiderman costume off the wall, the young man stops.

P75. He rummages through the comic boxes and grabs a handful of Marvel & Image comics.

P76. Splash shot of young guy running away on the mall rooftops away from the scene.

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P77. Later at the airport, a corporate jet with a foreign logo lands.

P78. A man draped in a trenchcoat and hat gets off the jet into the hangar.

P79. The stranger calls Pontius on his cell to alert of his arrival.

P80. A high tech car arrives to whisk the strange man away from the hangar.

----------------------------------------------------------

P81. Inside the car, the driver turns out to be Pontius.

P82. Pontius gives the stranger a dossier on the heroes in town causing trouble.

P83. Close up on Rocket Gold and Street Knight.

P84. Close up on Amber and photos of the fire in the apartment building.

---------------------------------------------------------

P85. Pontius asks how much its gonna cost him to get these folks out of the way.

P86. The stranger smirks as he grossly exaggerates the cost to Pontius.

P87. Upset, Pontius grips the steering wheel literally warping its shape.

P88. The stranger smirks again in a closeup scene from the rider's seat.

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P90. Elsewhere, the young college student from the University accident makes his way home.

P91. Skulking into his bedroom window from behind the bushes, he tries not to be noticed.

P92. Medium on him changing out of the costume into street clothes, we learn his name to be Chris Montgomery.

P93. Chris looks at the "spidey" costume and through the comics to decide on the "XMEN" look for a costume of his own.

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P94. The next day, Pontius is seen on television at a community center with his goons.

P95. The press have gathered around him asking questions of his underworld connections.

P96. Several police officers arrive to keep the crowds back from Pontius who claims he is just giving back to the community and its kids.

P97. One of the rookie cops is obviously upset at  having to "protect" Pontius.

------------------------------------------------------------

P98. Shouts and Jeers from the crowd of Pontius being crooked fill the air.

P99. Close up on Pontius daring anyone to get in the way of his business with the community.

P100. Somewhere in the city we see a large computer monitor zoom in on Pontius's face.

P101. The shadows around the person watching it from a high back chair hide the man's identity.

------------------------------------------------------------

P102. He rushes away from the large screen and the computer into a closet-like room.

P103. Close ups and Extreme closue ups on the different parts of StreetKnight's suit.

P104. Out from the alleyway nearby in the city, StreetKnight emerges.

P105. Street Knight scales the fire escapes to the rooftops answering Pontius' challenge.

-------------------------------------------------------------

P106. Across the town as the dusk arrives, a young man dons his gold helmet.

P107. Rocketing back into the cityscape, Rocket Gold spies someone moving along the warehouse again.

P108. Remembering his encounter with StreetKnight he avoids an ambush encounter.

P109. A blond chick on the rooftop asks Rocket Gold his intentions.

-------------------------------------------------------------

P110. Amber, the blond chick, accuses rocket Gold of being the firebug.

P111. Rocket Gold denies the action then is interupted as a missile explodes on them.

P112. Amber tracks down the missiles trajectory back to another building across town.

P113. Amber and Rocket Gold race through the cityscape to their attacker's location.

----------------------------------------------------------------

P114. Another missile tears through the sky releasing a net to ensnare Rocket Gold.

P115. Amber "lands" on the rooftop encountering the stranger from the airport.

P116. Rocket Gold lands in a dumpster.

P117. StreetKnight asks for a lift in exchange for setting him free.

-----------------------------------------------------------------

P118. Amber changes her arm into a barrage of gun turrets and launchers.

P119. The villain discards his trenchcoat to reveal his own well-armed costumed self.

P120. Just as Rocket Gold and StreetKnight arrive, the villain announces himself as BloodyHeart.

P121. A new hero joins the scene called Xeno, confounding all the others on the scene.

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