dancer facts

This is a fun list of dance truths, experienced by hundreds of dancers (especially ballet). This list was written by Daniel Rutis, and is being displayed with his permission.

You may print this list for your personal use only — please do not copy and paste it to your own Web site unless you have permission from the author.


  1. We have very little, to no modesty.
  2. When standing around waiting for something we must stretch something. Be it a calf muscle, a thigh or something else. It's an instinct.
  3. If the item is small enough and it falls to the ground, we have to bend over at the waist, any stretch is a good stretch.
  4. When we have a long strip of open floor we're yearning to do something across it, but are afraid of the looks we might get.
  5. We're constantly thinking of combinations we could do in the current area.
  6. We really would rather be dancing.
  7. We hate conceited dancers.
  8. Marking a dance isn't any fun.
  9. We do eat, we just work hard enough so that we don't gain any weight.
  10. Outside of class, we are actually very clumsy and accident-prone.
  11. Outside of the studio we don't look like dancers either, we slouch, we scuff our feet and we are completely un-beautiful.
  12. When in stores, dancing is imminent. Turns, jumps and poses are sure to happen as soon as the isle is clear.
  13. Crack the back, we must crack the back.
  14. If we try to crack the back, but fail, it's rather depressing.
  15. When we hear music we've danced to, we have to do a part of that dance, no matter who looks at us.
  16. Or we just run away. -Jane Logan
  17. If we have something we excel in, we have to show that one thing off, i.e., turn-out, perfect pointe, hyper extension, etc.
  18. No where else but in a ballet studio will you see so many people taking off clothing and no one batting an eye.
  19. When people ask to show off the one thing you do excel in, act like you hate it and don't understand why people like to see it.
  20. If we get hurt we lie and say we're okay, no matter how bad it is. "No, my ankle is supposed to look like that."
  21. If we're tired we lie and say we're not, "Sure I could go for another five hours, no sweat!"
  22. Hungry? Yup, you guessed it, lie! "I'm not really hungry. Just give me some water."
  23. Speaking of water, drink, drink, drink. Even if we're not thirsty, we drink. It looks like we're working hard.
  24. Dance has a specific smell non-dancers will never understand.
  25. Cracks, pops and other such noises are a dancer's body music.
  26. We make the most music in the morning.
  27. Classical ballet is harder than it looks.
  28. Don't jump on concrete.
  29. It's not uncommon to have "off days."
  30. "Off days" are one of the worst kinds of days we can have.
  31. If we have done something incredibly stupid and hurt ourselves, we must tell everyone how we hurt ourselves stupidly.
  32. If (and when) we fall on our ass, we have to make it look like we did it on purpose. Oh, and end it in the most beautiful pose you've even seen.
  33. If you do somehow hurt yourself and can't do class, you feel as though you have to at least sit and soak in what you can.
  34. Mean teachers will never make as big of an impact as kind ones.
  35. Every one dreams of getting into the Bolshoi, but we're realistic, we'll just set our sights for ABT... Okay so we're not that realistic.
  36. We're willing to try anything once.
  37. If we come close to doing something, we'll keep trying until we do it. And it must be perfect.
  38. Turning dreams are regular. It's not odd to have a dream where we do 30 or 40 pirouettes and land perfectly; this is the best kind of dream we could have.
  39. After these dreams when we wake up we think, "I've solved it! I know how to do perfect turns!" We never do though.
  40. We could hate a song, then do a dance to said song and if the dance rocks wind up loving the song.
  41. It's not unusual to buy a CD with a song we danced to, just for that one song.
  42. OBT (Oregon Ballet Theatre) sucks.
  43. After doing four, five, six or whatever you consider to be an amazing amount of turns, look around and pray someone saw you.
  44. No one saw.
  45. If that rare time occurs and someone does see you do six turns, they become your new hero and best friend.
  46. We always count the turns. No matter who's doing them we count: three, two, seven, every head spot gets seen.
  47. We do the best turns when messing around.
  48. It's insanely aggravating when we forget to count and we feel like we just did more than normal.
  49. The teacher never sees when you do something damn good.
  50. Our bodies feels like they are sixty.
  51. People who say ballet sucks should be beaten with a large stick.
  52. We all get shin splits sooner or later.
  53. The teachers pick on us personally.
  54. Waiting for class, 100 percent energy: "I can't wait to get to barre!"
  55. At barre, 70 percent energy: "I can't wait to get to center!"
  56. At center, 45 percent energy: "I can't wait to go across floor!"
  57. Across floor, 25 percent energy: "I can't wait for class to be over!"
  58. After class, "I can't wait for my next class!" energy 110 percent (fake energy).
  59. We find the rhythm in everything:, music, hammering, turn signals, walking, everything and anything.
  60. People who come the class to socialize piss off the hard workers.
  61. Everything is counted in eighths.
  62. We stand in variations of first, third or fifth and on rare occasions second and fourth.
  63. Ballerinas have the best bodies.
  64. All ballet dancers must hate cheerleaders.
  65. If you manage to do more than your normal amount of turns at the start of the day forget about turning well for the rest of class. You've used up all your turning power.
  66. Those movements we're doing with our hands are dancer steps: twirling a finger: turns; lifting our hands up and down: jumps; it's a complicated thing non-dancers will never understand.
  67. Nothing sucks worse than working your butt off in a performance, you go out for curtain call, and the audience gives you a pretty dang good response. Then a small child comes out who did nothing and the house blows the roof off the place. At this point we wonder, "I wonder how many rows I could kick that kid?"
  68. When some one falls down (and doesn't get hurt) at class, it's funny. When someone falls down in a show in a dance other than yours, it sucks for them, but it's funny. When someone falls down in a show and it's your dance, it's not funny.
  69. Watching ballet with non-dancers sucks, our pointing every wrong thing out falls on deaf ears, "Wow! Look at her feet!" "...okay..." "What a great pointe!" "...okay..."
  70. Watching ballet with non-dancers sucks. They point out stupid stuff, but we're quick to shoot them down and prove our dancing prowess: "Wow! They sure did a lot of turns!" "Not really, their right shoulder was up slightly and they only did four — I can do four!" "That sure was a nice jump!" "I've seen better, their foot wasn't turned out enough, the spits could have been higher, and their arms would have looked better in third than in fourth."
  71. When we say such things, that look you give us gets old.
  72. It's not uncommon for dancer to scream when watching a video of a really good dancer doing something incredible.
  73. There's always someone better than us.
  74. Show off discretely and act surprised when someone compliments you.
  75. Whine about how bad you are.
  76. Whine about how awful your body looks.
  77. Our legs are never long enough.
  78. Our jumps are never high enough.
  79. Our feet could have a better pointe.
  80. We could have better turn-out.
  81. We could be more flexible.
  82. We are always too fat.
  83. On video, we always suck.
  84. We want a clone, so we can sit in the audience and watch what a bad job we do.
  85. You've just done something astounding, hard, amazing, and the audience ... does nothing. As you stand, kneel, or whatever, you think, "Clap you rotten...."
  86. Pity claps suck.
  87. You've just done something not very hard, but you get a great applause. Try not to laugh.
  88. We've done the best show ever! It was that one rare time in our history when we danced perfectly. We proudly watch the video over and over, then two years later (sometimes more, sometimes less), we watch it again, and cry, because we looked really awful.
  89. When watching ourselves on video with non-dancers we must point out our mistakes, even though they would never notice.
  90. If we have room we must turn.
  91. If on hard wood or linoleum, we must turn, even if we don't have room.
  92. When our knee slams into the chair, cutting board, table, etc. after turning in the kitchen (or where ever), we must try again, to prove it wasn't us (it was the floor).
  93. Above all else, hate those who are better than you are, especially if they're younger than you.
  94. There are times when we don't bend at the waist when picking something up, in those cases we do great arabesques.
  95. Flexibility doesn't phase us.


    Guy truths

  96. We're not all gay.
  97. The one thing we want more then anything else: a comfortable dance belt.
  98. We want to be as flexible as our female counterparts.
  99. We that are straight don't think about sex in class.
  100. We hate watching the corps. We only watch ballet for the pas de deux and male solos.
  101. Female solos usually suck too, unless we know the girl, or she's really good.
  102. Girls who can do more turns than us suck.
  103. We don't mind tights.
  104. We wish more guys were into ballet. Then we realize that we have a better chance with low guy turnout, so fellas, keep the hell away from our profession!
  105. We know that to non-dancers (males in general), it looks painful but believe me when I say that the splits can not possibly hurt where you think it does.
  106. We want to wear pointe shoes, but not around girls for fear they would laugh at how much we suck on them.
  107. We want to do more turns then everyone and will kill ourselves trying.
  108. The first thing we think when walking into a new class: everyone's staring at my unmentionables.


    Guys in pas de deux class

  109. We lie, it does hurt when you kick us in the crotch.
  110. We lie, an elbow/fist to the face hurts like hell.
  111. It's rare when we're quick enough avoid a knee to the crotch or elbow to the face.
  112. When we do manage to avoid them, we feel like we have just won the lottery.
  113. It's fun to watch ourselves on video get punched in the face.
  114. Lifts under the armpits are gross.
  115. We get used to lifts under armpits.
  116. Right after a fist rakes our jaw we wonder, "Was that on purpose?"
  117. Practicing a dance without a tutu many times, and then dancing with one suddenly is not only hard, but dangerous.
  118. It's harder then it looks.
  119. When a girl starts to head for the ground it scares the hell out of us and we will try our damnedest to keep her from hitting.
  120. Partners who are afraid of heights are fun.
  121. Finding your balance is hard when you keep moving your feet around.
  122. This is our best time to show off.
  123. If (and when) we get hit, we would rather bleed. It looks cool and we like sympathy.
  124. We really are scared when we see an elbow take flight and come screaming towards our face.
  125. When no one dances with us in a pas de deux class, it's because we suck (that's what we think at least.)
  126. We wouldn't mind to hear the occasional "You're hurting me." Turn about is fair play.
  127. It's not as easy as the teachers make it look.
  128. If we grunt it's not necessarily the girl's fault.
  129. We'll never admit if the girl is heavy. That would make us look weak.
  130. Just because she small doesn't mean we want to dance with her.
  131. Some times the big girls are more fun to dance with.
  132. Sweaty leotards are gross.
  133. We get used to sweaty leotards.
  134. You know those slick shiny leotards you wear? Please don't.
  135. We can't watch a girl get partnered by someone who is weak, can't partner, or we hate.
  136. We have a hard time watching other people dance with the girl if we care about her.
  137. If we ever find our perfect partner, we never want to dance with anyone else.
  138. It is usually our fault... but not always, even if we say it is.
  139. Sometimes we can't tell if we messed up, or she did.
  140. When you throw off your balance we want to kick you.
  141. If we ever drop someone, we feel like we should be beaten to death.
  142. If we've been hurt at anytime in a pas de deux class we want to tell everyone.


    Girl truths

  143. Pointe shoes really do suck, they are pure evil, they are straight from hell.
  144. Leotard snaps are not only natural, they are utterly and completely necessary.
  145. Males will never understand leotard snaps.
  146. No matter how much your feet hurt, mine hurt worse.
  147. Blisters, raw skin, missing, warped and ingrown toe nails are all part of the game.
  148. Our bare feet are not pretty.
  149. Males should have to wear pointe shoes for at least a week, so they may know the hell we must endure.
  150. Girls with perfect ballet bodies make us sick.
  151. Young girls who want pointe shoes are foolish.
  152. Sewing pointe shoes takes too freaking long.
  153. Outside of class we have to wear our hair up. It just doesn't feel natural to have it down since we spend so much time in class.
  154. You can never have too many leotards.
  155. Breaking in pointe shoes is hell.
  156. Nothing sucks worse then killing a new pair of pointe shoes.
  157. There are so many different ways to break in pointe shoes they could never be counted.
  158. My feet hurt.
  159. It's not uncommon to see a bobby pin go flying when doing turns.
  160. Guys carry a pair of ballet shoes, we carry at least two pairs of pointe shoes, a pair of ballet slippers, sewing kit, hair kit, tape, toe pads, extra leotard, scissors, second skin, Band-Aids, water, and some things we probably haven't seen for years.
  161. It feels great to be able to do more turns then a guy.
  162. We're not all pretty, proper little prima ballerinas no matter how nice we seem.


    Girls in pas de deux class

  163. We don't always notice when we hit the guy.
  164. If a guy allows us to fall to the ground, we should be allowed to either kick him or kill him, depending on the height of the drop.
  165. It's hard to not correct our balance when you have us in the wrong spot.
  166. If we do hit you in a turn, we feel like we can't apologize enough.
  167. It takes a while to earn our trust.
  168. We hate to dance with people we don't like.
  169. If we ever find our perfect partner, we never want to dance with anyone else.
  170. If a guy treats us well we're more likely to dance with him.
  171. It's not easy just to jump in and dance with someone for the first time.
  172. It takes a while to get used to being lifted.
  173. Whip turns are scary with someone who knows how to belt out ten of them.
  174. Whip turns are scary with someone who doesn't know how to do them.
  175. Big lifts are scary if you don't know how well the guy can do them.
  176. Big lifts are still scary even when you know the guy can do them.
  177. Guys who force us to dance with them are jerks.
  178. If we make the guy grunt we feel like we didn't jump high enough.
  179. It's no fun to dance with a weak partner.
  180. Males: GET US ON OUR CENTER.
  181. Short guys are fun to dance with.
  182. Don't force us to go somewhere we don't want to or shouldn't.
  183. Don't blame us when we land on your foot, you're the one who put us down on it.
  184. Hand slips are to be expected...RARELY!
  185. If the guy's hand does "slip" we wonder if he did it on purpose.
  186. Boys smell.


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