HXC Revolution Home Of New And Old School Hardcore

History of HXC

Hardcore Punk began in the early 1980s with post punk bands like Black Flag, the Germs, Middle Class, Fear, Fugazi, Sick of It All, Teen Idles, Minor Threat, Bad Brains, and the Rollins Band. Hardcore bands in the beginning were rhythmically Hardcore Punk Rockloose and heavier then their forerunners like The Clash, and the Sex Pistols and played with more intensity and drive than punk bands typically did. Later the movement began to tighten rhythmically and the intensity increased as bands incorporated the energy of genres like heavy metal into their sonic repertoire. Also the style incorporates the social activism and political consciousness, anarchism of other movements with it to create a movement very distinct from its punk roots. The west coast group D.O.A. may be the first to coin the name hardcore in relationship to punk with the release of Hardcore 81 which was very influential and did much to fuel the genre but there are examples of hardcore bands which go back to the late 70's like Black Flag, The Pagans, The Viletones, The Germs, Chain Gang, The Misfits and others.

The movement is divided much as rap music is with east coast and west coast although other subdivisions exist as well.  East coastHardcore Punk hardcore tends to be more smooth, with grooves that flow in context with the vocalist who sings or shouts the lyrics. West coast hardcore tends to be harder with rhythms that start and stop with intense bursts and vocals that combine screaming and low growling lyrics." Hardcore originated primarily around major cities like LA,  DC, NYC, and Boston, as a vehicle for expressing resentment at collective double standards within the punk scene itself and outside. From about 1980 to 1984 the two most popular hardcore bands were Minor Threat from Washington D.C. and Black Flag from Los Angeles. Minor Threat were greatly inspired by Washington D.C.'s Bad Brains. Minor Threat combined a loose experimentalism reminiscent of the original punk movement while Black Flag released their album Damaged which defined the musical aggression of hardcore to some fans. Discharge were among the first to simplify the genre with speed driven blasts of intense rhythms within a simple three chord song structure.

In the 1980s hardcore music combined with heavy metal with bands such as  DRI, and Sick of It All. There have been many sub movements within hardcore like the straight-edge movement which got its name from a Minor Threat song which advised avoidance of drugs, alcohol, and promiscuous sex. More recent hardcore bands like  NoMeansNo, Fugazi, D.O.A, and The Ex, continue in this tradition to carry on the mantle of hardcore punk rock.

By the end of the 1980s, hardcore became more diverse, branching off into two sounds: one traditionally punk-based and the other evolving into something still heavier, slower, and more intense, being influenced by heavy metal. The punk-focused sound retains much of the style and feel of the original hardcore punk bands, while the more metallic sound, sometimes labeled metalcore, tends to be heavier and often more technical. Sick of It All's second studio album, "Just Look Around" was a bit revolutionary in this respect in 1991. The intensity, heaviness and slower, even brutal rhythms issued in a new era after their faster, more standard first breakout album "Blood, Sweat and No Tears."

Judge, Integrity, and Hogan's Heroes were some of the earliest bands to bring this level of intensity to hardcore – an amalgamation of deep, hoarse vocals (though rarely as deep or guttural as death metal); downtuned guitars and thrashy drum rhythms inspired by earlier hardcore bands; and slow, staccato low-end musical breaks, known as breakdowns. Thrash metal and melodic death metal elements are also common in metalcore. Some metalcore, such as Biohazard and Candiria, are also influenced by hip hop music, and their music is sometimes described as rapcore. Other important groups of the era, such as Inside Out from California and Burn from New York, retained elements of classic hardcore along with more progressive rhythms, chord progressions, and lyrics. In 1998 thrash metal band Sepultura released their first hardcore punk album Against.The aforementioned "godfathers" of hardcore punk took strong political stances, most notably against President Ronald Reagan, who served in office from 1981 to 1989. Reagan's policies, which included cutting taxes and slowing the increase of federal social spending, while increasing military spending, gave these bands plenty to write about, Bands such as Dead Kennedys and MDC were anarchist. In contrast, some hardcore bands were relatively conservative, such as The FU's, The Undead, and Antiseen.



 

STRAIGHTEDGE MOVEMENT IN  HXC

Straight edge ideas can be found in songs by the early-1970s band The Modern Lovers, particularly their songs "I'm Straight" and "She Cracked". Hard rock icon Ted Nugent also inspired the early straight edge movement with his frequent declaration that he did not drink alcohol or smoke tobacco or marijuana.However, straight edge was most closely associated with punk rock, particularly the faster subgenre of hardcore punk that developed in the late 1970s and early 1980s, which was partly characterized by shouting rather than sung vocals. Straight edge people of this early "old school" era often associated with the original punk ideals such as individualism, disdain for work and school, and live-for-the-moment attitudes.

Although straight edge started on the east coast of the United States in Washington D.C. and New York, it quickly spread through the US and Canada. By the 1980s, bands on the west coast of the United States, such as America's Hardcore (A.H.C.), Stalag 13, Justice League and Uniform Choice, were gaining popularity. In the early stages of this subculture’s history, concerts often consisted of non-straight edge punk bands along with straight edge bands. However, circumstances soon changed and the old school era would eventually be viewed as the time "before the two scenes separated". Old school straight edge bands included: the Washington D.C. bands Minor Threat, State of Alert (S.O.A.), Government Issue and Teen Idles, Reno, Nevada's 7 Seconds, Boston's SSD, DYS and Negative FX, California bands as mentioned above, and New York City bands such as Cause for Alarm.

 

The letter "X" is the most prevalent symbol of straight edge. Commonly it is worn as a marking, symbol or tattoo on the back of one or both hands, though it can be displayed on other body parts as well. Some followers of straight edge have also incorporated the symbol into clothing and pins. According to a series of interviews by journalist Michael Azerrad, the straight edge "X" can be traced to the Teen Idles' brief U.S. West Coast tour in 1980. The Teen Idles were scheduled to play at San Francisco's Mabuhay Gardens, but when the band arrived, club management discovered that the entire band was under the legal drinking age and therefore should be denied entry to the club. As a compromise, management marked each of the Idles' hands with a large black "X" as a warning to the club's staff not to serve alcohol to the band. Upon returning to Washington, D.C., the band suggested this same system to local clubs as a means to allow teenagers in to see musical performances without being served alcohol. While the practice was never widely adopted by D.C.-area music venues, the mark soon became associated with the straight edge lifestyle. Recently, however, after a slow pickup, more and more music venues have been employing this system.

Sometimes the number 24 is used to represent straight edge, because X is the twenty-forth letter of the alphabet. A variation involving a trio of X's (xXx) originated in artwork created by Minor Threat's drummer, Jeff Nelson, in which he replaced the three stars in the band's hometown Washington, DC flag with X's The term is sometimes abbreviated by including an X with the abbreviation of the term "straight edge" to give "sXe". By analogy, hardcore punk is sometimes abbreviated to "hXc

 

During the youth crew era, which started in the 1980s, the influence of music on the straight edge scene seemed to be at an all-time high. The new branches of straight edge that came about during this era seemed to originate from ideas presented in songs. Notable youth crew bands included: 7 Seconds, Gorilla Biscuits, Judge, Bold, Youth of Today, Chain Of Strength and Slapshot.

Starting in the mid-1980s, the band Youth of Today became associated with the straight edge movement, and their song "Youth Crew" expressed a desire to unite the scene into a movement.The most identifiable theme that arose during the youth crew era was an association of straight edge with vegetarianism. In 1988, Youth of Today released the song "No More", which initiated this new theme within the subculture. Lead singer Ray Cappo displayed his vegan views in the lyrics: "Meat-eating, flesh-eating, think about it. So callous this crime we commit

By the end of the 1980s, straight edge bands all over the United States and Canada sang about animal cruelty. During the late 1980s, not all people who claimed to be straight edge identified with animal rights issues, although bands such as Earth Crisis had continued the animal rights trend.

BANDS

                Old School Hardcore

MISFITS

 

It started as a twisted dream"... 30 years ago in a small town in New Jersey called Lodi. It was there in April of 1977, at the dawn of the punk movement, that the Misfits were born. Taking the title of Marilyn Monroe's last movie as their name in a move to immortalize her image - singer Glenn Danzig and bassist Jerry Only set out to make an impression. They wound up making history and creating a legacy that's power has not only stood the test of time, but transcended into an entirely new generation. Lineup changes followed and by early 1980, the band coalesced around co-founders, Glenn Danzig and Jerry Only along with guitarist Doyle Wolfgang Von Frankenstein (Jerry's youngest brother). Throughout the span of their career, the Misfits audience has developed into an army of "fiends" (the term for die hard Misfits fans) generating more interest today than ever before.

 

BLACK FLAG

 

a>In many ways, Black Flag were the definitive Los Angeles hardcore punk band. Although their music flirted with heavy metal and experimental noise and jazz more than that of most hardcore bands, they defined the image and the aesthetic. Through their ceaseless touring, the band cultivated the American underground punk scene; every year, Black Flag played in every area of the U.S., influencing countless numbers of bands. Although their recording career was hampered by a draining lawsuit, which was followed by a seemingly endless stream of independently released records, the band was unquestionably one of the most influential American post-punk bands. A full decade and a half before the fusion of punk and metal became popular, Black Flag created a ferocious, edgy, and ironic amalgam of underground aesthetics and gut-pounding metal. Their lyrics alluded to social criticism and a political viewpoint, but it was all conveyed as seething, cynical angst, which was occasionally very funny. Furthermore, Black Flag demonstrated an affection for bohemia -- both in terms of musical experimentation and a fondness for poetry -- that reiterated the band's underground roots and prevented it from becoming nothing but a heavy metal group. And it didn't matter who was in the band -- throughout the years, the lineup changed numerous times -- because the Black Flag name and four-bar logo became punk institutions.

 

CIRCLE JERKS

his unruly L.A. hardcore band became a popular live attraction, particularly among skateboarders and slam dancers, and were key players in creating the influential '80s Southern California punk scene. Like Black Flag, X, and the Germs, the Circle Jerks played punk when it was far more likely to attract the ire of L.A. police than major-label interest. Lead singer Keith Morris had the whine and scowl of Johnny Rotten, and the group's music was basic loud, speedy, three-chord punk.

Morris was also the original singer for Black Flag . After that group's first EP , Morris quit Black Flag and teamed up with former Redd Kross guitarist Greg Hetson in a garage in Hawthorne, soon forming the Circle Jerks. The group recorded its first album in 1980

Wild in the Streets was originally released on Faulty Products, the label of Police manager Miles Copeland. Golden Shower of Hits contains a humorous hardcore medley in which the group desecrates ’70s AM pop gems like “Afternoon Delight,” “(You’re) Having My Baby,” and “Love Will Keep Us Together.” The group changed rhythm sections for Wönderful, which was marked by a more heavy-metal sound. VI continued in the direction of its predecessor. The Circle Jerks performed into the ’90s, releasing Gig an anthology of live recordings, in 1992.

BAD BRAINS

The members of Bad Brains started out playing '70s jazz-rock fusion, but took a sharp turn when they began breaking up their live sets into reggae and punk. Together with Black Flag and the Dead Kennedys, the band became pioneers of punk's hardcore fringe, influencing nearly every subsequent hardcore or quasi-hardcore outfit, including the earliest incarnation of the Beastie Boys. As an all-black rock band, they also inspired Living Colour and the entire New York City Black Rock Coalition of the '80s.

By 1977 guitarist Dr. Knowhad grown tired of his fusion noodling and looked to the Sex Pistols and Bob Marley for fresh inspiration. He and his mates viewed punk and reggae as complementary (both musically and politically) and believed that if punk and reggae acts could share the same stages in the U.K. they could share one band’s set list in the U.S.

Bad Brains’ single “Pay to Cum” remains a classic of the hardcore genre. Unfortunately, the band’s music was never well documented on record; “Pay to Cum” was available only in its rare single form and on the band’s self-titled ROIR cassette (since reissued on LP and CD). Ric Ocasek produced 1983’s Rock for Light, which mingled two reggae tracks amidst the hardcore.

The long-awaited I Against I was an all-rock explosion, leaning more toward heavy metal than punk. It left the band fragmented

BAD RELIGION 

formed in Southern California in 1980 by Jay Bentley (bass), Greg Graffin (vocals), Brett GurewitzJay Ziskrout (drums). They are often credited for leading the revival of punk rock during the late 1980s, as well as influencing a large number of other punk and rock musicians throughout their career. In the 28 years since its inception, Bad Religion has had numerous lineup changes, and Graffin has been the only constant member, however the band currently features three of the original four members.

To date, Bad Religion has released fourteen studio albums, two EPs, three compilation albums, one live recording, and two DVDs. Their 1988 album Suffer has been regarded by some critics as one of the most important hardcore punk albums of all time,although it was not charted in Billboard. Bad Religion rose to fame with their 1994 major-label release Stranger Than Fiction, which produced their well-known hit singles "21st Century (Digital Boy)" and "Infected". Following Gurewitz's departure in 1994, Bad Religion declined in popularity and poor record sales continued until the release of The New America in 2000. Gurewitz returned to the fold in 2001, making Bad Religion a six-piece band, and contributed to their three most recent albums. 

They are particularly known for their sophisticated use of style, metaphor, vocabulary, imagery, and vocal harmonies (the oozin' aahs), whether reflective on matters of personal feelings or of personal or social responsibility.

       DEAD KENNEDYS

          AGNOSTIC FRONT

   POISON IDEA

GANG GREEN

MINOR THREAT

SICK OF IT ALL

 THE GERMS

STATE OF ALERT

D.O.A

FUGAZI

                         TEEN IDLES

 VERBAL ABUSE

   MURPHY'S LAW

                            S.O.D

                       BIOHAZARD 

                           D.R.I

                      GORILLA BISCUITS

                      CRO-MAGS  

                      SS DECONTROL

                      The Beastie Boys

                      Jerry's Kids

                     7 SECONDS

                     SLAPSHOT

                     Government Issue

 

        New School Hardcore

        HATEBREED

       Since their formation in 1994, New Haven, CT's Hatebreed have grown into one of the most sought after hardcore bands in the United States. Their perfect combination of brutal metallic riffs, gutwrenching vocals and classic mosh parts have catapulted them to the forefront of the hardcore genre.

Hatebreed came into existence based on the simple idea that there weren't any really heavy, brutal bands out there that had gained the respect of the hardcore scene. And in seeking to change that, these guys have fundamentally changed the face of hardcore music. They play bone-crushing riffs followed immediately by in-your-face dance parts that get the crowd going live, and will have you slamming into the walls of your living room at home.

        ICEPICK

        H20

        XAFBX

        XTYRANTX

       THROWDOWN

       TERROR

       FIRST BLOOD

      BLEEDING THROUGH

      SHEER TERROR

      MADBALL

      TRIPLE THREAT

      DEATH BEFORE DISHONOR

      RHINOCEROS

      STIGMA

      xBarcadiax

      TRAPPED UNDER ICE

     HOODS

     CROWN OF THORNZ

     BLOODCLOT

     SKARHEAD

     BANE

     OUTBREAK 

     COMEBACK KID

     EARTH CRISIS