Bands listed here: DerekTrucks Band, Galactic, Jupiter Coyote, String Cheese Incident, Dave Chappelle, Ben Harper, Blues Traveler, Phish, Bela Fleck & the Fleckstones, Strangefolk, John Brown's Body, Phil & Friends, Jerry Garcia, Moe., GRATEFUL DEAD, Leftover Salmon, Yonder Mountain String Band, The Doors, Gov't Mule, Bob Marley, Widespread Panic, Allman Brothers, Pink Floyd, Tool, Pearl Jam, Gregg Allman & Friends,A Perfect Circle, Sepultura, Jimi Hendrix,Bloodkin, KDTU, Metallica, Stevie Ray Vaughn,Tori Amos, Beastie Boys, U2, Grisman & Rice, Jimmy Buffett, The Rolling Stones, James Brown, Guns N' Roses, Mediski Martin and Wood, George Clinton, Blue Floyd, B.B. King, Cat Stevens, John Coltrane, Severe Driving Problems, Old & in the Way, Pantera, The Norh Mississippi All Stars, RUN DMC, Uncle Warren's Cracker Barrel, Indigo Girls, Danzig, NRPS, Les Claypool's Fearless Flying Frog Brigade, Moses Guest, Led Zepplin, Red Hot Chili Peppers, Janis Joplin and Jorma Kaukonen, Barbara Cue, Ratdog, Oysterhead, ZZ Top, Willie Nelson, Howlin' Wolf, Johnny Lee Hooker, Jimmy Dawkins,Eddie Shaw & the Wolfgang, Larry McCray Band, Cypress Hill ,Miles Davis, Muddy Waters, Reconstruction, Ice Cube. Johnny Winter, Alice in Chains, Norah Jones, Buddy Guy, Jerry Seinfeld, N.W.A., Arethra Franklin, Frank Sinatra, MISFITS, Elvis, The Word, Doc & Merle Watson, Legion of Mary, The Ratpack, James Taylor, Ray Charles, Traffic, Van Morrison, Susan Tedeschi, Steve Kimock Band, Madonna, Outkast, Radiohead, A Tribe Called Quest, Bruce Hornsby, Keller Williams, Black Sabbath, Dire Straights, B.B. King/Hendrix/Butterfueld Blues Band, Bruce Springsteen, Tracy Chapman, Arlo Guthrie, Voices of Harmony, Rush, Mark Knopfler, Big Wu, Marvin Gaye, Dickey Betts & Vassar Clements, Santana, Dylan & Cash, Robert Randolph and Family Band, Tim O'Brien & Darrell Scott, Del McCoury Band, The Other Ones, Snoop Doggy Dog & Dr. Dre, Robert Hunter, Pigpen, Dave Mathews Band, The Dead, Jerry Joseph, Robert Randolph, Neal Young, Weird AL, Kingfish, Flaming Lips, The Roots, Drive-By Truckers, Tea Leaf Green, Ted Nugent, Hunter S. Thompson, Neal Cassady, Jethro Tull, Johnnie Johnson, The Beach Boys, Stevie Wonder, Dinosaur, Jr., Frank Zappa, Slayer, Willian Shatner, Lynyrd Skynyrd, Tenacious D, MF Doom, Aerosmith, Alice Cooper, James Brown, Leadbelly, Quicksilver Messenger Service, Queen, Stone Temple Pilots, Otis Redding
| Date | Location | #of discs | Source info |
| 2/2/87 | Athens, GA | 2 | DSBD>D7 |
| 4/23/87 | Clemson, SC | 1 set I only | |
| 10/31/87 | Athens, GA | 2 | |
| 1/5/88 | Athens, GA | 2 | |
| 4/16/89 | Athens, GA | 1 | SBD>??>DATTransfer: DA-20>m-audio 24/96>sound forge>cd wave>flac |
| 4/20/90 | Murfreesboro, TN | 3 | |
| 9/??/90 | Athens, GA | 1 | Studio Session |
| ??/??/91 or 92 | Space Wrangler Demo | 1 | SBD>C>DAT>Cool Edit>CDR |
| 9/14/91 | Red Rocks, CO | 1 | DSBD>DAT>CD>EAC>CD>EAC>SHN |
| late 92 | Houser and Bell | 1 | multi track analog recording |
| 1/1/92 | Muscle Shoals, AL | 1 | SBD |
| 3/25/92 | Telluride,CO | 2 | SBD>DAT?>EAC>WAV>MKW>SHN |
| 5/8/92 | Myrtle Beach, SC | 2 | |
| 5/24/92 | Winston Salem, NC | 3 | SBD>DAT>CDR |
| 5/25/92 | Winston-Salem, NC | 2 | |
| 5/30/92 | Athens, GA | 2 | SBD analogue master Transfer: (master)WA7ESA~> DA-20~> RX-V2500~> Audiophile24/96~> WaveLab5(fadeI/O)~> CoolEditPro2(clean)~> CDWave(track)~> FLAC |
| 7/22/92 | Chicago, IL | 2 | Master Soundboard DAT (32 mhz)
> Tascam DA-20 mkII > Roland UA-30 > MacG3 > PeakLE > Shorten (No EAC) |
| 8/8/92 | Charlotte, NC | 1 | |
| 8/31/92 | Albuquerque, NM | 3 | |
| 10/5/92 | Athens, GA | 2 | Soundboard > DAT @ 48 kHz Transfer: DAT clone > Sony 59ES > Monster coax > Audiophile2496 > Wave Lab 4.0 > CDWave > mkwACT > shn> Mkw > Flacfrontend > Flac |
| 10/30/92 | Athens, GA | 3 | |
| 10/31/92 | Athens, GA | 2 | |
| 11/4/92 | Davidson, NC | 2 | |
| 12/31/92 | Athens, GA | 3 | SBD > DAT (DAT master from
Mike Phelps) Transfer: Sony 59ES > s/pdif > Audiophile 2496 > SoundForge 4.5 (record/resample) > CDWave (track) > mkwACT > shn |
| 1/22/93 | Sewanee, TN | 2 | |
| 1/23/93 | Chattanooga, TN | 2 | |
| 1/26/93 | Charleston, SC | 3 | |
| 2/23/93 | Columbus, OH | 2 | |
| 2/26/93 | Knoxville, TN | 2 | |
| 2/27/93 | Winston-Salem, NC | 2 | |
| 3/3/93 | Montgomery, AL | 2 | |
| 3/5/93 | Orange Beach, AL | 3 | |
| 3/6/93 | New Orleans, LA | 3 | |
| 4/8/93 | Anderson, SC | 2 | |
| 4/9/93 | N. Myrtle Beach, SC | 2 | |
| 4/13/93 | Greenville, NC | 2 | |
| 4/14/93 | Charlotte, NC | 2 | |
| 4/15/93 | Buies Creek, NC | 2 | |
| 4/16/93 | Clinton, SC | 2 | |
| 4/17/93 | Greensboro, NC | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 4/20/93 | Charleston, SC | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 4/22/93 | Nashville, TN | 2 | SBD > DAT (clone from master) Transfer: DAT (Tascam DA-20) > Acoustic Research Coax > S/PDIF (Audiophile24/96[rev.B]) > AIFF (Peak4.03/Mac) > shntool > SHN |
| 4/25/93 | Lincoln, NE | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 4/26/93 | Ames, IA | 3 | DSBD > DA-20mkII > Waveterminal 2496 > Wavelab 4.0 > CD Wave > MKW |
| 4/28/93 | Milwaukee, WI | 1 Set I | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 4/30/93 | Oshkosh, WI | 2 | SBD > DA-P20 @ 48.0khz >
Analog (m) Transfer: Analog (m) > Tascam DA-45HR @ 44.1khz > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC(level 6) |
| 5/4/93 | Madison, WI | 1 Set I | |
| 5/19/93 | Philadelphia, PA | 3 | DSBD Matrix Neumann KM 150's & DSBD |
| 5/21/93 | Atlanta, GA | 2 | |
| 6/13/93 | Athens, GA | 2 | |
| 7/5/93 | Bonner Springs, KS | 1 | DSBD > CD > CD > EAC (secure mode, correct offsets) > Cool Edit Pro (to render as one track) > CD WAVE (retracking) > FLAC |
| 7/16/93 | Knoxville, TN | 1 | |
| 7/17/93 | Memphis, TN | 1 | SBD> DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF(Audiophile24/96 [rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 7/29/93 | Albany, NY | 1 | |
| 8/5/93 | Holmdel, NJ | 1 | SBD> Cassette (master) > (Tascam DA20) > Acoustic Research Coax > S/PDIF (audiophile24/96[rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 8/10/93 | Antioch, TN | 2 | DSBD Transfer: Panasonic SV-3800 > Monster Cable > Audigy > Soundforge 6.0 > CD Wave > Flac |
| 8/13/93 | Charlotte, NC | 1 | |
| 8/14/93 | Atlanta, GA | 2 | SBD: DA20>Tascam CDR 700>EAC>MKW |
| 8/15/93 | Oak Mtn. AL | 1 | |
| 9/2/93 | Easley, SC | 2 | SBD > DAT(clone from master) > AIFF(Peak) > FLAC |
| 9/18/93 | Rochester, NY | 2 | |
| 9/19/93 | Fredonia, NY | 2 | |
| 9/21/93 | Greenville, NC | 3 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 9/22/93 | N. Myrtle Beach, SC | 3 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 9/23/92 | Charleston, SC | 3 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 9/24/93 | Greenville, SC | 2 | SBD |
| 9/26/93 | Augusta, GA | 2 | SBD > DAT > S/PDIF >24/48.AIFF > 16/44.AIFF > FLAC |
| 9/30/93 | Boone, NC | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 10/3/93 | Charlottesville, VA | 2 | SBD > DAT(clone from master) > S/PDIF > 24/48.AIFF > 16/44.AIFF > FLAC |
| 10/4/93 | Lexington, KY | 2 | |
| 10/8/93 | Montgomery, AL | 2 | DSBD Transfer: Panasonic SV-3800 > Monster Cable > Audigy > Soundforge 6.0 > CD Wave > Flac |
| 10/21/93 | Lawrence, KS | 2 | SBD -> Dat Conversion:Fostex D5 -> Terratec EW24/96 -> Cool Edit -> CD Wav -> Flac |
| 10/22/93 | Manhattan, KS | 2 | SBD > DAT (clone from master) Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF (Audiophile24/96[rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 10/25/93 | Fort Collins, CO | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/26/93 | Vail, CO | 2 | SBD > DAT(clone from master) Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF (Audiophile24/96 [rev.B]) > 16/48.AIFF (Peak4.03/Mac) > 16/44.AIFF (Peak4.03/Mac) > SHN |
| 10/27/93 | Salt Lake City, UT | 3 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/28/93 | Bozeman, MT | 2 | SBD > DAT(clone from master) Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF(Audiophile24/96[rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 10/29/93 | Jackson, WY | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 10/30/93 | Nampa, ID | 3 | DSBD |
| 10/31/93 | Missoula, MT | 3 | DSBD > DAT > CD |
| 11/1/93 | Seattle, WA | 3 | SBD > DAT clone from master) Transfer: DAT (Tascam DA20) > Audio Research Coax > S/PDIF (Audiophile24/96 [rev.B]) > 16/48.AIFF (Peak4.03/Mac) > 16/44.AIFF (Peak4.03/Mac) > SHN |
| 11/2/93 | Eugene, OR | 2 | SBD > DAT (clone from master) Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF (Audiophile24/96[rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 11/03/93 | Portland, OR | 2 | SBD > DAT(clone from master) transfer: DAT(Tascam DA20) > Acoustic Research Coax > S/PDIF (audiophile24/96[rev.B]) >AIFF(Peak4.03/Mac) > shntool > FLAC |
| 11/05/93 | San Francisco, CA | 3 | DSBD @ 48k Conversion: PCMR300 -> DiO 24/96 -> WavLab 4 -> CDWave -> .flac |
| 11/6/93 | San Francisco, CA | 3 | SBD > DAT (clone from master) Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF (Audiophile24/96 [rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 11/10/93 | San Juan Capistrano, CA | 2 | SBD> DAT (clone from master Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF (Audiophile24/96 [rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 11/11/93 | Los Angeles, CA | 3 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 11/12/93 | Solana Beach, CA | 2 | SoundBoard > DAT (clone from
master) transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF (audiophile24/96[rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 11/13/93 | Ventura, CA | 3 | DSBD Conversion: PCMR300 -> DiO 24/96 -> Wavlab4 -> CDWave -> Flac |
| 11/16/93 | Tuscon, AZ | 2 | SBD > DAT (clone from master) Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF (Audiophile24/96 [rev.B]) > 16/48.AIFF (Peak4.03/Mac) > 16/44.AIFF (Peak4.03/Mac) > SHN |
| 11/17/93 | Sante Fe, NM | 3 | SBD (All) > Panasonic 3700 x
1 digital Conversion: Sony M-1 > Optical Midiman > SPDIF Front Bay SB Platinum > CoolEdit WAV > CDWav > MKW > SHN |
| 11/19/93 | Dallas, TX | 3 | SBD > DAT (clone from master) Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF (Audiophile24/96 [rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 11/20/93 | Austin, TX | 3 | SBD > DAT Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF(Audiophile24/96 [rev.B]) > AIFF(Peak4.03/Mac) > shntool > FLAC |
| 11/21/93 | Houston, TX | 2 | SBD > DAT(clone from
master) transfer: DAT(Tascam DA20) > Acoustic Research Coax >
S/PDIF(audiophile24/96[rev.B]) > AIFF(Peak4.03/Mac) > shntool > FLAC |
| 11/22/93 | New Orleans, LA | 3 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/23/93 | Jackson, MS | 3 | SBD > DAT(clone from master) Transfer: DAT (Tascam DA20) > Acoustic Research Coax > S/PDIF(Audiophile24/96[rev.B]) > AIFF (Peak4.03/Mac) > shntool > FLAC |
| 11/25/93 | Atlanta, GA | 2 | |
| 12/31/93 | Athens, GA | 4 | SBD > DAT @ 44.1 > ? > FLAC |
| 2/12/94 | Clemson, SC | 2 | SBD > Teac DA-P20 > Analog(master) > DAT @ 48.0khz Transfer: Tascam DA-45hr > Audiophile 24/96 USB > WaveLab 5.01a > CDWave > FLAC |
| 2/19/94 | Knoxville, TN | 3 | |
| 2/24/94 | Charlotte, NC | 1 | Set II |
| 3/1/94 | Unity, ME | 2 | SBD > Teac DA-P20 > Analog (master) > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 3/2/94 | Cohoes, NY | 3 | SBD > Teac DA-P20 @ 48.0khz
> Analog (master) > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 3/3/94 | Ithaca, NY | 2 | SBD > Teac DA-P20 > Analog(master) > DAT @ 48.0khz Transfer: Tascam DA-45hr > Audiophile 24/96 USB > WaveLab 5.01a > CDWave > FLAC |
| 3/5/94 | Portland, ME | 2 | DSBD |
| 3/8/94 | Killington, VT | 3 | DSBD |
| 3/9/94 | Burlington, VT | 3 | SBD > DA-P20 @ 48.0khz > Analog(master) Transfer: Analog(master) > Tascam DA-45HR @ 44.1khz > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 3/10/94 | New York, NY | 3 | SBD>DAT(Tascam DA20) > Acoustic Research Coax>S/PDIF (Audiophile24/96[rev.B])>AIFF (Peak4.03/Mac)>shntool>FLAC |
| 3/12/94 | Castletown, VT | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 3/14/94 | Kiamesha Lake, NY | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 3/15/94 | Boston, MA | 2 | |
| 3/16/94 | Newark, DE | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 3/17/94 | Winston-Salem, NC | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 3/18/94 | Wilmington, NC | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 3/19/94 | Charleston, SC | 2 | DSBD > DAT > Audigy2 (S/PDIF) > SoundForge 6.0 (48 > 44.1 w/ AAF) > shnTool > FLAC Frontend |
| 3/26/94 | Cleveland, OH | 2 | |
| 4/1/94 | Maryland Heights, MO | 2 | |
| 4/7/94 | Fulton, MO | 2 | |
| 4/8/94 | Chattanooga, TN | 2 | |
| 4/9/94 | Tuscaloosa, AL | 2 | |
| 6/30/94 | West Hollywood, CA | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/2/94 | Bear Valley, CA | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/4/94 | Morrison, CO | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/7/94 | Jackson, WY | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/8/94 | Missoula, MT | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/9/94 | Bozeman, MT | 2 | |
| 7/13/94 | Kansas City, MO | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/14/94 | Chicago, IL | 2 | SBD > DAT @ 48.0khz >
Analog(master) Transfer: Analog(master) > Tascam DA-45HR @ 44.1khz > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/15/94 | Apple Valley, MN | 2 | SBD > DAT @ 48.0khz >
Analog(master) Transfer: Analog(master) > Tascam DA-45HR @ 44.1khz > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/16/94 | Ames, IA | 3 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/17/94 | Lawrence, KS | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/18/94 | Columbia, MO | 3 | SBD > DAT @ 48.0khz >
Analog(master) Transfer: Analog(master) > Tascam DA-45HR @ 44.1khz > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/21/94 | Spartanburg, SC | 2 | SBD > DAT @ 48.0khz >
Analog(master) Transfer: Analog(master) > Tascam DA-45HR @ 44.1khz > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/22/94 | N. Myrtle Beach, SC | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/23/94 | Savannah, GA | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/24/94 | Augusta, GA | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/27/94 | Pensacola, FL | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/28/94 | New Orleans, LA | 3 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/29/94 | Montgomery, AL | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/30/94 | Jackson, MS | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 7/31/94 | Baton Rouge, LA | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 8/4/94 | Lubbock, TX | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 8/5/94 | Dallas, TX | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 8/6/94 | Austin, TX | 1 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 8/28/94 | Atlanta, GA | 1 | FM -> DAT(2) -> Cass(3M Blackwatch Type IV) Transfer: Plus Deck 2C -> M-Audio 1010LT -> Captured on SoundForge8 ->24/96 wav Editing: WaveLab4 (minor processing, No Edits), Waves Multimaxer+ Dither -> 16/44.1 Shntool (tracked and len output) -> Flac |
| 9/22/94 | Richmond, KY | 3 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 9/23/94 | Huntsville, AL | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 9/24/94 | Gainesville, FL | 2 | |
| 9/25/94 | Orlando, FL | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 9/26/94 | Tampa, FL | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 9/27/94 | Jacksonville, FL | 2 | |
| 9/30/94 | Pelham, AL | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 10/1/94 | Nashville, TN | 2 | DSBD>Sony R500>Datport> Samplitude >Red Roaster>WAV>FLAC |
| 10/2/94 | Lexington, KY | 2 | DSBD>Tascam DA-20>Audiophile 2496>WaveLab 4.0>WAV>FLAC |
| 10/4/94 | Charleston, SC | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/5/94 | Charlotte, NC | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/6/94 | Clemson, SC | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/7/94 | Columbia, SC | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/9/94 | Wilmington, NC | 2 | |
| 10/13/94 | Winston-Salem, NC | 1 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/14/94 | Norfolk, VA | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/15/94 | Upper Darby, PA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/16/94 | Providence, RI | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/20/94 | Boston, MA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/21/94 | Canton, NY | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/22/94 | Rochester, NY | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/23/94 | Carlisle, PA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/26/94 | Columbus, OH | 2 | |
| 10/27/94 | Cincinnati, OH | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/28/94 | Indianapolis, IN | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 10/29/94 | Chicago, IL | 2 | DSBD |
| 10/31/94 | Evanston, IL | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/1/94 | St. Louis, MO | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/3/94 | Boulder, CO | 3 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/4/94 | Snowmass, CO | 2 | |
| 11/5/94 | Colorado Springs, CO | 2 | |
| 11/6/94 | Fort Collins, CO | 2 | |
| 11/8/94 | Salt Lake City, UT | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/10/94 | Seattle, WA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/11/94 | Portland, OR | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/13/94 | San Francisco, CA | 2 | |
| 11/15/94 | West Hollywood, CA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/16/94 | West Hollywood, CA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/17/94 | Solana Beach, CA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/18/94 | Ventura, CA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/19/94 | Tempe, AZ | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 11/23/94 | Atlanta, GA | 2 | |
| 11/25/94 | Richmond, VA | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 11/26/94 | Baltimore, MD | 3 | SBD > DA-P20 @ 48.0khz > Analog(master) Transfer: Analog(master) > Tascam DA-45HR @ 44.1khz > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 11/27/94 | Cleveland, OH | 1 | Set II |
| 11/29/94 | Louisville, KY | 3 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 11/30/94 | Chattanooga, TN | 2 | DSBD Transfer: R500 > Datport > Wavelab 5 > SHNtool > FLAC |
| 12/2/94 | Aubrun, AL | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > WaveLab 5.01a > CDWave > FLAC |
| 12/3/94 | New Orleans, LA | 2 | |
| 12/31/94 | Macon, GA | 3 | |
| 3/22/95 | Kalamazoo, MI | 2 | |
| 3/23/95 | South Bend, IN | 2 | |
| 3/24/95 | Ann Arbor, MI | 3 | |
| 3/25/95 | East Lansing, MI | 3 | GO STATE!!! |
| 3/26/95 | Oxford, OH | 3 | |
| 3/29/95 | Somerville, MA | 3 | |
| 3/31/95 | Burlington, VT | 2 | SBD>DA-P20@48.0khz>TascamDA-45HR> Audiophile24/96USB>CoolEditPro>WAV>FLAC |
| 4/1/95 | Portland, ME | 2 | Source #1: Soundboard > DAT
> 1st Gen Analog (Intro to Set 1 and Mr. Soul) Source #2: Soundboard > DAT > 1st Gen Analog (entire show except intro to Set 1 and Mr. Soul) Transfer: Onkyo TA-207 > Roland UA-30 > iMacG3 > Peak > xAct > FLAC |
| 4/3/95 | Northampton, MA | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 4/4/95 | New Haven, CT | 3 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 4/5/95 | Ithaca, NY | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDwave > FLAC |
| 4/7/95 | New York, NY | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 4/8/95 | New York, NY WNEW 102.7FM Studios | 1 | FM Broadcast > DAT @ 44.1khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 4/8/95 | New York, NY | 2 | SBD > DAT @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 4/11/95 | Pittsburgh, PA | 3 | |
| 4/13/95 | Washington, D.C. | 3 | |
| 4/18/95 | Blacksburg, VA | 1 | Set 2 |
| 4/22/95 | Ashland, VA | 2 | |
| 4/23/95 | Charlottesville, VA | 2 | |
| 4/26/95 | Portsmouth, NH | 2 | |
| 5/2/95 | Orlando, FL | 3 | |
| 5/3/95 | St. Petersburg, FL | 2 | |
| 5/4/95 | West Palm Beach, FL | 2 | |
| 5/5/95 | Valdosta, GA | 2 | |
| 5/6/95 | Atlanta, GA | 3 | SBD > DAT > WT 2496 > HD via SF 5.o > CD WAV > SHN |
| 5/13/95 | Memphis, TN | 2 | DSBD>DAT>CD>TAE>SHN |
| 5/14/95 | Jackson, MS | 3 | |
| 5/17/95 | Tuscon, AZ | 2 | |
| 5/18/95 | Tempe, AZ | 2 | |
| 5/20/95 | Las Vegas, NV | 3 | |
| 6/1/95 | Houston, TX | 2 | |
| 6/2/95 | Dallas, TX | 2 | SBD > DA-P20 @ 48.0khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 6/3/95 | Bee Cave, TX | 2 | DSBD -> PCMR300 -> DiO24/96 -> Soundforge 6 -> CDWave -> FLAC Frontend -> .flac |
| 7/8/95 | Milwaukee, WI | 2 | |
| 7/9/95 | St. Louis, MO | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/11/95 | Columbia, MO | 3 | DSBD |
| 7/12/95 | Lawrence, KS | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/13/95 | Oklahoma City, OK | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/14/95 | Tulsa, OK | 3 | DSBD> Tascam DA302 > Yamaha O1V > Antex SC2000 > Samplitude 6.0 > CD Wave > FLAC |
| 7/16/95 | Winter Park, CO | 2 | SBD > DAT @ 44.1khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 7/18/95 | Billings, MT | 1 | Afternoon acoustic show |
| 7/18/95 | Billings, MT | 2 | |
| 7/19/95 | Bozeman, MT | 2 | SBD > DA-P20 @ 48.0khz Transfer : Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit 2000 > CDWave > FLAC |
| 7/20/95 | Missoula, MT | 3 | SBD>DAT Master>Sony WM-D6C>Analog 1 copied from DAT master Conversion: Analog 1>Sony WM-D6C>Digital Audio Labs CardDeluxe>SoundForg 5>Shntool>SHN2k>SHN |
| 7/21/95 | Seattle, WA | 2 | SBD > DAT @ 44.1khz Transfer: Tascam DA-45HR > Audiophile 24/96 USB > Cool Edit Pro > CDWave > FLAC |
| 7/26/95 | San Francisco, CA | 3 | |
| 7/28/95 | Park City, UT | 2 | |
| 8/1/95 | Omaha, NB | 2 | |
| 8/2/95 | Peoria, IL | 2 | |
| 8/4/95 | Chicago, IL | 2 | |
| 8/5/95 | Chicago, IL | 3 | |
| 8/6/95 | Toledo, OH | 3 | |
| 9/8/95 | Raleigh, NC | 2 | |
| 9/9/95 | Norfolk, VA | 2 | |
| 9/15/95 | Glenside, PA | 3 | |
| 9/16/95 | Salem, VA | 2 | |
| 9/17/95 | Lexington, KY | 2 | |
| 9/20/95 | Baton Rouge, LA | 3 | |
| 9/21/95 | Baton Rouge, LA | 3 | |
| 9/22/95 | Oxford, MS | 2 | Taco's!!!! |
| 9/23/95 | Pelham, AL | 2 | |
| 9/24/95 | Charlotte, NC | 2 | |
| 9/26/95 | Savannah, GA | 2 | |
| 9/28/95 | Knoxville, TN | 2 | |
| 9/29/95 | Nashville, TN | 2 | |
| 9/30/95 | Boone, NC | 2 | |
| 10/1/95 | Columbus, OH | 2 | |
| 10/3/95 | Cincinnati, OH | 2 | |
| 10/3/95 | Cincinnati, OH | 1 | DVD |
| 10/6/95 | Lexington, VA | 2 | |
| 10/7/95 | Charleston, SC | 2 | |
| 10/8/95 | Gainesville, FL | 2 | |
| 10/10/95 | Columbia, SC | 2 | |
| 10/12/95 | St. Petersburg, FL | 1 | Set II |
| 10/14/95 | Jacksonville, FL | 2 | Matrix, SBD 75% and AKG 461 & Senn 421 25% |
| 10/15/95 | Tallahassee, FL | 3 | |
| 10/19/95 | Lubbock, TX | 2 | |
| 10/20/95 | Dallas, TX | 3 | |
| 10/21/95 | Austin, TX | 2 | |
| 10/24/95 | Columbus, MS | 2 | |
| 10/26/95 | New Orleans, LA | 2 | |
| 10/28/95 | Jackson, MS | 2 | |
| 10/30/95 | Athens, GA | 3 | |
| 10/31/95 | Athens, GA | 3 | SBD |
| 12/29/95 | Chattanooga, TN | 2 | |
| 12/30/95 | Spartanburg, SC | 3 | |
| 12/31/95 | Macon, GA | 3 | SoundBoard/Audience > mixer > DAT(Tascam DA-20) > Acoustic Research Coax > S/PDIF (audiophile24/96[rev.B]) >AIFF (Peak4.03/Mac) > shntool > SHN |
| 1/18/96 | Boulder, CO | 2 | |
| 1/19/96 | Boulder, CO | 3 | |
| 1/20/96 | Boulder, CO | 3 | DSBD |
| 1/22/96 | Breckenridge, CO | 2 | DSBD |
| 1/23/96 | Breckenridge, CO | 2 | |
| 1/25/96 | Aspen, CO | 3 | |
| 1/26/96 | Aspen, CO | 3 | |
| 1/27/96 | Vail, CO | 2 | SBD |
| 1/28/96 | Vail, CO | 3 | |
| 1/29/96 | Vail, CO | 2 | |
| 1/31/96 | Colorado Springs, CO | 3 | |
| 2/2/96 | Salt Lake City, UT | 3 | |
| 2/3/96 | Salt Lake City, UT | 3 | DSBD |
| 2/6/96 | Jackson Hole, WY | 3 | |
| 2/7/96 | Jackson Hole, WY | 3 | |
| 2/9/96 | Denver, CO | 3 | |
| 2/10/96 | Steamboat Springs, Co | 2 | |
| 2/11/96 | Steamboat Springs, CO | 3 | |
| 2/13/96 | Crested Butte, CO | 2 | |
| 2/14/96 | Crested Butte, CO | 3 | |
| 3/22/96 | North Little Rock, AR | 3 | |
| 3/24/96 | Omaha, NE | 2 | |
| 3/26/96 | Colubia, MO | 3 | |
| 3/28/96 | Johnson City, TN | 3 | |
| 3/29/96 | Columbia, SC | 3 | |
| 3/30/96 | Elon, NC | 3 | |
| 3/31/96 | Augusta, GA | 2 | |
| 4/1/96 | Augusta, GA | 3 | |
| 4/3/96 | Huntsville, AL | 3 | |
| 4/4/96 | Statesboro, GA | 3 | |
| 4/5/96 | Panama City, FL | 2 | |
| 4/9/96 | Wilmington, NC | 2 | |
| 4/11/96 | Hampden-Sydney, VA | 2 | |
| 4/12/96 | Clemson, SC | 3 | |
| 4/13/96 | Norfolk, VA | 3 | |
| 4/14/96 | Chapel Hill, NC | 3 | |
| 4/18/96 | Louisville, KY | 2 | |
| 4/19/96 | Granville, OH | 2 | |
| 4/20/96 | Buckhannon, WV | 2 | |
| 4/21/96 | Boalsburg, PA | 3 | |
| 4/23/96 | Providence, RI | 3 | |
| 4/24/96 | Hartford, CT | 2 | |
| 4/25/96 | Washington, DC | 2 | |
| 4/27/96 | Gettysburg,PA | 2 | |
| 4/28/96 | Charlottesville, VA | 2 | |
| 5/23/96 | Asheville, NC | 2 | |
| 5/25/96 | Atlanta,GA | 2 | |
| 5/26/96 | Atlanta,GA | 3 | |
| 5/29/96 | Tulsa, OK | 2 | |
| 5/31/96 | Morrison, CO | 2 | |
| 6/1/96 | Park City, UT | 2 | |
| 6/2/96 | Jackson Hole, WY | 2 | |
| 6/4/96 | Tacoma, WA | 2 | |
| 6/5/96 | St. Paul, OR | 2 | |
| 6/7/96 | San Francisco, CA | 3 | |
| 6/8/96 | Reno, NV | 3 | |
| 6/10/96 | Grand Junction, CO | 3 | |
| 6/11/96 | Santa Fe, NM | 2 | |
| 6/13/96 | Bee Cave, TX | 2 | |
| 6/14/96 | Dallas, TX | 2 | |
| 6/15/96 | Memphis, TN | 3 | |
| 6/16/96 | St. Louis, MO | 2 | |
| 6/18/96 | Cincinnati, OH | 2 | |
| 6/19/96 | Detroit, MI | 2 | |
| 6/20/96 | Buffalo, NY | 2 | |
| 6/22/96 | Baltimore, MD | 2 | |
| 6/25/96 | New Orleans, LA | 3 | |
| 6/26/96 | New Orleans, LA | 3 | |
| 6/27/96 | Pensacola, FL | 3 | |
| 6/28/96 | Pelham, AL | 3 | |
| 6/29/96 | Charlotte, NC | 2 | |
| 10/4/96 | Tuscaloosa, AL | 2 | |
| 10/7/96 | Gainesville, GA | 2 | |
| 10/9/96 | Nashville, TN | 2 | |
| 10/10/96 | Boone, NC | 2 | |
| 10/12/96 | Raleigh, NC | 2 | |
| 10/14/96 | Monroe, LA | 2 | |
| 10/15/96 | New Orleans, LA | 2 | |
| 10/16/96 | Jackson, MS | 2 | |
| 10/19/96 | Chattanooga, TN | 2 | |
| 10/20/96 | Lexington, KY | 2 | |
| 10/21/96 | Knoxville, TN | 2 | |
| 10/22/96 | Knoxville, TN | 3 | |
| 10/24/96 | Ann Arbor, MI | 3 | scUM show |
| 10/25/96 | Madison, WI | 3 | |
| 10/26/96 | Madison, WI | 2 | |
| 10/29/96 | Kalamazoo, MI | 2 | |
| 10/30/96 | Cleveland, OH | 2 | |
| 10/31/96 | Chicagoween, IL | 3 | |
| 11/1/96 | Milwaukee, WI | 3 | DSBD |
| 11/2/96 | Columbus, OH | 2 | |
| 11/4/96 | Auburn, AL | 3 | |
| 11/6/96 | Savannah, GA | 2 | |
| 11/7/96 | Gainesville, FL | 2 | |
| 11/9/96 | Cocoa, FL | 2 | |
| 12/29/96 | Atlanta, GA | 3 | |
| 12/30/96 | Atlanta, GA | 3 | |
| 12/31/96 | Atlanta, GA | 4 | |
| 3/12/97 | Vail, CO | 2 | |
| 3/13/97 | Vail, CO | 2 | |
| 3/14/97 | Park City, UT | 2 | |
| 3/15/97 | Park City, UT | 3 | |
| 3/17/97 | Jackson, WY | 2 | |
| 3/18/97 | Bozeman, MT | 2 | |
| 3/19/97 | Bozeman, MT | 2 | |
| 3/21/97 | Portland, OR | 3 | |
| 3/22/97 | Portland, OR | 3 | |
| 3/23/97 | Seattle, WA | 2 | |
| 3/26/97 | Santa Cruz, CA | 3 | |
| 3/27/97 | Reno, NV | 3 | |
| 3/27/97 | Reno, NV | 2 | Set 2: DSBD (@48kHz) Transfer: D8 > Waveterminal 2496 > WaveLab 4.0 > CDWav > FLAC Frontend > .flac |
| 3/28/97 | San Francisco, CA | 3 | DSBD |
| 3/29/97 | San Francisco, CA | 3 | |
| 4/1/97 | Ventura,CA | 2 | |
| 4/2/97 | Los Angeles, CA | 3 | |
| 4/5/97 | Flagstaff, AZ | 3 | |
| 4/6/97 | Tempe, AZ | 3 | |
| 4/8/97 | Las Cruces, NM | 2 | DSBD |
| 4/11/97 | Dallas, TX | 3 | |
| 4/12/97 | Bee Cave, TX | 3 | |
| 4/15/97 | St. Louis, MO | 3 | |
| 4/18/97 | Philadelphia, PA | 2 | DSBD (@48kHz)Transfer: D8 > Waveterminal 2496 > WaveLab 4.0 > CD Wave > .flac |
| 4/19/97 | New Haven, CT | 2 | DSBD (@48kHz) Transfer: D8 > Waveterminal 2496 > WaveLab 4.0 > CD Wave > .flac |
| 4/20/97 | Washington, D.C. | 3 | |
| 4/22/97 | Asbury Park, NJ | 3 | |
| 4/24/97 | New York, NY | 3 | |
| 4/25/97 | Portland, ME | 3 | |
| 4/26/97 | Boston, MA | 1 | |
| 4/27/97 | Burlington, VT | 3 | |
| 4/29/97 | Rochester, NY | 3 | DSBD |
| 5/1/97 | Detroit, MI | 2 | DSBD Transfer: DA-20 > Audiophile 2496 > Wavelab 4.0 > CD Wave > FLAC frontend (level 6) |
| 5/2/97 | Indianapolis, IN | 3 | |
| 5/3/97 | Birmingham, AL | 3 | |
| 5/4/97 | New Orleans, LA | 1 | |
| 5/7/97 | Louisville, KY | 3 | DSBD |
| 5/8/97 | Chicago, IL | 2 | DSBD |
| 5/9/97 | Chicago, IL | 3 | DSBD |
| 5/10/97 | St. Paul, MN | 3 | DSBD |
| 6/21/97 | Kansas City, MO | 3 | VCD |
| 6/22/97 | Tulsa, OK | 2 | |
| 6/24/97 | Santa Fe, NM | 2 | |
| 6/26/97 | Morrison, CO | 2 | |
| 6/27/97 | Morrison, CO | 3 | |
| 7/1/97 | Omaha, NE | 2 | |
| 7/2/97 | Peoria, IL | 3 | |
| 7/4/97 | Milwaukee, WI | 2 | |
| 7/7/97 | Myrtle Beach, SC | 2 | Set I-Matrix (60% DSBD, 40%
Sennheiser 441/Nakamichi CM300) Set II-DAUD (Sennheiser 441/Nakamichi CM300) |
| 7/8/97 | Myrtle Beach, SC | 3 | Set I - DAUD: Sennheiser 441/Nak
CM300 Set II - Matrix (60% Sennheiser 441/Nakamichi CM300, 40% DSBD) |
| 7/9/97 | Baltimore, MD | 2 | DSBD |
| 7/11/97 | Charlotte, NC | 3 | |
| 7/12/97 | Raleigh, NC | 3 | |
| 7/13/97 | Hampton, VA | 3 | |
| 7/15/97 | Jacksonville, FL | 2 | |
| 7/16/97 | Pensacola, FL | 3 | |
| 7/18/97 | Memphis, TN | 3 | |
| 7/19/97 | Memphis, TN | 3 | |
| 7/20/97 | Montgomery, AL | 2 | DSBD (@48kHz) Transfer: D8 > Waveterminal 2496 (@44.1kHz Realtime SampleRate Converter) > Wave Lab 4.0 > CD Wave > Flac Frontend (Level 6) > .flac |
| 7/22/97 | Pompano Beach, FL | 2 | DSBD > DAT > CDR > EAC (secure) > Wav > FLAC |
| 7/23/97 | Tampa, FL | 3 | |
| 7/25/97 | Nashville, TN | 2 | |
| 7/26/97 | Atlanta, GA | 3 | SBD>DAT>CDR>EAC>SHN |
| 7/28/97 | Park City, UT | 2 | |
| 9/5/97 | Philadelphia, PA | 2 | |
| 9/6/97 | Manassas, VA | 2 | |
| 9/7/97 | Boston, MA | 2 | |
| 9/8/97 | Montreal, Quebec | 3 | |
| 9/10/97 | Toronto, ON | 2 | |
| 9/13/97 | Madison, WI | 3 | |
| 9/15/97 | Ames, IA | 3 | |
| 9/19/97 | South Bend, IN | 2 | |
| 9/20/97 | Pittsburgh, PA | 2 | |
| 9/23/97 | Orlando, FL | 2 | |
| 9/24/97 | Orlando, FL | 3 | |
| 10/23/97 | Augusta, GA | 2 | |
| 10/24/97 | Greenville, GA | 3 | |
| 10/25/97 | Greensboro, NC | 3 | |
| 10/30/97 | Tupelo, MS | 3 | |
| 10/31/97 | New Orleans, LA | 3 | |
| 11/4/97 | DeKalb, IL | 3 | |
| 11/7/97 | Columbus, OH | 3 | |
| 11/8/97 | Miami, OH | 2 | |
| 11/9/97 | Ann Arbor, MI | 2 | |
| 11/11/97 | Kalamazoo, MI | 2 | |
| 11/13/97 | Lawrence, KS | 2 | |
| 11/14/97 | Lawrence, KS | 3 | |
| 11/15/97 | Cedar Rapids, IA | 3 | |
| 11/16/97 | Lawrence, KS | 2 | |
| 11/18/97 | Austin, TX | 3 | |
| 11/21/97 | Dallas, TX | 3 | |
| 11/22/97 | Houston, TX | 3 | |
| 11/25/97 | Las Vegas, NV | 3 | |
| 11/28/97 | San Francisco, CA | 3 | |
| 11/29/97 | San Francisco, CA | 3 | |
| 12/29/97 | Atlanta, GA | 3 | |
| 12/30/97 | Atlanta, GA | 3 | |
| 12/31/97 | Atlanta, GA | 3 | |
| 1/2/98 | Atlanta, GA | 3 | |
| 3/8/98 | Byron Bay, Australia | 2 | |
| 3/10/98 | Adeleide, Australia | 2 | |
| 3/11/98 | Melbourne, Australia | 2 | |
| 3/17/98 | Paris, France | 2 | |
| 3/18/98 | Paris, France | 2 | SBD>FM>DAT>Tascam CDRW 700> EAC>SHN |
| 3/19/98 | Paris, France | 2 | |
| 3/19/98 | Paris, France | 1 | Mini-Set for the French press |
| 3/20/98 | Paris, France | 2 | |
| 3/21/98 | Paris, France | 2 | |
| 3/24/98 | Paris, France | 2 | |
| 3/25/98 | Paris, France | 2 | SBD>FM>DAT>Tascam CDRW 700> EAC>SHN |
| 3/26/98 | Paris, France | 2 | |
| 3/27/98 | Paris, France | 2 | |
| 3/28/98 | Paris, France | 2 | |
| 3/30/98 | Amsterdam, Netherlands | 2 | |
| 4/1/98 | Hamburg, Germany | 2 | |
| 4/3/98 | London, England | 2 | |
| 4/18/98 | Athens, GA | 3 | SBD |
| 4/27/98 | N. Myrtle Beach, SC | 3 | |
| 4/28/98 | N. Myrtle Beach, SC | 3 | |
| 4/29/98 | N. Myrtle Beach, SC | 3 | |
| 5/1/98 | Nashville, TN | 2 | |
| 5/3/98 | Iowa City, IA | 3 | |
| 5/7/98 | Doraville, GA | 1 | |
| 5/27/98 | Mesa, AZ | 2 | |
| 5/29/98 | Berkeley, CA | 2 | |
| 5/30/98 | Santa Barbara, CA | 2 | |
| 5/31/98 | Los Angeles, CA | 2 | |
| 6/2/98 | San Diego, CA | 3 | |
| 6/6/98 | Las Vegas, NV | 2 | |
| 6/7/98 | George, WA | 3 | |
| 6/10/98 | West Valley City, UT | 2 | |
| 6/12/98 | Morrison, CO | 2 | |
| 6/13/98 | Morrison, CO | 3 | |
| 6/17/98 | Paris, France | 2 | |
| 6/18/98 | Strasbourg, France | 3 | |
| 7/2/98 | Milwaukee, WI | 2 | |
| 7/5/98 | Viginia Beach, VA | 2 | |
| 7/11/98 | Columbia, MD | 2 | |
| 7/12/98 | Camden, NJ | 2 | |
| 7/15/98 | Wilkes-Barre, PA | 2 | |
| 7/17/98 | Charleston, SC | 2 | |
| 7/18/98 | Raleigh, NC | 3 | |
| 7/19/98 | Charlotte, NC | 3 | |
| 7/23/98 | Pelham, AL | 2 | |
| 7/24/98 | Pelham, AL | 3 | |
| 7/25/98 | Knoxville, TN | 3 | |
| 7/26/98 | Jackson, MS | 2 | |
| 7/28/98 | Tampa, FL | 2 | |
| 8/1/95 | Atlanta, GA | 3 | |
| 8/2/98 | Cincinnati, OH | 2 | |
| 9/7/98 | Crested Butte, CO | 2 | |
| 10/2/98 | Minneapolis, MN | 2 | |
| 10/3/98 | Cedar Rapids, IA | 3 | |
| 10/4/98 | Milwaukee, WI | 3 | |
| 10/6/98 | Madison, WI | 3 | |
| 10/7/98 | Madison, WI | 3 | |
| 10/9/98 | Memphis, TN | 3 | |
| 10/10/98 | Memphis, TN | 2 | |
| 10/11/98 | Memphis, TN | 1 | |
| 10/13/98 | Peoria, IL | 3 | |
| 10/16/98 | Bozeman, MT | 3 | |
| 10/17/98 | Missoula, MT | 3 | |
| 10/20/98 | Colorado Springs, CO | 3 | |
| 10/23/98 | Ames, IA | 3 | |
| 10/30/98 | New Orleans, LA | 3 | |
| 10/31/98 | New Orleans, LA | 3 | |
| 11/2/98 | Macon, GA | 3 | |
| 11/3/98 | Columbia, SC | 3 | |
| 11/5/98 | Berea, SC | 3 | |
| 11/7/98 | Richmond, VA | 3 | |
| 11/16/98 | Buffalo, NY | 2 | |
| 11/17/98 | Northhampton, MA | 3 | |
| 11/19/98 | Burlington, VT | 3 | |
| 11/20/98 | Portland, ME | 3 | |
| 11/25/98 | Chattanooga, TN | 3 | |
| 11/27/98 | Chicago, IL | 3 | |
| 11/28/98 | Chicago, IL | 2 | |
| 12/28/98 | Atlanta, GA | 3 | |
| 12/29/98 | Atlanta, GA | 3 | |
| 12/30/98 | Atlanta, GA | 3 | |
| 12/31/98 | Atlanta, GA | 3 | FM SBD > DAT > CD > EAC > Cool Edit Pro > shntool > CDwav > shnv3 |
| 4/8or9/99 | i'll get back to you! | 3 | |
| 4/10/99 | Philadelphia, PA | 3 | |
| 4/13/99 | Columbus, OH | 2 | |
| 4/14/99 | Ann Arbor, MI | 3 | |
| 4/16/99 | Starkville, MS | 3 | |
| 4/17/99 | Huntsville, AL | 3 | |
| 4/19/99 | Lake Buena Vista, FL | 3 | |
| 4/22/99 | Boone, NC | 3 | |
| 4/23/99 | Lexington, KY | 3 | |
| 4/24/99 | Charlotte, NC | 2 | |
| 4/25/99 | Savannah, GA | 3 | |
| 4/27/99 | Jacksonville, FL | 3 | DSBD (until 3:50 of d3t02 though d3t03 which is Aud ) |
| 4/28/99 | Pensacola, FL | 3 | |
| 4/30/99 | New Orleans, LA | 2 | |
| 5/1/99 | New Orleans, LA | 3 | |
| 5/2/99 | Atlanta, GA | 2 | |
| 5/4/99 | Myrtle Beach, SC | 3 | |
| 5/5/99 | N. Myrtle Beach, SC | 3 | |
| 5/6/99 | N. Myrtle Beach, SC | 3 | |
| 6/18/99 | Memphis, TN | 1 | set 1 |
| 6/19/99 | Memphis, TN | 3 | |
| 6/20/99 | Tulsa, OK | 3 | |
| 6/22/99 | St. Louis, MO | 3 | |
| 6/23/99 | St. Louis, MO | 3 | |
| 6/25/99 | Morrison, CO | 3 | |
| 6/26/99 | Morrison, CO | 3 | |
| 6/27/99 | Morrison, CO | 3 | |
| 6/29/99 | Las Vegas, NV | 3 | |
| 6/30/99 | W. Hollywood, CA | 2 | |
| 7/1/99 | W. Hollywood, CA | 3 | |
| 7/6/99 | Boise, ID | 3 | |
| 7/7/99 | Spokane, WA | 3 | |
| 7/9/99 | Whitefish, MT | 3 | |
| 7/10/99 | Bozeman, MT | 3 | |
| 7/11/99 | Jackson, WY | 3 | |
| 7/13/99 | Omaha, NE | 2 | |
| 7/14/99 | Kansas City | 2 | |
| 7/16/99 | Peoria, IL | 3 | |
| 7/19/99 | Pontiac, MI | 2 | |
| 7/20/99 | Indianapolis, IN | 2 | |
| 7/21/99 | Antioch, TN | 3 | |
| 7/23/99 | Cleveland, OH | 2 | |
| 7/24/99 | Columbia, MD | 3 | |
| 7/25/99 | Raleigh, NC | 2 | |
| 7/27/99 | New York, NY | 2 | |
| 7/28/99 | New York, NY | 3 | |
| 8/7/99 | Aspen, CO | 3 | |
| 8/8/99 | Aspen, CO | 3 | |
| 8/10/99 | Amsterdam, NL | 3 | |
| 8/11/99 | Hamburg, Germany | 2 | |
| 8/12/99 | Hannover, Germany | 3 | |
| 8/13/99 | Berlin, Germany | 2 | |
| 8/15/99 | Cologne, Germany | 3 | |
| 8/16/99 | Bielefeld, Germany | 3 | |
| 8/17/99 | Nuremberg, Germany | 2 | |
| 8/18/99 | München, Germany | 3 | |
| 8/20/99 | Winterthur, Switzerland | 2 | |
| 8/21/99 | Nandrin, Belgium | 1 | |
| 8/23/99 | Paris, France | 3 | |
| 8/25/99 | Glasgow, Scotland | 2 | |
| 8/26/99 | Manchester, England | 2 | |
| 8/27/99 | London, England | 2 | |
| 9/24/99 | Pelham, AL | 3 | |
| 9/25/99 | Pelham, AL | 3 | |
| 9/26/99 | Clemson, SC | 3 | |
| 9/28/99 | Houston, TX | 2 | |
| 9/30/99 | Bee Cave, TX | 2 | |
| 10/1/99 | Bee Cave, TX | 2 | |
| 10/2/99 | Dallas, TX | 3 | |
| 10/5/99 | Phoenix, AZ | 3 | |
| 10/6/99 | San Diego, CA | 3 | |
| 10/7/99 | Santa Monica, CA | 3 | |
| 10/9/99 | Salem, OR | 2 | |
| 10/11/99 | Seattle, WA | 3 | |
| 10/12/99 | Eureka, CA | 3 | |
| 10/13/99 | Sausalito, CA | 1 | FM-SBD |
| 10/14/99 | San Francisco, CA | 3 | |
| 10/15/99 | San Francisco, CA | 3 | |
| 10/16/99 | San Francisco, CA | 3 | |
| 10/17/99 | Reno, NV | 3 | |
| 10/19/99 | West Valley City, UT | 2 | |
| 10/22/99 | Columbia, MO | 3 | |
| 10/23/99 | Chicago, IL | 2 | |
| 10/24/99 | Milwaukee, WI | 3 | |
| 10/26/99 | Charlottesville, VA | 3 | |
| 10/27/99 | Cincinnati, OH | 2 | |
| 10/29/99 | New Orleans, LA | 3 | |
| 10/30/99 | New Orleans, LA | 3 | |
| 10/31/99 | New Orleans, LA | 3 | |
| 11/9/99 | Knoxville, TN | 3 | |
| 11/10/99 | North Charleston, SC | 3 | |
| 11/12/99 | Tampa, FL | 2 | |
| 11/14/99 | Gainesville, FL | 2 | |
| 11/19/99 | Fairfax, VA | 3 | |
| 11/20/99 | Albany, NY | 2 | |
| 11/21/99 | New Haven, CT | 2 | |
| 11/23/99 | Philadelphia, PA | 3 | |
| 11/24/99 | Philadelphia, PA | 3 | |
| 11/26/99 | Winston-Salem, NC | 3 | |
| 11/27/99 | Hampton, VA | 3 | |
| 12/20/99 | Atlanta, GA | 3 | |
| 12/31/99 | Atlanta, GA | 4 | |
| 4/5/00 | Mobile, AL | 3 | |
| 4/7/00 | Huntsville, AL | 3 | |
| 4/8/00 | Columbia, SC | 2 | |
| 4/9/00 | Albany, GA | 3 | |
| 4/11/00 | Richmond, VA | 3 | |
| 4/12/00 | New York, NY | 3 | |
| 4/14/00 | Newark, DE | 2 | |
| 4/15/00 | Washington DC | 3 | |
| 4/16/00 | Salem, VA | 2 | |
| 4/18/00 | Chicago, IL | 3 | |
| 4/20/00 | Davenport, IA | 3 | |
| 4/21/00 | St. Louis, MO | 3 | |
| 4/22/00 | Jackson, MS | 3 | |
| 4/24/00 | H.O.B. Orlando, FL | 3 | |
| 4/25/00 | H.O.B. Orlando, FL | 3 | |
| 4/26/00 | H.O.B. Orlando, FL | 3 | |
| 4/28/00 | Statesboro, GA | 3 | |
| 4/29/00 | Raleigh, NC | 3 | |
| 4/30/00 | Charlotte, NC | 3 | |
| 5/2/00 | HOB, Myrtle Beach | 2 | |
| 5/3/00 | HOB, Myrtle Beach | 3 | |
| 5/4/00 | HOB, Myrtle Beach | 3 | |
| 5/6/00 | Nashville, TN | 2 | |
| 5/7/00 | Memphis, TN | 3 | |
| 6/23/00 | Red Rocks | 3 | |
| 6/24/00 | Red Rocks | 3 | |
| 6/25/00 | Red Rocks | 3 | |
| 6/27/00 | Pheonix, AZ | 3 | |
| 6/28/00 | HOB, Las Vegas, NV | 2 | |
| 6/29/00 | HOB, Las Vegas, NV | 3 | |
| 7/1/00 | Warfield Theater | 2 | |
| 7/2/00 | Warfield Theater | 3 | |
| 7/3/00 | Warfield Theater | 3 | |
| 7/4/00 | Warfield Theater | 3 | |
| 7/7/00 | Dallas, TX | 2 | |
| 7/8/00 | The Woodlands, TX | 2 | |
| 7/9/00 | Little Rock, AR | 3 | |
| 7/11/00 | Tulsa, OK | 3 | |
| 7/12/00 | Council Bluffs, IA | 2 | |
| 7/14/00 | Kansas City, MO | 3 | |
| 7/15/00 | East Troy, WI | 1 | |
| 7/16/00 | Geneva, MN | 3 | |
| 7/18/00 | Indianapolis, IN | 3 | |
| 7/19/00 | Cincinnati | 3 | |
| 7/21/00 | Brecksville, OH | 3 | |
| 7/22/00 | Columbus, OH | 3 | |
| 7/23/00 | Detroit!!!!!!!! | 3 hi Julia!!! | |
| 7/25/00 | New Haven, CT | 3 | |
| 7/26/00 | Hampton Beach, NH | 3 | |
| 7/28/00 | Atlantic City, NJ | 3 | |
| 7/29/00 | Boston, MA | 3 | |
| 7/30/00 | Bolton, VT | 3 | |
| 8/1/00 | Central Park, NY | 3 | |
| 8/4/00 | Pittsburgh, PA | 3 | |
| 8/5/00 | Columbia, MD | 3 | |
| 8/6/00 | Winston-Salem, NC | 3 | |
| 8/11/00 | Oak Mtn. | 3 | |
| 8/12/00 | Oak Mtn. | 3 | |
| 8/13/00 | Oak Mtn. | 3 | |
| 8/19/00 | Keystone, CO | 3 | |
| 8/20/00 | Keystone, CO | 3 | |
| Fall 2000 | Studio Demo | 1 | |
| 10/19/00 | Charleston, SC | 3 | |
| 10/20/00 | Valdosta, GA | 3 | |
| 10/21/00 | Charlotte, NC | 3 | |
| 10/23/00 | Gainesville, FL | 3 | |
| 10/24/00 | Sunrise, FL | 2 | |
| 10/25/00 | St. Petersburg, FL | 3 | |
| 10/27/00 | New Orleans, LA | 3 | |
| 10/28/00 | New Orleans, LA | 3 | |
| 10/29/00 | New Orleans, LA | 3 | |
| 10/31/00 | Austin, TX | 1 | Samsung 4-Head Hi-Fi>WAV>SHN |
| 11/2/00 | Los Angeles, CA | 3 | |
| 11/3/00 | San Francisco | 3 | |
| 11/4/00 | San Francisco | 3 | |
| 11/7/00 | Seattle, WA | 3 | |
| 11/8/00 | Eugene, OR | 3 | |
| 11/10/00 | Bozeman, MT | 3 | |
| 11/11/00 | Missoula, MT | 3 | |
| 11/14/00 | West Valley, UT | 3 | |
| 11/15/00 | Laramie, WY | 3 | |
| 11/17/00 | Madison, WI | 3 | |
| 11/18/00 | St. Paul, MN | 3 | |
| 11/19/00 | Ames, IA | 3 | |
| 11/21/00 | Louisville, KY | 3 | |
| 11/22/00 | Asheville, NC | 3 |
| 11/24/00 | Memphis, TN | 3 | |
| 11/25/00 | Memphis, TN | 3 | |
| 11/28/00 | Bloomington, IN | 3 | |
| 11/29/00 | Champaign, Il | 3 | |
| 11/30/00 | Murray, KY | 3 | |
| 12/1/00 | Carbondale, IL | 3 | |
| 12/30/00 | Atlanta, GA | 3 | |
| 12/31/00 | Atlanta, GA | 4 |
| 4/18/01 | Oxford, OH | 3 | |
| 4/20/01 | Knoxville, TN | 3 | |
| 4/21/01 | Raleigh, NC | 3 | |
| 4/22/01 | Macon, GA | 3 | |
| 4/24/01 | Savannah, GA | 3 | |
| 4/25/01 | Starksville, MS | 3 | |
| 4/27/01 | Huntsville, AL | 3 | |
| 4/28/01 | Murfreesboro, TN | 3 | |
| 4/29/01 | Charlotte, NC | 3 | |
| 5/1/01 | Montgomery, AL | 3 | |
| 5/3/01 | New Orleans, LA | 3 | |
| 5/4/01 | New Orleans, LA | 3 | |
| 5/26/01 | Las Vegas, NV | 1 | |
| 6/13/01 | San Diego, CA | 3 | |
| 6/15/01 | Los Angeles, CA | 3 | |
| 6/16/01 | Los Angeles, CA | 3 | |
| 6/17/01 | Los Angeles, CA | 3 | |
| 6/19/01 | Santa Fe, NM | 3 | |
| 6/20/01 | Santa Fe, NM | 3 | |
| 6/22/01 | Red Rocks | 3 | |
| 6/23/01 | Red Rocks | 3 | |
| 6/24/01 | Red Rocks | 3 | |
| 6/26/01 | Dallas, TX | 2 | |
| 6/27/01 | The Woodlands, TX | 3 | |
| 6/29/01 | Jackson, MS | 3 | |
| 6/30/01 | Little Rock, AK | 3 | |
| 7/1/01 | Tulsa, OK | 3 | |
| 7/3/01 | Milwaukee, WI | 3 | |
| 7/4/01 | Geneva, MN | 3 | |
| 7/6/01 | Bonner Springs, KS | 2 | |
| 7/7/01 | Maryland Heights, MO | 2 | |
| 7/8/01 | Noblesville, IN | 3 | |
| 7/10/01 | Cleveland, OH | 3 | |
| 7/11/01 | Detroit, MI | 3 | |
| 7/13/01 | Boston, MA | 3 | |
| 7/14/01 | Columbia, MD | 3 | |
| 7/15/01 | Pittsburgh, PA | 2 | |
| 7/17/01 | NY, NY | 3 | |
| 7/18/01 | NY, NY | 3 | |
| 7/19/01 | NY, NY | 3 | |
| 7/21/01 | Portsmouth, VA | 3 | |
| 7/22/01 | Wilmington, DE | 3 | |
| 7/25/01 | Myrtle Beach, SC | 3 | |
| 7/27/01 | Oak Mtn. | 3 | |
| 7/28/01 | Oak Mtn. | 3 | |
| 7/29/01 | Oak Mtn. | 3 | |
| 8/18/01 | Larkspur, CO | 3 | |
| 8/19/01 | Larkspur, CO | 3 | |
| 10/11/01 | Emeryville, CA | 1 | |
| 10/12/01 | Berkeley, CA | 3 | |
| 10/13/01 | Berkeley, CA | 3 | |
| 10/14/01 | Berkeley, CA | 3 | |
| 10/16/01 | Seattle, WA | 3 | |
| 10/17/01 | Portland, OR | 3 | |
| 10/19/01 | Bozeman, MT | 3 | |
| 10/20/01 | Ogden, UT | 3 | |
| 10/22/01 | Pheonix, AZ | 3 | |
| 10/24/01 | Austin, TX | 3 | |
| 10/26/01 | New Orleans, LA | 3 | |
| 10/27/01 | New Orleans, LA | 3 | |
| 10/28/01 | New Orleans, LA | 3 | |
| 10/30/01 | Chicago, IL | 1 | |
| 10/31/01 | Chicagoween, IL | 3 | |
| 11/1/01 | Minneapolis, MN | 3 | |
| 11/2/01 | Madison, WI | 3 | |
| 11/4/01 | Columbus, OH | 3 | |
| 11/6/01 | Syracuse, NY | 3 | |
| 11/8/01 | Boston, MA | 3 | |
| 11/9/01 | Amherst, MA | 3 | |
| 11/10/01 | Asbury Park, NJ | 3 | |
| 11/12/01 | Burlington, VT | 3 | |
| 11/13/01 | Philadelphia, PA | 3 | |
| 11/14/01 | Towson, MD | 3 | |
| 11/16/01 | Charlotte, NC | 3 | |
| 11/17/01 | Charlotte, NC | 3 | |
| 11/18/01 | North Charleston, SC | 3 | |
| 11/20/01 | Johnson City, TN | 3 | |
| 11/21/01 | Chattanooga, TN | 3 | |
| 11/23/01 | Memphis, TN | 3 | |
| 11/24/01 | Memphis, TN | 3 | |
| 12/29/01 | Atlanta, GA | 3 | |
| 12/30/01 | Atlanta, GA | 3 | |
| 12/31/01 | Atlanta, GA | 4 | |
| xx/xx/02 | George Sampler | 2 | SBD |
| 4/19/02 | Raleigh, NC | 3 | |
| 4/20/02 | Raleigh, NC | 3 | |
| 4/21/02 | Asheville, NC | 3 | |
| 4/22/02 | Asheville, NC | 1 | |
| 4/24/02 | Savannah, GA | 3 | |
| 4/26/02 | Oak Mtn. | 3 | |
| 4/27/02 | Oak Mtn. | 3 | |
| 4/28/02 | Oak Mtn. | 3 | |
| 6/21/02 | Manchester, TN | 3 | |
| 6/22/02 | Manchester, TN | 3 | |
| 6/25/02 | Dallas, TX | 3 | |
| 6/28/02 | Red Rocks, CO | 3 | |
| 6/29/02 | Red Rocks, CO | 3 | |
| 6/30/02 | Red Rocks, CO | 3 | |
| 7/2/02 | Cedar Rapids, IA | 3 | |
| 7/3/02 | Milwaulke, WI | 3 | |
| 7/6/02 | Indianapolis, IN | 2 | |
| 7/7/02 | Detroit, MI | 3 | |
| 7/9/02 | Cleveland, OH | 3 | |
| 7/11/02 | Portsmith, VA | 3 | |
| 7/12/02 | Columbia, MD | 3 | |
| 7/16/02 | Little Rock, AR | 3 | |
| 7/18/02 | Bee Cave, TX | 3 | |
| 7/19/02 | Bee Cave, TX | 3 | |
| 7/20/02 | Bee Cave, TX | 3 | |
| 7/21/02 | The Woodlands, TX | 3 | |
| 7/24/02 | Los Angeles, CA | 3 | |
| 8/17/02 | Greenwood Village, CO | 3 | |
| 8/18/02 | Greenwood Village, CO | 3 | |
| 1/6/62- 8/10/02 | Mikey Compilation | 2 | thanks Mr. Houser |
| 4/9/03 | Madison, WI | 3 | |
| 4/11/03 | Chicago, IL | 3 | |
| 4/12/03 | Chicago, IL | 2 | |
| 4/15/03 | Boston, MA | 3 | |
| 4/16/03 | Boston, MA | 3 | |
| 4/23/03 | New York, NY | 3 | |
| 6/14/03 | Manchester, TN | 3 | |
| 7/8/03 | Columbus, OH | 3 | |
| 7/9/03 | Detroit, MI | 2 | |
| 7/11/03 | Cleveland, OH | 2 | |
| 7/15/03 | Stroudsburg, PA | 2 | |
| 8/6/03 | Emeryville, CA | 1 | Pre-FM CDR"> EAC Secure > FLAC>CDR |
| 12/30/03 | New York, NY | 4 | |
| 12/31/03 | New York, NY | 4 | |
| 3/25/05 | Atlanta, GA | 2 | FM SBD > harmon kardon AVR-230 > Coax > vxPocket v2 > WaveLab 5.01a @ 24/48 Dithered and Resmapled in SoundForge 7.0. |
| 4/7/05 | Chicago, IL | 2 | |
| 4/8/05 | Chicago, IL | 3 | |
| 4/9/05 | Chicago, IL | 3 | |
| 4/16/05 | New York, NY | 3 |
| 6/12/05 | Manchester, TN | 3 | |
| 12/31/05 | Atlanta, GA | 4 | |
| JB Solo | |||
1. 4/18/98 UGA Baseball Game--Athens, GA (Sonic Studios DSM-6S/EL > SBM-1 > D-8; Taped by Steve Bohannon) 2. 7/27/02 Pac Bell Park--SF Giants game--San Francisco, CA (Radio Shack 33-3028 > D-8; Taped by Z-man) 3. 10/12/03 Superdome--Saints Game--New Orleans, LA (Radio Shack 33-3028 > D-8; Taped by Z-man) |
3 times that JB has sang the National Anthem | 1 | |
| 1984 | Athens, GA - Abbots | 2 | |
| ??/??/90 | John Bell in his livingroom | 1 | |
| 9/xx/90 | Athens, GA | 2 | Soundboard > Cassette/? > CD-R > EAC (secure) > Wave Merge > CD Wave > mkwACT |
| 1-2/1992 | Mikey & Me | 1 | |
| 5/28/94 | Auburn, AL | 2 | |
| 9/18/94 | Monroe, GA | 2 | |
| 7/29/95 | Jackson, WY | 1 story of hatfield | |
| 8/17/99 | Nuremberg, Germany | 1 Interview | |
| 1/8/00 | Orlando, FL | 1 | |
| 9/9/00 | Lyons, CO | 1 | |
| 1/6/01 | H.O.B. Orlando, FL | 2 | |
| 8/26/01 | Huntsville, UT | 1 | |
| 9/1/01 | Thornville, OH | 1 | |
| 9/8/01 | Richmond, VA | 1 | |
| 1/5/02 | Orlando, FL | 1 | |
| 1/18/03 | Orlando, FL | 1 | |
| 3/7/03 | Athens, GA | 1 w/ J. Keane | SBD > D8 > Tascam CDRW700 > EAC >SHN |
| 8/16/03 | Vail, CO | 1 | |
| 12/20/03 | Asheville, NC | 1 | |
| 1/31/04 | Orlando, FL | 2 | |
| 1/22/05 | Lake Buena Vista, FL | 1 | |
| 4/9/05 | Wrigley Field | 1 National Anthem! | Live Free or Die! |
| 2/25/06 | Orlando, FL | 2 | |
| 7/19/06 | Jackson, WY | 3 | |
| 8/2/06 | Louisville, KY | 3 | |
| 8/12/06 | Chicago, IL | 3 | |
| 10/20/06 | Detroit, MI | 2 | |
| 10/26/06 | Omaha, NE | 3 | |
| 1/20/07 | Orlando, FL | 1 |
| Acid Test Reels | In Your Mind | 6 | Go Neal!!!!! | |
| 1966-72 | Pigpen Compilation | 2 | Various SBDs> shn> wav> CD> wav> FLAC | |
| xx/xx/6? | San Francisco, CA | 1 | Pigpen and Phil Interview | MC>CD>EAC>FLAC |
| 6/11/62 | San Carlos, CA | 1 Sleepy Hollow | Hog Stompers | AUD>MR>C>DAT>?>CDR |
| 2/23/63 | Palo Alto, CA | 1/3 | Wildwood Boys | |
| ?/?/63 | Palo Alto, CA | 1/3 | 2nd Story Men | |
| 5/?/63 | Palo Alto, CA | 1/3 | Jerry & Sara Garcia | |
| 2/19/64 | San Francisco, CA | 1 | Black Mountain Boys | |
| 3/7/64 | Palo Alto, CA | 1/2 | Black Mountain Boys | SBD->Cassette->CDR->TAE->SHN |
| xx/xx/64 | Palo Alto, CA | 1/2 | Black Mountain Boys | SBD->Cassette->CDR->TAE->SHN |
| 7/??/64 | Palo Alto, CA | 1 Mother McCree's | Uptown Jug Champs. | AM |
| 11/3/65 | San Francisco, CA | 1 | The Warlocks | SBD |
| 1966 | Various | 2 | Primal GD GEMS | SBD>MRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC |
| xx/xx/66 | San Francisco, CA | 1 | Pigpen's Apartment | SBD |
| xx/xx/66 | Unknown | 1 | Often labelled "2/66," the actual date is unknown. | SBD>MR>?>CD>EAC>mkwact>SHN |
| 1 or 2/xx/66 | San Francisco, CA | 1 | Viola Lee rehearsals | SBD>MC>?>DAT>?>SF>SHN |
| 2/25/66 | Los Angeles, CA | 1 | SBD>MR>DAT>CDR | |
| 3/12/66 | Los Angeles, CA | 1 | SBD>MR>RR>DAT>CDR | |
| 3/25/66 | Los Angeles, CA | 1 | SBD>MR>DAT>ZA2>CDR | |
| 5/19/66 | San Francisco, CA | 1 | Pre FM SBD>MR>DAT>CDR | |
| 6/??/66 | Unknown | 1 | Scorpio Studio outtakes | SBD>MR>DAT>CDR > EAC(secure) > CDWav(retracking) > mkwact(seekable) |
| 7/1/66 | San Francisco, CA | 1 | SBD>MR>DAT>CDR>EAC>mkwact>SHN(seekable) | |
| 7/3/66 | San Francisco, CA | 1 | SBD>MR>DAT>ZA2>CDR | |
| 7/16/66 | Fillmore West | 1 | SBD>MR>DAT>SS>CDR | |
| 7/16/66 | Fillmore West | 2 | SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN | |
| 7/17/66 | San Francisco, CA | 1 | SBD>GDH Pre FM>CDR>EAC>CDR | |
| 7/29/66 | Vancouver, B.C. | 1 | SBD>MR>??>CDR> EAC(secure) > mkwact(seekable) | |
| 7/30/66 | Vancouver, B.C. | 1 | SBD>MR>??>CDR > EAC(secure) > mkwact(seekable) | |
| 9/16/66 | Avalon | 1 | SBD>MR>LP>DAT>CDR | |
| 10/2/66 | San Francisco, CA | .5 | SBD>MR>RR>DAT>CDR | |
| 10/7/66 | San Francisco, CA | 1 | SBD>?>EAC>SHN>CDR | |
| 10/31/66 | San Francisco, CA | .5 | ||
| 11/19/66 | Fillmore West | 1 | SBD Liberated bootleg | |
| 11/29/66 | San Francisco, CA | 1 | SBD>MR>REEL>C>DAT>CDR | |
| 12/1/66 | San Francisco, CA | 2 | SBD>MR>RR>C>DAT>CDR | |
| 12/5/66 | San Francisco, CA | 1 | 1st Album Outtakes | SBD>MC>CASS>CDR>EAC>SHN |
| 1/14/67 | San Francisco, CA | 1 | SBD>MR>C>C>DAT>CDR | |
| 1/27/67 | San Francisco, CA | 1 | AUD>MR>Reel>DAT>CDR | |
| 2/12/67 | San Francisco, CA | 1 | ?SBD (studio)? | |
| 3/18/67 | San Francisco, CA | 2 | SBD>MR>?>CD>EAC>CoolEdit96(Resampled to correct pitch)>SHN>CD>EAC>SHN | |
| 4/8/67 | San Francisco, CA | 1 | "The Maze" | TV > C/? >CDR>EAC>SHN |
| 5/5/67 | San Francisco, CA | 1 | SBD>MR>PCM>DAT>CDR | |
| 6/18/67 | Monterey, CA | 1 | SBD:MR>Cass>DAT>ZA2>CD | |
| 6/18/67 | Monterey, CA | 1 | VCD | |
| 8/4&5/67 | Toronto, Canada | 1 | SBD | |
| 9/3/67 | Rio Nido, CA | 1 | SBD>MR>C>DAT>CD>EAC>SHN>CDR | |
| 9/4/67 | Rio Nido, CA | 1 | SBD>MR>Cas>DAT>CD>EAC>SHN>CDR | |
| 9/15/67 | Hollywood, CA | 1 | AUD>MC>RR>?>RR>DAT>CDR | |
| 10/22/67 | Winterland | 1 | SBD>MR>C>DAT>SS(via D. Gans)>CDR | |
| 11/10/67 | Los Angeles, CA | 2 | SBD>MR>DAT>CDR | |
| 11/11/67 | Shrine Auditorium | 1 | SBD>MR>DAT>CDR | |
| 11/14/67 | North Hollywood, CA | 1 | MSR>C(1)>DAT>WAV>SHN | |
| 1968 | Mystery Reels | 4 | SBD | |
| 1/17/68 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR | |
| 1/20/68 | Eureka, CA | 1 | SBD>MR>DAT>SS>EAC>SHN | |
| 1/22/68 | Seattle, WA | 1 | SBD>MR>DAT>SS>CD>DAT>CD | |
| 1/23/68 | Seattle, WA | 1 | SBD>MR>C>DAT>CDR | |
| 1/27/68 | Seattle, WA | 1 | SBD:MR>DAT>PCM>DAT>CD>EAC>SHN | |
| 2/2/68 | Portland, OR | 1 | SBD>MR>C>DAT>CDR | |
| 2/3/68 | Portland, OR | 1 | FM/SBD>MR>R>DAT>CDR | |
| 2/14/68 | San Francisco, CA | 2 | SBD>MR>DAT>CDR | |
| 3/3/68 | Haight St. at Cole | 1 | AUD>MR>DAT>Gans pre-FM >CD>DAT>ZA2>CD>EAC>CDR | |
| 3/16/68 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR | |
| 3/26/68 | Anaheim, CA | 1 | AUD>MR>D>PCM>D>CD>EAC>SHN | |
| 3/29/68 | San Francisco, CA | 1 | SBD>MR>>C>DAT>ZA2>SF>CDR | |
| 3/30/68 | San Francisco, CA | 1 | SBD>MR>DAT>PCM>DAT>CDR | |
| 3/31/68 | San Francisco, CA | 1 | AUD>MR>D>PCM>D>CD>EAC>SHN | |
| 5/xx/68 | Unknown | 1 | Vault Reel>DAT>CD>EAC>SHN | |
| 5/18/68 | Santa Clara, CA | 1 | AUD | |
| 5/21/68 | San Francisco, CA | 1 | Garcia, Jorma, Hart, Casady | SBD>MR>DAT>CD |
| 6/14/68 | New York, NY | 1 | AUD>MR>R>R>PCM>ZA2>SF>CDR | |
| 6/19/68 | Carousel Ballroom | 2 | SBD>MC>DAT>CDR | |
| 8/21/68 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR | |
| 8/22/68 | San Francisco, CA | 2 | SBD>C>DAT>CDR | |
| 8/23/68 | Los Angeles, CA | 2 | SBD>MR>sonic wizardry>DAT>CDR | |
| 8/28/68 | San Francisco, CA | 1 | SBD>??>R>PCM>CD>EAC>SHN | |
| 9/2/68 | Madison, WI | 1 | SBD:>MR>C>DAT>CDR | |
| 9/20/68 | Berkeley, CA | 1 | SBD > MR > cassette(s) > DAT(s) > CDR(s) > SHN's | |
| 10/8/68 | San Francisco, CA | 3 | SBD>MR>Reel(x2?)>CDR>EAC>SHN | |
| 10/10/68 | San Francisco, CA | 3 | SBD>MR>Reel>CDR | |
| 10/12/68 | Avalon, S.F., CA | 2 | SBD>MSR>DAT>CDR>cass/2>pitch corrected CDR | |
| 10/13/68 | Avalon, S.F., CA | 1 | SBD>MR>DAT>CDR | |
| 10/20/68 | Berkeley, CA | 1 | SBD>MR>DAT>CDR | |
| 10/30/68 | Matrix, S.F., CA | 2 | SBD>MR>DAT>CDR | |
| 11/1/68 | Chico, CA | 1 | SBD>MR>C>D>CD>EAC>SHN patched with SBD>MR>R>D>CD>EAC>SHN |
|
| 11/6/68 | San Mateo, CA | 2 | SBD> Reel> PCM > DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0-> FLAC | |
| 11/22/68 | Columbus, OH | 2 | AUD>MR>C3>DAT>CDR | |
| 12/7/68 | Louisville, KY | 2 | SBD>MR>C>DAT>ZA2>SF>CDR | |
| 12/16/68 | San Francisco, CA | 2 | SBD>Rm>Reel>CD (May Be SBD>Rm>Reel>Reel>CD | |
| 12/20/68 | Los Angeles, CA | 1 | SBD>MC>C>DAT>CDR | |
| 12/21/68 | Los Angeles, CA | 2 | SBD>MC>C>DAT>CDR | |
| 12/24/68 | San Francisco, CA | 1 | SBD>MR>PCM>WAV>SHN | |
| 12/29/68 | Hallandale, FL | 1 | SBD>MC>C>DAT>CDR | |
| xx/xx/69 summer | San Francisco, CA | 1 | Home recordings | AUD (portable recorder and cheapmic): |
| xx/xx/69 | San Francisco, CA | 1 | Aoxomoxoa Outtakes | Studio SBD |
| 1/17/69 | Santa Barbara, CA | 2 | SBD>MR>C>DAT>CDR | |
| 1/18/69 | Playboy After Dark | 1 | VCD ---------> Excellent!!! | |
| 1/24/69 | Avalon, S.F., CA | 1 | SBD>MR>C>DAT>CDR | |
| 1/25/69 | Avalon, S.F., CA | 1 | SBD>MR>C>DAT>CDR | |
| 1/26/69 | Avalon, S.F., CA | 2 | SBD>DAT>SHN>CDR | |
| 2/2/69 | Minneapolis, MN | 2 | SBD>MR>C>C>C>CDR | |
| 2/4/69 | Omaha, NB | 2 | SBD>MC>C>DAT>CDR | |
| 2/5/69 | Kansas City, MO | 2 | SBD>C>DAT>CDR | |
| 2/6/69 | St. Louis, MO | 2 | SBD>MC>C>DAT>CDR | |
| 2/7/69 | Pittsburg, PA | 2 | late and early | SBD>MC(Bear Owsley)>DAT(Rob Eaton)>(Jim Wise) HHb>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN |
| 2/11/69 | Fillmore East | 2 | late and early | SBD>MR>DAT>CDR |
| 2/12/69 | New York, NY | 1 | SBD>CM>DAT>CDR | |
| 2/14/69 | Philadelphia, PA | 2 | SBD>CM>C>DAT>CDR | |
| 2/15/69 | Philadelphia, PA | 3 | SBD>MR>C>DAT>CDR | |
| 2/21/69 | Vallejo, CA | 2 | SBD>CM>C>DAT>CDR | |
| 2/22/69 | Vallejo, CA | 2 | SBD>MR>C>DAT>CDR | |
| 2/27/69 | Fillmore west | 2 | SBD: multi-track>DAT>CDR | |
| 2/28/69 | Fillmore West | 3 | SBD>MSR>PCM>DAT>CDR | |
| 3/1/69 | Fillmore west | 2 | SBD>C>DAT>CDR | |
| 3/2/69 | Fillmore west | 3 | SBD>?>bootleg cd>toast>dae>shn | |
| 3/15/69 | Hilton Hotel, San Francisco | 1 | SBD>?>boot CD>SHN | |
| 3/22/69 | Pasadena, CA | 1 | SBD>MC>C>D>CD>EAC>SHN | |
| 3/28/69 | Modesto, CA | 2 | SBD>Reels>C>DAT>CDR | |
| 3/29/69 | Las Vegas, NV | 1 | SBD>?>BOOTCD>CDR | |
| 4/4/69 | San Francisco, CA | 2 | SBD>MSR>C>DAT>CDR>EAC>SHN>CDR | |
| 4/5/69 | San Francisco, CA | 2 | SBD>MR>R>DAT>SP/DIF>WAV>SHN>CDR | |
| 4/6/69 | San Francisco,CA | 2 | SBD>MR>C>DAT>CDR | |
| 4/11/69 | Tuscon, AZ | 1 | SBD>MC>C>DAT>CDR | |
| 4/12/69 | Salt Lake City, UT | 2 | SBD>MC>C>DAT>CDR | |
| 4/13/69 | Boulder, CO | 2 | SBD>MR>C>DAT>CDR | |
| 4/15/69 | Omaha, NB | 2 | Aiwa hand-held microphone -> Master Reel (Aiwa 5"
reel-to-reel) ->Alesis Masterlink 9600 -> Hard Drive -> CD Mastering Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC |
|
| 4/15/69 | Omaha, NB | 1 | SBD>MC>DAT>CDR | |
| 4/18/69 | Layfayette, IN | 2 | SBD>MC>C>DAT>CDR | |
| 4/20/69 | Worcester, MA | 1 | SBD>MC>C>DAT>CDR | |
| 4/21/69 | Boston, MA | 3 | SBD>MR>MCASS>DAT>EAC>SHN>CDR | |
| 4/22/69 | Boston, MA | 3 | SBD>MSR>C>DAT>CDR | |
| 4/23/69 | Boston, MA | 3 | SBD>MR>C>DAT>CDR | |
| 4/25/69 | Chicago, IL | 1 | SBD>MR>DAT>SS>CDR | |
| 4/26/69 | Chicago, IL | 3 | SBD>CM>DAT>CDR | |
| 4/27/69 | Minneapolis, MN | 2 | SBD>MR>DAT>CDR>SHN>CDR | |
| 5/3/69 | San Francisco, CA | 1 | SBD>MC>C>DAT>CDR | |
| 5/7/69 | San Francisco, CA | 2 | SBD>MR>C>DATx2>CDR | |
| 5/10/69 | Pasadena, CA | 2 | SBD>MC>C>DAT>SS>CDR | |
| 5/11/69 | San Diego, CA | 1 | FMSBD | |
| 5/16/69 | Moraga, CA | 1 | SBD>MC>C>DAT>CDR | |
| 5/23/69 | West Hollywood, FL | 1 | SBD>MC>DAT>CDR | |
| 5/24/69 | West Hollywood, FL | 2 | SBD>RTR>DAT>CDR | |
| 5/29/69 | Santa Barbara, CA | 1 | SBD>MR>?>CDR | |
| 5/31/69 | Eugene, OR | 2 | SBD>REEL>DAT>CDR>EAC>SHN>CDR | |
| 6/5/69 | San Francisco, CA | 2 | SBD>MC>C>DAT>CDR | |
| 6/6/69 | San Francisco, CA | 2 | SBD>MC>DAT>CDR | |
| 6/7/69 | San Francisco, CA | 2 | SBD>MC>DAT>CDR | |
| 6/8/69 | San Francisco, CA | 2 | set1 SBD>MR>C>D>CD>SHN>CDR set2 SBD>MC>C>D>CD>SHN>CDR |
|
| 6/13/69 | Fresno, CA | 2 | SBD>MC>C>DAT>ZA2>SF>CDR | |
| 6/14/69 | Monterey, CA | 2 | SBD>MC>C>DAT>ZA2>SF>CDR | |
| 6/21/69 | San Francisco, CA | 2 | SBD>MC>C>DAT>CDR | |
| 6/22/69 | New York, NY | 1 | AUD | |
| 6/22/69 | New York, NY | 1 | SBD>MC>C>D>CD>EAC>Cool Edit 2000>CD>EAC>SHN | |
| 6/27/69 | Santa Rosa, CA | 2 | SBD>MR>C>CDR | |
| 6/28/69 | Santa Rosa, CA | 1 | SBD>MR>DAT>CDR | |
| 7/4/69 | Chicago, IL | 2 | SBD>MC>DAT>SF>CDR | |
| 7/5/69 | Chicago, IL | 2 | SBD>MC>DAT>SF>CDR | |
| 7/7/69 | Atlanta, GA | 2 | SBD>MC>DAT>CDR | |
| 7/11/69 | Queens, NY | 2 | SBD>MC>DAT>CDR | |
| 7/12/69 | Queens, NY | 1 | SBD>MC>DAT>CDR | |
| 8/2/69 | San Francisco, CA | 2 | SBD -> Cassette Master -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC | |
| 8/3/69 | San Francisco, CA | 2 | SBD -> Cassette Master -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC | |
| 8/16/69 | Bethel, NY | 2 | SBD>MR>??>DAT>CDR | |
| 8/16/69 | Bethel, NY | 1 | VCD | |
| 8/21/69 | Seattle, WA | 1 | SBD>MC>C>DAT>CDR | |
| 8/23/69 | St. Helens, OR | 2 | SBD>MC>C>DAT>CDR | |
| 8/28/69 | San Francisco, CA | 2 | SBD>MC>DAT>CDR | |
| 8/29/69 | San Francisco, CA | 1 | SBD>MR>C>DAT>CDR | |
| 8/30/69 | San Francisco, CA | 2 | SBD>MC>C>DAT>CDR | |
| 9/1/69 | Praireville, LA | 2 | SBD>MC>DAT>CDR>EAC>SHN>CDR | |
| 9/6/69 | San Francisco, CA | 1 | Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD->EAC->SHN | |
| 9/7/69 | San Francisco, CA | 1 | w/ Jefferson Airplane | SBD>MR>C>DAT |
| 9/11/69 | San Francisco, CA | 1 | AUD>?>CD>EAC>SHN | |
| 9/26/69 | New York, NY | 1 | AUD>?>CD>EAC>SHN | |
| 9/27/69 | New York, NY | 1 | AUD>?>CD>EAC>SHN | |
| 9/29/69 | New York, NY | 1 | AUD>Reel>DAT>ZA2>Diamond cut NR>CDR | |
| 9/30/69 | New York, NY | 1 | AUD>C2>XLR into SV-3700>ZA2>SF>CDR | |
| 10/24/69 | San Francisco, CA | 1 | Low generation audience > CD>EAC>SHN | |
| 10/25/69 | San Francisco, CA | 1 | SBD>MR>DAT>EAC>CDR | |
| 10/26/69 | San Francisco, CA | 1 | SBD : MR > C1 > DAT > CD | |
| 10/31/69 | San Jose, CA | 2 | SBD>MC>C>DAT>CDR | |
| 11/1/69 | San Francisco, CA | 2 | SBD>MC>C>DAT>CDR | |
| 11/2/69 | San Francisco, CA | 1 | SBD>MR>C>DAT>CDR | |
| 11/2/69 | San Francisco, CA | 2 | Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC |
|
| 11/7/69 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR | |
| 11/8/69 | San Francisco, CA | 2 | SBD>MR(Dick L.)>DAT>SF(Jim Wise)>CDR | |
| 11/15/69 | Crockett, CA | 2 | SBD cassette master > PCM > CDR > iMac > SHN | |
| 11/21/69 | Sacramento, CA | 2 | SBD>MR>RR>RR>PCM>DAT>CDR | |
| 12/4/69 | San Francisco, CA | 2 | SBD>MC>?>CD>EAC>SHN | |
| 12/5/69 | San Francisco, CA | 2 | Aud Master Cassette > PCM > DAT > CD (Sony F995 > Sony TC-124) |
|
| 12/7/69 | San Francisco, CA | 2 | SBD>MC>DAT>CDR>EAC>DCart Millennium>CDR | |
| 12/10/69 | Los Angeles, CA | 2 | SBD>MR>Dat>CDR except Cryptical Envelopment thru Cosmic Charlie: MSR > ? > D > CD |
|
| 12/11/69 | Los Angeles, CA | 3 | AUD>MR>R>D>CD>EAC>SHN (intro through last
verse of Dark Star) SBD>MC>C?>Beta>PCM>D>CD>EAC>SHN (?) (last verse Dark Star>end of show) |
|
| 12/12/69 | Los Angeles, CA | 2 | SBD>MR>RR>DAT>CDR | |
| 12/13/69 | San Bernardino, CA | 2 | 7" Master Soundboard Reels > Cassette > DAT > CDR | |
| 12/19/69 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR | |
| 12/20/69 | San Francisco, CA | 1 | SBD>MR>?>FM>?>CD>EAC>SHN | |
| 12/21/69 | San Francisco, CA | 1 | SBD>MR>C>DAT>CDR(s)>EAC(secure)> CE2K(minor cleanup)>CDWAV>mkwact>SHN | |
| 12/26/69 | Dallas, TX | 1 | SBD>MR>C>DAT>CDR | |
| 12/26/69 | Dallas, TX | 2 | SBD>MR> CASS> DAT> CDR> EAC> FLAC | |
| 12/28/69 | Hollywood, FL | 1 | SBD>MC>DAT>CDR | |
| 12/29/69 | Boston, MA | 2 | SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR | |
| 12/30/69 | Boston, MA | 3 | SBD>MC>C>DAT>CDR | |
| 12/31/69 | Boston, MA | 3 | SBD>MR>DAT>C>DAT>CDR | |
| 1/2/70 | New York, NY | 3 | SBD>MR>C>DAT>CDR | |
| 1/3/70 | San Francisco, CA | 3 | Early and Late | SBD>MR>C>DAT>CDR |
| 1/10/70 | San Diego, CA | 2 | SBD>MR>RTR>DAT>CDR | |
| 1/16/70 | Portland, OR | 3 | SBD>MR>DAT>CDR | |
| 1/17/70 | Corvalis, Oregon | 2 | SBD>MR>DAT>CDR>EAC>SHN | |
| 1/23/70 | Honolulu, HI | 2 | SBD>MR>C>DAT>CDR | |
| 1/24/70 | Honolulu, HI | 1 | SBD>MR>C>DAT>CDR | |
| 1/30/70 | New Orleans, LA | 2 | SBD>MR>C>DAT>CDR | |
| 1/31/70 | New Orleans, LA | 2 | SBD>MR>C>D>CD>EAC>SHN | |
| 2/0x/70 | San Francisco, CA | 1 | Workingmans outtakes | studio MR>?>C>SF>CDR |
| 2/1/70 | New Orleans, LA | 2 | SBD>MSR>C>DAT>CD>EAC>SHN | |
| 2/1/70 | New Orleans, LA | .5 | SBD>MR>R>R>PCM>DAT>EAC>CDR | |
| 2/2/70 | St. Louis, MO | .5 | SBD>MR>R>R>PCM>DAT>EAC>CDR | |
| 2/4/70 | San Francisco, CA | 1 | SBD>MR>C>DAT>CDR | |
| 2/5/70 | San Francisco, CA | 1 | SBD>MR>C>D>CD + AUD low-gen | |
| 2/6/70 | Fillmore West | 2 | SBD>MR>C>DAT>CDR | |
| 2/7/70 | Fillmore West | 1 | SBD>MR>DAT>CDR | |
| 2/8/70 | Fillmore West | 2 | AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN |
|
| 2/11/70 | Fillmore East | 2 | SBD>MR>DAT>CDR>EAC>SHN>CDR | |
| 2/12/70 | New York, NY | 1 | SBD>?>DAT>CDR | |
| 2/13/70 | Fillmore East | 4 | SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN |
|
| 2/14/70 | Fillmore East | 1 | Early show | SBD>MR>RR>RR>DAT>CDR |
| 2/14/70 | Fillmore East | 3 | Late show | SBD>R>DAT>CDR |
| 2/23/70 | Austin,TX | 1 | SBD>MR>C>DAT>CDR>EAC>CoolEdit>CDWav>SHN | |
| 2/27/70 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR>EAC>SHN>CDR | |
| 2/28/70 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR>EAC>SHN>CDR | |
| 3/1/70 | San Francisco, CA | 2 | SBD MR>C>D>CDR patched with AUD:3rd gen cass>CD>SoundForge>CDR |
|
| 3/7/70 | Santa Monica, CA | 1 | low-gen AUD>MR>?>SHN>CDR | |
| 3/8/70 | Phoenix, AR | 2 | SBD>MR>C>DAT>CDR | |
| 3/20/70 | Port Chester, NY | 2 | #1 Unknown Generation
Aud>SHN>CDR #2 audience cassette 2nd gen>ZA2>CD>SHN>CDR #3 SBD>MR>PCM>ZA2>CD>SHN>CDR |
|
| 3/21/70 | Port Chester, NY | 4 | Early and Late | AUD>MC>C>DAT>CDR |
| 3/24/70 | Dania, FL | 2 | SBD>MR>Cass>DAT>Cass>DAT>ZA2>CDWAV>SHN | |
| 4/3/70 | Cincinnati, OH | 2 | SBD>MR>C>DAT>CDR | |
| 4/9/70 | San Francisco, CA | 2 | SBD MR>C>D>CD + AUD MC>4C>D>CD >EAC>SHN>EAC>CDR | |
| 4/11/70 | San Francisco, CA | 1 | SBD>MR>C>D>CD>EAC>SHN | |
| 4/12/70 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR | |
| 4/15/70 | San Francisco, CA | 2 | MSR>DAT>CD>SHN | |
| 4/15/70 | San Francisco, CA | 1 | SBD>MR>DAT>CDR | |
| 4/24/70 | Denver, CO | 2 | AUD>MR>Reel>DAT>Cool Edit Pro>CDR | |
| 5/1/70 | Alfred, NY | 2 | SBD>MR>DAT>SS>CDR>EAC>SHN>CDR
SBD>MR>RTR>DAT>SS>CDR>EAC>SHN>CDR
|
|
| 5/3/70 | Middletown, CT | 2 | AUD>MR>?>CD>EAC>SHN | |
| 5/6/70 | M.I.T | 2 | SBD>MR>SS>DAT>CDR | |
| 5/7/70 | M.I.T | 2 | AudMC > ? > 7" R > DAT > HD > SHN | |
| 5/8/70 | Delhi, NY | 1 | (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 5/9/70 | Worcester, MA | 1 | SBD>MR>?>D>CD>EAC>SHN | |
| 5/14/70 | Kirkwood, MO | 2 | SBD>MR>?>D>CD>EAC>SHN (acoustic set) SBD>MR>D>CD>EAC>SHN (electric set) |
|
| 5/15/70 | Fillmore East | 6 W/NRPS | SBD>MR>DAT>>ZA2>CDR(except nrps sets that have 2 cass gens) thanks to j. tiedrich & D. hollister | |
| 5/16//70 | Philadelphia, PA | 1 | AUD>MC>?>C>CD>EAC>SHN | |
| 5/24/70 | Newcastle-Under-Lyme, England | 2 | SBD MR>C>D>CD + AUD MR>C>D>CD patches | |
| 6/4/70 | San Francisco, CA | 1 | SBD>MR>Cass>?>Dat>CD>EAC>SHN | |
| 6/5/70 | San Francisco, CA | 2 | SBD>MR>C>D>CD + AUD patch from low-gen cassette | |
| 6/6/70 | San Francisco, CA | 2 | SBD>MR>C>DAT>CDR | |
| 6/7/70 | San Francisco, CA | 3 | SBD>MR>ZA2>EAC>CD>SHN>CDR | |
| 6/13/70 | Oahu, HI | 2 | SBD>MR>R>D>CD + AUD low-gen | |
| 6/21/70 | Berkeley, CA | 1 | AUD C/3 > CD>EAC>SHN | |
| 6/24/70 | Portchester, NY | 3 | AUD>MC>C>DAT>CDR | |
| 7/xx/70 | Transcontinental Pop Festival | 1 | VCD | |
| 7/1/70 | Manitoba, Canada | 1 | SBD>?>VHS>CDR>EAC>SHN | |
| 7/10/70 | New York, NY | 2 | AUD>MR>CD>EAC>SHN | |
| 7/11/70 | New York, NY | 3 | AUD>MC>C>C>D>CD>EAC>SHN | |
| 7/12/70 | New York, NY | 3 | AUD > ??? > SHN > WAV > SHN > CDR | |
| 7/14/70 | San Rafael, CA | 2 | SBD>MR>C>D>CD>EAC>SHN | |
| 7/16/70 | San Rafael, CA | 1 | Set 1 w/Janis Joplin | SBD>MR>C>C> CDR>EAC>SHN |
| 7/16/70 | San Rafael, CA | 1 | Set 2 | SBD>MR>C>CD>SHN |
| 7/30/70 | San Francisco, CA | 1 | SBD>??>CD>EAC>SHN | |
| 8/5/70 | San Diego, CA | 1 | SBD>MC>C>DAT>CD | |
| 8/17/70 | San Francisco, CA | 1 | AUD>MC>D>CD>EAC>SHN | |
| 8/18/70 | San Francisco, CA | 2 | AUD>MC>R>R>PCM>DAT>CDR | |
| 8/19/70 | San Francisco, CA | 2 | AUD>MC>R>PCM>D>CD>EAC>SHN | |
| 8/30/70 | San Francisco, CA | 1 | Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to
Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using
EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn |
|
| 8/30/70 | San Francisco, CA | 1 | VCD | |
| 9/17/70 | New York, NY | 2 | AUD>MC>R>C>DAT>CDR | |
| 9/18/70 | New York, NY | 2 | Electric set | source 1:
SBD>MR>R>DAT>CDR>EAC>SHN>WAV>FLAC source 2: AUD>MC>?>Cass>R>CDR>EAC>SHN>WAV>FLAC |
| 9/18/70 | New York, NY | 1 | SBD>MR>?>DAT>CDR | |
| 9/19/70 | New York, NY | 1 | SBD>MR>DAT>EAC>SHN AUD portion missing | |
| 9/19/70 | New York, NY | 1 | Source: Matrix (SBD/AUD mix): SBD:MR> DAT> CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD> EAC> SHN AUD: Source 1: MAC (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC Source 2: MAR (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback> Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC Transfer/Editing: WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 |
|
| 9/20/70 | New York, NY | 3 | SBD>MR>Reel>DAT>CDR | |
| 10/4/70 | San Francisco, CA | 1 | SBD FM>MR>R>?>CD>SHN | |
| 10/10/70 | Queens, NY | 1 | AUD, from low (< 5th) generation tape | |
| 10/11/70 | Wayne, NJ | 2 | AUD>MC>?>CD>EAC>SHN | |
| 10/23/70 | Washington, DC | 2 | AUD-MCass>DAT>DAT>CDR>EAC>SHN | |
| 10/24/70 | St. Louis, MO | 2 | SBD>MR>Reelx2>DATx2>ZA2>DartPro32 NR >CD>EAC>SHN | |
| 10/30/70 | Stony Brook, NY | 3 | SBD>MR>PCM>D>CD>EAC>SHN | |
| 10/31/70 | Stony Brook, NY | 1 | Early Set set2 | SBD > Reel > DAT Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN |
| 10/31/70 | Stony Brook, NY | 2 | with NRPS | MSR>C>DAT>WAV>SHN |
| 10/31/70 | Stony Brook, NY | 2 | SBD>MR>DAT>CDR | |
| 11/5/70 | Portchester, NY | 2 | AUD>MC>RTR>DAT>CDR | |
| 11/6/70 | Portchester, NY | 3 | AUD>MC>C>DAT>CDR | |
| 11/7/70 | Portchester, NY | 3 | Ken Leighs MAC>C>C>D>CD* Jack Toners MAC>R>C>CD** Marty Weinbergs MAR>R>D>CD+(12:44 16:16 of Drums from Toners MAC>R>C>CD) |
|
| 11/8/70 | Portchester, NY | 3 | AUD>MC>C>DAT>CDR | |
| 11/9/70 | Island Park, NY | 1 | AUD low gen | |
| 11/10/70 | Island Park, NY | 1 | AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg
source) AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One) |
|
| 11/11/70 | Brooklyn, NY | 3 | AUD>MC>C>C>C>C>D>CD>EAC>SHN | |
| 11/16/70 | New York, NY | 2 | SBD>MR>Revox deck (model unknown): 10" ¼ track Reel @ 7.5ips>Revox B77 playback deck>Alesis Masterlink ML9600>CD>EAC>Cool Edit 2000>SHN. | |
| 11/20/70 | Rochester, NY | 3 | AUD>MR>PCM>D>CD>EAC>SHN | |
| 11/21/70 | Boston, MA | 1 | SBD C/? > CDR>EAC>SHN | |
| 11/21/70 | Boston, MA | 1 | Garcia/Weir/ Duane Allman WBCN Studios | FM MASTER REEL > 2ND GEN (?) REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC |
| 11/23/70 | New York, NY | 1 | SBD>MR>DAT>CDR | |
| 11/29/70 | Columbus, OH | 2 | AUD low gen>? >CDR>EAC>SHN | |
| 12/12/70 | Santa Rosa, CA | 2 | SBD>MR > Cassette > DAT > CDR>EAC>SHN | |
| 12/15/70 | San Francisco, CA | 1 | D & the D's rehersal | SBD>MR>?>DAT>CDR |
| 12/15/70 | San Francisco, CA | 1 | David & the Dorks | SBD>MR>?>DAT>CDR |
| 12/17/70 | San Francisco, CA | 2 | David & the Dorks | SBD>MR>Reel>DAT>CDR |
| 12/20/70 | San Francisco, CA | 1 | David & the Dorks | SBD>MR>DAT>CDR>EAC>SHN>CDR |
| 12/23/70 | San Francisco, CA | 1 | SBD>MR>R>DAT>CDR> EAC>Cool Edit> CDWav(retracking) > mkwact | |
| 12/26/70 | El Monte, CA | 2 | SBD -> Master Reel -> Cassette -> Dat -> CD ->
EAC -> Samplitude v7.02 Professional -> SHN Patch Info:SBD -> Master Reel -> ? -> Dat -> SHN |
|
| 12/27/70 | Pasadena, CA | 1 | KPPC-FM 106.7 Interview w/ Garcia/Weir/NRPPS | Museum of TV & Radio in NYC dubbed the original Reel to Reel on to cassette for their listening archives > ?>SHN |
| 12/27/70 | El Monte, CA | 2 | SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat ->CD -> EAC -> Samplitude v7.02 Professional -> SHN | |
| 12/28/70 | El Monte, CA | 2 | SBD>MR>C>DAT>CDR | |
| 12/31/70 | San Francisco, CA | 2 | Disc 1 Tracks 1-6: FMS (KSAN)>??>Cass>DAT>CDR Disc 1 Tracks 7-9: SBD MR>Cass>DAT>CDR (Pre-FM GDH) Disc 2 Tracks 1-2: FMS (KSAN)>??>Cass>DAT>CDR Disc 2 Tracks 3-4: SBD MR>??>Cass>DAT>CDR |
|
| 12/31/70b | San Francisco, CA | 1 | After show Jams/Promos | SBD>?REEL?>DAT>CD>EAC>CDR |
| 12/70-1/71 | Wally Heider's Studio | 2 | SBD>MR>DAT>CDR | |
| 1/22/71 | Eugene, OR | 1 | SBD>?>C>CD>EAC>SHN | |
| 1/24/71 | Seattle, WA | 2 | SBD>MR>C>DAT>CDR | |
| 2/18/71 | Portchester, NY | 2 | BBM>MR>PCM>DAT>CDR | |
| 2/19/71 | Portchester, NY | 3 | BBM>MR>PCM>DAT>CDR | |
| 2/19/71 | Portchester, NY | 2 | Source: Matrix (SBD/AUD mix): SBD: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV >Cool Edit Pro > SHN AUD: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC Transfer/Editing: WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 |
|
| 2/20/71 | Portchester, NY | 3 | BBM>MR>PCM>DAT>SF>CDR | |
| 2/21/71 | Portchester, NY | 3 | BBM>MR>PCM>DAT>CDR | |
| 2/23/71 | Portchester, NY | 3 | SBD(betty)>MR>PCM>DAT>CDR | |
| 2/24/71 | Portchester, NY | 2 | BBM>MR>PCM>DAT>CDR | |
| 3/3/71 | San Francisco, CA | 2 | SBD>MR>DAT>CDR | |
| 3/14/71 | Madison, WI | 2 | SBD>MR>DAT>CDR | |
| 3/18/71 | St. Louis, MO | 3 | SBD>MR>DAT>CDR |
| 3/20/71 | Iowa City, IA | 2 | SBD > MR > cass > dat > CD > SHN | |
| 3/21/71 | Milwaukee, WI | 1 | AUD>MC>LP>R>CD>EAC>SHN | |
| 3/24/71 | San Francisco, CA | 1 | SBD>MR>D>CD>EAC>SHN | |
| 3/24/71 | San Francisco, CA | 2 | SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 4/4/71 | New York, NY | 2 | MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac | |
| 4/4/71 | New York, NY | 2 | AUD>?>C>Sound Forge>SHN | |
| 4/5/71 | New York, NY | 3 | SBD(betty)>MR>DAT>sound forge>CDR | |
| 4/6/71 | New York, NY | 3 | SBD>MR>DAT>CDR | |
| 4/7/71 | New York, NY | 2 | SBD>Reel>DAT>CDR | |
| 4/8/71 | Boston, MA | 3 | SBD(Betty)>MR>RR>DAT>CDR | |
| 4/10/71 | Lancaster, PA | 2 | 1st set SBD>MR>C>DAT>CDR 2nd set SBD>MR>DAT>CDR |
|
| 4/12/71 | Pittsburgh, PA | 2 | SBD -> Reel Master -> Dat -> Sound Forge -> CD Transfer Info: CD -> EAC -> FLAC | |
| 4/13/71 | Scranton, PA | 2 | MSR>DAT3x>Delta Dio 2496 soundcard> Soundforge>FLAC | |
| 4/13/71 | Scranton, PA | 1 | SBD>MR>DAT>CDR>SHN | |
| 4/14/71 | Lewisburg, PA | 3 | SBD>MR>DAT>CDR>EAC>SHN | |
| 4/15/71 | Meadville, PA | 2 | SBD>MR>DAT>SS>CDR | |
| 4/17/71 | Princeton, NJ | 3 | SBD>MR>DAT>CDR | |
| 4/18/71 | Cortland, NY | 2 | SBD>: MR > RR > DAT > CD >EAC >SHN | |
| 4/21/71 | Providence, RI | 2 | SBD>MR>Reel>DAT>CDR | |
| 4/22/71 | Bangor, ME | 2 | SBD>MR>DAT>CDR>SHN>CD>EAC>CDR | |
| 4/24/71 | Durham, NC | 2 | SBD>MR>PCM>CD>EAC>SHN | |
| 4/25/71 | New York, NY | 1 | SBD>MR>?>DAT>CD | |
| 4/26/71 | New York, NY | 2 | SBD>MR>CDR>SHN>CDR | |
| 4/27/71 | New York, NY | 3 | MSR 7"(7.5ips) Revox A77>Alesis Masterlink>CDR | |
| 4/28/71 | New York, NY | 3 | SBD>MR>RR>RR>DAT>CDR | |
| 4/29/71 | New York, NY | 3 | SBD>MR>DAT>ZA2>CDR | |
| 5/29/71 | San Francisco, CA | 2 | source 1: AUD>M?>C>CD>EAC>SHN source 2: AUD>M?>C>D>SHN |
|
| 5/30/71 | San Francisco, CA | 2 | Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC | |
| 6/21/71 | Chateau d'Herouville, France | 2 | SBD MR>?>D>CD (the one that everyone has, aka
MR>D>CD...) patched with AM MR>R>C>CD |
|
| 7/2/71 | San Francisco, CA | 3 | SBD/FM>RTR>PDM>DAT>CDR | |
| 7/31/71 | New Haven, CT | 3 | AUD>MR>Reel>DAT>CDR | |
| 8/5/71 | Hollywood Paladium | 2 | AUD>MR>R>D>CD>EAC>SHN | |
| 8/6/71 | Hollywood Paladium | 2 | AUD: akg 330>Sony | 770 reeldeck>fostex d-5>sblive digi I/O>eac>shn>cdr |
| 8/14/71 | Berkeley, CA | 2 | SBD>MR>DAT>CD |
| 8/15/71 | Berkeley, CA | 2 | SBD>MR>DAT>CD | |
| 8/21/71 | Novato, CA | 2 | Mickey's Barn | AUD>MC>DAT>CDR |
| 8/23/71 | Chicago, IL | 2 | AUD>MR>C>R>D>CD>EAC>SHN | |
| 8/26/71 | Bronx, NY | 3 | SBD>MR>DAT>WAV>SHN>CDR | |
| 9/29/71 | San Venetia, CA | 1 | Rehearsals 9/29, 9/30,10/1 | Liberated Bootleg |
| 9/30/71 | San Venetia, CA | 1 | Rehearsal | MSR>C>DAT>WAV>SHN |
| 10/1/71 | San Venetia, CA | .5 | SBD>MR>C>DAT>CDR | |
| 10/1/71 | San Venetia, CA | 1 | Rehearsal | MSR>C>DAT>WAV>SHN |
| 10/19/71 | Minneapolis, MN | 3 | PreFM SBD>Reels>DAT>CDR>SHN>CDR | |
| 10/21/71 | Chicago, IL | 3 | SBD>Reel>DAT>DAT>CD>SS>CDR | |
| 10/23/71 | Detroit, MI | 3 | SBD>FM>?>CASS>CD>EAC>DC5>CD | |
| 10/24/71 | Detroit, MI | 2 | SBD>MR>C>DAT>CDR | |
| 10/26/71 | Rochester, NY | 3 | Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD>EAC>SHN (pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD>EAC>SHN |
|
| 10/27/71 | Syracuse, NY | 2 | SBD>FM>MR>?>CD>EAC>SHN | |
| 10/29/71 | Cleveland, OH | 1 | Set 2 | SBD>MR>DAT>CDR>EAC>SHN>CDR |
| 10/29/71 | Cleveland, OH | 2 | SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam
122mkIII) -> Dat (3800/48k) Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN |
|
| 10/30/71 | Cincinnati, OH | 3 | SBD/FM>MR>DAT>CDR | |
| 10/31/71 | Columbus, OH | 1 | Set1 & Encore | SBD -> Master Reel -> Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
| 10/31/71 | Columbus, OH | 1 | DP II outtakes | PRE-FM (?) MR>CDR (GDH) |
| 11/6/71 | San Francisco, CA | 3 | SBD>MR>DAT>CDR | |
| 11/7/71 | San Francisco, CA | 4 | SBD>MR>PCM>DAT>CDR | |
| 11/11/71 | Atlanta, GA | 2 | SBD>MR>?>DAT>CDR>shnv3 | |
| 11/12/71 | San Antonio, TX | SBD>MR>C>DAT>CDR>EAC> SHN | ||
| 11/14/71 | Fort Worth, TX | 2 | SBD>MR (10 inch)>CD>SonicSolutions>CD>EAC> SHN | |
| 11/15/71 | Austin, TX | 2 | SBD>MR>C>D>CD>EAC>SHN | |
| 11/17/71 | Albuquerque, NM | 2 | SBD>FM>MC>C>D>CD>EAC>SHN patched with SBD>FM>MC>?>C>Sound Forge>SHN |
|
| 11/20/71 | Los Angeles, CA | 3 | SBD>FM>R>DAT>CDR>EAC>SHN | |
| 12/1/71 | Boston, MA | 2 | Set II | SBD>?>EAC>SHN |
| 12/2/71 | Boston, MA | 3 | SBD>MR>R>DAT>CDR | |
| 12/4/71 | New York, NY | 2 | SBD>MR>DAT>C>DAT>CDR | |
| 12/5/71 | New York, NY | 3 | SBD>FM>MR>DAT>CDR | |
| 12/6/71 | New York, NY | 3 | SBD>MSR>DAT>CDR | |
| 12/7/71 | New York, NY | 2 | SBD>MR>C>DAT>CDR | |
| 12/9/71 | St. Louis, MO | 2 | SBD>MR>LATVALA C>DAT>CDR | |
| 12/10/71 | St. Louis, MO | 3 | SBD>MR>DAT>Latvala's Cassette>DAT>CDR | |
| 12/14/71 | Ann Arbor, MI | 3 | SBD>MR>DAT>CDR | |
| 12/15/71 | Ann Arbor, MI | 2 | set 1: SBD> MR>?>C>CD>EAC>SHN set 2: SBD>MR>C(?)>D>CD>EAC>SHN |
|
| 12/15/71 | Ann Arbor, MI | 1 | Set II | SBD/FM>MR>DAT>CDR |
| 12/31/71 | San Francisco, CA | 3 | SBDPre-Fm.>MSR>DAT>CDR | |
| 1/2/72 | San Franciso, CA | 3 | SBD>MR>C>DAT>CDR | |
| 3/5/72 | San Francisco, CA | 2 | AUD -> ? -> Reel (Mono) Reel Transfer: Reel (Sony TC366/Modified) -> Dat (Sony R500 w/SBM On, 44.1k) Dat Transfer: Dat (Sony R500) -> Prodif Plus -> Samplitude v7.02 Professional -> SHN | |
| 3/5/72 | San Francisco, CA | 2 | SBD -> ?m -> Cass -> Cass -> Cass -> Cass ->
Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN |
|
| 3/5/72 | San Francisco, CA | 1 | SBD>C>C>C>DAT>CDR | |
| 3/21/72 | New York, NY | 2 | SBD>MR>DAT>CDR | |
| 3/22/72 | New York, NY | 1 | AUD>Cass>Reel>CD>EAC>SHN | |
| 3/23/72 | New York, NY | 1 | Betty Board > Gans CD > CD > DAE > SHN | |
| 3/25/72 | New York, NY | 2 | source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C |
|
| 3/26/72 | New York, NY | 2 | AUD C/3 > SoundForge > CDR | |
| 3/27/72 | New York, NY | 3 | AUD C/? > SoundForge > CDR | |
| 3/28/72 | New York, NY | 3 | AUD C/5 > SoundForge > CDR>EAC>SHN | |
| 4/7/72 | London | 3 | AUD MR>C>CDR + M?>low-gen reel>CDR | |
| 4/8/72 | London | 3 | SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC | |
| 4/8/72 | London | 3 | FM/SBD>MR>C>DAT>CDR | |
| 4/11/72 | Newcastle, England | 3 | SBD>CM>DAT>CDR | |
| 4/14/72 | Copenhagen | 4 | SBD>MR>DAT>SHN>CDR | |
| 4/16/72 | Aarhus, Denmark | 2 | Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN |
|
| 4/17/72 | Copenhagen | 3 | SBD>24 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>FLAC | |
| 4/17/72 | Copenhagen | 3 | Set's I & II only | SBD>MR>DAT>CDR |
| 4/21/72 | Bremen, West Germany | 1 | SBD>FM>MR>PCM>DAT>CDR> EAC(secure) > Cool Edit (minor cleanup) > mkwact(seekable) | |
| 4/24/72 | Duesseldorf, Germany | 3 | source 1: AUD>MR>C>D>CD>EAC>SHN source 2: SBD>??>D>CD>EAC>SHN |
|
| 4/26/72 | Frankfurt, Germany | 1 | 100 year hall outtakes | SBD>MR>DAT>CDR |
| 4/29/72 | Hamburg, Germany | 3 | SBD Source: MSR*>R>R>C>DAT>WAV>SHN (*
Possibly Monitor Board ) AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec) |
|
| 4/29/72 | Hamburg, Germany | 3 | AUD>MR>?>DAT>CDR | |
| 5/3/72 | Paris | 4 | SBD>MR>PCM>DAT>CDR | |
| 5/4/72 | Paris | 4 | SBD -> (16 Track) Master Reel -> (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 5/4/72 | Paris | 3 | SBD>REEL>DAT>CDR | |
| 5/7/72 | Wigan, England | 4 | Discs 1 & 2 are a compilation of multiple Audience sources Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source | |
| 5/7/72 | Wigan, England | 2 | Set 2 partial | SBD>MR>C>DAT>CDR |
| 5/10/72 | Amsterdam, NE | 4 | SBD>MR>C>DAT>CDR>SHN>CDR | |
| 5/11/72 | Rotterdam, NE | 3 | SBD>MR>C>DAT>CDR | |
| 5/13/72 | Lille, France | 3 | SBD>MR>C>DAT>CDR | |
| 5/16/72 | Luxemburg | 2 | SBD>MR>DAT>CDR | |
| 5/18/72 | Munich, Germany | 3 | SBD>MR>DAT>CDR | |
| 5/23/72 | London, England | 4 | SBD>10' 2track MR>C>DAT>C>CDR>SHN>CDR | |
| 5/24/72 | London, England | 2 | AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R. | |
| 5/25/72 | London, England | 1 | MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN | |
| 5/26/72 | London, England | 4 | SBD>MR>DAT>CDR | |
| 6/17/72 | Los Angeles, CA | 2 | Pigpen's Last Show | AUD |
| 7/16/72 | Hartford, CT | 4 | source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN |
|
| 7/18/72 | Jersey City, NJ | 3 | SBD>MR>PCM>DAT>CDR | |
| 7/21/72 | Seattle, WA | 3 | SBD>MR>CX3(?)>D>CD>EAC>SHN | |
| 7/22/72 | Seattle, WA | 2 | SBD>MR>PCM>D>CD>EAC>SHN | |
| 7/25/72 | Portland, OR | 4 | SBD>MR>C>D>CD>EAC>SHN | |
| 7/26/72 | Portland, OR | 4 | SBD>DAT>C>DAT>SS>CDR | |
| 8/12/73 | Sacramento, CA | 3 | SBD> Reel master > DAT > CDR > EAC > SHN | |
| 8/20/72 | San Jose, CA | 3 | SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 8/20/72 | San Jose, CA | 2 | SBD>MC>R>C>C>C>D>CD>EAC>SHN | |
| 8/21/72 | Berkeley, CA | 3 | SBD>MR>PCM>DAT>CDR | |
| 8/22/72 | Berkeley, CA | 3 | SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2) |
|
| 8/24/72 | Berkeley, CA | 3 | SBD>MR>C>DAT>CDR | |
| 8/25/72 | Berkeley, CA | 1 | all SBD that circs | Betty SBD>MSR>PCM>SS>CD |
| 8/27/72 | Veneta, OR | 3 | SBD>MR>DAT>EAC>SHN>CDR | |
| 8/27/72 | Veneta, OR | 2 | VCD | Sunshine Daydream Film > ? > MPEG-1Video Stream: Motion Video, 352x240, 29.97003fps (NTSC), 1150kbpsAudio Stream: Audio Standard MPEG layer2 Stereo, 44100Hz, 229376bps |
| 9/3/72 | Boulder, CO | 4 | primary source: SBD>MR>C>D>CD>EAC>SHN
(provides most of sets 2 and 3) secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3) |
|
| 9/9/72 | Hollywood, CA | 4 | SBD> MR>DAT>CDR>SHN | |
| 9/9/72 | Hollywood, CA | 3 | SBD>MR>DAT>CDR | |
| 9/10/72 | Hollywood, CA | 3 | SBD>MR>Cassette>DAT>CD>EAC>CoolEdit2000>SHN | |
| 9/15/72 | Boston, MA | 1 | SBD > MR > cassette > DAT > CD > SHN | |
| 9/15/72 | Boston, MA | 3 | Source 1: MAC > Reel > Cassette > DAT > CD
Recorded by Bill Degen from balcony front row Source 2: Lower quality (hissier) aud (source unknown) MAC > ? > DAT |
|
| 9/16/72 | Boston, MA | 3 | Source 1: AUD>MC>C>D>CD>EAC>SHN Source 2: SBD>MR>C>D>CD>EAC>SHN |
|
| 9/16/72 | Boston, MA | 2 | Source: 7" SBDMR > Cass > DAT > CDn > EAC
> SHN AUD: MC > C > DAT > CD > SHN Matrix: Both sources were downloaded FLACs/SHNs > WAV > Vegas 5 > WAV > CD Wave > FLAC |
|
| 9/17/72 | Baltimore, MD | 3 | SBD>MR>DAT>CDR | |
| 9/19/72 | Jersey City, NJ | 2 | AUD>MC>?>D>CD>EAC>SHN | |
| 9/21/72 | Philadelphia, PA | 4 | SBD>MR>DAT>CDR | |
| 9/23/72 | Waterbury, CT | 3 | SBD>MR>C>DAT>CDR | |
| 9/24/72 | Waterbury, CT | 3 | SBD>MR>C>DAT>CDR | |
| 9/26/72 | Jersey City, NJ | 3 | SBD>MR>DAT>CDR | |
| 9/27/72 | Jersey City, NJ | 3 | SBD Reel>Reel>PCM>DAT> midiman delta dio 2497 > wav(48k)> Cool Edit > wav(44.1) > CDWAV > mkwact(seekable) | |
| 9/28/72 | Jersey City, NJ | 4 | SBD>MR>C>R>DAT>CDR | |
| 9/30/72 | Washinton, D.C. | 3 | SBD>MR>C>C>DAT>CDR | |
| 10/2/72 | Springfield, MA | 3 | SBD>MR>C>DAT>CDR | |
| 10/9/72 | San Francisco, CA | 3 | SBD>MR>C>DAT>CDR | |
| 10/17/72 | St. Louis, MO | 3 | SBD>MSR>C>DAT>CDR>EAC>SHN>CDR | |
| 10/18/72 | St. Louis, MO | 3 | SBD>MR>DAT>CDR | |
| 10/19/72 | St. Louis, MO | 3 | SBD>MR>C>DAT>DAT>CDR | |
| 10/23/72 | Milwaulkee, WI | 3 | AUD>MR>?>C>DAT>CDR | |
| 10/24/72 | Milwaulkee, WI | 1 | all SBD that circs | SBD>MR>C>DAT>CDR |
| 10/26/72 | Cincinnati, OH | 3 | SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 10/26/72 | Cincinnati, OH | 2 | Set 2 | SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN |
| 10/27/72 | Columbus, OH | 3 | SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN |
|
| 10/28/72 | Cleveland, OH | 3 | SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master |
|
| 10/30/72 | Detroit, MI | 3 | AUD>MR>C>C>C>D>CD>EAC>SHN | |
| 11/12/72 | Kansas City, MO | 3 | SBD>MC>C>D>CD>EAC>SHN | |
| 11/13/72 | Kansas City, MO | 2 | AUD>MR>C>DAT>CDR | |
| 11/14/72 | Oklahoma City, OK | 3 | SBD>MC>C/3>DAT>CDR | |
| 11/15/72 | Oklahoma City, OK | 1 | SBD>MR>C>C>C>D>CD>EAC>SHN | |
| 11/17/72 | Witchita, KS | 3 | Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN w/ patches Master Audience Cassette > ? > Cassette > CD | |
| 11/17/72 | Witchita, KS | 1 | Set 2 only | SBD>MSR>C>DAT>CDR |
| 11/18/72 | Houston, TX | 2 | SBD>MC>C>D>CD>EAC>SHN | |
| 11/19/72 | Houston, TX | 3 | SBD>MR>Reel>DAT>CDR | |
| 11/22/72 | Austin, TX | 3 | SBD>MR>C>DAT>CDR | |
| 11/24/72 | Dallas, TX | 2 | SBD>MR>R>R>DAT>CDR | |
| 11/26/72 | San Antonio, TX | 3 | 1st set: SBD>MR>?>D>CD>EAC>SHN 2nd set: SBD>MR>C>D>CD>EAC>SHN |
|
| 12/10/72 | San Francisco, CA | 3 | SBD>MR>C's>DAT>CDR | |
| 12/11/72 | San Francisco, CA | 3 | SBD>MC>C>C>C>DAT>CDR | |
| 12/12/72 | San Francisco, CA | 3 | SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat(Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC | |
| 12/12/72 | San Francisco, CA | 2 | SBD: MR > ? > DAT > CDR > EAC > SHN Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN |
|
| 12/15/72 | Long Beach, CA | 3 | SBD>MR>C>DAT>CDR | |
| 12/31/72 | San Francisco, CA | 4 | SBD/FM>MR>DAT>CDR | |
| 1973 | Studio | 1 | Loose Studio Rehersal | Studio SBD |
| 2/9/73 | Palo Alto, CA | 3 | SBD>mstr2trk@7.5ips>DAT@44.1khz>ss>etree>cdr | |
| 2/15/73 | Madison, WI | 3 | SBD > MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD > EAC > SHN | |
| 2/15/73 | Madison, WI | 3 | SBD>MR>RR>DAT>SHN>CDR | |
| 2/17/73 | St. Paul, MN | 3 | SBD -> Master Reel -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC patched w/ SBD->?->Cassette->CD |
|
| 2/17/73 | St. Paul, MN | 2 | SBD:MR>PCM>DAT>CD | |
| 2/19/73 | Chicago, IL | 2 | SBD : MC > C > DAT > SS > CDR > EAC > SHN | |
| 2/21/73 | Champaign, IL | 3 | SBD>MR > DAT > 1C. > DAT > CDR>EAC>SHN | |
| 2/22/73 | Champaign, IL | 2 | SBD>MR>DAT>C>DAT>CDR | |
| 2/24/73 | Iowa City, IA | 1 | all that circs | SBD>MR>DAT>CDR>EAC>SHN and SBD>?>GDH CD>SHN |
| 2/24/73 | Iowa City, IA | 1/3 | SBD>?>GDH CD>SHN>EAC>CDR | |
| 2/26/73 | Lincoln, NE | 3 | SBD>MR>C>DAT>CDR | |
| 2/28/73 | Salt Lake City, UT | 2 | SBD>MR>?>DAT>CDR | |
| 3/15/73 | Uniondale, NY | 3 | source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN |
|
| 3/16/73 | Naussau, NY | 3 | SBD>MR>C>DAT>CDR | |
| 3/19/73 | Uniondale, NY | 2 | SBD>MR>Cas>Cas>DAT>CDR>EAC>SHN | |
| 3/21/73 | Utica, NY | 4 | SBD>MR>PCM>DAT>?>CDR (Jay Serafin remaster) | |
| 3/22/73 | Utica, NY | 3 | SBD>MR>DAT>CDR>EAC>SHN>CDR | |
| 3/24/73 | Philadelphia, PA | 3 | SBD>MR>C>DAT>CDR>SHN>CDRx2 | |
| 3/26/73 | Baltimore, MD | 4 | SBD>MR>DAT>CDR>EAC>SHN>CDR | |
| 3/28/73 | Springfield, MA | 2 | Set 2 | SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
| 3/28/73 | Springfield, MA | 3 | AUD>MC > R > DAT > WAV > SHN | |
| 3/30/73 | Rochester, NY | 3 | Source 1: SBD>MR>C>D>CD>EAC>SHN Source 2: AUD>MR>?>CD>EAC>SHN |
|
| 3/31/73 | Buffalo, NY | 3 | SBD>MC>C>DAT>CDR | |
| 4/2/73 | Boston, MA | 3 | SBD>MR>C>DAT>CDR | |
| 5/13/73 | Des Moines, IA | 5 | SBD>MR>R>C>DAT>CDR | |
| 5/20/73 | Santa Barbara, CA | 4 | " Master Reels at 7.5ips half-track > Panasonic
SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction
(EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool
v1.01) > .shn encoding (mkwACT v0.97 beta 1) *Patch source: MAC (Sony condensor microphone > Sony mono cassette recorder (possibly a TC-3), on BASF cassettes) > reel (Sony TC-366, 3 3/4ips single-track) > cassette (Denon 3-head cassette deck) > DAT > CD |
|
| 5/26/73 | San Francisco, CA | 3 | SBD>MR>DAT>CDR | |
| 6/9/73 | Washington D.C. | 3 | SBD>MR>DAT>CDR | |
| 6/10/73 | Washington D.C. | 4 | SBD>MR>DAT>CDR>SHN>CDR | |
| 6/22/73 | Vancouver, Canada | 4 | SBD>MR>PCM>DAT>CDR w/ AUD patches | |
| 6/24/73 | Portland, OR | 2 | set
1: SBD>?>C>CD>EAC>SHN (unknown analog generations) set 2: SBD>MR>C>D>CD>EAC>SHN |
|
| 6/26/73 | Seattle, WA | 3 | SBD>MR>C >DAT>CDR w/ AUD patches | |
| 6/29/73 | Universal City, CA | 2 | SBD>MR>R>D>CD>EAC>SHN | |
| 6/30/73 | Universal City, CA | 3 | SBD>MR>R>DAT>C>DAT>CDR | |
| 6/30/73 | Universal City, CA | 3 | Source: Matrix (SBD/AUD mix) SBD> ?> DAT> CD> EAC> SHN via A. Jerugim AudMR > R > DAT > WAV > SHN via Noah Weiner Transfer/Editing: SHN > WAV > Sony Vegas 5 > WAV > CD Wave > FLAC |
|
| 7/1/73 | Universal City, CA | 1 | Set 1 | SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA |
| 7/1/73 | Universal City, CA | 3 | AUD>Sony ec M22P mics>Sony 770 MR>R1>DAT>CDR | |
| 7/27/73 | Watkins Glen, NY | 2 | SBD>MR>DAT>CDR | |
| 7/28/73 | Watkins Glen, NY | 4 | SBD>MR>DAT>CDR | |
| 7/31/73 | Jersey City, NJ | 3 | AudMC (AKG 1000 mic > Sony 110 deckTDK C-120SD master cassettes)> CD > EAC > SHN | |
| 8/73-10/15/73 | San Francisco | 1 | Wake Outtakes | SBD>MC>DAT>DAT>CDR |
| 8/1/73 | Jersey City, NJ | 3 | source 1: SBD>MR>R>R>D>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN source 3: AUD>MR>C>C>C>CD>EAC>SHN |
|
| 9/7/73 | Uniondale, NY | 3 | SBD>MR>C>DAT>DAT>CDR | |
| 9/8/73 | Uniondale, NY | 3 | SBD>MR>C>DAT>CDR | |
| 9/11/73 | Williamsburg, VA | 3 | SBD>MR>DAT>CDR | |
| 9/12/73 | Williamsburg, VA | 3 | SBD>MR>DAT>CDR | |
| 9/15/73 | Providence, RI | 2 | Set 2 only | SBD>MR>DAT>CDR |
| 9/15/73 | Providence, RI | 3 | set 1: AUD>M?>C>C>D>SHN set 2: SBD>MR>D>CD>EAC>SHN |
|
| 9/17/73 | Syracuse, NY | 3 | SBD>MR>C1>DAT>CDR>SHN>CDR | |
| 9/20/73 | Philadelphia, PA | 2 | Source 1: AUD>MR>?>CD>EAC>SHN Source 2: SBD>MR>R>PCM>D>CD>EAC>SHN |
|
| 9/21/73 | Philadelphia, PA | 3 | SBD>MR>RR>RR>PCM>DAT>CDR | |
| 9/24/73 | Pittsburgh, PA | 3 | Source 1: AUD>MR>?>CD>EAC>SHN Source 2: SBD>MR>?>PCM>D>CD>EAC>SHN Source 3: SBD>MR>?>CD>EAC>SH |
|
| 9/26/73 | Buffalo, NY | 3 | SBD -> Master Reel -> Dat (48k) Transfer Info:Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC | |
| 9/26/73 | Buffalo, NY | 3 | SBD>MR>C>DAT>CDR | |
| 10/19/73 | Oklahoma City, OK | 3 | SBD>MR>DAT>CDR | |
| 10/21/73 | Omaha, NE | 3 | SBD>MR>C>DAT>CDR | |
| 10/23/73 | Bloomington, IN | 1 | SBD>MR>DAT>CDR | |
| 10/25/73 | Madison, WI | 3 | SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) | |
| 10/25/73 | Madison, WI | 2 | Set 2 only | SBD>MR>DAT>SS>CDR |
| 10/27/73 | Indianapolis, IN | 3 | MSR > R > C > D > CD patched with MAC > ? >
D \> CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN |
|
| 10/29/73 | St. Louis, MO | 3 | SBD>MR>C>DAT>CDR | |
| 10/30/73 | St. Louis, MO | 3 | SBD>MR>1C>DAT>DAT>CDR | |
| 11/1/73 | Evanston, IL | 2 | SBDMR>Cass>DAT>CDR>EAC>Soundforge>DePopper>SHN | |
| 11/9/73 | Winterland | 3 | SBD>MR>C>DAT>CDR | |
| 11/10/73 | Winterland | 3 | SBD>MR>RR>DAT>CDR | |
| 11/11/73 | Winterland | 3 | SBD>MR>RR>RR>DAT>CDR | |
| 11/14/73 | San Diego, CA | 4 | SBD -> Master Reel -> Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC | |
| 11/14/73 | San Diego, CA | 3 | SBD>PCM>cass>DAT>CDR | |
| 11/17/73 | Los Angeles, CA | 4 | SBD>MR>C>DAT>CDR | |
| 11/20/73 | Denver, CO | 3 | SBD>MR>DAT>CDR | |
| 11/21/73 | Denver, CO | 3 | SBD>DAT>CDR>EAC>CDR | |
| 11/23/73 | El Paso, TX | 4 | SBD>MR>DAT>CDR | |
| 11/25/73 | Tempe, AZ | 3 | SBD>MC>C>DAT>EAC>SHN>CDR | |
| 11/23/73 | San Francisco, CA | 3 | SBD>MC>C>DAT>CDR | |
| 11/30/73 | Boston, MA | 3 | SBD>MR>DAT>CDR | |
| 12/1/73 | Boston, MA | 3 | SBD>MR>DAT>SS>CDR | |
| 12/2/73 | Boston, MA | 3 | SBD>MR>C>DAT>CDR | |
| 12/4/73 | Cincinnati, OH | 1/3 | last 3 songs of show | SBD>MC>Reel>PCM>DAT>CDR |
| 12/4/73 | Cincinnati, OH | 1 | Set 1 | SBD -> Master Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
| 12/6/73 | Cleveland, OH | 3 | SBD>MR>DAT>CDR | |
| 12/8/73 | Durham, NC | 4 | SBD>MR>C>DAT>CDR | |
| 12/10/73 | Charlotte, NC | 1/3 | SBD>MC>Reel>PCM>DAT>CDR | |
| 12/12/73 | Atlanta, GA | 4 | SBD : MR > C > DAT > CDR | |
| 12/18/73 | Tampa, FL | 3 | SBD>Reel>DAT>CDR | |
| 12/19/73 | Tampa, FL | 3 | MAC>PCM>Cassette>CD>EAC>SHN | |
| 12/19/73 | Tampa, FL | 1 | DP #1 leftovers | SBD>MR>DAT>SS>CDR |
| 1974 | Studio | 1 | Mars Hotel rehersals | Studio SBD |
| 2/22/74 | Winterland | 3 | SBD>MR>DAT>CDR | |
| 2/23/74 | Winterland | 3 | SBD>MR>C>DAT>CDR | |
| 2/24/74 | Winterland | 1 | Soundcheck | SBD>RTR@7.5ips>DAT>SSB>CDR |
| 2/24/74 | Winterland | 3 | SBD:MR>DAT>CDR | |
| 3/23/74 | San Francisco | 3 | SBD>MR>DAT>CDR | |
| 5/12/74 | Reno, NV | 3 | SBD>C>DAT>CDR>EAC>SHN>CDR | |
| 5/14/74 | Missoula, MT | 3 | SBD>MSR>C>DAT>CDR>TAE>SHN>CDR | |
| 5/17/74 | Vancouver, Canada | 3 | SBD>MC>DAT>CDR | |
| 5/19/74 | Portland, OR | 3 | SBD>MR>PCM>DAT>CDR | |
| 5/21/74 | Seattle, WA | 3 | SBD>C>DAT>CDR>EAC>SHN>CDR | |
| 5/25/74 | Santa Barbara, CA | 3 | SBD>MR>DAT>?>CDR | |
| 6/8/74 | Oakland, CA | 3 | AUD>MR>PCM>DAT>SHN>CDR SBD>MR>DAT>CDR patch playin' > eyes |
|
| 6/16/74 | Des Moines, IA | 4 | SBD>MR>DAT>CDR | |
| 6/18/74 | Louisville, KY | 3 | SBD>MR>DAT>CDR | |
| 6/20/74 | Atlanta, GA | 2 | SBD>MR>DAT>CDR | |
| 6/22/74 | Miami, FL | 3 | SBD>MR>PCM>DAT>CDR | |
| 6/23/74 | Miami, FL | 3 | SBD>MR>DAT>SHN>CDR | |
| 6/26/74 | Providence, RI | 3 | SBD>MSR > Reel > 4xDAT > CDR (HHB CDR-850) >
SHN (EACx2)>CDR |
|
| 6/28/74 | Boston, MA | 1 | Set 1 | SBD>MR>DAT>Sonic Solutions>CD>?>EAC>SHN |
| 6/28/74 | Boston, MA | 3 | AudMC > WAV > CD > EAC > SHN Recorded with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > Digital Master Cassettes played back on Nak Dragon > ART DI/O > HD > Cool Edit 2000 > Feurio (CD) |
|
| 6/28/74 | Boston, MA | 1 | DP outtakes | SBD>MR>DAT>SS>CDR |
| 6/30/74 | Springfield, MA | 3 | SBD>MR>CM>DAT>CDR | |
| 7/19/74 | Fresno, CA | 3 | SBD>MR>C1>DAT>DAT>wav>SF>CDwav>SHN | |
| 7/21/74 | Los Angeles, CA | 3 | AUD>MC>Reel>DAT>CDR | |
| 7/25/74 | Chicago, IL | 3 | SBD>MR>C>DAT>CDR | |
| 7/27/74 | Roanoke, VA | 2 | SBD>Reel>Latavla Cass>DAT>CDR | |
| 7/29/74 | Landover, MD | 3 | AUD>MR>RR>PCM>DAT |
|
| 7/29/74 | Landover, MD | 3 | Source: Matrix (SBD/AUD mix): SBD: (SHN ID # 2277) MR> C1> DAT*> CD via Teddy Goodbear AUD: FOB (SHN ID # 17968) AudMC > DAT > WAV > SHN via Jerry Moore |
|
| 7/31/74 | Hartford, CT | 3 | SBD>MR>C>DAT>CDR | |
| 8/4/74 | Philadelphia, PA | 3 | SBD>MR>DAT>CDR | |
| 8/5/74 | Philadelphia, PA | 3 | SBD>MR>C>C>DAT>CDR | |
| 8/6/74 | Jersey City, NJ | 4 | SBD>MR>DAT>CDR w/ Aud patches from MR | |
| 9/9/74 | London, England | 2 | SBD>MR>C>DAT>CDR | |
| 9/10/74 | London, England | 3 | SBD>MR>C>DAT>CDR | |
| 9/11/74 | London, England | 3 | SBD>MR>DAT>CDR w/ AUD patches | |
| 9/14/74 | Munich, Germany | 3 | AUD>MR>RR>C>DAT>CDR | |
| 9/14/74 | Munich, Germany | 3 | SBD -> Master Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 9/18/74 | Dijon, France | 3 | SBD>MR>DAT>CDR |
|
| 9/20/74 | Paris, France | 3 | SBD>MR>R>DAT>CDR | |
| 9/21/74 | Paris, France | 2 | SET 2 | SBD>MR>R>DAT>CDR |
| 9/21/74 | Paris, France | 3 | SBD -> Master Reel -> Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 10/16/74 | San Francisco, CA | 4 | SBD>MR>R>C>DAT>CD>EAC>SHN>CDR | |
| 10/17/74 | San Francisco, CA | 3 | SBD>MR>DAT>SS>CDR | |
| 10/18/74 | San Francisco, CA | 4 | SBD>MR>?>DAT>CDR | |
| 10/19/74 | San Francisco, CA | 3 | SBD>MR>DAT>CDR | |
| 10/20/74 | San Francisco, CA | 4 | SBD>MR>DAT>CDR | |
| 3/xx/75 | San Francisco, CA | 1 | Blues For Allah Studio Outtakes | SBD>MR>DAT>CDR |
| 3/17/75 | Marin County, CA | 3 | SBD>MR>DAT>CDR | |
| 3/17/75 | Unkown Studio/Unknown Location
(probably Aces's studio, Mill Vally, Ca.) |
1 | SNACK rehearsals | SBD>MR>DAT>CDR |
| 3/21/75 | Unkown Studio/Unknown Location
(probably Aces's studio, Mill Vally, Ca.) |
1 | ??>cas>cooledit>mkw>shn | |
| 3/23/75 | San Francisco, CA | 1 | SBD/FM>MR>DAT>CDR | |
| 3/26/75 | Mill Valley, CA | 1 | SBD> ?> PCM> SEK'D Prodif96Pro> WAV> SHN | |
| 4/2/75 | Mill Valley, CA | 1 | SBD>1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN | |
| 4/17/75 | San Rafael, CA | 1 | SBD>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN | |
| 6/5/75 | San Rafael, CA | 1 | SBD> 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN | |
| 6/17/75 | San Francisco, CA | 2 | AUD>MC>DAT>CDR | |
| 6/17/75 | San Francisco, CA | 1 | Matrix: (SBD/AUD mix) SBD: MR> ?gen cass>PCM>SEK'D Prodif96Pro>wav>SHN (shn ID #20084) AUD: MAC: Sony ECM-280 mics > Sony TC-152 SD cassette (shn ID #233) AUD CM>DAT>CD>EAC>SHN |
|
| 7/7/75 | Mill Valley, CA | 1 | SBD>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN | |
| 8/13/75 | San Francisco, CA | 2 | SBD>FM>MC>DAT>WAV>SHN>EAC>CDR SBD>MSR>R(2)>C>DAT>WAV>SHN>EAC>CDR |
|
| 9/28/75 | San Francisco, CA | 2 | SBD>MR>DAT>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CD | |
| 9/28/75 | San Francisco, CA | 2 | AUD>MR>DAT>CDR | |
| 5/28,29,30/76 | Studio Rehersal Tapes | 2 | SBD>??> CDR > EAC(secure) > Cool Edit 2K(minor fixes) > CDWav(retracking) > mkwact(seekable) | |
| 6/3/76 | Portland, OR | 3 | SBD>MR>R>PCM>DAT>CDR | |
| 6/4/76 | Portland, OR | 3 | source 1: SBD>MR>?>D>CD>EAC>SHN source 2: AUD>?>D>CD>EAC>SHN |
|
| 6/9/76 | Boston, MA | 3 | AUD>C>DAT>CDR | |
| 6/9/76 | Boston, MA | 3 | Matrix (SBD/AUD mixdown): SBD: Set 1: SBD>MR>R>D>CD>EAC>SHN (ID# 12382) Set 2: SBD>MR>DAT>SS>CDR>EAC>SHN (ID# 5426) AUD: MAC>DATx2>CDR>EAC>SHN (ID# 5982) Taper: Steve Hopkins Location: FOB Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone Transfer/Editing: SHN > WAV > Sony Vegas 5 > WAV > CD Wave > FLAC |
|
| 6/10/76 | Boston, MA | 3 | SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN | |
| 6/10/76 | Boston, MA | 3 | AUD>C>DAT>CDR | |
| 6/11/76 | Boston, MA | 3 | SBD>?>SHN | |
| 6/11/76 | Boston, MA | 3 | AUD>MR>DAT>CDR | |
| 6/12/76 | Boston, MA | 3 | SBD> FM(WBCN)> MR(7.5ips) Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN | |
| 6/12/76 | Boston, MA | 3 | AUD>C>DAT>CDR | |
| 6/14/76 | New York, NY | 3 | SBD>REEL>DAT>CDR | |
| 6/15/76 | New York, NY | 3 | SBD(betty)>PCM>DAT>CDR | |
| 6/17/76 | Passaic, NJ | 3 | SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC | |
| 6/17/76 | Passaic, NJ | 3 | Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT> Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw | |
| 6/18/76 | Passaic, NJ | 3 | Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CDR > EAC(secure) > mkwact(seekable) > shn | |
| 6/19/76 | Passaic, NJ | 3 | PRE-FM SBD> MR > DAT > CD (x2) > EAC (secure) > SHN (non seekable) | |
| 6/21/76 | Upper Darby, PA | 3 | [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) | |
| 6/22/76 | Upper Darby, PA | 3 | [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) | |
| 6/23/76 | Upper Darby, PA | 3 | [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) | |
| 6/24/76 | Upper Darby, PA | 2 | WMMR FM Broadcast > RTR > DAT > CD-R > EAC > SHN | |
| 6/24/76 | Upper Darby, PA | 2 | [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable) | |
| 6/26/76 | Chicago, IL | 3 | AUD > ??? > CDR's > EAC > Cool Edit 2K > CDwav > mkwact | |
| 6/27/76 | Chicago, IL | 2 | AUD > ?? > CDR's > EAC > Cool Edit 2K > CDwav > mkwact | |
| 6/28/76 | Chicago, IL | 2 | Main Source: AUDMR > ? > DAT > SHN Patch Source: AUDMR > DAT > CD > EAC > SHN |
|
| 6/29/76 | Chicago, IL | 2 | SBD>MR>DAT>CDR | |
| 7/12/76 | San Francisco, CA | 4 | SBD>MR>R>DAT>CDR | |
| 7/13/76 | San Francisco, CA | 3 | SBD>MR>Reel>Reel>Reel>DAT>CDR>DAW(Bertha)>CDR | |
| 7/14/76 | San Francisco, CA | 3 | SBD>MR>C>DAT>CDR>EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (seekable) patched w/: Bob Menke AUD recording Sony ECM-280 >Sony TC-152 | |
| 7/16/76 | San Francisco, CA | 2 | Set 2 | SBD
+ AUD Matrix Mix (50%-SBD/50%-AUD)>EAC>SHN SBD: Master Reel -> Master Dat (44.1k) AUD FOBalcony: MAC > DAT > CD Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony |
| 7/16/76 | San Francisco, CA | 3 | AUD>MR>RR>RR>DAT>CDR | |
| 7/17/76 | San Francisco, CA | 3 | SBD: MR > DAT > CD > EAC > SHN > CDR | |
| 7/18/76 | San Francisco, CA | 3 | SBD(Betty)>MR>PCM>DAT>CDR | |
| 8/2/76 | Hartford, CT | 3 | AUD (Sony tc-152) MC -> DAT -> CD -> EAC -> SHN | |
| 8/4/76 | Jersey City, NJ | 3 | SBD>MR>C>D>CD>EAC>SHN patched with: AUD>MC>D>CD>EAC>SHN |
|
| 9/23/76 | Durham, NC | 3 | SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR->SHN |
|
| 9/24/76 | Williamsburg, VA | 3 | AUD FOB>MR>DAT>CDR | |
| 9/25/76 | Landover, MD | 3 | SBD>MC>DAT>CDR | |
| 9/27/76 | Rochester, NY | 3 | Sony ECM-33Ps>Sony TC-152 (Cass.master)>DAT> CDR>EAC>Sound Forge (no sound processing)>SHN | |
| 9/25&28/76 | DP's 20 outtakes | 1 | SBD > MR > ? > CDR > EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable) | |
| 9/28/76 | Syracuse, NY | 2 | Unknown AUD (FOB)>?>DAT>SHN patched w/ SBD | |
| 9/30/76 | Columbus, OH | 1 | SBD>MR>Dat>Sonic Solutions>CD>EAC>SHN | |
| 9/30/76 | Columbus, OH | 2 | discs 1&3 | SBD>MR>DAT>CD>EAC>SHN |
| 9/30/76 | Columbus, OH | 3 | AUD(FOB)>MC>Cass>DAT>CD>EAC>SHN D2 and end of D1: SBD>MR>DAT>Sonic Solutions>CD>EAC>SHN |
|
| 10/1/76 | Indianapolis, IN | 3 | AUD (Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 )>MC(Maxell UD-120)>DAT>Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > MKW (shn) | |
| 10/2/76 | Cincinnati, OH | 3 | AUD (Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 )>MC(Maxell UD-120)>DAT>Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track IDs) > SHNTOOL (SBE fix) > MKW (shn) | |
| 10/3/76 | Detroit, MI | 3 | SET ONE: AUD > ? > CD > EAC > SHN SET TWO: AUD > ? > CASS > DAT > WAV > SHN | |
| 10/9/76 | Oakland, CA | 2 | set1: Source: S:GDH PreFM DAT>ZA2>DartPro32 de-hiss w/
2.7 gain>CD>EAC>SHN set2: Lineage: SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN |
|
| 10/10/76 | Oakland, CA | 2 | Master Soundboard Reel > DAT > CDR > EAC > SHN | |
| 10/14/76 | Los Angeles, CA | 2 | source 1: AUD>MC>R>D>?>D>CD>EAC>SHN source 2: SBD>MR>D>CD>EAC>SHN |
|
| 10/15/76 | Los Angeles, CA | 3 | SBD>C>DAT>CDR | |
| 12/31/76 | Daly City, CA | 3 | FM-SB (KSAN-FM)>?>CDR>EAC>SHN | |
| 2/20/77 | California? | 1 | Terrapin Station Outtakes | SBD>?>CDR>EAC>SHN |
| 2/26/77 | San Bernerdino, CA | 3 | SBD>MR>DAT>CDR | |
| 2/27/77 | Santa Barbara, CA | 2 | Sony ECM-280>Sony TC-153SD ACM>R>DAT>CDR> EAC(secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact | |
| 3/18/77 | Winterland | 3 | SBD>DAT>CDR>SHN>CDR | |
| 3/19/77 | Winterland | 3 | SBD>MR>DAT(x2)>SS>CDR | |
| 3/20/77 | Winterland | 2 | SBD > Reel(1) > ?? > DAT > WAV > SHN | |
| 4/22/77 | Philadelphia, PA | 2 | FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR | |
| 4/23/77 | Springfield, MA | 3 | SBD>MR>DAT>CDR | |
| 4/25/77 | Passaic, NJ | 2 | AUD>MR>DAT>CDR | |
| 4/26/77 | Passaic, NJ | 2 | AUD>MR>DAT>CDR | |
| 4/26/77 | Passaic, NJ | 1 | VCD/SBD | |
| 4/27/77 | Passaic, NJ | 3 | Source 1: Pre-FM Master Reel Soundboard->DAT x
?->DAT->ZA2->Soundforge->.wav->mkw->SHN Source 2: FM Master Reel Soundboard->VHS->DAT x ?->DAT->ZA2->Soundforge->.wav->mkw->SHN |
|
| 4/29/77 | New York, NY | 3 | AUD(Sony ECM-33P/Sony TC-158)>MC> D> CDR> SHN | |
| 4/30/77 | New York, NY | 3 | AUD>MC>CDR (off Jerry Moore's Master) | |
| 5/1/77 | New York, NY | 3 | Set 1: Aud Cass master > Reel > PCM > DAT > CD-R
> EAC > .SHN:(Loge 1st row AUD center> Cm>Blake Reel (maxell ??? @ 3.75ips)
> PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs.
Originally taped by Barry Glassberg w/sony ecm 99p's >tc 152 sd deck.) Set 2: SBD>MR > DAT > CDR |
|
| 5/3/77 | New York, NY | 3 | Set One: SBD>CM>?>CD>EAC>Samplitude v7.02
Professional>SHN Set Two: Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8 A>D Conversion: Master played back on Nak Dragon>ARTDI/O>HD>CoolEdit2000>WAV>SHN |
|
| 5/4/77 | New York, NY | 3 | SBD>MR>?>DAT>CDR | |
| 5/5/77 | New Haven, CT | 3 | SBD (betty): MR>DAT>CDR | |
| 5/7/77 | Boston, MA | 3 | SBD:BettyReel>DAT>CDR | |
| 5/8/77 | Ithaca, NY | 3 | SBD(betty)>MR>DAT>CDR | |
| 5/9/77 | Buffalo, NY | 3 | SBD>MR>DAT>CDR | |
| 5/11/77 | St. Paul. MN | 3 | SBD>Rm>Dat>Sonic Solutions>CD *Patched w/SBD>Rm>Dat>Cass>Dat>CD |
|
| 5/12/77 | Chicago, IL | 2 | Master Audience Reel > unknown mics/deck> DAT > CDR | |
| 5/13/77 | Chicago, IL | 3 | SBD>MR>?>DAT>CDR | |
| 5/15/77 | St. Louis, MO | 3 | SBD> MR > ? > CDR > EAC > SHN | |
| 5/17/77 | Atlanta, GA | 3 | SBD>MR>C>DAT>CDR | |
| 5/18/77 | Atlanta, GA | 3 | SBD>MR>PCM>DAT>CDR | |
| 5/19/77 | Atlanta, GA | 3 | SBD>MC>R>CD 7.5"reel>CD | |
| 5/21/77 | Lakeland, FL | 3 | SBD>RR>DAT>CDR>EAC>CDR | |
| 5/22/77 | Pembroke Pines, FL | 1 | Dick's Picks 3 Leftovers | SBD>MR>C>D>CD>Toast>SHN |
| 5/25/77 | Richmond, VA | 3 | SBD>MR>DAT>CDR | |
| 5/26/77 | Baltimore, MD | 3 | SBD>7" masterreels @7.5ips 1/2 track>DAT>ZA2>CDR>EAC>SHN | |
| 5/28/77 | Hartford, CT | 3 | SBD>MSR>DAT>CDR>EAC>SHN | |
| 6/4/77 | Inglewood CA | 3 | FOB akg D224Es > Sony TC-153 cassette >CDR? > Rich Plumb DAT > GoodBear Computer (no edit) > SHN or CDR | |
| 6/7/77 | San Francisco, CA | 3 | SBD>vault reel>DAT>CDR>EAC>CDR>EAC>SHN | |
| 6/8/77 | San Francisco, CA | 3 | SBD>MR>PCM>DAT>CDR | |
| 6/9/77 | San Francisco, CA | 3 | SBD>MR>PCM>DAT>Deltadio 2496>SF>WAV>SHN>CDR | |
| 9/3/77 | Englishtown, NJ | 3 | Two-track Pre-FM reel > DAT > CD-R, except for * (terrapin), which is unknown AUD |
|
| 9/28/77 | Seattle, WA | 3 | SBD>MR>DAT>CDR | |
| 9/29/77 | Seattle, WA | 3 | SBD>MR>DAT>CDR | |
| 10/1/77 | Portland, OR | 2 | SBD(Betty)>PCMx2>DAT>CDR | |
| 10/2/77 | Portland, OR | 3 | SBD:Mreel>PCM>DAT>CDR | |
| 10/6/77 | Tempe, AZ | 3 | SBD>MR>C>C>DAT>CDR > EAC > SHN | |
| 10/7/77 | Albuquerque, NM | 2 | SBD -> Master Reel -> Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC | |
| 10/7/77 | Albuquerque, NM | 1 | Set 2 | Master Reels-> DAT-> DAT-> Sonic-> CD-> CD-> SHN |
| 10/9/77 | Denver, CO | 3 | Master Soundboard Reel > Cassette > DAT > CDR | |
| 10/11/77 | Norman, OK | 3 | SBD>MR>DAT>CDR | |
| 10/12/77 | Austin, Texas | 2 | SBD>MR>C>D>CD>EAC>SHN patched with AUD>??>C>CD>EAC>SHN |
|
| 10/14/77 | Houston, TX | 3 | SBD>MC>RR>DAT>CDR | |
| 10/15/77 | Dallas, TX | 2 | SBD>MC>R>D>CD>EAC>SHN | |
| 10/16/77 | Baton Rouge, LA | 3 | SBD:MR>DAT>CDR | |
| 10/28/77 | Kansas City, MO | 3 | Betty Board>MR>?>CD.EAC>SHN | |
| 10/29/77 | DeKalb, IL | 3 | SBD(Betty)>MR>PCM>DAT>CDR | |
| 10/30/77 | Bloomington, IN | 2 | SBD>Reel>DAT>CDR | |
| 11/1/77 | Detroit, MI | 2 | SBD>MR>DAT>CDR | |
| 11/2/77 | Toronto, Canada | 3 | SBD>C>Reel>DAT>CDR>EAC>SHN>CDR | |
| 11/4/77 | Hamilton, NY | 3 | Matrix: (SBD/AUD mix) SBD: MR > DAT > CD-R AUD: MAC: Sony ECM 33Ps > Sony TC-158 > CDR Transfer/Editing: Both sources were shn files downloaded from LMA and converted to WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC Frontend > FLAC 16 |
|
| 11/4/77 | Hamilton, NY | 3 | SBD>MR>DAT>CDR | |
| 11/5/77 | Rochester, NY | 3 | SBD>MR>MC>DAT>CDR | |
| 11/6/77 | Binghampton, NY | 3 | SBD>REEL>DAT>CDR>EAC>SHN>CDR | |
| 12/27/77 | Winterland | 3 | SBD>MR>DAT>SS>CDR | |
| 12/29/77 | Winterland | 3 | SBD>MR>DAT>CDR |
| 12/30/77 | Winterland | 2 | DP outtakes | SBD>>MR>>DAT>>CDR>EAC>SHN |
| 12/31/77 | Winterland | 3 | SBD>DAT>CDR | |
| 1978 | GD Interviews | 1 | Radio>?>CM>?>SHN | |
| 1/6/78 | San Bernadino, CA | 2 | SBD:
MC>RR>DAT>CD>EAC>DC5>CD>EAC>SHN AUD patches AUD: MC>RR>DAT>CD |
|
| 1/7/78 | San Diego, CA | 3 | SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN |
|
| 1/8/78 | San Diego, CA | 2 | SBD>MR > R > PCM > DAT > CD > EAC > SHN | |
| 1/10/78 | Los Angeles, CA | 2 | SBD>MC>?>CD>EAC>SHN | |
| 1/11/78 | Los Angeles, CA | 2 | SBD>MC>R>PCM>D>CD>EAC>SHN | |
| 1/13/78 | Santa Barbara, CA | 3 | SBD>MR>DAT>DAT>C>CDR | |
| 1/14/78 | Bakersfield, CA | 2 | SBD>MR>C>DAT>CDR>EAC(secure) > Cool Edit > CDWAV > mkwact > SHN | |
| 1/15/78 | Fresno, CA | 2 | 1st
set: SBD>?>C>SHN 2nd set: AUD>MC>C>D>CD>EAC>SHN |
|
| 1/17/78 | Sacramento, CA | 3 | SBD>MR>C>D>CD>EAC>SHN | |
| 1/18/78 | Stockton, CA | 3 | SBD>MR>?>D>CD>EAC>SHN patched with: AUD>MC>C>D>CD>EAC>SHN |
|
| 1/22/78 | Eugene, OR | 3 | SBD>MR>?>PCM>DAT>CDR w/ AUD patch | |
| 1/30/78 | Chicago, IL | 2 | AUD(Sony ECM-99/Sony TC-152 I've also seen JVC stereo
microphone listed) >MC>R>DAT>CDR shn encoding: CDR > EAC(secure) > Cool Edit (minor fixes) > CDWAV > mkwact(seekable) |
|
| 1/30/78 | Chicago, IL | 3 | SBD -> Master Reel -> Dat -> CD -> FLAC | |
| 1/31/78 | Chicago, IL | 3 | SBD -> Master Reel -> Dat -> CD -> FLAC | |
| 1/31/78 | Chicago, IL | 3 | SBD>MR>C>DAT>CD>EAC>SHN>EAC>CDR set2 and LiG AUD>MC>Reel>CD>EAC>SHN>EAC>CDR set 1 | |
| 2/1/78 | Chicago, IL | 2 | SBD>MR>C>DATs>CDRs>EAC>SHN | |
| 2/3/78 | Madison, WI | 2 | Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) | |
| 2/4/78 | Milwaukee, WI | 2 | AUD>MC>R>C>DAT>CDR>EAC>CD Re-mastered via the Owenss Brothers Vault shn encoding: CDR > EAC(secure) > Cool Edit (make set 2 seamless) | |
| 2/5/78 | Cedar Falls, IA | 2 | Set Two only | Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
| 4/6/78 | Tampa, FL | 3 | mSR -> PCM -> DAT 48k > CD-R DAT -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR missing Bertha opener on sbd patched with Audience Recording (Sony 54Ps> Sony TC-158 ) Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496>Cool Edit 2000> Feurio/mkwACT |
|
| 4/7/78 | Pembroke Pines, FL | 3 | 7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM
analog out> DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT) |
|
| 4/8/78 | Jacksonville, FL | 2 | SBD>?>DAT>EAC>SHN>CDR | |
| 4/10/78 | Atlanta, GA | 3 | SBD -> Rm -> PCM -> Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC (Secure)-> Samplitude v6.0 -> SHN | |
| 4/11/78 | Atlanta, GA | 3 | SBD -> Rm -> PCM -> Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC (Secure)-> Samplitude v6.0 -> SHN | |
| 4/12/78 | Durham, NC | 3 | SBD>MR>PCM>DAT>CDR | |
| 4/14/78 | Blacksburg, VA | 3 | Betty's 7 inch, 2 track, SBD>MR>PCM x2>DAT>CDR>EAC>SHN | |
| 4/15/78 | Williamsburg, VA | 2 | SBD>MR>PCM>D>CD>EAC>SHN | |
| 4/16/78 | Huntington, WV | 2 | SBD>MR>PCM>DAT>CDR | |
| 4/18/78 | Pittsburgh, PA | 3 | SBD>MC(?)>?>C>CD>EAC>SHN (several analog
generations) patched with: aud |
|
| 4/19/78 | Columbus, OH | 3 | SBD>MR> DAT > Sonic > CD >EAC>SHN | |
| 4/21/78 | Lexington, KY | 3 | SBD>MR>C>D>CD>EAC>SHN patched with: AUD>MC>R>D>CD>EAC>SHN |
|
| 4/22/78 | Nashville, TN | 3 | Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR shn encoding: EAC(secure) > depopper > Cool Edit(minor fixes) > CDWAV > mkwact (seekable) |
|
| 4/24/78 | Normal, IL | 3 | SBD>MR>?>R>Digi96>SF>CDWAV>SHN>CDR | |
| 5/5/78 | Hanover, NH | 3 | AUD:Sony ECM-99A's>Sony TC-152>MC>DAT's>sek'd prodif+ card>hard drive>cdwav > shntool>mkw (seekable) | |
| 5/6/78 | Burlington, VT | 2 | 1st set: SBD>MC>?>CD>EAC>SHN 2nd set: AUD>MC>D>SHN |
|
| 5/7/78 | Troy, NY | 3 | SBD>MC>PCM>DAT>CD w/Aud MC>DAT>CD CD > EAC(secure) > Cool Edit (some minor fixes, see notes) > mkwact(seekable) |
|
| 5/9/78 | Syracuse, NY | 3 | AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR > EAC(secure) > Cool Edit (minor fixes) > mkwact > shn (seekable) | |
| 5/10/78 | New Haven, CT | 3 | SBD>REEL>DAT>CDR | |
| 5/11/78 | Springfield, MA | 3 | SBD:MR>DAT>CDR | |
| 5/13/78 | Philadelphia, PA | 3 | Aud(two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row)>MC > Nakamichi MR-1 cassette deck (MC playback)>Teac AN-180 Dolby decoder > Fostex D5 DAT deck (A>D only) > Turtle Beach Montego II Digital I/O > Sound Forge (wav editing and track IDs) > SHNTOOL (SBE fix) > MKW (shn) |
|
| 5/14/78 | Providence, RI | 3 | Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) >Sek'd Red Roaster (edits*) > wav > Mkw | |
| 5/16/78 | Chicago, IL | 3 | AUD(AKG D202E mics > Sony TC-152)>MC > R > DAT > CDWAV > SHN | |
| 5/17/78 | Chicago, IL | 3 | AUD(AKG D202E mics > Sony TC-152)>MC > R > DAT > CDWAV > SHN | |
| 6/4/78 | Santa Barbara, CA | 2 | SBD>MC>C>D>CD>EAC>SHN patched with: AUD>MC>R>D>CD>EAC>SHN |
|
| 6/25/78 | Eugene, OR | 2 | SBD>MR>DAT>CDR | |
| 7/1/78 | Kansas City, MO | 2 | AUD(Sony 54p's>Sony TC-158)>MC>DAT>CDR>EAC>SHN | |
| 7/3/78 | St. Paul, MN | AUD(Sony 54p's>Sony TC-158)>MC>DAT>CDR>EAC>SHN | ||
| 7/5/78 | Omaha, NE | 3 | AUD(Sony 54Ps>SonyTC-158)>MC>C>DAT> CDR>EAC(secure)>CD WAV> Cool Edit Pro>SHN | |
| 7/7/78 | Red Rocks | 3 | SBD>DAT>CDR | |
| 7/8/78 | Red Rocks | 3 | SBD>DAT>CDR | |
| 8/XX/78 | Studio | 1 | Shakedown Street Outtakes | SBD>MR>??>DAT>CDR>EAC>SHN |
| 8/18/78?? | Studio (California?) | 1 | Shakedown Street sessions with Lowell George | SBD>??>CDR>EAC>SHN |
| 8/30/78 | Red Rocks | 3 | set 1 AUD>MC>DAT>CDR>EAC>CD WAV>Cool Edit Pro>SHN set 2 SBD>MC>DAT>CDR |
|
| 8/31/78 | Red Rocks | 2 | Source 1: AUD>Cm>Dat>CD>EAC>Samplitude
v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN |
|
| 9/2/78 | East Rutherford, NJ | 3 | 1st set is unknown gen reel>CD. A(Shure SM57s>Sony TC158):MCass>DAT>CD patch: Set 2 SBD:MC>Cas>DAT>CD | |
| 9/13/78 | Piza, Egypt | 1 | Soundchecks | SBD>MR>??>CDR>EAC>SHN |
| 9/14/78 | Piza, Egypt | 3 | SBD -> Master Reel (Multitrack) -> Cassette -> Dat
(48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN |
|
| 9/14/78 | Piza, Egypt | 3 | Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette
recorder Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 |
|
| 9/15/78 | Piza, Egypt | 3 | set 1 Source: Aud FOB, front row LFC, Sony ECM280 > Sony
TC-153 cassette recorder Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee
AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 set 2 Source: SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB |
|
| 9/16/78 | Piza, Egypt | 3 | SBD>MR>DAT>CDR | |
| 10/17/78 | San Francisco, CA | 3 | SBD>MR>PCM>DAT>CD>(EAC)WAV>SHN | |
| 10/18/78 | San Francisco, CA | 3 | SBD>MR>DAT>CDR | |
| 10/20/78 | San Francisco, CA | 3 | SBD>MR>DAT>DAT>CDR | |
| 10/21/78 | San Francisco, CA | 3 | SBD>MR>DATs>WAV>SHN>EAC>CDR | |
| 10/22/78 | San Francisco, CA | 3 | SBD>MR>PCM:Dat>CD: Tascam DA30MKII>Opcode Datport>HD(Cool Edit 2000)>Cdwav>SHN | |
| 11/13/78 | Boston, MA | 3 | AUD>MC>DAT>CDR>EAC>CDWAV>CoolEdit Pro>SHN | |
| 11/14/78 | Boston, MA | 2 | AUD(SonyECM-280s)>MC>DAT>CDR>EAC>CDWAV>CoolEdit Pro>SHN | |
| 11/16/78 | Chicago, IL | 3 | AUD(NakCM-300's>SonyTC-158)>MC>R>CoolEdit>CD>EAC(secure) >CD WAV>Cool Edit Pro>SHN | |
| 11/17/78 | Chicago, IL | 1 | Bobby Ace & friends | SBD>MC>DAT>CDR |
| 11/18/78 | Chicago, IL | 3 | SBD>MC>1C>DAT>CDR | |
| 11/20/78 | Cleveland, OH | 1 | Matrix: SBD/AUD mix SBD: (shnid=12947) SBD > MC > Cassette > DAT > CD-R > EAC > SHN AUD: (shnid=302) MAC>Reel>Reel>?>DATs>CDRs>EAC>SHN Transfer: WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 |
|
| 11/20/78 | Cleveland, OH | 1 | Set 2 | SBD Cassette > Cassette > DAT > CD-R > EAC > SHN Audience patches abound |
| 11/21/78 | Rochester, NY | 3 | AUD>MC>DAT>CDR>EAC>CD WAV>Cool Edit Pro>SHN | |
| 11/21/78 | Rochester, NY | 2 | SBD > ? > Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC | |
| 11/23/78 | Landover, MD | 3 | SBD>MR>R>C>D>CD>EAC>SHN patched with: AUD>MC>D>CD>EAC>SHN |
|
| 11/24/78 | Passaic, NJ | 3 | PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC | |
| 11/24/78 | Passaic, NJ | 3 | SBD>MR>DAT>?>CDR | |
| 12/12/78 | Miami, FL | 2 | SBD>MR>C>DAT>CDR | |
| 12/13/78 | Tampa, FL | 3 | AUD>MC>DAT>CDR>EAC>CD WAV>Cool Edit Pro>SHN | |
| 12/15/78 | Birmingham, AL | 3 | AUD(Sony 54Ps)>MC>DAT>CDR>EAC>CD WAV>Cool Edit Pro>SHN | |
| 12/16/78 | Nashville, TN | 3 | AUD(Nak 300s>Sony TC-158)>MC>DAT>CDR>EAC>CD WAV>Cool Edit Pro>SHN | |
| 12/17/78 | Atlanta, GA | 3 | SBD>MR>R>C>D>CD>EAC>SHN patched with AUD>MC>D>CD>EAC>SHN |
|
| 12/19/78 | Jackson, MS | 3 | FOB AUD Sony 540>SonyTC158>DAT>SoundForge>CD> EAC>SHN | |
| 12/21/78 | Houston, TX | 2 | AUD>MC>?>DAT>CD>EAC>SHN | |
| 12/22/78 | Dallas, TX | 2 | AUD>MC>?>DAT>CD>EAC>SHN | |
| 12/27/78 | San Diego, CA | 2 | Source A: SBD>MR>??>DAT>CDR Source B: AUD(Unknown)>?>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN |
|
| 12/28/78 | San Diego, CA | 3 | SBD>MR>C>DAT>CDR>EAC>SHN | |
| 12/30/78 | Los Angeles, CA | 3 | SBD>MR>DAT>DAT>CDR | |
| 12/31/78 | San Francisco | 4 | SBD>FM>RR>DAT>CD | |
| 1/5/79 | Philadelphia, PA | 3 | Nakamichi 300/CP1 -> Cm -> Cass ->Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN | |
| 1/7/79 | New York, NY | 3 | AUD>MC>DAT>CDR>EAC>CoolEdit>CDWAV>mkwact>SHN | |
| 1/8/79 | New York, NY | 3 | AUD(Shure SM57s)>MC>DAT>CDR | |
| 1/10/79 | Uniondale, NY | 3 | FOB (Nak 300´s and Sony TC-158) Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN | |
| 1/11/79 | Uniondale, NY | 3 | FOB (Nak 300´s and Sony TC-158) Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN | |
| 1/12/79 | Philadelphia, PA | 3 | FOB Sony ECM-280 mics > Sony tc158 Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN | |
| 1/14/79 | Utica, NY | 3 | (FOB) Nak 300/CP1>Cm>C>C>Dat>Samplitude>CD>Shntool>SHN | |
| 1/15/79 | Springfield, MA | 3 | Nakamichi 300's w/Cardoid Capsules > Master Audience
Cassette > Sony TC158 > DAT > Soundforge > CDR>EAC> SHN |
|
| 1/17/79 | New Haven, CT | 3 | SBD: MC > EQ > CDR > EAC > SHN > patched w/ SHN ID # 12200 > FLAC | |
| 1/17/79 | New Haven, CT | 3 | TEAC PC-10 w/ Nak 700's (FOB)>DAT>CDR>EAC>SHN>EAC>CDR | |
| 1/18/79 | Providence, RI | 3 | TEAC PC-10 w/ Nak 700's (FOB)>DAT>CDR>EAC>SHN>EAC>CDR | |
| 1/20/79 | Buffalo, NY | 3 | AUDMC ( by Jerry Moore,NAK700's>Sony TC-D5M from the 6th row center, mics very high up on pol)>DAT>CD>EAC> SHN | |
| 1/21/79 | Detroit, MI | 2 | AUD>?>SHN>WAV>CE2K>CDWAVE>shntool>mkwACT | |
| 2/3/79 | Indianapolis, IN | 3 | Set One MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding set 2 Source: Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR |
|
| 2/4/79 | Madison, WI | 2 | Nak 700's>MC>DAT>CDR>EAC>SHN | |
| 2/7/79 | Carbondale, IL | 1 | SBD>??>C>CD>EAC>SHN | |
| 2/9/79 | Kansas City, KS | 3 | 3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN | |
| 2/10/79 | Kansas City, KS | 3 | AUD>MC>DAT>CDR>EAC>SHN | |
| 2/11/79 | St. Louis, MO | 2 | AUD(3 Nak CM-300s>Nak 550) > MC > R > CDR > EAC> Cool Edit > CDWAV > mkwact > SHN | |
| 2/17/79 | Oakland, CA | 3 | SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN | |
| 4/16/79 | San Rafael, CA | 3 | Studio Rehearsal | Master Soundboard Cassette > ?Cassette? > DAT > CDR |
| 4/22/79 | San Jose, CA | 3 | Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN |
|
| 5/3/79 | Charlotte, NC | 3 | NAK CM700, Sony 158SD AUDMC> NAKDRAGON > Sony PCM-500 > HHB800 >CDR>EAC > CDWAV > mkwact > SHN | |
| 5/4/79 | Hampton, VA | 3 | AUDMC(NAK CM700, Sony 158SD Recorded by Barry Glassberg) >NAKDRAGON>Sony PCM-500>HHB800>EAC(secure)> WAV> mkwact>SHN(seekable) | |
| 5/5/79 | Baltimore, MD | 3 | SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 5/5/79 | Baltimore, MD | 1 | Parts of set 1 &2 | SBD:MC>Cas>DAT>CD Gans disc |
| 5/7/79 | Easton, PA | 3 | AUDMC(NAK CM700, Sony 158SD Recorded by Barry Glassberg) >NAKDRAGON>Sony PCM-500>HHB800>EAC(secure)> WAV> mkwact>SHN(seekable) | |
| 5/8/79 | University Park, PA | 3 | AUDMC(NAK CM700, Sony 158SD Recorded by Barry Glassberg) >NAKDRAGON>Sony PCM-500>HHB800>EAC(secure)> WAV> mkwact>SHN(seekable) | |
| 5/9/79 | Binghampton, NY | 3 | FOB Naks > Teac PC-10 (cassette master) > DAT
x2>DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction) |
|
| 5/11/79 | Billerica, MA | 3 | FOB Sony ECM 280's > cassette master > 48k DAT> DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling)>SHN |
|
| 5/12/79 | Amherst, MA | 3 | AUDMC(NAK CM700, Sony 158SD Recorded by Barry Glassberg) >NAKDRAGON>Sony PCM-500>HHB800>EAC(secure)> WAV> mkwact>SHN(seekable) | |
| 5/13/79 | Portland, ME | 3 | AUDMC(NAK CM700, Sony 158SD Recorded by Barry Glassberg) >NAKDRAGON>Sony PCM-500>HHB800>EAC(secure)> WAV> mkwact>SHN(seekable) | |
| 6/28/79 | Sacramento, CA | 2 | Set 2 | SBD:MR>Cassettes x?>Pioneer 509>CD>FLAC |
| 6/28/79 | Sacramento, CA | 3 | Sony ECM?>Sony-158>Cass>Reel>CD | |
| 6/30/79 | Portland, OR | 2 | Senn. 441s>MC>DAT>CD | |
| 7/1/79 | Seattle, WA | 3 | SBD>MC> VHS HiFi> R> DAT>CDR>EAC>SHN | |
| 8/4/79 | Oakland, CA | 3 | SBD>MC>C>DAT>CDR>EAC>SHN | |
| 8/5/79 | Oakland, CA | 3 | SBD>MC>C>DAT>CDR>EAC>SHN | |
| 8/12/79 | Red Rocks, CO | 3 | SBD>MC>Reel to Reel>PCM>CDR>EAC>SHN | |
| 8/13/79 | Denver, CO | 3 | SBD>MC>Reel to Reel>PCM>CDR>EAC>SHN Patched w/ AUDMC; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR |
|
| 8/14/79 | Denver, CO | 3 | FOB-AUD>MC>DAT>CDR | |
| 8/31/79 | Glens Falls, NY | 3 | AUD(Nak 300s)>MC>DAT>CDR>EAC>SHN | |
| 9/1/79 | Rochester, NY | 3 | SBD: MC (Dolby B) > cassette (Dolby C) > TC 2000 @ 24
bits > HHb 830 Patched wtih AUD>MC>DAT>CDR ( ShnId 10363 ) EAC(secure with proper offsets) > cool edit pro > cdwav > shn v3 |
|
| 9/1/79 | Rochester, NY | 2 | AUD>MC>DAT>CDR>EAC>SHN | |
| 9/2/79 | Augusta, ME | 3 | AUD>MC>DAT>CDR>EAC>SHN | |
| 9/4/79 | New York, NY | 3 | Master Soundboard Cassette > Reel to Reel > PCM > CDR patch Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics |
|
| 9/5/79 | New York, NY | 3 | Master Soundboard Cassette > Reel to Reel > PCM > CDR patch Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics |
|
| 9/6/79 | New York, NY | 3 | Master Soundboard Cassette > Reel to Reel > PCM > CDR patch Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics |
|
| 10/24/79 | Springfield, MA | 3 | AUD Sony D5 w/ nak 700's MC > DAT > WAV(48K) > SHN | |
| 10/25/79 | New Haven, CT | 2 | Set 2 | SBD>MC>Cass>DAT>CD (HHB 800 Pro Deck)>EAC .93b>SHN |
| 10/27/79 | Yarmouth, MA | 3 | SBD>MR>DAT>CDR | |
| 10/28/79 | Yarmouth, MA | 2 | SBD : MC > R > DAT > CDR Beginning to Ship of Fools AUD:MC(NAK700's>TC-158)>DAT>CDR Playin' through end | |
| 10/31/79 | Uniondale, NY | 3 | Set 1: SBD>Cm>Reel>Dat>CD Set 2: SBD>Cm>Cass>Dat>CD End of show: (FOB) Nak 700>Cm>Dat>CD |
|
| 11/1/79 | Uniondale, NY | 3 | Sources: Master Soundboard Cassette; Master Soundboard Cassette played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR source supplies from 0:46 thru 7:17 of Scarlet Begonias (d2t01) Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR source |
|
| 11/2/79 | New York, NY | 3 | SBD>MR>Dick's cassette>DAT>CD>EAC>SHN>CDR | |
| 11/4/79 | Providence, RI | 3 | SBD>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn | |
| 11/5/79 | Philadelphia, PA | 3 | SBD : MC > C > DAT > CD>EAC>SHN and AUD : MC (Nakamichi CM300 mics > Nakamichi 550) > C2 > CDR |
|
| 11/6/79 | Philadelphia, PA | 3 | SBD>MC Cassette > DAT > CDR | |
| 11/8/79 | Landover, MD | 2 | SDB>MR>D>CDR* or SBD>Cm>Cass>Dat>CD | |
| 11/9/79 | Buffalo, NY | 3 | SBD>MR>DAT>SS>CDR | |
| 11/10/79 | Ann Arbor, MI | 3 | SBD>MC>Reel to Reel>DAT>CDR w/ AUD patches | |
| 11/23/79 | San Diego, CA | 3 | SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source | |
| 11/24/79 | San Diego, CA | 3 | SBD>MC>??>DAT>CDR>EAC>SHN w/ sbd & aud patches | |
| 11/25/79 | Los Angeles, CA | 3 | SBD>MC>PCM>DAT>CDRs>EAC>SHN | |
| 11/29/79 | Cleveland, OH | 3 | SBD>MC>Cassette>DAT>Cassette>DAT>CDR | |
| 11/30/79 | Pittsburgh, PA | 3 | SBD>MC>Cassette>DAT>CDR Patched wtih AUDMC; Nakamichi CM700 mics > Sony TC-158 |
|
| 12/1/79 | Pittsburgh, PA | 3 | Set 1: SBD>Rm>Cass>Dat>CD>EAC>SHN Set 2: SBD>Rm>Dat>CD>EAC>SHN |
|
| 12/1/79 | Pittsburgh, PA | 3 | Source: Matrix: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC MAC (Taped by Scott Jones? Shure mics -> Sony TC-158 cassette deck) Transfer: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC SBD Patch: There are a few short patches on tracks 2-4 of Disc 2 made from SBD>Rm>Cass>Dat>CD (shnid=6022) and MSReel > Cassette > DAT > CDR |
|
| 12/3/79 | Chicago, IL | 3 | SBD>CM>CD>DAT>SHN(Latvala vault leak)>CDR | |
| 12/4/79 | Chicago, IL | 3 | SBD>MC>DAT>CDR | |
| 12/5/79 | Chicago, IL | 3 | set 1 MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) set 2 Source: SBD>MC>DAT>CDR>WAV>SHNv3 |
|
| 12/7/79 | Indianapolis, IN | 2 | SBD -> Master Cassette -> Cassette -> Dat (48k) (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN | |
| 12/9/79 | St. Louis, MO | 3 | AUD(Nak CM-700s-> Sony TC-158)>MC>R>D>CD | |
| 12/10/79 | Kansas City, MO | 3 | SBD>MC>C>DAT>CDR | |
| 12/11/79 | Kansas City, MO | 3 | SBD>MC>C>DAT>CDR | |
| 12/26/79 | Oakland, CA | 3 | SBD > ? > DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab > FLAC | |
| 12/26/79 | Oakland, CA | 3 | Nak 700's>d5>DAT>CDR>EAC>Cool Edit>CDWAV>mkwact>shn | |
| 12/27/79 | Oakland, CA | 1 | Set 1 | SBD -> Cassette Master -> Dat -> CD -> Samplitude Professional v7.02 -> FLAC |
| 12/27/79 | Oakland, CA | 2 | Nak 700's>d5>DAT>CDR>EAC>Cool Edit>CDWAV>mkwact>shn | |
| 12/28/79 | Oakland, CA | 3 | SBD>MR>DAT>CDR | |
| 12/30/79 | Oakland, CA | 3 | SBD>MC>DAT>CDR>EAC>SHN | |
| 12/31/79 | Oakland, CA | 4 | SBD>??>Cassette>CD>EAC>SHN with AUD patches | |
| 1/13/80 | Oakland, CA | 2 | SBD>DAT>CDR | |
| 3/30/80 | Passaic, NJ | 2 | SBD -> Cassette Master -> Dat (44.1k) Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC |
|
| 4/1/80 | Passaic, NJ | 3 | SBD>MC>??>CDR EAC>CDWAV>SHN >CD>EAC>CDR | |
| 5/7/80 | Ithaca, NY | 3 | SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN | |
| 5/8/80 | Glens Falls, NY | 2 | Primary Source: Master Soundboard Cassette > Cassette >
DAT> CDR Patch Source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN |
|
| 5/11/80 | Portland, ME | 3 | SBD->C (Dick's master)->C (Dick copied for Patrick)->
DAT->CDR->EAC->SHN V.3 except for Brokedown, which is from an unknown AUD source |
|
| 5/14/80 | Uniondale, NY | 3 | Master Soundboard Cassette > Reel to Reel > DAT > CDR > SHN | |
| 5/15/80 | Uniondale, NY | 2 | AUD Source: AUD MC > DAT > CDR > EAC > Cool Edit 2K
> CDWave > SHN FM Patches: FM > CASS > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Edit: SHN > WAV > WaveMerge > Sound Forge > CDWave > FLAC |
|
| 5/16/80 | Uniondale, NY | 3 | Master Soundboard Cassette > Cassette > DAT> CD > SHN | |
| 5/31/80 | Bloomington, IN | 3 | AUD>MC>DAT>CDR | |
| 6/7/80 | Boulder, CO | 2 | MAC >1st gen cass > CDR > EAC > FLAC | |
| 6/19/80 | Anchorage, AK | 2 | SBD>MC>??>DAT>CDR | |
| 6/20/80 | Anchorage, AK | 2 | SBD>MC>C>DAT>CDR | |
| 6/21/80 | Anchorage, AK | 3 | Master Soundboard Cassette > Reel To Reel > DAT>
CDR> SHN patched w/ Master Audience Cassette; AKG 414 mics |
|
| 6/29/80 | Los Angeles, CA | 2 | Set One SBD > ? > C > CDR > EAC(secure) > Cool
Edit > CDWAV > SHN 2nd Set SBD>MC>??>DAT>CDR>SHN |
|
| 7/1/80 | San Diego, CA | 3 | sbd>?>dat Conversion: Sony M1>Oade Cable>ZoltrixPro6>CEP2K(wav)>WAV>Shn V3 (no DAE) | |
| 8/16/80 | Edwardsville, IL | 3 | FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR>EAC>SHN | |
| 8/19/80 | Chicago, IL | 3 | FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD | |
| 8/20/80 | Chicago, IL | 3 | FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD | |
| 8/24/80 | Grand Rapids, MI | 3 | FOB - Nakamichi 300>Sony TC-D5>DAT>CDs(3X?)>EAC>shn | |
| 8/26/80 | Cleveland, OH | 2 | SBD>MC>DAT>SS>CD>EAC>WAV>CD Gans sourced | |
| 8/29/80 | Philadelphia, PA | 3 | 1st Set & Patches Senn 421's>MC>DAT>CDR 2nd Set SBD>MC>C>DAT>CDR |
|
| 8/30/80 | Philadelphia, PA | 3 | 1st Set SBD>?>CD>EAC>SHN 2nd Set SBD>MR>DAT>DAT Clone>CDR>EAC>SHN |
|
| 8/31/80 | Landover, MD | 3 | Set 1: Sennheiser 421 -> CM -> Dat -> Sound Forge
-> CD -> EAC -> SHN Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN |
|
| 9/2/80 | Rochester, NY | 2 | Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool
Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC |
|
| 9/6/80 | Lewiston, ME | 3 | AUD FOB>?>DAT>CDR | |
| 9/21/80 | Chicago, IL | 2 | FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD | |
| 9/25/80 | San Francisco, CA | 3 | Acoustic Set: SBD > MR > C > DAT
> CD > EAC > SHN SET2 & SET3: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn |
|
| 9/26/80 | San Francisco, CA | 3 | Acoustic Set: SBD > MR > C > DAT
> CD > EAC > SHN SET2 & SET3: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn |
|
| 9/27/80 | San Francisco, CA | 3 | Acoustic set: Master Soundboard Reel >
PCM > DAT > CDR\ Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5> 1 cassette gen> DAT> CDR |
|
| 9/29/80 | San Francisco, CA | 4 | SBD > MC > C > DAT > CD > EAC > SHN | |
| 10/2/80 | San Francisco, CA | 3 | Acoustic
set:SBD>MR>CASSETTE>DAT>CDR>EAC>SHN Set 3 lineage: SBD->Master Cassette->DAT->Sonic Solutions->CD |
|
| 10/3/80 | San Francisco, CA | 1 | Acoustic Set: SBD->Master Cassette->DAT->Sonic Solutions->CD->EAC->SHN | |
| 10/4/80 | San Francisco, CA | 3 | SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) | |
| 10/6/80 | San Francisco, CA | 1 | 1st Set: SBD>?>CDR>EAC>SHN | |
| 10/7/80 | San Francisco, CA | 2 | SBD>MR>C>DAT>WAV>SHN | |
| 10/9/80 | San Francisco, CA | 3 | SBD>R>DAT>CD>EAC>SHN , but Tiedrich lists a cass gen. | |
| 10/9/80 | San Francisco, CA | 1 | Set 1 partial | 7" 2-track BBD reel @ 7.5 ips >
PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW |
| 10/10/80 | San Francisco, CA | 3 | Source: Matrix (SBD/AUD mixdown): SBD: Acoustic: SBD>MR>PCM>DAT>CDR>EAC>SHN Electric: MSR>C>C>DAT>WAV>SHN (C>DAT Conversion by Cousinit) AUD: Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)> Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) |
|
| 10/11/80 | San Francisco, CA | 1 | Acoustic Set | Soundboard->Reel->PCM->DAT->CDR-> Plexwriter CD-R(EAC)->HP 8200i CDRW Drive(EAC) |
| 10/13/80 | San Francisco, CA | 2 | Set 1 & 3 | Set 1: SBD -> Master Reel -> PCM
-> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN |
| 10/14/80 | San Francisco, CA | 4 | Set One and encores: unknown
audience>?>CDR>EAC>SHN Sets Two and Three: SBD>MR>DAT>CDR>EAC>SHN |
|
| 10/23/80 | NY, NY | 3 | Nak 700s>Sony D5>MC>Cass>DAT > CDR>EAC>mkwact>SHN | |
| 10/25/80 | NY, NY | 3 | AUD>MC>DAT>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN | |
| 10/26/80 | NY, NY | 3 | SBD > MR > DAT > CD > EAC > SHN | |
| 10/27/80 | NY, NY | 3 | AUD>MC>PCM>DAT>CDR | |
| 10/29/80 | NY, NY | 1 | part set 2 & 3 | SBD -> Cassette Master -> Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
| 10/29/80 | NY, NY | 4 | AUD>MC>PCM>DAT>CDR | |
| 10/30/80 | NY, NY | 3 | AUD>MC>PCM>DAT>CDR | |
| 10/31/80 | NY, NY | 3 | Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN |
|
| 10/31/80 | NY, NY | 3 | FOB>MCASS>DAT>?>CD | |
| 11/26/80 | Pembroke Pines, FL | 3 | SBD > MC > Cassette > DAT > CDR > EAC > SHN Patch source: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR |
|
| 11/28/80 | Lakeland, FL | 2 | Soundboard Cassette Master > Reel > DAT > CDR via Andy
Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR > EAC(secure) > Cool Edit Pro > CDWAV > mkwact > SHN |
|
| 11/29/80 | Gainsville, FL | 3 | AUD FOB>?>DAT>CDR | |
| 11/30/30 | Atlanta, GA | 3 | SBD>MC>DAT>CDR>SHN>CDR | |
| 12/6/80 | Mill Valley, CA | 1 | SBD>MC>PCM>DAT>CDR | |
| 12/12/80 | San Bernardino, CA | 3 | SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC | |
| 12/26/80 | Oakland, CA | 3 | MSR>C>DAT>WAV>SHN Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN |
|
| 12/27/80 | Oakland, CA | 3 | SBD; Transfer: PCM R500> AES/EBU monstercable> ZA2> Cooledit > SHN | |
| 12/28/80 | Oakland, CA | 2 | MSR>C>DAT>WAV>SHN | |
| 12/31/80 | Oakland, CA | 4 | SBD > Rm > Cass > Dat > Samplitude > CDR >
EAC > SHN Audience patches: AUD > ? > ? > CDR > EAC > SHN |
|
| 2/26/81 | Chicago, IL | 3 | SBD>MC>DAT>CDR | |
| 2//27/81 | Chicago, IL | 3 | SBD>MC>DAT>CDR | |
| 2/28/81 | Chicago, IL | 3 | SBD>MC>DAT>CDR | |
| 3/6/81 | Pittsburgh, PA | 2 | SBD: MC > C > D > CDR > EAC > SHN | |
| 3/9/81 | NY, NY | 3 | SBD -> Cassette Master -> Dat (44.1k) Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC (FOB/17th Row) Nak 700 -> Cassette Master -> Dat -> CD |
|
| 3/9/81 | NY, NY | 3 | nak cm700's> D>CD>EAC>CD>SHN>CDR | |
| 3/10/81 | MSG, NY, NY | 3 | nak cm700's AUD/11th row center>sony tc-dsm MC>R>CD 7.5"reel>CD | |
| 3/13/81 | Utica, NY | 3 | AUD>MC>DAT>CDR | |
| 3/21/81 | London, England | 2 | SBD>MC> C>CDR patched w/ Sennheiser 421 mics > Sony D5 | |
| 3/28/81 | Essen, Germany | 3 | SBD/FM>PCM>DAT>CDR | |
| 5/1/81 | Hampton, VA | 3 | SBD > MC > C > DAT > CD > EAC > FLAC | |
| 5/2/81 | Philadelphia, PA | 3 | SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC | |
| 5/7/81 | New York, NY | 1 | "The Tomorrow Show" NBC | Transfer from VCR Tape> Mpeg Video |
| 5/8/81 | Uniondale, NY | 3 | SBD -> Master Cassette -> Dat (44.1k) Patch Info: (FOB) Nakamichi 700 -> Cm -> Dat -> Sound Forge -> CD Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN |
|
| 5/9/81 | Uniondale, NY | 3 | SBD -> Cassette Master -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 5/9/81 | Uniondale, NY | 3 | AUD>MC>DAT>CDR | |
| 5/11/81 | New Haven, CT | 3 | SBD -> Master Cassette -> Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 5/12/81 | New Haven, CT | 3 | SBD>MC> C>CDR>EAC>SHN | |
| 5/16/81 | Ithaca, NY | 3 | Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
|
| 5/16/81 | Ithaca, NY | 3 | FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise) | |
| 7/4/81 | Austin, TX | 3 | SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC | |
| 7/5/81 | Oklahoma City, OK | 3 | SBD -> Master Cassette -> Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 7/7/81 | Kansas City, MO | 3 | SBD -> Master Cassette -> Reel -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 7/11/81 | East Troy, WI | 2 | SBD: MC > C > D > CDR > EAC > SHN | |
| 7/13/81 | Denver, CO | 3 | SBD>?>SHN | |
| 8/12/81 | Salt Lake City, UT | 3 | SBD>MC>R>DAT>CDR>EAC>SHN (with unknown aud patches) |
|
| 8/16/81 | Eugene, OR | 2 | SBD > ? > (Cx?) > CDR > EAC > WAV > WavMerge > Soundforge > CD-Wave > TLH (for checksums and SBE-OK) > FLAC | |
| 8/28/81 | Long Beach, CA | 3 | SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact | |
| 8/30/81 | Tempe, AZ | 3 | SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> FLAC | |
| 8/30/81 | Tempe, AZ | 3 | FOB Senn 441's>Sony TC-150>MC>DAT>CDR | |
| 8/31/81 | Las Vegas, NV |
3 | SBD -> Cassette Master -> ? -> Cassette -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> FLAC | |
| 8/31/81 | Las Vegas, NV |
3 | AUD>MC>DAT>CDR | |
| 9/13/81 | Berkeley, CA | 3 | Set 1: SBD -> Cassette Master -> ? -> Cassette ->
Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette Transfer Info: Set 1: CD -> EAC -> Samplitude Professional v7.02 -> FLAC Set 2: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 9/25/81 | Bethlehem, PA | 3 | Sources: Master Soundboard Cassette > Cassette > CDR Master Audience Cassette > Sennheiser 441 mics Master Audience Cassette > Nakamichi CM300's + CP4's |
|
| 9/26/81 | Buffalo, NY | 2 | Source: Matrix (SBD/AUD mix): SBD: (SHN ID # 18110) - via Charlie Miller SBD>Cm>Cass>Dat>CD AUD: (SHN ID # 12554) - via popi n. feeldz Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd)cdr>eac(secure mode)>shn Transfer/Editing: SHN >WAV > Sony Vegas 5 > WAV > CD Wave > FLAC 16 |
|
| 9/27/81 | Landover, MD | 3 | SBD>CM>PCM>Dat>CD>EAC>SHN | |
| 9/30/81 | Edinburgh, Scotland | 3 | SBD>?>C>C>WAV>SHN | |
| 10/2/81 | London, England | 3 | SBD>Reel>?>Dats>WAV>SHN | |
| 10/3/81 | London, England | 3 | SBD>MC>DAT>CDR>EAC>SHN | |
| 10/4/81 | London, England | 3 | SBD>?>C>C>WAV>SHN | |
| 10/6/81 | London, England | 3 | SBD > MC > Cassette > CDR > EAC > SHN | |
| 10/8/81 | Copenhagen, Denmark | 3 | SBD> MC > CASS > DAT > Pro CDR >EAC> SHN | |
| 10/10/81 | Bremen, Germany | 3 | SBD>?>C>C>WAV>SHN | |
| 10/11/81 | Melweg, Amsterdam | 1 | AUD>MC>C>DAT>CDR | |
| 10/12/81 | Munich, Germany | 3 | SBD>MC>DAT>CDR | |
| 10/13/81 | Russelsheim, Germany | 3 | SBD>?>C>C>WAV>SHN | |
| 10/15/81 | Melweg, Amsterdam | 2 | AUD(FOB)>CM>C>DAT>CDRx1>EAC>SHN | |
| 10/16/81 | Melweg, Amsterdam | 2 | SBD>MR>PCM>?>CDR | |
| 10/17/81 | Paris, France | 3 | SBD>MC>DAT>CDR>SHN>EAC>CDR | |
| 10/19/81 | Barcelona, Spain | 3 | SBD: CM > CASS > DAT > Pro CDR > EAC > SHN | |
| 12/3/81 | Madison, WI | 3 | Nak 300's > Sony D5>?>EAC>CDR>EAC>SHN | |
| 12/5/81 | Indianapolis, IN | 3 | Nak 700 shotguns (mics pointed at stacks) > Sony TC D5M > Maxell XLIIS Location: behind soundboard, right side, over entrance to the floor Transfer: D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16 | |
| 12/7/81 | Des Moines, IA | 2 | SBD>MC>C>DAT>CD>EAC>SHN | |
| 12/9/81 | Boulder, CO | 3 | SBD>MR>DAT>CDR w/ AUD patches | |
| 12/27/81 | Oakland, CA | 2 | Master Soundboard Cassette > CDR > EAC > SHN | |
| 12/28/81 | Oakland, CA | 3 | SBD > MC > C > DAT > CD > EAC > SHN | |
| 12/30/81 | Oakland, CA | 2 | 1st Set SBD>MC>DAT>CD 2nd Set Pre Drums SBD>Cm>PCM>Dat>CD>Cool Edit Pro>CD 2nd Set Post Drums SBD>Cm>Reel>Cass>CD |
|
| 12/31/81 | Oakland, CA | 3 | SBD(PreFM)>>CASS>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN | |
| 12/31/81 | Oakland, CA | 4 | Monitor Mixer SBD>RTR>PCM>DAT>SSSB | |
| 2/17/82 | San Francisco, CA | 3 | SBD>MC>DAT>CD>EAC>SHN Patched w/ AUD>MC>DAT>CD | |
| 2/21/82 | Los Angeles, CA | 2 | SBD>Cass>DAT>CDR>EAC>cool edit pro>shntool>wav>shnv3 | |
| 3/13/82 | Reno, NV | 3 | AUD (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > MC>Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) | |
| 3/14/82 | Davis, CA | 3 | SBD>MC>Reel to Reel>DAT>CDR>EAC>SHN | |
| 4/2/82 | Durham, NC | 3 | Master Soundboard Cassette > Cassette > DAT > CDR > FLAC | |
| 4/6/82 | Philadelphia, PA | 3 | SBD(unknown lineage)>SHN(Mike Lai Seed) Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN Remastering: SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) |
|
| 4/9/82 | Rochester, NY | 2 | SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 4/12/82 | Uniondale, NY | 3 | SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC |
|
| 4/13/82 | New York, NY | 1 | VCD -> Letterman Show | |
| 4/14/82 | Glens Falls, NY | 2 | SBD MC>Cass>DAT>CDR>EAC>SHN | |
| 4/17/82 | Hartford, CT | 3 | SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN | |
| 4/18/82 | Hartford, CT | 3 | SBD>MR>DAT>CDR | |
| 4/19/82 | Baltimore, MD | 3 | Master Soundboard Cassette > Cassette > DAT > CDR > SHN | |
| 5/21/82 | Berkeley, CA | 2 | SBD>MC>DAT>CDR | |
| 5/22/82 | Berkeley, CA | 3 | SBD > MC> DAT > CDR > CDR > EAC > SHN | |
| 5/23/82 | Berkeley, CA | 3 | SBD > MC> DAT > CDR > CDR > EAC > SHN | |
| 7/27/82 | Red Rocks, CO | 2 | AUD>MC>DAT>CDR | |
| 7/28/82 | Red Rocks, Co | 3 | AUD>MC>DAT>CDR | |
| 7/29/82 | Red Rocks, CO | 3 | AUD>MC>DAT>CDR | |
| 7/31/82 | Austin, TX | 3 | Source: Matrix: SBD>MC>Cass>Dat>CDR>EAC>SHN>WAV > Vegas 5 (matrix) > WAV > CD >WAV > FLAC 16 AUD:modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shnWAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 |
|
| 7/31/82 | Austin, TX | 3 | AUD>MC>DAT>CDR>SHN | |
| 8/1/82 | Okalhoma, OK | 2 | SBD>MC>DAT>CDR | |
| 8/3/82 | Kansas City, MO | 3 | Source: Matrix: SBD Lineage: SBD>MC>PCM>DAT>CDR AUD Lineage: FOB: 27th Row, by Paul Hogan, Senn 441's > Sony TC-D5 > DAT > CD Transfer/Editing: WAV > Vegas 5 (matrix) > WAV > CD Wave > FLAC 16 |
|
| 8/6/82 | St. Paul, MN | 3 | SBD : MC > C1 > DAT > CDR > SHN | |
| 8/7/82 | Alpine Valley | 3 | SBD>MC>DAT>CDR | |
| 8/8/82 | Alpine Valey | 3 | SBD>MC>DAT>CDR | |
| 8/10/82 | Iowa City, IA | 3 | SBD>MR>DAT>CDR | |
| 8/28/82 | Veneta, OR | 3 | SBD>MC>Cass>CDR>SHN | |
| 9/11/82 | West Palm Beach, FL | 3 | Master Soundboard Cassette > Reel to Reel > DAT > CDR
> SHN Master FOB Audience Cassette:Nakamichi CM300 mics > Sony D5 |
|
| 9/15/82 | Landover, MD | 2 | Master Sondboard Cassette > PCM > CDR > SHN | |
| 9/15/82 | Landover, MD | 2 | AUD>MC>?>DAT>CDR | |
| 9/18/82 | Boston, MA | 2 | SBD>CAS/1(Dolby)>CD>.WAV>SHN | |
| 9/20/82 | New York, NY | 3 | Set 1: SBD>Cm>Cass>CD>EAC>Samplitude>SHN Set 2: SBD>Cm>Cass>CD>EAC>Samplitude>SHN |
|
| 9/21/82 | New York, NY | 3 | SBD>MC>DAT>CDR>EAC>SHN | |
| 9/24/82 | Syracuse, NY | 3 | SBD>MR>C>DAT>CDR | |
| 10/9/82 | Palo Alto, CA | 2 | SBD>MR>PCM>DAT>CDR | |
| 10/10/82 | Palo Alto, CA | 3 | SBD>?>DAT>CDR | |
| 11/26/82 | Montego Bay, Jamaica | 2 | SBD > MC(Sony TCD-5M) > WAV > SHN transfer:Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN |
|
| 12/26/82 | Oakland, CA | 2 | Master Soundboard Cassette > CDR > EAC > SHN | |
| 12/27/82 | Oakland, CA | 2 | SBD > MC(?) > Cx > DAT > DAT > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV > FLAC | |
| 12/28/82 | Oakland, CA | 3 | SBD -> Master PCM -> Dat/0 Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC | |
| 12/30/82 | Oakland, CA | 3 | SBD>MC>PCM>DAT>CDR>SHN>EAC>CDR (cass gen??) | |
| 12/31/82 | Oakland, CA | 3 | SBD>MR>DAT>CDR>EAC>WAV>SHN>CDR | |
| 3/30/83 | San Francisco, CA | 3 | SBD -> Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 3/31/83 | San Francisco, CA | 2 | SBD -> Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 4/9/83 | Hampton, VA | 2 | SBD -> Master Cassette -> Reel -> Dat (48k)(Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN | |
| 4/12/83 | Binghamton, NY | 2 | Set 2 | SBD -> PCM Master -> PCM Clone -> Sonic Solutions
-> Dat Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC |
| 4/13/82 | Burlington, VT | 2 | SBD>>CM>>C>>DAT>>CDR>>SHN | |
| 4/15/83 | Rochester, NY | 3 | set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 4/16/83 | E. Rutherford, NJ | 3 | Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD
-> EAC -> WAV -> FLAC Set 2: SBD -> PCM -> Dat -> Cool Edit Pro -> FLAC -> WAV Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC |
|
| 4/17/83 | E. Rutherford, NJ | 3 | SBD : MC > C > DAT > CDR > EAC > SHN | |
| 4/20/83 | Providence, RI | 3 | SBD -> Master Cassette -> Reel -> Dat (SV3800/48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN |
|
| 4/26/83 | Philadelphia, PA | 3 | SBD>MC>Cass>DAT>CDR>EAC>SHN | |
| 8/29/83 | Eugene, OR | 2 | SBD>Cass(2)>DAT>CDR>SHN | |
| 8/30/83 | Eugene, OR | 2 | Kesey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip + Set II: Kesey's MSC>DAT>CDR Audience patches: Sennheiser 421's>Sony TC-D5M>Cass.>DAT>CDR Cdr> Eac >cool edit pro (patch/pitch/edit)> shntool > cdwav >shnv3 |
|
| 9/2/83 | Boise, ID | 3 | SBD> cassette master>DAT>CDR>SHN | |
| 9/4/83 | Park West, UT | 3 | Master Soundboard Cassette > Cassette > DAT > CDR > SHN | |
| 9/6/83 | Morrison, CO | 3 | Sources: Master Soundboard Cassette > Cassette > DAT >
CDR Master Audience Cassette; Sennheiser 421 mics > Sony D5 |
|
| 9/11/83 | Santa Fe, NM | 3 | SBD>MC>Reel>DAT>DAT>SF>WAV>SHN>CDR | |
| 10/11/83 | NY, NY | 2 | AUD>FOB (Senn 441s)>PCM>DAT>CDRx1>SHN>CDR | |
| 10/15/83 | Hartford, CN | 2 | SBD > Cassette Master > Dat x 2 > CDR > SHN | |
| 10/15/83 | Hartford, CN | 2 | FOB Senn 411's>technics PCM ma>DAT>ZA2>SF>SHN>CDR | |
| 10/21/83 | Worcester, MA | 3 | SBD>>MPCM>CASS>>DAT>>CDA>>SHN>>WAV>>DAW(Bertha)>>CDA | |
| 10/21/83 | Worcester, MA | 3 | Senn 441's FOB>Panasonic PCM>DAT>CDR | |
| 10/31/83 | San Rafael, CA | 3 | SBD>MC>DAT>CDR>EAC>CDWAV>SHN | |
| 12/27/83 | San Francisco, CA | 3 | SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 12/28/83 | San Francisco, CA | 2 | SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 12/30/83 | San Francisco, CA | 2 | SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 12/31/83 | San Francisco, CA | 3 | SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496
v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD |
|
| 1984 | Studio Demo's and Rehearsal | 1 | Master Cassette Soundboard->DAT->Sonic
Solutions->CD->EAC->SHN |
|
| 3/29/84 | San Rafael, CA | 2 | SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 3/31/84 | San Rafael, CA | 3 | SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 4/1/84 | San Rafael, CA | 3 | SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) ->SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 4/1/84 | San Rafael, CA | 3 | SBD>MR>C>DAT>CDR | |
| 4/7/84 | Irvine, CA | 3 | SBD>MC>DAT>CD>EAC>Cool Edit>CD>EAC>SHN>EAC>CDR | |
| 4/13/84 | Hampton, VA | 3 | SBD -> Cassette Master -> Cassette -> Dat (Panasonic
SV3800/48k) Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC |
|
| 4/19/84 | Philadelphia, PA | 3 | SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> Samplitude v7.02 Professional -> FLAC | |
| 4/20/84 | Philadelphia, PA | 3 | SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> Samplitude v7.02 Professional -> FLAC | |
| 4/23/84 | New Haven, CT | 3 | SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell
XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 4/24/84 | New Haven, CT | 2 | Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 6/10/84 | Sacramento, CA | 2 | SBD>MC>C>DAT>CDR>SHN | |
| 6/24/84 | Saratoga Springs, NY | 3 | SBD -> Cassette Master -> Dat -> CD (Tascam CDRW700)
-> EAC -> Samplitude v7.02 Professional -> FLAC Patched w/ Nakamichi 300/CP1 -> Cassette Master -> Dat |
|
| 6/29/84 | Cuyahoga Falls, OH | 2 | SET 2 | SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
| 7/1/84 | Clarkston, MI | 2 | AUD>MC>??>DAT>CDR | |
| 7/3/84 | Kansas City, MO | 2 | AUD>MC>??>DAT>CDR | |
| 7/4/84 | Cedar Rapids, IA | 3 | SBD -> Master Cassette -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Adobe Audition -> SHN |
|
| 7/4/84 | Cedar Rapids, IA | 3 | AUD>Master Cassette (Sennheiser 421 mics)> DAT> CD> SHN | |
| 7/6/84 | East Troy, WI | 3 | Senn 441's (FOB)>MC>DAT>CD>EAC>Cool Edit>CD>EAC>SHN>EAC>CDR | |
| 7/13/84 | Berkeley, CA | 3 | SBD>C>DAT>CDR | |
| 7/14/84 | Berkeley, CA | 3 | SBD>C>DAT>CDR | |
| 7/15/84 | Berkeley, CA | 3 | SBD>DAT>CDR | |
| 7/22/84 | Ventura, CA | 3 | SBD -> PCM -> (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 10/5/84 | Charlotte, NC | 2 | Nak 300's (fob)>Sony TCD5>M>DAT>CDR | |
| 10/8/84 | Worcester, MA | 3 | SBD>MC>DAT>CDR>SHN>EAC>CDR AUD patch | |
| 10/9/84 | Worcester, MA | 3 | SBD>MC>DAT>CDR>SHN>EAC>CDR AUD patch | |
| 10/12/84 | Augusta, ME | 2 | SBD>C>DAT>CDR | |
| 10/20/84 | Syracuse, NY | 3 | SBD>CM>DAT>computer >CDR>EAC>SHNTOOL>MKWACT | |
| 10/30/84 | Berkeley, CA | 2 | Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore) |
|
| 12/31/84 | Washington, D.C. | 1 | Interviews & poem by Robert Hunter | WETA FM (Wash. D.C.) -> MC > Playback on Marantz PRD505 > Marantz Integrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flac |
| 12/31/84 | San Francisco, CA | 3 | FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC | |
| 2/18/85 | Oakland, CA | 3 | SBD Lineage: Cassette Master>DAT>SoundForge>CD>SHN | |
| 2/19/85 | Oakland, CA | 3 | SBD>MC>C>DAT>C>C>ZA2>CDR>EAC>SHN | |
| 3/13/85 | Berkeley, CA | 2 | SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 3/28/85 | Uniondale, NY | 2 | Set 1: SBD > PCM > DAT > Sonic Solutions > CD >
EAC > SHN Set 2: SBD> MC> DAT> CDR > EAC > SHN |
|
| 3/29/85 | Uniondale, NY | 2 | MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Mic Config: mics mounted on a T bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC |
|
| 4/4/85 | Providence, RI | 2 | SBD>MR>DAT>CDR | |
| 4/6/85 | Philidelphia, PA | 2 | SBD>Cm>Cass>Dat>CD>EAC>SHN | |
| 4/6/85 | Philidelphia, PA | 2 | Audio Technica ATM 11's>MC>DAT>CDR | |
| 4/7/85 | Philidelphia, PA | 2 | Senn 421's>MC>DAT>CDR | |
| 4/8/85 | Philidelphia, PA | 2 | Nak CM700's>MC>DAT>CDR | |
| 4/13/85 | Irvine, CA | 2 | SBD>MC>REEL>DATs>WAV>SHN | |
| 4/14/85 | Irvine, CA | 2 | SBD>Master Cassette>DAT>CDR>EAC>SHN | |
| 4/27/85 | Palo Alto, CA | 3 | SBD -> Master Cassette -> Dat (44.1k)(Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN | |
| 4/28/85 | Palo Alto, CA | 3 | SBD -> Cassette Master -> Cassette -> CD (Tascam CDRW5000) -> EAC -> Samplitude Professional v8.0 -> FLAC | |
| 6/14/85 | Berkeley, CA | 2 | SBD > DAT > CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN | |
| 6/15/85 | Berkeley, CA | 2 | SBD> ?> CD-R>EAC>SHN | |
| 6/16/85 | Berkeley, CA | 3 | SBD > Reel Master > DATs Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT | |
| 6/16/85 | Berkeley, CA | 2 | Nak 124's>D5>MC>CDR | |
| 6/22/85 | East Troy, WI | 2 | SBD > ? > PCM > DAT @ 44.1 (pre-emphasis on) Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed* > CD Wave 1.62 > MKWAct | |
| 6/22/85 | East Troy, WI | 1 | set 1 only | SBD>?>PCM>DAT>SF>CDR>SHN>EAC>CDR |
| 6/24/85 | Cincinnati, OH | 3 | MVHS>MC>DAT>CDR | |
| 6/25/85 | Cuyahoga Falls, OH | 2 | SBD>DAT>CDR>SHN>CDR | |
| 6/27/85 | Saratoga, NY | 3 | SBD -> Master Cassette -> PCM -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 6/28/85 | Hershey Park, PA | 2 | SBD>MVHS>C>DAT>CDR | |
| 6/30/85 | Columbia, MD | 3 | SBD>MC>DAT>CD>EAC>SHN | |
| 6/30/85 | Columbia, MD | 2 | Nak 124's>D5>MC>CDR | |
| 7/1/85 | Columbia, MD | 2 | SBD>DAT>CDR | |
| 8/30/85 | Houston, TX | 3 | SBD > ? > CD-R obtained by Slick Willie > US Mail > EAC > correction of obviously stoned, on-the-fly tracking > SHN | |
| 8/31/85 | Austin, TX | 3 | Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1> DAW (via SEKD Prodif) > Wav > cdwav > Flac | |
| 9/2/85 | Oklahoma City, OK | 3 | SBD > MC > C > DAT > CD > EAC > SHN | |
| 9/3/85 | Kansas City, MO | 2 | SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC | |
| 9/7/85 | Morrison, CO | 3 | SBD>Cm>Dat>CD>EAC>SHN | |
| 9/10/85 | Oakland, CA | 2 | SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 9/11/85 | Oakland, CA | 2 | SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 9/12/85 | Oakland, CA | 2 | Master Soundboard Cassette > DAT > CDR > EAC > SHN | |
| 9/15/85 | Chula Vista, CA | 2 | SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC | |
| 10/25/85 | Hollywood, FL | 3 | AUD FOB(Beyers (2)&Nakamichi300(2)) >mixer>tcd-d5>MC>DAT>CDR | |
| 10/26/85 | Tampa, FL | 2 | SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 10/26/85 | Tampa, FL | 3 | AUD FOB(Atm 11 (3) & Nak 300 + Cp4 (2)) >mixer>tcd-d5>MC>DAT>CDR | |
| 10/28/85 | Atlanta, GA | 2 | SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 10/28/85 | Atlanta, GA | 3 | AUD FOB (Audio-Technica Atm 11 (2) & Beyers 160 (2)) >mixer>tcd-d5>MC>DAT>CDR | |
| 10/29/85 | Atlanta, GA | 3 | SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 10/29/85 | Atlanta, GA | 3 | AUD FOB((4) Nakamichi 300)>Mixer>tcd-d5>MC>DAT>CDR | |
| 10/31/85 | Columbia, SC | 2 | SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN | |
| 10/31/85 | Columbia, SC | 2 | Oade DFC Schoeps CMC441 + CMC42> Oade m118>Sony PCM-F1>DAT>SF>Wav>SHN>CDR | |
| 11/1/85 | Richmond, VA | 3 | Audio-Technica Atm 11(3)Front1set &R-2setfob> Mixer>tcd-d5>MC>DAT>CDR | |
| 11/2/85 | Richmond, VA | 3 | Source: Matrix: SBD - > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) > SHN AUD - Connor (FOB) Mics: Beyer Dynamic M88's > Sony TCD5M(CM) AUD - Oade (Tapers Section) Mics: Schoeps (2 x CMC441, 1 x CMC42) > Sony PCM-F1 > Sony Portable BetaMax Transfer/Editing: WAV > Vegas 5 > WAV > FLAC |
|
| 11/2/85 | Richmond, VA | 3 | AUD FOB (Audio-Technica Atm11(3)& Nak300+Cp4 (2))>mixer>tcd-d5>MC>DAT>CDR | |
| 11/4/85 | Worchester, MA | 2 | SBD:MC> DAT> C> DAT> CD> SHN | |
| 11/4/85 | Worchester, MA | 3 | AUD FOB(Technica Atm 11 (3) & Nak300 +Cp4 (2)) >Mixer>tcd-d5>MC>DAT>CDR | |
| 11/5/85 | Worchester, MA | 2 | SBD>MR>Cass>DAT>CDR>EAC>SHN | |
| 11/5/85 | Worchester, MA | 3 | AUD FOB(Technica Atm 11 (3) & Nak300 +Cp4 (2)) >Mixer>tcd-d5>MC>DAT>CDR | |
| 11/7/85 | Rochester, NY | 3 | SBD>MC> Reel> DAT> CDR> TAE> CDR> EAC> SHN with AUD patches | |
| 11/7/85 | Rochester, NY | 2 | AUD FOB Audio Technica ATM 11(3)>MC>DAT>CDR | |
| 11/8/85 | Rochester, NY | 2 | Audio Technica ATM 11(3)>MC>DAT>CDR | |
| 11/10/85 | East Rutherford, NJ | 3 | AUD FOB(Technica Atm 11 (3) & Nak300 +Cp4 (2)) >Mixer>tcd-d5>MC>DAT>CDR | |
| 11/11/85 | East Rutherford, NJ | 2 | SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT | |
| 11/11/85 | East Rutherford, NJ | 3 | AUD FOB(Technica Atm 11 (3) & Nak300 +Cp4 (2)) >Mixer>tcd-d5>MC>DAT>CDR | |
| 11/17/85 | Long Beach, CA | 2 | SBD>MC>DAT>CDR | |
| 11/20/85 | Oakland, CA | 2 | SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 11/21/85 | Oakland, CA | 2 | SBD>CM>C>DAT>DAT>CDR | |
| 11/22/85 | Oakland, CA | 2 | SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 12/30/85 | Oakland, CA | 2 | SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 12/31/85 | Oakland, CA | 2 | SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 2/8/86 | Oakland, CA | 2 | SBD -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 2/14/86 | Oakland, CA | 2 | SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info:Sony R500>Behringer SRC2000>Dio 2448>Compaq 5452>MKWAct | |
| 3/25/86 | Philadelphia, PA | 2 | SBD>Master Cassette> DAT> CD> SHN | |
| 3/27/86 | Portland, ME | 2 | FOB AUD>DAT>CDR | |
| 4/3/86 | Hartford, CT | 3 | Vault PCM Master->10 inch reels at 15 ips-> DAT->ZA2->Soundforge->.wav->mkw->SHN | |
| 4/3/86 | Hartford, CT | 3 | SBD>MC>DAT>CDR | |
| 4/4/86 | Hartford, CT | 2 | Sony mics>nak BX-300>CM>DR-10>Tascam 700 | |
| 4/18/86 | Berkeley, CA | 2 | SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC | |
| 4/19/86 | Berkeley, CA | 2 | SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC | |
| 4/21/86 | Berkeley, CA | 2 | Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD
-> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC |
|
| 4/22/86 | Berkeley, CA | 2 | SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 6/20/86 | Berkeley, CA | 2 | SBD > MC > C > DAT > CD > EAC > SHN | |
| 6/21/86 | Berkeley, CA | 3 | matrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac set 2: sbd > cassette master (sony d5/maxell mx-90) aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1 |
|
| 6/28/86 | East Troy, WI | 2 | AUD>MC>??>DAT>CDR>SHN>EAC>CDR | |
| 6/29/86 | East Troy, WI | 2 | AUD>MC>??>DAT>CDR>SHN>EAC>CDR | |
| 6/30/86 | Cincinnati, OH | 2 | AUD>MC>CDR>SHN>EAC>CDR | |
| 7/4/86 | Buffalo, NY | 2 | FOB Sennheiser 421's>MC>DAT>CDR | |
| 7/7/86 | Washington DC | 2 | Master: In-house FM > Portable FM Receiver > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @48kHz (Sony PCM R500) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC | |
| 12/27/86 | Oakland, CA | 2 | Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN Set 2: SBD > MC > DAT > CDR > WAV > SHN |
|
| 12/27/86 | Oakland, CA | 2 | SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info:Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) ->SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 12/31/86 | Oakland, CA | 3 | Pre-FM SBD > DAT > CDR > WAV > SHN | |
| xx/xx/87 | Backstage Video | 2 | VCD | |
| xx/xx/87 | Grateful Dead Talk To Themselves c. ARISTA 1987 |
1 | Promotional Copy | |
| xx/xx/87 | San Rafael, CA | 6 | Dylan/Dead Rehersals | Studio SBD |
| 1/29/87 | San Francisco, CA | 2 | Healey ultramix: PCM -> Cassette Master > wav > mkw > shn | |
| 1/30/87 | San Francisco, CA | 3 | SBD>MC>C>DAT>CDR>EAC>SHN>CDR | |
| 3/3/87 | Oakland, CA | 2 | SBD > MC > DAT > CDR > WAV > SHN | |
| 3/22/87 | Hampton, VA | 2 | Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN |
|
| 3/26/87 | Hartford, CT | 3 | Sony Mics>D5>MC>CDR | |
| 3/27/87 | Hartford, CT | 2 | Sony Mics>D5>MC>CDR | |
| 3/30/87 | Philadelphia, PA | 3 | SBD > MC (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR > EAC > SHN | |
| 4/4/87 | Worcester, MA | 2 | AUD>DAT>CDR | |
| 4/6/87 | East Rutherford, NJ | 2 | Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN>CDR | |
| 4/11/87 | Chicago, IL | 2 | SBD (Healy matrix?)>?>SHN | |
| 4/19/87 | Irvine, CA | 3 | Master Soundboard Casette > PCM > DAT > CDR > EAC > SHN | |
| 5/2/87 | Palo Alto, CA | 2 | SBD > MC > DAT > EAC > SHN | |
| 5/3/87 | Palo Alto, CA | 3 | SBD>?>SHN>EAC>CDR | |
| 6/14/87 | Ventura, CA | 3 | Master Soundboard Cassette > PCM > DAT > CDR > EAC > SHN | |
| 6/30/87 | Ontario Canada | 3 | Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN
(Seekable) Patch Source: AUD (mic. unk) > DAT > CDR > SHN |
|
| 7/4/87 | Foxboro, MA | 3 | FOB Neumann KMR 184's>MC>DAT>CDR | |
| 7/6/87 | Pittsburgh. PA | 3 | AUD>?>DAT>CDR | |
| 7/19/87 | Eugene, OR | 1 | Set 3 Dead and Dylan | SBD>MC>DAT>CDR |
| 7/24/87 | Oakland, CA | 1 | Set 3 Dead and Dylan | SBD>?>DAT>CDR |
| 8/15/87 | Telluride, CO | 3 | PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN | |
| 8/22/87 | Angels Camp, CA | 2 | SBD>Master PCM>DAT>CDR>EAC>SHN | |
| 8/23/87 | Angels Camp, CA | 3 | SBD>MC>DAT>CDR>EAC>SHN | |
| 9/12/87 | Landover, MD | 2 | Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC | |
| 9/15/87 | MSG, NY, NY | 2 | SBD>CM>DAT>CDR | |
| 9/16/87 | MSG, NY, NY | 3 | SBD > MC > C > DAT > CD > EAC > SHN | |
| 9/18/87 | MSG, NY, NY | 3 | SBD>DAT>CDR | |
| 9/19/87 | MSG, NY, NY | 3 | SBD>DAT>CD>SHN>CDR | |
| 9/20/87 | MSG, NY, NY | 3 | Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN | |
| 9/22/87 | Philadelphia, PA | 2 | SBD>C>DAT>CDR>EAC>MKW>SHN | |
| 9/24/87 | Philadelphia, PA | 2 | HealyUltraMix>DAT>CDR | |
| 10/2/87 | Mountain View, CA | 2 | SBD>CM>DAT>CD>EAC>SHN | |
| 10/3/87 | Mountain View, CA | 2 | SBD>CM>DAT>CD>EAC>SHN | |
| 10/4/87 | Mountain View, CA | 2 | SBD>CM>DAT>CD>EAC>SHN | |
| 11/15/87 | Long Beach, CA | 2 | SBD > MC > Sonic Solutions > Pre-FM Dat @44.1 Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT | |
| 2/16/88 | Oakland, CA | 2 | SBD > MC > DAT > CD > EAC > SHN | |
| 2/17/88 | Oakland, CA | 2 | SBD > MC > DAT > CD >EAC > SHN | |
| 3/27/88 | Hampton, VA | 3 | SBD>DAT>CDR>EAC>SHN>CDR | |
| 3/28/88 | Hampton, VA | 3 | IN House FM>Sony D-5>MC>DAT>CDR | |
| 3/31/88 | E. Rutherford, NJ | 2 | In House FM>MC>DAT>CD>Samplitude v7.02 Professional>SHN | |
| 4/1/88 | E. Rutherford, NJ | 2 | Ultramatrix (SBD/AUD mix)> DAT> ?> CD> SHN | |
| 4/7/88 | Worcester, MA | 3 | Pre-FM SBD> MR > VHS > DAT > CD > EAC > SHN | |
| 4/9/88 | Worcester, MA | 3 | Pre-FM broadcast> Master Reel> VHS (PCM)> DAT> CD> SHN | |
| 4/11/88 | Detroit, MI | 2 | SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR > EAC > CDWave > MKWAct | |
| 4/15/88 | Rosemont, IL | 2 | SBD -> Dat -> Sonic Solutions -> CD ->(eac'd)wav->shn | |
| 4/22/88 | Irvine, CA | 3 | SBD (Matrix) > MC > DAT > CD > EAC > FLAC | |
| 4/24/88 | Irvine, CA | 3 | SBD (Matrix) > MC > DAT > CD > EAC > FLAC Patch source: FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN |
|
| 4/30/88 | Palo Alto, CA | 3 | SBD>DAT>CDR | |
| 6/19/88 | East Troy, WI | 3 | AUD(Senn 441's)>MC>DAT>CDR>WAV>SHN>EAC>CDR | |
| 6/20/88 | East Troy, WI | 2 | AUD(Senn 441's)>MC>DAT>CDR>WAV>SHN>EAC>CDR | |
| 6/22/88 | East Troy, WI | 2 | AUD(Senn 441's)>MC>DAT>CDR>WAV>SHN>EAC>CDR | |
| 6/23/88 | East Troy, WI | 2 | DSBD>DAT>CD | |
| 6/28/88 | Saratoga Springs, NY | 3 | FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN | |
| 7/2/88 | Oxford, ME | 3 | Source:
SBD + AUD 'Matrix Mix' FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR + SBD > Dat > Sonic Solutions > CDR |
|
| 7/3/88 | Oxford, ME | 2 | SBD>DAT>Sonic Solutions>CDR>EAC>CD>EAC>SHN | |
| 7/15/88 | Berkeley, CA | 3 | 2nd
Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR Recording and Transfer: Sean Weber-small EAC (Plex 8x, see log in individual folders) > Shn via MKW .97 |
|
| 7/16/88 | Berkeley, CA | 3 | Ultramatrix (SBD/AUD mix)>DAT> ?> CD> SHN | |
| 7/17/88 | Berkeley, CA | 3 | Ultramatrix (SBD/AUD mix)>DAT> ?> CD> SHN | |
| 9/2/88 | Landover, MD | 2 | SBD
-> Cassette Master -> Dat (SV3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC |
|
| 9/3/88 | Landover , MD | 2 | SBD
-> Cassette Master -> Dat (SV3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC |
|
| 9/6/88 | Landover , MD | 2 | SBD
-> Cassette Master -> Dat (SV3800/48k) Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC |
|
| 9/14/88 | New York, NY | 2 | SBD>CM>DAT>CDA>DAW(Bertha)>CDA | |
| 9/15/88 | New York, NY | 2 | SBD>MC>DAT>CD>EAC>CDWave>SHN>CD | |
| 9/16/88 | New York, NY | 3 | SBD>MC>DAT>CD>SHN>CD | |
| 10/2/88 | Mountain View, CA | 3 | Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC | |
| 10/18/88 | New Orleans, LA | 3 | SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>EAC>CD WAVE>WAVE LAB>MKW>SHN | |
| 10/21/88 | Dallas, TX | 3 | SBD -> DAT (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 12/28/88 | Oakland, CA | 3 | SBD: Healy
Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN Healy Mix = SBD+AKG C 424b mic |
|
| 12/29/88 | Oakland, CA | 3 | sbd>dats>wave>shn | |
| 2/5/89 | Oakland, CA | 3 | SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 2/6/89 | Oakland, CA | 2 | SBD>MC>CD (Marantz CDR 500 Pro)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus>Samplitude v7.02 Professional>Cool Edit Pro v2.0>FLAC | |
| 2/7/89 | Oakland, CA | 3 | SBD -> Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 2/10/89 | Inglewood, CA | 3 | Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT) | |
| 2/11/89 | Inglewood, CA | 3 | SBD>MC>DAT>CDR>EAC(secure)>CD WAV>SHN | |
| 2/12/89 | Inglewood, CA | 2 | SBD>MC>DAT>CDR | |
| 3/27/89 | Atlanta, GA | 3 | SBD> MC> Apogee MiniMe (24bit/48k)> Samplitude Professional v8.01> FLAC | |
| 3/28/89 | Atlanta, GA | 3 | SBD> MC> Apogee MiniMe (24bit/48k)>Samplitude Professional v8.01> FLAC | |
| 3/30/89 | Greensboro, NC | 1 | Set 1 | SBD -> Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC |
| 3/31/89 | Greensboro, NC | 2 | SBD
-> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
|
| 4/3/89 | Pittsburgh, PA | 3 | SBD > PCM (analog output) > D > D > CDR > EAC > SHN | |
| 4/5/89 | Ann Arbor, MI | 3 | Healy Ultra Mix - sbd+aud> cm> dat> cd> shn | |
| 4/6/89 | Ann Arbor, MI | 3 | Healy Ultra Mix - sbd+aud> cm> dat> cd> shn | |
| 4/8/89 | Cincinnati, OH | 2 | SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN | |
| 4/9/89 | Louisville, KY | 3 | SBD>CM>DAT>CD>EAC>SHN | |
| 4/11/89 | Rosemont, IL | 3 | SBD>Dat>Samplitude>Cool Edit Pro>SHN>EAC>CD | |
| 4/12/89 | Rosemont, IL | 3 | Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> DAT> CD> SHN >Shntool | |
| 4/13/89 | Rosemont, IL | 2 | SBD > MC> Dat > CDR > EAC* > CDWave > mkwACT | |
| 4/15/89 | Milwaukee, WI | 2 | DSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN | |
| 4/16/89 | Milwaukee, WI | 2 | SBD> DAT> C> DAT> CD> SHN >Shntool fix of sbe's | |
| 4/28/89 | Irvine, CA | 3 | SBD > MC > CDR > EAC > CD WAV > SHN | |
| 4/29/89 | Irvine, CA | 3 | SBD > MC > CDR > EAC > CD WAV > SHN | |
| 4/30/89 | Irvine, CA | 3 | SBD > MC > CDR > EAC > CD WAV > SHN | |
| 5/6/89 | Palo Alto, CA | 3 | DSBD>?>SHN | |
| 5/7/89 | Palo Alto, CA | 3 | SBD>DAT>DALCardDeluxe>WAV>CD>SHN | |
| 5/27/89 | Oakland, CA | 2 | Dan Healy's Master Soundboard Cassette > CDR > EAC > SHN | |
| 6/18/89 | Mountain View, CA | 3 | SBD>??>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN | |
| 6/19/89 | Mountain View, CA | 3 | SBD>DAT>CDR> EAC > CD WAV > SHN | |
| 6/21/89 | Mountain View, CA | 3 | Digital PPV feed>Master VHS>Dan Sisler's 1st-gen professionally dubbed VHS>DAT transfer by Sisler (Sony PCM R-500 via SBM)>CDR transfer by Kevin Gills on Alesis Masterlink>CDR>CDR>EAC (Secure Mode, Test and Copy)>SHN | |
| 7/2/89 | Foxboro, MA | 1 | Jerry, Bob, and Los Lobos in the Parking Lot | Probably from pro-shot video. |
| 7/2/89 | Foxboro, MA | 3 | FOB>MC>PCM>DAT>CDR | |
| 7/4/89 | Orchard Park, NY | 3 | SBD > MC > C > DAT > CD > EAC > SHN | |
| 7/4/89 | Orchard Park, NY | 3 | FOB B&K4011s>DAT>CDR mastered from a DAT clone with digital connections | |
| 7/7/89 | Philadelphia, PA | 3 | SBD>?>DAT>CDR | |
| 7/9/89 | East Rutherford, N.J. | 3 | SBD> MC-> Apogee MiniMe (24bit/48k)> Samplitude Professional v8.01> FLAC | |
| 7/10/89 | East Rutherford, N.J. | 3 | Unknown SBD (Matrix)>?> EAC>SHN>CDR | |
| 7/15/89 | Noblesville, IN | 3 | SBD > MR > DAT > C > DAT > CDR > EAC > Wave Trim > Add-A-Wave > CDWave > mkwACT | |
| 7/17/89 | East Troy, WI | 3 | SBD>DAT>CDR | |
| 7/18/89 | East Troy, WI | 3 | SBD>DAT>CDR | |
| 7/19/89 | East Troy, WI | 3 | DSBD>DAT>CDR | |
| 8/4/89 | Sacramento, CA | 3 | SBD > MC > DAT > CDR > EAC (Test and Copy) > Wave Trim (Remove silences) > Add-A-Wave (Rejoin) > CDWave > mkwACT | |
| 8/5/89 | Sacramento, CA | 2 | SBD>CM>DAT>CD>EAC>SHN | |
| 8/6/89 | Sacramento, CA | 3 | Ultramatrix (SBD/AUD mix) MC> DAT> CD> SHN> Peak> WAV> SHN | |
| 8/17/89 | Berkeley, CA | 3 | Soundboard->Dat->Cassette->Dat(44.1) x ? Transfer:Dat->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN | |
| 8/18/89 | Berkeley, CA | 3 | Healy Matrix Digital SBD > DAT > CDR > EAC > WAV
> SHNv3 source: DAT > CDR transfer via D-10 > HHB-CDR800 |
|
| 8/19/89 | Berkeley, CA | 2 | SBD > MC > DAT > WAV > SHN (This is an Ultramatrix mix) | |
| 9/29/89 | Mountain View, CA | 3 | SBD>CM>DAT>CDR | |
| 9/30/89 | Mountain View, CA | 2 | SBD>MC>DAT>CDR>EAC(secure)>CD WAV>SHN | |
| 10/1/89 | Mountain View, CA | 1 | Set 1 | SBD > ? > CDR > EAC > hard drive > CD Wave Editor (tracking) > FLAC |
| 10/8/89 | Hampton, VA | 2 | Nak 124's>D5>MC>CDR | |
| 10/8/89 | Hampton, VA | 3 | SBD > MC > DAT > CD > EAC > FLAC Patch sources: Source A SBD>MC>DAT>CDA>WAV(EAC)>DAW(Bertha)>CDA/SHN Source B F.O.B. Schoeps CMC34's -> Panasonic SV-250 |
|
| 10/9/89 | Hampton, VA | 3 | SBD>C>DAT>CDR>EAC>SHN>CDR | |
| 10/9/89 | Hampton, VA | 3 | VCD | VIDEO SOURCE: unknown avi AUDIO SOURCE: SBD>CASS(x)>DAT>CDR>EAC>SHN EDITING: audio converted to wav with MKWact, synchronization to video with Video Edit Magic 2.2 and Cool Edit 2000 to match speed, movie made as uncompressed avi, encoded to VCD-compliant MPEG-1 with TMPGEnc LINEAGE: unknown avi>Video Edit Magic (video + 44.1Khz stereo audio)>TMPGEnc |
| 10/11/89 | East Rutherford, NJ | 2 | Master Soundboard DAT > Cassette > DAT> CDR>EAC>SHN | |
| 10/12/89 | East Rutherford, NJ | 2 | SBD -> Cm -> Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN | |
| 10/14/89 | East Rutherford, NJ | 2 | SBD -> Master Cassette -> Dat -> ZA2 -> Sound Forge -> CD -> EAC -> SHN Patch Info: AUD -> Dat (48k) -> Sound Forge -> SHN Editing Info: SHN -> Samplitude v7.02 Professional -> SHN | |
| 10/15/89 | East Rutherford, NJ | 2 | SBD>C>DAT>CDR>EAC>SHN | |
| 10/16/89 | East Rutherford, NJ | 3 | DSBD> DAT> WAV> CDR>EAC>SHN | |
| 10/18/89 | Philadelphia, PA | 3 | Healy Ultramix > MC > DAT > CDR > EAC > *CEP 2.0 > Add-A-Wave > CDWave > mkwACT | |
| 10/19/89 | Philadelphia, PA | 3 | DSBD>C?>DAT>CDR>EAC>WAV>CDR | |
| 10/20/89 | Philadelphia, PA | 3 | Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR | |
| 10/22/89 | Charlotte, NC | 3 | SBD>?>CD>EAC>SHN | |
| 10/23/89 | Charlotte, NC | 3 | SBD>DAT>SS>CD>FM>DAT>CDR | |
| 10/25/89 | Miami, FL | 3 | SBD>DAT>CDR | |
| 10/26/89 | Miami, FL | 3 | SBD>DAT>CDR | |
| 12/6/89 | Oakland, CA | 3 | SBD>MR>DAT>CDR | |
| 12/8/89 | Inglewood, CA | 3 | Set 1 SBD>CM>CM?>DAT>CDR>WAV>SHNv3 Set 2 SBD>CM>DAT>CDR>WAV>SHNv3 (w/ aud splices) |
|
| 12/9/89 | Inglewood, CA | 2 | SBD > DAT > CDR > WAV > SHNv3 | |
| 12/10/89 | Inglewood, CA | 3 | SBD > DAT > CDR > WAV > SHN | |
| 12/27/89 | Oakland, CA | 3 | Dan Healy's Master Soundboard Cassette > CDR > EAC > SHN | |
| 12/28/89 | Oakland, CA | 2 | SBD -> Master Cassette -> Sonic 20-bit -> SBM2 -> CD -> EAC -> SHN | |
| 12/30/89 | Oakland, CA | 3 | Ultramatrix (SBD/AUD mix)> DAT> CD> SHN | |
| 12/31/89 | Oakland, CA | 3 | SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN | |
| 2/25/90 | Oakland, CA | 3 | SBD > DAT > C > DAT > CD > EAC > FLAC | |
| 2/26/90 | Oakland, CA | 1 | VCD - Set 1 | Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony
EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 >
SVCD > VCD > VCD-compliant MPEG-1 Audio: Source: DSBD > DAT > D100 > Montego II > CD > HD via EAC > SHN > wave > Cool Edit Pro > Video |
| 2/26/90 | Oakland, CA | 3 | SBD>DAT>D100>Montego II>CDR>EAC>SHN>CDR | |
| 2/27/90 | Oakland, CA | 3 | SBD > DAT > CDR > WAV > SHN | |
| 3/14/90 | Landover, MD | 2 | SBD>MC>DATs>Soundforge 4.5>CDWAV>SHN | |
| 3/15/90 | Landover, MD | 3 | Nak 300's > Sony D-5>MC(Maxell MX)>MC > standalone TDK DA-5800>CDR>EAC>SHN | |
| 3/16/90 | Landover, MD | 3 | SBD > ? > CDR > EAC > SHN | |
| 3/18/90 | Hartford, CT | 3 | Civic Center SBD feed to HCN studios via ISDN>HCN Master Reel>Dat(Sony ES)recorded(Tascam CA20mkII)playback>Pioneer PDR 555>CDR>WAV>SHN>CDR | |
| 3/19/90 | Hartford, CT | 3 | Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN | |
| 3/21/90 | Ontario, Canada | 3 | SBD>MC>DAT>CDR>EAC>SHN>MKW>CDR | |
| 3/22/90 | Ontario, Canada | 3 | VCD | Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony
EV-S1 8mm Recorder >Canopus AC Vio Capture card > Ulead Videostudio version 7 >
DVD Audio: Soundboard > 24trk reel to reel master > cassette > DAT Panasonic sv3700 > Cool Edit Pro > FLAC files > 'Bertha' remaster>SHN>WAV |
| 3/22/90 | Ontario, Canada | 3 | SBD>MC>DAT>CDR | |
| 3/24/90 | Albany, NY | 3 | (FOB) Schoeps CMC5/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master)Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN | |
| 3/24/90 | Albany, NY | 3 | SBD > Dat x 3 > CDR > SHN | |
| 3/25/90 | Albany, NY | 3 | (FOB) Schoeps CMC4/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master)Transfer Info:Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN | |
| 3/25/90 | Albany, NY | 3 | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN | |
| 3/26/90 | Albany, NY | 2 | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN | |
| 3/28/90 | Uniondale, NY | 3 | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN | |
| 3/29/90 | Uniondale, NY | 3 | SBD>DAT>CDR | |
| 3/30/90 | Uniondale, NY | 3 | 32trackSBD>Healy 2Track Mixdown>DAT>SHN>CDR | |
| 4/1/90 | Atlanta, GA | 3 | 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN | |
| 4/2/90 | Atlanta, GA | 3 | SBD>MC>DAT>CDR> Eac > cool edit pro > cdwav > shntool > shnv3 | |
| 4/3/90 | Atlanta, GA | 3 | SBD>MC > Sonic Solutions @ 24 bits >CD (Sony Super Bit Mapping 2) > EAC > SHN | |
| 5/5/90 | Carson, CA | 2 | DSBD>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN | |
| 5/6/90 | Carson, CA | 3 | SBD>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN | |
| 6/8/90 | Sacramento, CA | 3 | FOB Matrix SBD > DAT > CDR > WAV > SHN. patched W/: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN | |
| 6/9/90 | Sacramento, CA | 3 | SBD (Matrix) > DAT > CDR > WAV > SHN | |
| 6/10/90 | Sacramento, CA | 3 | SBD + AUD Matrix Mix (50%-SBD/50%-AUD) Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) |
|
| 6/15/90 | Mountain View, CA | 3 | SBD > DAT > CDR > WAV > SHN | |
| 6/17/90 | Mountain View, CA | 3 | SBD>DAT>CDR>WAV>SHN | |
| 6/23/90 | Eugene, OR | 3 | SBD-matrix>CM>DAT>CDR>WAV>SHN | |
| 6/24/90 | Eugene, OR | 3 | SBD>MC>DAT>CDR>SHN | |
| 7/4/90 | Bonner Springs, KS | 3 | SBD>Dat>MC>ART DIO (24bit/96k)>Sound Forge 7>CD>EAC> SHN | |
| 7/6/90 | Louisville, KY | 3 | SBD>Dat>Sonic Solutions>CD>EAC>SHN | |
| 7/8/90 | Pittsburgh, PA | 2 | SBD>C(?)>CDR>SHN | |
| 7/10/90 | Raleigh, NC | 3 | SBD-> DAT-> CDR-> WAV (EAC & Sony CRX100E CDRW)-> SHN | |
| 7/12/90 | Washington, D.C. | 3 | SBD matrix>DAT>CDR | |
| 7/14/90 | Foxboro, MA | 3 | SBD(?)>?>DAT>CD>EAC>SHN | |
| 7/16/90 | Buffalo, NY | 3 | SBD -> DAT -> CD's -> EAC -> SHN | |
| 7/18/90 | Noblesville, IN | 3 | Set 1: SBD -> Dat -> Cassette Master -> ART DIO
(24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN Set 2: SBD -> Dat -> CD -> EAC -> SHN |
|
| 7/19/90 | Noblesville, IN | 3 | DSBD>DAT>CDR>EAC>SHN | |
| 7/21/90 | Tinley Park, IL | 3 | SBD>MDAT>CDR>EAC>SHN | |
| 7/22/90 | Tinley Park, IL | 3 | SBD>MDAT>CDR>EAC>SHN | |
| 7/23/90 | Tinley Park, IL | 3 | SBD>DAT>CDR>EAC>SHN | |
| 9/7/90 | Richfield, OH | 3 | SBD, CM>DATTascam DA-20 MK II > Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN | |
| 9/8/90 | Richfield, OH | 2 | Set 2 | SBD>CM>DAT>CDR>EAC>SHN |
| 9/11/90 | Philadelphia, PA | 3 | (Healy Mix)SBD>DAT>C>DAT>CDR Patched w/ : FOB(Nak. 300's>D-5)>CM>??>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN |
|
| 9/12/90 | Philadelphia, PA | 3 | SBD -> Dat -> Cassette Master (TDK SA100) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC | |
| 9/12/90 | Philadelphia, PA | 1 | Set 1 | (Healy Mix)SBD>??>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN |
| 9/14/90 | New York, NY | 3 | SBD>DAT>CDR>EAC>SHN | |
| 9/15/90 | New York, NY | 3 | DSBD>Sony SDT-9000> VDAT> WAV> CDWAV> mkwACT> SHN V.3 | |
| 9/18/90 | New York, NY | 3 | SBD>DAT>CDR>Cool Edit Pro>EAC>CD>SHN | |
| 9/19/90 | New York, NY | 3 | SBD>DAT>CDR>EAC>SHN>MKW.WAV>CDR | |
| 9/20/90 | New York, NY | 3 | SBD + AUD Matrix Mix (50%-SBD/50%-AUD) Source: SBD > DAT > Samplitude > Cool Edit Pro > SHN Location: At the soundboard Source:AUD FOB > Scheops > DAT > CDR Location: Row 15, Center |
|
| 9/28/90 | Front Street Studio | 1 | Rehearsals | Unknown SBD>????(possible cassette gen)>CDR>EAC>SHN |
| 10/13/90 | Stockholm, Sweden | 3 | DSBD > CD > EAC > SHN | |
| 10/17/90 | Essen, Germany | 2 | DSBD>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN | |
| 10/19/90 | Berlin, Germany | 3 | SBD>DAT>CDR | |
| 10/20/90 | Berlin, Germany | 3 | DSBD: Healy mix>MD>D>CD>SHN | |
| 10/22/90 | Frankfurt, Germany | 3 | DSBD > CD > EAC > SHN | |
| 10/24/90 | Hamburg, Germany | 3 | SBD>DAT>C>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN | |
| 10/27/90 | Paris, France | 3 | SBD>DAT>CD>SHN | |
| 10/28/90 | Paris France | 3 | SBD >DATx3 Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN | |
| 10/30/90 | London, England | 3 | SBD>DAT>CDR | |
| 10/31/90 | London, England | 3 | SBD>DAT>CDR | |
| 11/1/90 | London, England | 3 | SBD > DAT > CDR > WAV > SHN | |
| 12/4/90 | Oakland, CA | 3 | SBD>DAT>CDR>WAV>SHN | |
| 12/8/90 | Chandler, AZ | 3 | SBD:PCM>DAT>ZA2>CD>SHN | |
| 12/9/90 | Chandler, AZ | 3 | SBD > DAT > CDR > WAV > SHNv3 | |
| 12/12/90 | Denver, CO | 3 | SBD>DAT>CDR>WAV>SHN | |
| 12/13/90 | Denver, CO | 3 | Soundboard Matrix:D-> DAT -> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) | |
| 12/14/90 | Denver, CO | 3 | DSBD>DAT>Cass>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHN | |
| 12/27/90 | Oakland, CA | 3 | Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat
(Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> DAT -> SHN |
|
| 12/28/90 | Oakland, CA | 3 | (Healy Mix) SBD>??>DAT>CDR> EAC(secure)>CD WAV>Cool Edit Pro>SHN | |
| 12/30/90 | Oakland, CA | 3 | SBD -> Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN | |
| 12/31/90 | Oakland, CA | 3 | SBD
Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR Montego II > CDWave > Sound Forge XP 4.5 |
|
| 2/19/91 | Oakland, CA | 3 | SBD > DAT > Soundforge> CDR > WAV > SHN | |
| 2/21/91 | Oakland, CA | 3 | SBD -> Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN | |
| 3/17/91 | Landover, MD | 3 | SBD -> Master Dat -> Master Cassette (Tascam 122mkIII) -> Dat (SV3800/48k) -> Cool Edit Pro -> Samplitude v7.02 Professional -> FLAC | |
| 3/18/91 | Landover, MD | 3 | SBD > DAT > MC > DAT > CD > EAC > FLAC | |
| 3/20/91 | Landover, MD | 3 | SBD>DAT>CDR>EAC>SHN | |
| 3/21/91 | Largo, MD | 2 | SBD>DAT>ZA2>SHN>CDR | |
| 3/24/91 | Albany, NY | 3 | SBD>MC>DAT>CD>EAC>SHN | |
| 3/27/91 | Uniondale, NY | 3 | SBD -> Cm (Sony D5) -> Dat (Sony R500) ->Sound Devices USB Pre ->Sony Vaio C1VP ->Samplitude 6.0 ->Cool Edit Pro v2.0 ->SHN | |
| 3/29/91 | Long Island, NY | 3 | SBD>DAT>Cassette>DAT>Tascam DA-20 MKII>Delta Dio 2496>Cool Edit>CDR>EAC>SHN>CDR | |
| 3/31/91 | Greensboro, NC | 3 | DSBD>DAT>CDR | |
| 4/1/91 | Greensboro, NC | 2 | DSBD>DAT>CDR | |
| 4/3/91 | Atlanta, GA | 3 | SBD>DAT>CASS(2)>DAT>SPIF>CDR>EAC>SHN | |
| 4/4/91 | Atlanta, GA | 3 | FOB> AKGc1000s>Sony Cassette D3 > CDR>EAC>cool edit>SHN | |
| 4/5/91 | Atlanta, GA | 3 | SBD>DAT>CD>EAC>SHN>CDR | |
| 4/7/91 | Orlando, FL | 3 | SBD >DAT> ? >SHN>CDR | |
| 4/8/91 | Orlando, FL | 3 | SBD>DAT>C>DAT>CDR>EAC>SHN | |
| 4/9/91 | Orlando, FL | 3 | SBD -> Master Dat (Panasonic 3700) -> Master Cassette -> Dat (Sony R500/48k/SBM On) -> SEK'D Prodif Plus -> Samplitude v7.02 Pro -> SHN | |
| 4/27/91 | Las Vegas, NV | 3 | SBD>MC>DAT>CDR | |
| 4/28/91 | Las Vegas, NV | 3 | SBD>MC>DAT>CDR | |
| 5/3/91 | Sacramento, CA | 3 | SBD > DAT > C > DAT > CDR > WAV > SHN > CDR | |
| 5/4/91 | Sacramento, CA | 3 | SBD > DAT > C > DAT > CDR > WAV > SHN > CDR | |
| 5/5/91 | Sacramento, CA | 3 | DSBD > CD > EAC > SHN > CDR | |
| 5/10/91 | Mountain View, CA | 3 | SBD > DAT > CDR > WAV > SHN > CDR | |
| 5/11/91 | Mountain View, CA | 2 | 2 track SBD > DAT > (Latvala's) C > A to Digi (nak dragon) > DAT > CDR >EAC > SHN | |
| 5/12/91 | Mountain View, CA | 3 | SBD>MC>DAT>CDR>EAC>SHN>CDR | |
| 6/1/91 | Los Angeles, CA | 3 | DSBD>DAT>C>DAT>CDR>EAC>SHN>CDR | |
| 6/6/91 | Noblesville, IN | 3 | DSBD -> 48 KHz DAT Read in by Other1:DigiI/O via SGI DAT drive -> shn file -> internet to chastewk -> unshned ->sample rate conversion and normalization with Cooledit 96 ->tracked w/ CD-WAV >SHN>CDR | |
| 6/7/91 | Noblesville, IN | 3 | DSBD -> 48 KHz DAT Read in by Other1:DigiI/O via SGI DAT drive -> shn file -> internet to chastewk -> unshned ->sample rate conversion and normalization with Cooledit 96 ->tracked w/ CD-WAV >SHN>CDR | |
| 6/9/91 | Hebron, OH | 3 | SBD>DAT>CD>SHN>CDR | |
| 6/11/91 | Charlotte, NC | 3 | SBD>MC>DAT>CDR | |
| 6/12/91 | Charlotte, NC | 2 | SBD>DAT>CDR | |
| 6/14/91 | Washington, DC | 3 | SBD> DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN | |
| 6/16/91 | East Rutherford, NJ | 3 | DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD->Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S-> Re-ripped on Plextor Internal SCSI Ultraplex 40 MAX using EAC (securemode w/accurate stream)-> mkwACT v.97-> SHN >CDR | |
| 6/17/91 | East Rutherford, NJ | 3 | SBD>DAT>CDR | |
| 6/19/91 | Detroit, MI | 3 | SBD> DAT> Cass> DAT> CD> EAC> WAV (retrack)> CD> EAC> SHN | |
| 6/19/91 | Detroit, MI | 3 | AUD (unknown mics) >DAT>CDR>WAV>SHN>CDR | |
| 6/20/91 | Detroit, MI | 3 | SBD > DAT > Cass > DAT > CD > EAC>SHN>CDR Audience patch: Unknown DAUD > CD > EAC>SHN>CDR |
|
| 6/22/91 | Chicago, IL | 3 | SBD>DAT>CD>EAC>SHN>CDR | |
| 6/24/91 | Bonner Springs, KS | 3 | SBD>DAT>CDR | |
| 6/25/91 | Bonner Springs, KS | 3 | SBD -> Vault Dat -> Dat -> (44.1k)Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional ->Cool Edit Pro v2.0 -> SHN >CDR | |
| 6/28/91 | Denver, CO | 4 | AUD>FM>CDR | |
| 8/14/91 | Sacramento, CA | 3 | SBD > DAT > C > DAT > CD > EAC > FLAC | |
| 8/16/91 | Mountainview, CA | 3 | SBD>DAT>CDR | |
| 8/17/91 | Mountainview, CA | 2 | SBD>DAT Master>DAT Clone>Tascam DA40>(SPDIF)>SB Live> SoundForge>WAV>SHN | |
| 8/18/91 | Mountainview, CA | 3 | SBD>DAT>WAV>SHN | |
| 9/4/91 | Richfield, OH | 3 | SBD>DAT>C>DAT>CDR | |
| 9/5/91 | Richfield, OH | 3 | SBD>DAT>C>DAT>CDR | |
| 9/6/91 | Richfield, OH | 3 | SBD>DAT>C>DAT>CDR | |
| 9/8/91 | New York, NY | 3 | SBD>DAT>CDR | |
| 9/9/91 | New York, NY | 3 | DSBD>DAT>CD>EAC>SHN | |
| 9/10/91 | MSG, NY, NY | 3 | DSBD>DAT>CDR>EAC>SHN>CDR | |
| 9/12/91 | MSG, NY, NY | 3 | SBD>DAT>CDR | |
| 9/13/91 | New York, NY | 3 | DSBD>DAT>CD>EAC>SHN | |
| 9/14/91 | New York, NY | 3 | DSBD>DAT>CD>EAC>SHN | |
| 9/16/91 | New York, NY | 3 | DSBD>DAT>CD>EAC>SHN | |
| 9/18/91 | MSG, NY, NY | 3 | SBD>DAT>CDR | |
| 9/20/91 | Boston, MA | 3 | SBD>DAT>CDR | |
| 9/21/91 | Boston, MA | 3 | SBD>DAT>CDR | |
| 9/22/91 | Boston, MA | 3 | SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB (Bertha Remaster) | |
| 9/24/91 | Boston, MA | 3 | SBD>DAT>CDR | |
| 9/25/91 | Boston, MA | 3 | Nakamichi CM300 + CP4REAR>D5>MC>CDR>EAC>Cool Edit Pro> shntool>WAV>SHNv3 | |
| 9/26/91 | Boston, MA | 3 | SBD>DAT>CDR | |
| 10/27/91 | Oakland, CA | 3 | SBD>DAT>ZA2>Soundforge 4>CD Architect>CDR>EAC>SHN>CDR | |
| 10/28/91 | Oakland, CA | 2 | BD>DAT(n clones)>PCM>DAT Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN > CDR |
|
| 10/30/91 | Oakland, CA | 3 | DSBD > DAT > CD > EAC > SHN > CDR | |
| 10/31/91 | Oakland, CA | 3 | SBD>DAT>?>CDR | |
| 11/3/91 | San Francisco, CA | 1 | SBD>DAT>?>CDR | |
| 12/27/91 | Oakland, CA | 3 | DSBD > DAT > C > DAT > CD > EAC > SHN > CDR | |
| 12/28/91 | Oakland, CA | 3 | Set
1: SBD > Dat > Sonic Solutions > CD > EAC > SHN Set 2: SBD > Dat (Tascam DA20) > CD (Tascam CDRW700) > EAC > SHN |
|
| 12/30/91 | Oakland, CA | 3 | FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN > CDR | |
| 12/31/91 | Oakland, CA | 3 | SBD > Satellite Feed > DAT> CDR > WAV > SHNv3 | |
| 2/21/92 | San Rafael, CA | 1 | So Many Roads Rehersals | Studio SBD |
| 3/9/92 | Landover, MD | 3 | SBD>DAT>C>PCM>DAT>CDR | |
| 3/20/92 | Ontario, Canada | 2 | SBD>DAT>CDR | |
| 5/24/92 | Mountain View, CA | 2 | SBD: MC>DAt>ZA2(S/PDIF)>Wavelab3.03>SHN | |
| 5/25/92 | Mountain View, CA | 2 | SBD>DAT>C>DAT>EAC(secure)>CD WAV>WavLab4.0>Shntool>SHN | |
| 5/30/92 | Las Vegas, NV | 3 | SBD>DAT>LucidPCI24>Gina2496>CEP>CDR>EAC>WAV>MKW>SHN | |
| 5/31/92 | Las Vegas, NV | 3 | SBD>DAT>D8>HD>SHN>CDR | |
| 6/8/92 | Richfield, OH | 2 | DSBD > DAT > 1C > DAT > WAV > FLAC Transfer: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (normalize,48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > FLAC | |
| 6/12/92 | Albany, NY | 2 | SBD> MC> Cass> DAT> CoolEdit> CD> Peak edits> SHN | |
| 6/15/92 | East Rutherford, NJ | 2 | SBD -> Dat -> CD -> EAC -> Samplitude Professional v8.01 -> FLAC | |
| 6/17/92 | Charlotte, NC | 2 | SBD -> Dat -> CD -> EAC -> Samplitude Professional v8.01 -> FLAC | |
| 6/18/92 | Charlotte, NC | 2 | SBD -> Dat -> CD -> EAC -> Samplitude Professional v8.01 -> FLAC | |
| 6/20/92 | Washington, DC | 3 | SBD -> Dat -> CD -> EAC -> Samplitude Professional v8.01 -> FLAC | |
| 6/22/92 | Burgettstown, PA | 3 | SBD -> Dat -> CD -> EAC -> Samplitude Professional v8.01 -> FLAC | |
| 6/26/92 | Chicago, IL | 3 | SBD -> Dat -> CD -> EAC -> Samplitude Professional v8.01 -> FLAC | |
| 6/28/92 | Noblesville, IN | 2 | SBD -> Dat -> CD -> EAC -> Samplitude Professional v8.01 -> FLAC | |
| 12/17/92 | Oakland, CA | 3 | Dan Healy 2 track pa sbd dat master > Healy cassette (made
by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHB800> CDR |
|
| 2/23/93 | Oakland, CA | 3 | SBD>DAT>EAC>CDR | |
| 3/24/93 | Chapel Hill, NC | 2 | SBD>DAT>CDR | |
| 3/25/93 | Chapel Hill, NC | 3 | SBD> Panasonic SV255 (Master DAT)> Modified Sony D10 Pro
(Master DAT) > Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0>
Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC w/ Aud. Patch |
|
| 3/27/93 | Albany, NY | SBD > DAT Transfer: D8 > 7 pin/digi coax > Montego II > CDWave > SHN | ||
| 3/31/93 | Uniondale, NY | 1 | Soundcheck | SBD or AUD? cassette playback on Tascam 103 > Tascam CD-RW700 > CD-RW > EAC > .wav > Cool Edit Pro 2.0 (to delete silence) > CDwave (to track) > FLAC |
| 4/1/93 | Uniondale, NY | 3 | DSBD > C > DAT > CD > EAC > SHN | |
| 4/12/93 | San Francisco, CA | 1 | Opening Day: San Francisco Giants | TV > cassette > .wav (CoolEdit) > .SHN |
| 5/16/93 | Las Vegas, NV | 3 | SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC | |
| 5/26/93 | Sacramento, CA | 3 | SBD -> (48k)Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC | |
| 5/27/93 | Sacramento, CA | 3 | SBD -> (48k) Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP ->Samplitude v7.02 Professional -> FLAC | |
| 6/6/93 | East Rutherford, NJ | 3 | DSBD>CDR>shn>WAV>FLAC | |
| 8/21/93 | Eugene, OR | 2 | SBD>DAT>CDR | |
| 9/9/93 | Richfield, OH | 3 | SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 ->SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 9/10/93 | Richfield, OH | 2 | SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC | |
| 9/13/93 | Philadelphia, PA | 3 | SBD -> Master Dat (48k) Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC | |
| 9/22/93 | New York, NY | 3 | SBD>PCM>DAT>CDR | |
| 12/10/93 | Los Angeles, CA | 3 | SBD>DAT>CDR | |
| 2/27/94 | Oakland, CA | 3 | SBD -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 3/4/94 | Phoenix, AZ | 2 | DSBD>DAT>CDR | |
| 3/5/94 | Phoenix, AZ | 2 | DSBD>DAT>CDR | |
| 3/6/94 | Phoenix, AZ | 2 | DSBD>DAT>CDR | |
| 4/1/94 | Atlanta, GA | 3 | DSBD>D7>PCM>CD | |
| 4/7/94 | Miami, FL | 3 | DSBD>CD>EAC>SHN>EAC>CDR | |
| 9/29/94 | Boston, MA | 3 | DSBD>DAT>CDR>DAT>CDR>EAC>SHN | |
| 10/1/94 | Boston, MA | 3 | SBD>DAT>CDR (pre-fm for GDH) | |
| 10/9/94 | Landover, MD | 3 | SBD -> Cass Master (Sony D5) -> ? -> 3rd Gen Cass (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 10/10/94 | Landover, MD | 3 | SBD>DATx2>C>HiFi VHS>?>DAT>Delta
Dio2496>SHN(seekable) NO DAE Patched w/: Schoeps MK4,AUD>DAT>CDR(previous SHN release) Conversion: SHN @ 48khz>WAV>COOL EDIT PRO(41khz + edits)>CD WAV>SHN |
|
| 10/14/94 | New York, NY | 3 | SBD>DAT>C>DAT>CDR | |
| 11/29/94 | Denver, CO | 3 | AUD(Schoeps MK4)>DAT>CDR>WAV>SHN | |
| 12/16/94 | Los Angeles, CA | 2 | Set 2 | DSBD > DAT > [?] > CDR > EAC > CEPro > CDWAV > FLAC |
| 2/21/95 | Salt Lake City, UT | 2 | DSBD > 1C > DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.62 > MKW | |
| 3/25/95 | Charlotte, NC | 3 | SBD>DAT>C>DAT>CDR | |
| 3/28/95 | Atlanta, GA | 1 | Soundcheck | FM SBD Monitor -> MC -> Cass (Maxell XLII 90) Transfer: Cassettte playback on Nakamichi MX-1 (no NR) -> gold-plated RCA Apogee cable -> RCA RX-D302B Receiver -> Optical out w/ Apogee Cable -> M-Audio CO2 Coax/Optical Converter -> S/PDIF -> M-Audio 1010-LT -> Recorded in Sound Forge8 (24/48 KHz WAV) Edits: Wavelab > Waves XHum (60Hz tone removed)/DeNoiser /L3 Multimaximizer/IDR (hi res CD settings) -> 16 bit WAV -> CD Wave Editor 1.95 -> FLAC Frontend -> FLAC level 8 |
| 7/9/95 | Chicago | 2 | DSBD(Pre-FM)>DAT>SPDIF>CDR>EAC>SHN | |
| Ben Harper | ||||
| 7/8/00 | Foxboro, MA | 1 | ||
| 7/9/00 | Foxboro, MA | 1 | ||
| 7/19/00 | Washington, DC | 1 | ||
| Ratdog | ||||
| 1971 | Bob's Marin home | 1 | Demos for Ace LP | Studio |
| 11/29/74 | Santa Cruz, CA | 2 | Kingfish | Soundboard > 7 1/2 ips Master Reel (Maxell UD35-7) A>D Transfer: Teac x-300R Reel Deck > HHB Burnit via CD-RW SHN Transfer: Dell Inspiron 4100 > Easy CD-DA Extractor > CDWav > mkw 0.96f |
| 4/19/75 | San Diego, CA | 1 | Kingfish Set 2 Late Show | SBD>DAT>CDR>SHN |
| 11/20/75 | Roslyn, NY | 1 | Kingfish | Pre-FM SBD > Cass > CD > SHN |
| 1/31/76 | San Diego, CA | 2 | Kingfish | |
| 3/11/76 | L.A., CA | 1 | Kingfish | FM>MR>DAW("Bertha")>CDR |
| 3/27/76 | Hempstead, NY | 1 | Kingfish | Fm>>cassette master>>cassette>>cdr |
| 4/3/76 | New York, NY | 2 | Kingfish | SBD > CD > EAC >SHN |
| 4/6/76 | Boston, MA | 2 | Kingfish | Audience Stereo Sony ECM-99A > Sony TC-152SD FOB, microphone hand-held Nakamichi MR-1 > Tascam DA-20 MKII > Philips CDR-775 Master Cassette > DAT > CD > EAC secure > FLAC Dolby B decoded, no processing or EQ |
| 6/17/76 | San Francisco, CA | 1 | Kingfish | Unknown Audience Recording (sound is similar to Rob Betrando AUD) Transfer Info:16/44.1 DAT Clone > TASCAM DA-20 (spdif out) -> Lynx Two Soundcard (spdif in) -> Soundforge 8.0 -> Flac |
| 2/17/78 | Los Angeles, CA | 2 | Bob Weir Band | Master-David Gans: Sony Condenser mics> Sony TC-D153 Transfer: 24 bit digital conversion via TC 2000 > HHb CDR-830 > CD's > EAC (secure) > MKWACT > SHN |
| 3/2/78 | Washington, DC | 2 | Bob Weir Band | AUD* > low gen Cassette > Nak Cassette Deck 2 > Edirol UA-5 > Cool Edit Pro 2.0 > Win XP Pro > CD Wave Editor > Flac Frontend > FLAC16. |
| 3/4/78 | Rindge, NH | 1 | Bob Weir Band | SBD or Very Good AUD > SHN |
| 3/5/78 | Boston, MA | 1 | Bob Weir Band | AUD > cass x ? > wav > shn > cdr > eac (secure) > mkwact > shn |
| 3/8/78 | New York, NY | 2 | Bob Weir Band | AUD (taper/gear unknown) -> cassette -> dat -> CD's -> EAC (secure) -> wav -> FLAC |
| 3/12/78 | New Haven, CT | 2 | Bob Weir Band | MAC (AKG D200e's > Sony TCD153) > 1st Gen. Cassette > Sony SBM1 > CD's > EAC (secure) > MKWACT > SHN |
| 3/25/78 | San Francisco, CA | 1 | Bob Weir Band | SBD > ? > CD > EAC > WAV > FLAC |
| ??/??/79 | New York, NY | 1 | WNEW FM | Bob Weir interview |
| 2/11/82 | Rochester, NY | 2 | BOBBY AND THE MIDNITES | AUD> cassette > DAT > CDR > EAC > WAV > FLAC |
| 6/16/82 | Fallsburgh, NY | 2 | BOBBY AND THE MIDNITES | audio technica mics AT815a 's on a sony d5 deck MC>Cooleditpro>Wave>shn |
| 11/13/82 | Portland, OR | 3 | BOBBY AND THE MIDNITES | SBD > unknown taping equipment & taper > MAC > Cass > Cass (Maxell XLII 90x2) Transfer:1st Gen SBD Cassettes > Nakamichi CD2 (azimuth adjusted) > Lunatec V3 (24/96) > Audiophile 2496 > CEP 2.0 (24/96)> Audacity (downsample/dither to 16-bit/44.1) > CD Wave Editor > TLH > FLAC16. |
| 11/26/82 | MONTEGO BAY, JAMAICA | 2 | BOBBY AND THE MIDNITES | SBD > Festival Master Cassette > D > D > SSSB (BERTHA REMASTER) |
| 12/2/82 | Corte Madera, CA | 2 | Freedom Jam | SBD: MC (nack) > behringer ultra curve pro deq 2496 audio equalizer > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac. |
| 1984 (or 83) | Switzerland | 1 | BOBBY AND THE MIDNITES | Video source: Pro Shot>LaserDisc>VHS>ATI> Virtual Dub (HuffYUV) > TMPGENC > MPEG |
| 5/5/85 | Berkeley, CA | 1 | Bobby's first solo acoustic show | AUD: cassette > DAT > CDR > EAC > WAV > FLAC |
| 3/1/86 | Passaic, NJ | 2 | Kingfish | SB > Cassette Master > DAT Conversion: Sony M-1 7 Pin Optical > Midiman C02 Optical/SPDIF > SB Live! SPDIF Dig In > Dual P3/512m ram with Cooledit + CD Wave + Mkw |
| 3/2/86 | New York, NY | 2 | Kingfish | 2ND GEN SOUNDBOARD > SONY TAPE DECK > BEHRINGER ULTRA-CURVE PRO > TASCAM CD-RW2000 |
| 3/29/86 | New York, NY | 1 | Weir & Friends | FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell
MX60) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac |
| 4/28/86 | San Francisco, CA | 1 | SBD > FM broadcast> Sony D6 Analog Cassette Transfer: Sony D6 Analog Cassette > Dio 2448 soundcard > hard drive > WAV > FLAC | |
| 4/28/86 | San Francisco, CA | 3 | Soundboard > master cassette > dbx copy of master cassette > Pro Tools @ 24 bit/44.1 KHz > Sonic Solutions @ 24 bits/44.1 KHz; SBM2 CD > EAC > Flac | |
| 5/29/86 | New York, NY | 2 | Bob & Friends | SBD > MC > C > DAT > CD > EAC > flac |
| 9/21/86 | San Francisco, CA | 2 | Nightfood | SBD > CM > ? > CD > EAC > FLAC |
| 3/30/88 | East Rutherford, NJ | 1 | Bob Weir & Kaukonen & bonus interview w/ bobby 85-87? | unknown->2nd geneartion cassette->Nomad Jukebox->Macintosh->Amadeus->Shorten |
| 7/10/88 | Berkeley, CA | 1 | (FOB) Nakamichi 700/CP701 -> Reutelhuber P/S -> Cassette Master (Sony TCD5m Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN | |
| 11/25/88 | Los Angeles, CA | 1 | Weir & Wasserman | Audmc (Radio Shack T16 Mini Mics>D-6 )>Jb3>Goldwave>Cdwav>Flac |
| 11/27/88 | Los Angeles,CA | 1 | Weir & Wasserman | Audmc 12th Row Center(Radio Shack T-16 Mini Mics>D-6 ) >Jb3>Goldwave>Cdwav>Flac |
| 9/6/89 | Uniondale, NY | 1 | Weir & Wasserman | FOB Aud>Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass(RobR)>Nak DR-10 (Playback)>Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHN |
| 12/11/89 | San Francisco, CA | 1 | Weir & Garcia | FM Broadcast>cassette master> Sound Forge 6.0> wav> shn |
| 2/23/91 | Boulder, CO | 2 | Kingfish | Soundboard > Sony D-5 Tranfer Info: Master Cassette played on Sony D-5 > Kind Kables Canare > Grace V-3 @16/44 > Kind Kables Coax > Microtrack 24/96 Hitachi 6GB Microdrive. Microtrack 24/96 USB > Windows XP > CD wave > Flac. |
| 5/17/91 | Minneapolis, MN | 2 | Weir & Wasserman | AUD > ??? > cass (u/k gens) > sony tc-fx2 > creative extigy > wav > flac |
| 5/24/91 | Englewood, CO | 2 | Weir & Wasserman | (FOB) AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp
-> Master Dat (Casio DA-7/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
| 12/??/91 | California | 1 | Scaring the Children | ?? > Bob's personal trainer > Master? > Cassette 1st gen? > dubbing deck Sony wmd6c playback> Tascam cdrw4u > cd > EAC {secure} > CDWave > flac |
| 5/10/92 | ??????, CA | 1 | Jerry Brown Benefit | SBD > DAT @ 48 > DA-P1 > Hosa S/PDIF > Delta DiO
2496 > Peak @ 44.1 > Jam > Toast Audio Extractor (overlap) > SHN |
| 7/24/92 | E. Rutherford, NJ | 2 | Weir & Wasserman | Sennheiser MD421's (5th row center) >Sony TCD-D3>?>FLAC |
| 9/20/92 | Bensalem, PA | 1 | Bob Weir & The Swirled Whale Band | SBD>Sony TCD-D10Pro>Sony TCD-D3(Via Analog input)>SHN |
| 11/21/92 | Richmond, VA | 2 | Weir & Wasserman | SBD > Dat > ? > CD > EAC > CDWav > Flac |
| 5/8/93 | San Francisco, CA | 2 | Weir & Wasserman | SBD > Dat > CD > EAC > CDWav > Flac |
| 8/27/94 | Kyushu, Japan | 1 | "Special K & The Cereal Killers" | pre-FM broadcast to DAT>CD>EAC>SHN |
| 2/14/95 | San Francisco, CA | 1 | "The Valentines" | SBD -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN |
| 8/9/95 | Hampton Beach, NH | 2 | Our departed friend, if he proved anything to us, he proved that good music can make sad times better | SBD>?>DAT>CDR. |
| 9/2/95 | San Francisco, CA | 2 | Ratbd>DeadHour>FM>Analog master Cassette>wav>flac16 | |
| 12/16/95 | San Francisco, CA | 2 | Sony ECM 909>Sony D6 Conversion: Harman Kardon TD392> Ego Sys U2A> CEP2.0> Dell Inspiron 3500> CDWAV> CDR\ | |
| 6/25/96 | Virginia Beach, VA | 2 | audience recording: audio-technica AT813 microphones > Marantz PMD430 (metal tape) (dbx noise reduction) > JVC TD-W709 (metal tape) (dolby C noise reduction) (equalized using TEAC EQA-5) > wav files generated with "Cakewalk Pyro 2004" software 3.0.162 > shn (mkw Audio Compression Tool 0.97 BETA 1) | |
| 6/26/96 | Bristow, VA | 2 | audience recording: audio-technica AT813 microphones > Marantz PMD430 (metal tape) (dbx noise reduction) > JVC TD-W709 (metal tape) (dolby C) (equalized using TEAC EQA-5) > wav files > shn (mkw Audio Compression Tool 0.97 BETA 1) | |
| 7/3/96 | Clarkston, MI | 2 | audience recording: audio-technica AT813 microphones > Marantz PMD430 (metal tape) (dbx noise reduction) > JVC TD-W709 (metal tape) (dolby C) (equalized using TEAC EQA-5) > wav files > shn (mkw Audio Compression Tool 0.97 BETA 1) | |
| 7/6/96 | Saratoga N.Y. | 2 | AUD CD>EAC>FLAC | |
| 1/19/97 | Washington, DC | 2 | Clinton Inauguration Celebration | SBD > DAT > WAV > SHN: Transfer: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (Build 214) (48-44.1, highest accuracy with anti-alias filter) > CDWav 1.93 > FLAC |
| 5/29/97 | Tempe, AZ | 2 | Source: BUD 2 Stereo Mic > Sony WM-D6c > Analog Master
(Maxell XLII) Transfer: Analog Master (Maxell XLII) > Pioneer CT-W606DR > Creative Extigy >Cool Edit Pro v1.2 (Capture/ Fades) > CD Wave Editor v1.93b2 (Tracking) > FLAC Frontend v1.1.0 > FLAC |
|
| 7/30/97 | Portland, OR | 1 | Bob & Pals | low gen. cass. of AUD recording -> Sound Forge -> WAV -> FLAC |
| 12/13/97 | Los Angeles, CA | 2 | Digital Audience Master 48k > TASCAM DA-20 MKII > Tascam CD-RW5000 > CDR > Extracted Sony Sound Forge 7.0 > CDWAV > Flac > To Me | |
| 4/3/98 | Philadelphia, PA | 1 | Weir/Wasserman | FM>?> CDWAV > Flac |
| 9/6/98 | Laytonville, CA | 2 | DSBD>DAT>cDR>WAV>EAC (Secure Mode)>Flac | |
| 9/19/98 | San Rafael, CA | 2 | Weir/Wasserman | DAUD |
| 11/6/98 | Cincinnati, OH | 2 | AKG 460's w/ck-61 caps > Tascam DA-P1 > DAT > Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (build 214) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC | |
| 11/9/98 | Indianapolis, IN | 2 | Nak 300 shotguns > Sony D7 > Sony D7 (in daisy chain) [Mics at 10' to the right of the soundboard platform] Transfer/Encoding: Sony D-7 > Tascam CD-RW700 > CDR > EAC > FLAC FrontEnd > .flac seeds | |
| 11/22/98 | Atlantic City, NJ | 2 | Nak 300's > D7 (DFC, 30 feet from stage at 7 feet) Transfer: D7 > SBLive > SHN > WAV > CDR > EAC > CDWAV > FLAC | |
| 12/10/98 | Redway, CA | 1 | (FOB) Neumann KM54 -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC | |
| 12/31/98 | Oakland, CA | 1 | (FOB) Neumann KM254>Dat (Sony R500)>SEK'D Prodif Plus> Samplitude Professional v7.02>CD>EAC>SHN | |
| 2/11/99 | New York, NY | 2 | SBD > DAT > CD > SHN | |
| 2/12/99 | New York, NY | 2 | SBD > DAT > CD > SHN | |
| 2/13/99 | New York, NY | 2 | SBD > ?? > CD > SHN | |
| 8/7/99 | Aspen, CO | 2 | SBD > DAT @ 44.1k Transfer: D8 > Dio 2448 > Soundforge 5.0 > CDWav > FLAC Frontend > .flac | |
| 11/3/99 | Cedar Rapids, IA | 2 | FOB AKG C460B/CK8 Shotguns > D8 @ 44.1k; ~ 10th Row Center Transfer: D8 > Dio 2448 > Soundforge 5.0 > CDWav > FLAC |
|
| 11/6/99 | Louisville, KY | 2 | Schoeps mk4 > kc5 > cmc6 > VMS 52ub > DA-P1 @ 44k,
FOB/ORTF/Row G transfer: Fostex D-5 > VX Pocket 440 > Sound Studio > xACT > .flac (16/44) |
|
| 11/13/99 | Albany, N.Y. | 2 | aud Schoeps mk4v svms pre SBM1 DA-P1 cd>eac>mkw>shn | |
| 11/23/99 | Washington DC | 2 | Audio Technica 815b's > Sony PCM - M1 dat @44.1 transfer :Tascam DA MK30-I I > M-Audio Audiophile 24/96 >Wavelab 5 > CDwav(track split) > flac |
|
| 11/26/99 | Knoxville, TN | 2 | slightly FOB, Sennheiser ME-80's > Zefiro Inbox > Tascam DA-P1 > DAT > Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC | |
| 1/23/00 | San Fran., CA | 1 | Weir/Wasserman | SBD > DAT > CD |
| 4/18/00 | West Hartford, CT | 2 | Weir/Wasserman | AUD > ? > FLAC |
| 5/5/00 | Atlanta, GA | 2 | SBD > DAT > CD; with AUD patch first 4 songs | |
| 5/26/00 | Hebron, OH | 2 | 24-channel stage split-feed->Yamaha O2R digital mixer (A/D)->Alesis Masterlink (HDD)->CD Conversion: EAC->WaveLab (level correction & track splitting)->WAV->SHNv3 | |
| 6/4/00 | New York, NY | 1 | FOB AKG 480s > SBM-1 > M1 Transfer: D8 > Harman/Kardon CDR 30 > EAC > CDWav > SHN | |
| 6/16/00 | Timonium, MD | 2 | Audience unknown source->audio disc->eac-wave->flac | |
| 6/23/00 | Burlington, VT | 2 | Nak 300's at 10 feet> sony d7, 50 feet from stage, DFC dat>sblive>FLAC |
|
| 6/24/00 | Bridgeport | 2 | DSBD>DAT>CDR | |
| 7/1/00 | Sioux City, IA | 2 | FOB AKG 461s > DA-P1 > D8 > Harman/Kardon CDR 30 > EAC > CDWav > SHN | |
| 10/23/00 | San Francisco, CA | 2 | SBD* > DAT > CDR > xACT (CD Extraction to WAV, encode to FLAC) > FLAC * Aud patch (Nak 300/CP1 > SBM-1 > DAT) | |
| 11/2/00 | Columbia, MO | 2 | FOB Schoeps mk4 > DAT > CD > FLAC | |
| 11/3/00 | Lawrence, KS | 3 | Source: CSB Omni's > B.Box > Sony MZR-70 Minidisc Transfer: Sony MDS-JB920 Minidisc > Dio 2448 > Cool Edit Pro > .Wav > .Shn |
|
| 11/7/00 | Indianapolis, IN | 2 | DSBD > CD MasterCD > WAV > SHN: Dan Stephens Plextor PX-40TS (scsi) > EAC > MKW |
|
| 11/9/00 | Akron, OH | 2 | (?Schoeps CCML 4>Beyer MV100>TCD-D8?) | |
| 11/14/00 | Portland, ME | 2 | mbho 200/603a>v2>adc-20>da-p1 (mogami/neutrik cables,
monster digital) dat>cdr=sonyr500>audiomagic presto II>sek'd prodif plus>sound forge(resample and fades)>cdwav>mkwact |
|
| 11/24/00 | Asbury Park, NJ | 2 | OTS, AKG 460's with ck-61 caps > Tascam DA-P1 DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW |
|
| 12/1/00 | Philadelphia, PA | 2 | Schoeps CMC6/MK4V's > Lunatec V2 > FC 20-bit A/D > Tascam DA-P1 > DAT > Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 7.0 (Build 214)(record only) > CDWav 1.93 > FLAC | |
| 12/2/00 | Philadelphia, PA | 3 | OTS, AKG 460's with ck-61 caps > Tascam DA-P1 DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW |
|
| 3/27/01 | St. Louis, MO | 3 | AKG 391s > SD MP-2 > D8 > Tascam CD-RW700 > EAC > CDWav > SHN | |
| 3/30/01 | New Orleans, LA | 3 | DAUD | |
| 4/6/01 | Asheville, NC | 2 | DAUD: Microtech Gefell SMS-2000/m200 > Sonosax SX-M2 > SBM-1 > D8 > CD > EAC(test©) > CEPro > CD > SHN | |
| 4/8/01 | Columbia, SC | 2 | DAUD: Schoeps CMC6/MK-4v > Ruetelhuber > SBM-1 > D8 > CD > SHN | |
| 4/13/01 | Kalamazoo, MI | 3 | SBD > Band's HHB CD-R (passed through) > D8 Transfer: Tascam DA-302 > HHB CD-R > EAC > SHN |
|
| 4/14/01 | Royal Oak, MI | 2 | audience recording: audio-technica AT813 microphones > Marantz PMD430 (metal tape) (dbx noise reduction) > JVC TD-W709 (metal tape) (dolby C) (equalized using TEAC EQA-5) > wav files > shn (mkw Audio Compression Tool 0.97 BETA 1) | |
| 4/16/01 | Des Moines, IA | 3 | SBD > Band's HHB CD-R (passed through) > D8 Transfer: Tascam DA-302 > HHB CD-R > EAC > SHN |
|
| 4/17/01 | Cedar Rapids, IA | 3 | AKG 480's > Sound Devices MP-2 > D8 @ 44.1k Transfer: D8 > Dio 2448 > Soundforge 5.0 > CDWav > FLAC Frontend > .flac |
|
| 4/24/01 | Seattle, WA | 3 | SBD > DAT > CD > EAC (secure test & copy) > SHN | |
| 5/4/01 | San Francisco, CA | 3 | DAUD | |
| 6/3/01 | Santa Cruz, CA | 3 | SBD-> sbm-1(44.1k)->> Dat(Sony D8)->> CD (tascam CDRW700)->> EAC (Copy and Test)->CD> EAC > SHN | |
| 7/10/01 | Maryland Heights, MO | 2 | Sennheiser 441/Sony D-10 Master Audience DAT > HBB-800 > CDR > SHN | |
| 7/17/01 | Detroit, MI | 2 | Neumann184's>Lunatec V2>DAT>CDR | |
| 7/18/01 | Columbus, OH | 3 | Schoeps mk14v>Schoeps preamp>DAT>CDR | |
| 7/21/01 | Hartford, CT | 2 | AUD >cd>eac>flac | |
| 8/10/01 | Scranton, PA | 2 | MBHO 630a/Ka200>MP-2>DA-P1>CDR>EAC>SHN | |
| 8/18/01 | Camden, NJ | 2 | FOB>AKG C568>BE>SBM-1>DAP-1 | |
| 8/21/01 | Cleveland, OH | 2 | Schoeps cmc6/mk4>ADK1>D8>CDR | |
| 8/22/01 | Cincinnati, OH | 2 | Schoeps cmc6/mk4 > Apogee ad1k > D8; 17th Row FOB ROC Conversion: D8 > U2A > SF4.0 > CD Wav>EAC>SHN |
|
| 8/24/01 | East Troy, WI | 2 | Schoeps MK4V > KC5 > CMC6 > Apogee AD1000 > Sony
D8 FOB 26th Row DFC, 7' high on stand Transfer: DA-20mkII > RME DIGI96/8 PST > Samplitude > CDWAV > SHN |
|
| 8/26/01 | Red Rocks | 2 | incl. Keller Williams set | DAUD |
| 8/29/01 | Los Angeles, CA | 2 | Sony ECM957>pcm-m1>sound forge 5.0 (stereo widthincreased)>wav>cdwav> cd>EAC (correct offsets)>wav>sound forge 7.0 (eq,compression, multi band dynamics)>cdwav>flac | |
| 8/31/01 | Berkeley, CA | 2 | AKG C1000s>Mixpad 4> Vx pocket>HD>CDR | |
| 9/3/01 | Boise, ID | 2 | SBD > DAT > CD > EAC > SHN | |
| 9/22/01 | New Orleans, LA | 2 | DAUD | |
| 9/23/01 | Live Oak, FL | 2 | SBD > ?? > CDR> EAC > SHN | |
| 9/25/01 | Winston-Salem, NC | 3 | SBD > ?? > CDR>SHN | |
| 9/28/01 | Washington, DC | 3 | Unknown AUD | |
| 9/30/01 | Portland, OR | 2 | SBD>DAT (Sony D8/Master Dat/Sony R500)>Dio 2448 Samplitude v 6.0 SHN>CDR | |
| 10/4/01 | Hampton Beach, NH | 3 | SBD > DAT > CD > EAC (secure test & copy) > SHN | |
| 10/5/01 | Geneva, NY | 3 | Ratbd(with aud patch)> eac>flac16 | |
| 10/6/01 | Toledo, OH | 3 | mbho603a/KA200n>Sound Devices Mp-2>AD2k>d8(48KHz) Conversion: Sony M1>Oade Cable>Zoltrx Pro6>CEP2K(wav)>CDWav(split)>Shn |
|
| 12/26/01 | Las Vegas, NV | 3 | Neumann SKM-140s > V2 > DA-P1 > D8; DFC, right infront of SBD, ~35' from stage Conversion: D8 > RME Digi 96/8 PST > Samplitude 2496 (48khz > 44.1 khz) > CDWav > SHN | |
| 12/27/01 | San Diego, CA | 3 | SBD > Dat > 7 pin coax (OADE>MONSTER) > sound devices USB Pre > sony vaio C1VP > Samplitude v5.9 > SHN | |
| 12/28/01 | San Francisco, CA | 3 | DSBD>DAT>CDR>EAC>SHN | |
| 12/30/01 | San Francisco, CA | 2 | FOB Neumann KM 54's>V2>DAP-1 | |
| 12/31/01 | San Francisco, CA | 2 | FOB Neumann KM 54's>V2>DAP-1 | |
| 2/1/02 | St. Petersburg, FL | 3 | Neumann SKM-140s (Neumann Ak40 "ORTF" > LC3KA > KM100) > Apogee AD1000 > Sony D8 (44.1 khz) FOB, DFC, about 25' from stage, mic stand was just over 7ft TRANSFER INFORMATION:Sony D8 > Sony POC-DA12P > RME Digi96/8 PST > Samplitude 2496 > CDWav {tracks} > Soundforge 4.0 {fades} > .wav files >for .SHN | |
| 2/2/02 | Pompano Beach, FL | 2 | (FOB)Source: Audience > Center of the Amphitheatre> Neumann KM140>V2>SBM1 (ORTF) AUD>DAT>CDR>SHN | |
| 2/6/02 | Washington DC | 1 | Soudcheck w/ The Flying Other Bros. | SBD>?>CD>EAC>CDwin>FLAC>CDR |
| 2/23/02 | Chicago, IL | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8;FOB; DFC; behind second rail on floor, ~25ft back; stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 2/24/02 | Chicago, IL | 3 | SBD > D8 > CDR > *EAC > mkwACT | |
| 2/25/02 | Peoria, IL | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8;DFC, next to SBD, ~50ft back; mic stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 2/27/02 | Columbus, OH | 3 | AUD | |
| 3/1/02 | Detroit, MI | 3 | FOB 50ft DFC mics on 10ft stand run 90° at stacks > Neumann AK40 > LC3KA > KM100 > AD1000 > D8 Transfer: D8 > Delta DiO 2496 > Samplitude 2496 > CDWAVE > SHNv3 | |
| 3/5/02 | Verona, NY | 3 | AKG300 - house set up for tapers mics split 30 feet>tascam dap1(48)>tascam rw-750>mkw tool>shn | |
| 3/10/02 | Scranton, PA | 3 | MBHO 603a/Ka 200>mp2>adc 20>dap 1>cdr>eac (secure)>mkw>shn | |
| 3/12/02 | Winston-Salem, NC | 2 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8; FOB, DFC, infront of wood post, mic stand 8ft high Converison:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 3/13/02 | Charleston, SC | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8; LOC, next to SBD, ~40ft back; mic stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 3/14/02 | Atlanta, GA | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8;DFC, clamped to rail on balcony. Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 3/16/02 | Memphis, TN | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8;FOB; DFC; about 50ft back; mic stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 3/17/02 | Nashville, TN | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; ROC; back of balcony next to light board; mic stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 3/18/02 | Birmingham, AL | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8; FOB; DFC; about 25' back; mic stand 8ft high Conversion: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 3/20/02 | New Orleans, LA | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8;FOB; DFC; about 25' back; mic stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 3/22/02 | St. Louis, MO | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8; Left side of SBD; about 40' back; mic stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 3/23/02 | Des Moines, IA | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; DFC; FOB; ~60ft back; mic stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 3/24/02 | Omaha, NE | 2 | Modified AKG463's->Lunatec V2->sonic AD2K+->Tascam DA-P1->CD-> EAC->.wav->.flac (level 8) | |
| 3/26/02 | Denver, CO | 2 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; DFC; FOB; 13th row (ORCH C; M-7); mic stand 8ft high Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 3/27/02 | Park City, UT | 2 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; Balcony, LOC, mic stand on TV above SBD Conversion: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 3/29/02 | Boise, ID | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8; DFC, clamped to rail of balcony infront of SBD Conversion:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 3/30/02 | Spokane, WA | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; FOB, DFC, 5th row (ORCH E-13), mic stand 8ft high Conversion: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 3/31/02 | Seattle, WA | 2 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; LOC, next to SBD on riser, mic stand 8ft high Conversion: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 4/2/02 | Bellingham, WA | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1000 (44.1kHz) > Sony D8; 15th Row, FOB, DFC, (orch main O-20), mic stand 8ft high Conversion: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 4/03/02 | Eugene, OR | 3 | SBD > DAT > CDR > WAV > SHN | |
| 4/4/02 | Portland, OR | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; DFC, front row balcony, clamped on rail Conversion: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 5/5/02 | New Orleans, LA | 1 | FOB/DFC Nakamichi 701s> Custom P/S and Preamp>
Sony M1(48) Transfer: Fostex D5> HHB 830(44.1)> EAC> FLAC |
|
| 5/8/02 | San Francisco, CA | 2 | SBD>Master Dat (Sony D8/44.1k)>Samplitude v5.9>Cool Edit Pro>CD>SHN | |
| 5/9/02 | San Francisco, CA | 3 | SBD > DAT > Samplitude > CEP > CDR > EAC > mkwACT | |
| 5/11/02 | San Francisco, CA | 3 | SBD ->Dat (Sony D8/44.1k) ->Samplitude v5.9 ->CD >SHN | |
| 5/21/02 | Indianapolis, IN | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; FOB, DFC, ~25ft back, right infront of floor bar, mic stand 8ft high TRANSFER INFORMATION: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > SHN | |
| 5/22/02 | Louisville, KY | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8; FOB, DFC, ~25ft back, mic stand 8ft high TRANSFER INFORMATION:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 5/23/02 | Cleveland, OH | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; FOB, DFC, ~60ft back, behind rail for beginning of GA section, mic stand 8ft high TRANSFER INFORMATION: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 5/26/02 | Washington, DC | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 >
Apogee AD1K (44.1kHz) > Sony D8;LOC, mic stand 8ft high, front corner of section by SBD TRANSFER INFORMATION:Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN |
|
| 5/27/02 | Dewey Beach, DE | 3 | Neumann AK40 (ORTF) > LC3KA (actives) > KM100 > Apogee AD1K (44.1kHz) > Sony D8; ROC, mic stand 7ft high, infront of SBD TRANSFER INFORMATION: Sony D8 > RME Digi 96/8 PST > Samplitude 2496 > CDWav (Tracks) > SoundForge 4.0 (Fades) > mkwACT > SHN | |
| 5/29/02 | Geneva, NY | 3 | Aud:schoeps mk4s >sony d-6(master casette)>Tascam cdrw700 > wav editor > eac >mkw tool> shn | |
| 6/26/02 | Charlotte, NC | 2 | DPA 4022 > Sonosax SX-M2 > Audio Magic Excalibur II XLRs >Apogee Mini-Me @ 16/44.1 Location:Sec 2, Row Q, Seat 19+20, 17th row center DAT > FLAC: D100 > Digigram VXPocket V2 > Steinberg WaveLab v5.00a > CD-WAV >FLAC frontend v1.7.1 > .flac | |
| 6/28/02 | Newcastle, England | 3 | AUD?>CDR > Ultraplex 40max (SCSI) > EAC (secure) > shntool > FLAC16 | |
| 7/8/02 | Cologne Germany | 3 | SBD>>MD>>CDA>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN | |
| 7/9/02 | Hamburg Germany | 2 | (Set1)SB>>MD>>SHN>>DAW(Bertha)>>CDA/SHN
(Set2)DSBD(digital out)>>DAT>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN |
|
| 7/10/02 | Amsterdam | 1 | Soundcheck | SBD>DAT>??>.shn |
| 7/10/02 | Amsterdam | 3 | Microtech Gefel M300> Apogee AD1000>Sony TCD-D8>Fostex D-5>ZA2>Cerro>WAV>CDR | |
| 7/13/02 | Milano, Italy | 2 | gratzie Ivan, ciao!! | AUD>DAT>?>CDR |
| 7/14/02 | Pistoia, Italy | 1 | Prego!! Presto!! Pronto!! | |
| 7/18/02 | Breitenbach, Germany | 3 | OKM-II>TCD 100>?>shn | |
| 7/23/02 | Portsmouth, VA | 2 | FOB, DFC DPA (B&K) 4011's > Luminous Monarch's > V2 > Sonic AD2K+ > M1 @ 48k; 30' from stage in the sweet spot Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac | |
| 7/26/02 | Charlotte, NC | 2 | Source: DPA 4022 > Sonosax SX-M2 > Audio Magic Excalibur II XLRs > Apogee Mini-Me @ 16/44.1 Location: Sec 2, Row Q, Seat 19+20, 17th row center DAT > FLAC: D100 > Digigram VXPocket V2 > Steinberg WaveLab v5.00a > CD-WAV > FLAC frontend v1.7.1 > .flac | |
| 7/27/02 | Atlanta, GA | 2 | Josephson C-603/KA-500>Denecke PS1A>Zefiro Inbox>M-1
(FOB,DFC, approx. 20 rows from stage) Transfer: DA-P1>S/PDIF>Montego II+>Cool Edit Pro>CDWave>mkwACT |
|
| 7/31/02 | Binghamton, NY | 2 | AUD.(patch)senseheiser akg 1000(front lawn,middle
rail(DFC))>>sony d-6. Transfer:master maxell xl2(cm)>Tascam cdrw700>cdr>cd wav>shn |
|
| 8/4/02 | East Troy, WI | 2 | modified PZM mics>D8>HD(digital trans.)tracked with CDwave>SHN>CDR>EAC>FLAC | |
| 8/11/02 | Shizuoka, Japan | 1 | SBD>Dat>CD>EAC>SHN>Cool Edit Pro>SHN | |
| 8/31/02 | Morrison, CO | 2 | MBHO 603a/ka-200's > MP-2 > D8 @ 48k; DFC, 2nd row T.S. >Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC |
|
| 9/13/02 | Las Vegas, NV | 2 | SBD>Dat>CD>EAC>SHN | |
| 9/15/02 | Telluride, CO | 2 | SBD>DAT>CDR>EAC>SHN>Adobe Audition>CDWave>FLAC | |
| 9/16/02 | Bellvue, CO | 3 | Schoeps MK4's (ORTF) > KC5 > CMC6 > mod. Oade M-118
> Apogee AD500e > D8 @ 48k; DFC, T.S. Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac |
|
| 9/17/02 | Lincoln, NE | 3 | SBD -> Dat (Sony D8/44.1k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN | |
| 9/20/02 | Chicago, IL | 3 | AKG c391b's > Denecke PS2 > M1 @ 48k; DFC, T.S. Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac |
|
| 9/21/02 | Kirkersville, OH | 2 | SBD > D8 Transfer:DA-P1 > Audiophile 2496 > Wavelab 4.0 > CDWave > mkwACT | |
| 9/22/02 | South Bend, IN | 2 | SBD | |
| 9/24/02 | Canton, OH | 3 | Neumann SKM-140s(Neumann Ak40s "ORTF" > LC3KA > KM100) > Apogee AD1000 > Sony D8(44.1 khz) FOB, DFC, 12th row, Mic stand was just over 8.5ft, Seats: Center M 7/8 TRANSFER INFO: Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > SHN | |
| 9/25/02 | Williamsport, PA | 2 | Neumann SKM-140s(Neumann Ak40s "ORTF" > LC3KA > KM100) > Apogee AD1000 > Sony D8(44.1 khz) FOB, DFC, 10th row, Mic stand was just over 8.5ft, Seats: ORCH EEE 108/109 TRANSFER INFO:: Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > SHN | |
| 9/27/02 | Philadelphia, PA | 3 | SBD > DAT > CDR > EAC > SHN | |
| 10/1/02 | Syracuse, NY | 3 | Neumann SKM-140s(Neumann Ak40s "Pointed" > LC3KA > KM100) > Apogee AD1000 > Sony D8(44.1 khz) Clamped to Rail, Slightly ROC, Seats: LOGE CT ROW B 111/112 TRANSFER INFORMATION: Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > SHN | |
| 10/2/02 | New York, NY | 1 | Neumann SKM-140s (Neumann Ak40s "Pointed" > LC3KA > KM100) > Apogee AD1000 > Sony D8 (44.1 khz) OTS, mic stand was just over 8.5ft TRANSFER: Sony D8 > Sony POC-DA12P > RME Digi96/8 PST > Samplitude 2496 > CDWav {tracks} > Soundforge 4.0 {fades} > SHN | |
| 10/4/02 | Hartford, CT | 3 | Neumann SKM-140s(Neumann Ak40s "Pointed" > LC3KA > KM100) > Apogee AD1000 > Sony D8(44.1 khz) OTS, Next to SBD, mic stand was just over 8.5ft TRANSFER INFORMATION: Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > SHN | |
| 10/5/02 | New York, NY | 3 | Neumann SKM-140s(Neumann Ak40s "Pointed" > LC3KA
> KM100) > Apogee AD1000 > Sony D8(44.1 khz) Clamped to old light box, over the
rail, DFC, Seats: Lobalc A 109 (this was not the loge, but the lower balcony) TRANSFER INFORMATION: Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > SHN |
|
| 10/7/02 | Red Bank, NJ | 3 | Af:D AKG 468c's>SBM1>D7 12th row Center Transfer: sv3700>ZA2(s/pdif)>Wavelab 3.03>CDWAV 1.6>cd-r or .shn |
|
| 10/14/02 | Rochester, NY | 3 | Aud>Sony d-7>Schoeps MK41>wavcds>feurio(fixed tao)>mkw>shn | |
| 10/17/02 | Detroit, MI | 3 | DSBD>?>CDR>EAC>CDR | |
| 10/18/02 | Madison, WI | 2 | SBD > DAT > CDR > EAC > *Cool Edit Pro 2.0 > mkwACT | |
| 10/19/02 | Milwaukee, WI | 3 | SBD>DAT>CDR>EAC>SHN | |
| 12/21/02 | Asheville, NC | 1 | Bob and Friends | |
| 2/5/03 | Tempe AZ | 3 | Neumann
Km184 Mics>Lunatec V2>Agogee Mini Me(AtoD-24Bit@48K)> VX Pocket V2>Fujitsu 2040 Lifebook Laptop (40GB HDD) Conversion: Copied to Desktop PC Via External Firewire HDD (20GB)> 'Re-Recorded' Using Sound Forge 6.0 and Wavelab 3.04G using the Sound Blaster Audigy EX Soundcard (Play - 24Bit@48K>Record - 16Bit 44.1K)>shn |
|
| 2/7/03 | Tucson, AZ | 3 | Unknown lineage > EAC > SHN | |
| 2/8/03 | San Diego, CA | 3 | SBD>DAT>CDR>WAV>SHN | |
| 2/9/03 | Anaheim, CA | 3 | SBD>DAT>CDR>WAV>SHN | |
| 3/4/03 | San Francisco, CA | 3 | SBD>DAT>CDR>WAV>SHN | |
| 4/17/03 | St Petersburg, FL | 3 | SBD>DAT>CDR>WAV>SHN>WAV>CDR>EAC>SHN | |
| 4/18/03 | Orlando, FL | 3 | SBD>DAT>CDR>WAV>SHN>CDR>EAC>FLAC | |
| 4/19/03 | Pompano Beach, FL | 3 | First "Me and Bobby McGee" | SBD>DAT>CDR>WAV>SHN |
| 4/21/03 | Richmond, VA | 3 | SHN | |
| 4/22/03 | Falls Church, VA | 2 | Neumann
KM140's > Lunatec V3 > Sony M1 @ 48k; right behind the SBD Transfer: Panasonic SV-3800 > HHB CDR850 > EAC > CDWav > FLAC |
|
| 4/23/03 | Asheville, NC | 3 | Neumann KM140's > Lunatec V3 > Sony M1 @ 48k; just in front of the SBD Transfer: Panasonic SV-3800 > HHB CDR850 > EAC > CDWav > FLAC | |
| 4/25/03 | Norfolk, VA | 2 | Neumann KM140's > Lunatec V3 > Sony M1 @ 48k; just in front of the SBD Transfer: Panasonic SV-3800 > HHB CDR850 > EAC > CDWav > FLAC | |
| 4/26/03 | Charlotte, NC | 2 | at4010a>ps2 decode>teacdap20>spdif in>wave>shnf | |
| 4/29/03 | Myrtle Beach, SC | 2 | SBD>>DAT>>CDR>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN | |
| 4/30/03 | Winston-Salem, NC | 3 | SBD>>DAT>>CDR>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN | |
| 5/1/03 | Winston-Salem, NC | 2 | SBD>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN | |
| 5/4/03 | Atlanta, GA | 2 | SHN | |
| 5/6/03 | Fayetteville, AR | 3 | Neumann SKM-140s(Neumann Ak40s "90degrees" > LC3KA > KM100) > Lunatec V3(44.1 khz) > Sony D8 ROC, Next to SBD, Mics were about 9ft High, 30ft from stage TRANSFER INFORMATION: Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > FLAC | |
| 5/8/03 | Tulsa, OK | 3 | Neumann km140's>v3>d8 FOB 9ft high DFC. Spread at 90 degrees, 36ft. from stage. Transfer: Panasonic sv3700>ZA2(via S/PDIF)>Wavelab 3.03>CDWav>.wav>cdr or shn. shn with mkw .97 | |
| 5/9/03 | Dallas, TX | 3 | Neumann SKM-140s(Neumann Ak40s "90degrees" > LC3KA > KM100) > Lunatec V3(44.1 khz) > Sony D8 DFC, FOB, Mics were about 9ft High, ~35ft from stage TRANSFER INFORMATION:Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > FLAC | |
| 5/10/03 | Houston, TX | 3 | Neumann SKM-140s(Neumann Ak40s "90degrees" > LC3KA > KM100) > Lunatec V3(44.1 khz) > Sony D8 LOC, Next to SBD, Mics were about 9ft High, ~35ft from stage TRANSFER INFORMATION: Sony D8 > Sony POC-DA12P(Optical 7pin) > RME Digi96/8 PST > Samplitude 2496 > CDWav(tracks) > Soundforge 4.0(fades) > FLAC | |
| 5/12/03 | Albuquerque, NM | 3 | ADK A51>DAP1DAT Transfer: Panasonic sv3700>ZA2(via S/PDIF)>Wavelab 3.03>CDWav>.wav>cdr or shn. shn with mkw .97 | |
| 5/13/03 | Denver, CO | 3 | Schoeps mk4(ortf)>kc5>cmc6>oade m118mod>toddmodsbm-1(@44.1k) >sony7pin/coax>jb3>soundforge 5.0 (normalize)>cdwave>flac | |
| 5/16/03 | La$ Vega$, NV | 3 | FOB, DFC Earthworks SR71's > G.P. DMIC-20 > Sony R-300 w/ SBM on @ 44.1k; 20' from stage>D8 > Dio 2448 > Soundforge 5.0 > CDWav > FLAC Frontend > .flac | |
| 5/17/03 | Los Angeles, CA | 3 | SBD>>???>>CDR>>EAC>>SHN>>DAW(Bertha)>>CDR/SHN | |
| 7/25/03 | Nigata, Japan | 3 | SennheiserK6/ME64>MP-2>SBM-1(DATmaster)->D8>?->CDr | |
| 8/22/03 | `London, England | 2 | SBD>DAT>CDR>EAC>TLH>SHN | |
| 8/22/03 | `London, England | 2 | Sennheiser 421s>Nomad J3>WAV>CDWAV>MKW 0.97b>SHN | |
| 8/23/03 | Bilston, England | 2 | SBD>>DAT>>CDA>>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN | |
| 8/24/03 | Hernhill, England | 2 | SBD>DAT>CD>EAC (Secure mode/Accurate stream track quality 100% on all tracks)>Shn | |
| 8/25/03 | Wavendon, England | 2 | SBD>>DAT>>??>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN | |
| 8/27/03 | Manchester, England | 3 | Soundboard > ?? > CD-R > EAC > MKW > SHN > CEP > FLAC | |
| 8/27/03 | Manchester, England | 3 | Sennheiser 421>NomadJB3@44.1kHz>.wav>CEP>MKW 0.97b>.shn | |
| 9/6/03 | San Rafael, CA | 2 | Primary
Source SBD > DAT > CDR > EAC > SHN Secondary Sources: A: SBD>DAT>WAV>SHN B: Digital Audience: Recorded by Rob R 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp |
|
| 10/16/03 | Philadelphia, PA | 3 | Nakamichi
CM1000's(X/Y Silver Serpent cables)>Lunatec V3 (HPF2/48K)>D7 Transfer: Sony PCM2600>Sony CDRW33 Location: OTS Front Right Corner |
|
| 10/18/03 | Boston, MA | 3 | AT-825>DAT>CD>EAC>SHN>EAC>CDR | |
| 10/21/03 | Wilkes-Barre, PA | 3 | SBD matrix from the bands engineer | |
| 10/25/03 | New York, NY | 3 | 1st row Loge, dead center, AKG c568BE shots > Peavey PS-2 phantom power supply > SBM-1 > DAT > Creative Platinum Live (digital sound card by way of SPDIF out and in) > SoundForge 4.5 > WAV > mkwAct > SHN | |
| 10/26/03 | Poughkeepsie NY | 2 | 2MD421'S>D7>D/O>SONY ES75P COAXIAL>SBA2> WAV.MKWACT>SHN |
|
| 10/31/03 | Cleveland, OH | 3 | AKGc451b's (sterio pair) left side of soundboard, 12' high > MP2 > ADC-20 > PCM-M1 @ 48 KHz > spdif > Sound Blaster Live Platinum > cool edit pro > tracks > resampled to 44.1 KHz at highest setting > shn > shntool | |
| 11/3/03 | Chicago, IL | 3 | mg300 (DFC, first balcony)>v2>minime>vxpocket>picturebook>SHN | |
| 11/11/03 | Indianapolis, IN | 3 | AT822 (FOB/DFC) > D8 > digital 7-pin cable > stand-alone burner > CD > EAC > SHN | |
| 11/13/03 | Des Moines, IA | 3 | Neumann KM 140 > Lunatec V2> DAP 1>wav>CDR>WAV>SHN | |
| 11/15/03 | St. Louis, MO | 3 | Audio Technica AT835ST > Aeta PSP-2 > Tascam DA-P1 Transfer: Tascam DA-P1 > Echo Gina 24 > Cool Edit 2000 > CDWAV > FLAC |
|
| 11/18/03 | Lawrence, KS | 3 | Microtech Gefell M300's (ORTF) > Mogami Gold Neglex Quad >Oade (warm) Mod UA-5 > Oade Active cable > Sony TCD-D100 DAT @ 48 kHz Transfer: Sony TCD-D100 > Oade Active Cable > Oade (warm) Mod UA-5 > 44.1 kHz > CD Wav > SHN (SBE's verified with SHNtool) | |
| 2/24/04 | Las Vegas, NV | 2 | private Mardi Gras show | SBD -> ??? -> CDR -> SHN |
| 2/27/04 | San Diego, CA | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp>SHN |
|
| 2/28/04 | Phoenix, AZ | 3 | 3 Nak CM300's - 2 CP4 and 1 CP3 > DAT > SHN | |
| 3/1/04 | West Hollywood, CA | 3 | Rode NT4->Behringer MXB1002->Nomad JB3 @ 44.1kHz -> EAC -> MKW | |
| 3/2/04 | San Francisco, CA | 2 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp > SHN |
|
| 3/5/04 | Portland, OR | 3 | AKG 481s DIN 100º split 20cm>UA-5 (Oade Warm
Mod)>M1 clamped to balcony rail just right of center Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > FLAC > WAV > CDR |
|
| 3/6/04 | Vancouver, BC | 3 | AKG 481s DIN 90º split 20cm>UA-5 (Oade Warm Mod)>M1 DFC: behind soundboardTransfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > FLAC > WAV > CDR | |
| 3/8/04 | Seattle, WA | 3 | AKG 481s DIN 90º split 20cm>UA-5 (Oade Warm Mod)>M1 right of center @ 8 ft. Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > FLAC > WAV > CDR | |
| 3/9/04 | Spokane, WA | 3 | AKG 481s DIN 100º split 20cm>UA-5 (Oade Warm Mod)>M1 DFC 40' back 10' high Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > FLAC > WAV > CDR | |
| 3/10/04 | Bozeman, MT | 3 | Sony stereo mic > DAT > Sound Forge > CD-R Transfer: CD-R > CD Wave Editor v1.94.8 > FLAC Frontend | |
| 3/15/04 | Boulder, CO | 3 | FOB Vintage AKG 224's > Oade Presence Modified Edirol UA-5 > D8 @ 44.1k; XY @ 90 degrees Transfer: D8 > Dio 2448 > Soundforge 5.0 > CDWav > FLAC Frontend > .flac | |
| 3/16/04 | Boulder, CO | 3 | fob/dfc, second drink rail: Neumann km150> Lunatec V3> DC2> Nomad JB3 (44.1k wav)> firewire> pc> Cooledit> CDWav> SHN | |
| 3/19/04 | Rochester, NY | 2 | AKG 393 (DIN) > UA-5 > DA-P1 > UA-5 > Toshba a35-s159 > Soundforge 6.0 > CDWave > MKWact | |
| 3/20/04 | Syracuse, NY | 2 | Source: Set 1: AKG 393 (DIN) > UA-5 > Toshiba a35-s159
Soundforge 6.0 Set 2: AKG 393 (DIN) > UA-5 > DA-P1 Transfer: Set 1: Soundforge 6.0 (bit depth conversion 24 bit to 16 bit) > CDWave > MKWact Set 2: DA-P1 > UA-5 > Toshiba a35-s159 > Soundforge 6.0 > CDWave > MKWact > WAV > file renaming > Flac frontend Location: Taper's section (row U), just behind the SBD. Stand height = 7ft. Just a few feet right of center. |
|
| 3/21/04 | Albany, NY | 2 | Neumann KM184> Oade w-mod UA-5 (44.1 kHz)> PCM-M1 [DIN 80* ORC L row C (12th row) stand @ 7'] transfer: PCM-R300> DIO 2448> Sound Forge 6.0> cdWave> mkwACT |
|
| 3/23/04 | Burlington, VT | 2 | ?AKG C-568 BE Guns>Peavy PS2C Dual Power Supply>Sony SBM-1>Sony Dat 8 25 FEET AWAY DFC FOB @ 12 FEET HIGH? | |
| 3/24/04 | Portland, ME | 2 | ADK TLs (hyper-cardioid) -> Oade w-mod UA-5 -> Nomad JB3 - Transfer: JB3 -> GIC1394 -> PC; cdwave (tracking) -> FLAC | |
| 3/26/04 | Philadelphia, PA | 2 | Schoeps CMC6/MK4 -> V3 -> DA-P1 Transfer: Tascam DA-30 MkII > Mio Sound Card > Soundforge 7 > CDWave > .wav files > Flac | |
| 3/27/04 | Jim Thorpe, PA | 2 | AKG 460 +ck63 > mp-2 > mod sbm-1 (Todd-mod) > d8
(48kHz) FOB/DFC/25ft from stage/13ft height/DIN Transfer: d8 > audiophile 2496 > Peak 4.03 (track/fade/44.1kHz) > aif > xAct 1.3d4 > shn |
|
| 3/28/04 | Newark, NJ | 2 | Schoeps mk4 (ortf, 8'stand, FOB row M seat
111)>kc5>cmc6> Lunatec V3 (24bit/48k)> VxPocket> Fujitsu Lifebook S6110 (WinXP,nTrack) Conversion: WaveLab4 (fades, resample, UV22HR dither), CDWave |
|
| 3/30/04 | Washington, DC | 2 | Tiger Rose Audience Recording > ? > CDR > EAC (Secure Test and Copy) > WAV > FLAC | |
| 3/31/04 | Washington, D.C. | 3 | [Set I] Source: Sennheiser MKH-800s @ ~ 12' (hypers/Nutter)
> Lunatec V3 >Benchmark AD2402-96 @ 24/96 > RME Multiface >Sony VAIO PCG-SRX87
> Wavelab 4.01 Conversion: Goldwave 5.06 > CDWAV 1.93 > Wavelab 4.01 > shntool 1.2.3 > md5sum [Set II]: Source:Sennheiser MKH-800s @ ~ 12' (hypers/Nutter >Lunatec V3 @ 16/48 > Sony PCM-M1 Conversion: Sony PCM-R300 > Audiophile 2496 > Compaq Presario 7120US >Goldwave 5.06 > CDWAV 1.93 > shntool 1.2.3 > md5sum |
|
| 4/2/04 | Worcester, MA | 3 | not for trade RD SBD | |
| 4/3/04 | Waterville Valley, NH | 3 | Schoeps CCM4's > Apogee Mini-Me> Tascam DA-P1; Location: Next to SBD DFC stand @ 12' ORTF; Conversion (Dat to CD): Sony PCM2600 > HHB-850 | |
| 4/4/04 | Westbury, NY | 3 | Unknown mics (patched)->Nomad JB-3->CDR>EAC>SHN | |
| 8/14/04 | NPR Radio | 1 | 44kbs real audio stream>wav>shn | |
| 9/4/04 | Sausalito, CA | 2 | Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern>?>SHN | |
| 9/15/04 | Tulsa, OK | 3 | ADK A-51sLE (matched stereo pair) > AD-20 > PCM - M1 Transfer: M1 > Audio Hijack Pro 2.0 > Sound Studio 2.1.1b3 > xACT > SHN |
|
| 9/16/04 | St. Louis, MO | 3 | AKG 393> UA-5(mod)> D-8> CL Audigy2(plat)>WAV>FLAC | |
| 9/18/04 | Lafayette, GA | 3 | Audience, FOB 32' from stage. Schoeps 4VCMC6's > Lunatec V2 > Apogee AD1000 > Sony D8 Transfer: PCM R500 > Tascam CDRW700 (direct digital) > Marantz CDR 500 Pro duplicator > CDR> EAC (secure/offset) > SHN (mkw) | |
| 9/20/04 | Washington D.C. | 2 | Weir & Friends | AKG ck63s(Stage left stack, hip height) -> JKLabs DVC V20 -> Sony m1 ->Tascam DA-30mkII->Sony CDR W33>CDR - > EAC -> Cool Edit -> CD Wav Editor -> Flac16 |
| 9/26/04 | Washington D.C. | 1 | XM Radio Studios | xm roady>tascam damkII30>maudio audiophile 24/96>wavlab5>cdwav>flac |
| 9/29/04 | Berkeley, CA | 2 | Pre-FM SBD -> Master Dat -> Sonic Solutions -> Master CD -> EAC -> SHN | |
| 11/14/04 | NPR Weekend Edition | 1 | FM 44kbs>wav>shn | |
| 12/15/04 | Mill Valley, CA | 1 | D. Gans w/ WEIR | ADK a51le > Apogee Minime > VX Pocket 440 > Laptop
> CD (one track) Transfer: EAC > Wavelab 5 for fades > CD Wave > Flac (8) |
| 2/4/05 | Anaheim, CA | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp. |
|
| 2/5/05 | Phoenix, AZ | 3 | SBD>DAT>?CDR>EAC>CDR | |
| 2/6/05 | Las Vegas, NV | 2 | Rode NT4->Marantz PMD670->FLAC | |
| 2/8/05 | San Diego, CA | 2 | SBD>DAT>?CDR>EAC>CDR | |
| 2/9/05 | San Diego, CA | 2 | ADK TL > Edirol UA-5 > JB3 > CDWave > .WAV file Transfer: EAC > .wav > Wavelab 5 (fades and gain applied) > cdwave > flac16 |
|
| 2/25/05 | San Francisco, CA | 1 | w/The Flying Other Bros | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board / micpreamp |
| 3/28/05 | Minneapolis, MN | 3 | AUD>DAT>?>CDR>EAC>CDR | |
| 3/29/05 | Madison, WI | 3 | RD SBD not for trade | |
| 3/31/05 | Milwaulkee, WI | 3 | RD SBD not for trade | |
| 4/1/05 | Chicago, IL | 3 | RD SBD not for trade | |
| 4/2/05 | Detroit, MI | 3 | RD SBD not for trade | |
| 4/4/05 | Indianapolis, IN | 2 | Source: AT822 > D8 > wav > shn Mic Location: FOB / Left of center, handicapped tables. Lineage: CDR > WinXP Pro > files renamed to meet etree standards > MKW (created new MD5 file)*. |
|
| 4/7/05 | Verona,NY | 3 | Nak CM100s w/CP4 Shotguns>Sony SBM1>Sony PCM-M1 Transfer: Fostex D5>Audiophile2496>SoundForge6.0>CDWave>FLAC(level 8) Location: Right of SBD |
|
| 4/8/05 | Verona,NY | 3 | Nak CM100s w/CP4 Shotguns>Sony SBM1>Sony PCM-M1 Transfer: Fostex D5>Audiophile2496>SoundForge6.0>CDWave>FLAC(level 8) Location: Right of SBD |
|
| 4/9/05 | Mashantucket,CT | 2 | AKG 393 (DIN 90deg, 17cm) > Edirol UA-5 > DA-P1 > Hosa 276 > optical > JB3 Mic Config: (DIN 90deg, 17cm), Stand height: approx 6ft. Location: Section F, Row M, Seat 238 Lineage: JB3 > USB > WinXP Home (Toshiba Laptop) CD Wave Editor > Frontend FLAC > FLAC > CDR > WinXP Pro | |
| 4/11/05 | Frederick, MD | 3 | AKG ck63s (DINa)->JKLabs DVC V20->Mod SBM-1(@48khz)->M1FOB DFC Row O @ 7 ft. Transfer: DA30 MKII>CDRW33>EAC>CDWave>Flac | |
| 4/12/05 | Sayreville, NJ | 3 | Neumann KM184[DIN 90* FOB DFC]> Oade w-mod UA-5 (44.1 kHz)> optical> JB3 Transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC | |
| 4/13/05 | WILKES-BARRE, PA | 3 | AKGCK1X(CARDS ORTF)>AKG ACTIVE S>AKG460s
(UNMODDED)>V3<(OPTIMOD)>JB3 LOCATION: FOB CTR ORCH ROW F SEAT 204, STAND AT 8' TRANSFER: JB3>FIREWIRE>CDWAVE>CDR>EAC(SECURE MODE)>FLAC FRONTEND>FLAC |
|
| 4/15/05 | New York, NY | 2 | Schoeps CCM4's > Sony PCM-M1 DAT > FLAC Recorded from the rail in the front row, dead to center of the loge |
|
| 4/16/05 | New York, NY | 3 | Neumann KM184's > Rolls PB224 Dual PS 48v. > Oade
Modified Sony SBM-1 @ 44.1 MHz > Sony 7 pin Digital to Optical cable > JB3 (.wav
44.1 MHz) Mic Config: Din 110deg, 7 inches apart, stand at 12 ft. Location: FOB Center Orchesrta (ROW M, SEAT 107)Transfer: USB > Creative Playcenter > CD Wave Editor (untracked)> CDR(3) > *EAC > WinXP Pro > Raw data joined to 1 .wav file > CD Wave Editor > Flac Frontend > FLAC16. |
|
| 4/17/05 | Westbury, NY | 3 | Source: AKG 393 (DIN 90deg, 18cm) > UA-5 > DA-P1 > Hosa 276 > optical > JB3 Mic Config: DIN, (see notes for stand heights) Location Sec C, Row Q, Seats 7 & 8 (left of center) Lineage: JB3 > usb > Toshiba A35-S159 Laptop (WinXP Home) > Cool Edit 2 (fades and trims) > CD Wave Editor > Flac Frontend > FLAC16. | |
| 4/19/05 | Northampton, MA | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp. |
|
| 4/20/05 | New York, NY | 1 | Weir Interview Q104.3 | FM>MP3>CDR |
| 4/20/05 | Providence, RI | 3 | Matched Oktava MC012 (Cards DIN)>Audio Magic
Hyper-Conductors>Edirol UA-5(Oade T-mod plus)>Nomad JB3 .wav @ 44.1 Transfer: JB3>firewire>pc>Soundforge 7> Flac Frontend 1.7.1 |
|
| 4/22/05 | Hampton Beach, NH | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board |
|
| 4/23/05 | Boston, MA | 2 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board |
|
| 4/25/05 | Ridgefield, CT | 3 | AKG CK1x(CARDS ORTF)>AKG ACTIVES>AKG
460'S(UNMODDED)>V3(OPTI MOD)>JB3 TRANSFER: JB3>FIREWIRE>CDWAVE>CDR LOCATION: FOB, ROW L CTR. ORCH, SEAT 104, STAND AT 8 FEET |
|
| 4/26/05 | Washington, DC | 2 | Sennheiser K6/ME66 > Denecke AD20 > JB3 Microphones XY 45 deg on 8' pole in Taper Section left side Optical out to JB3 from AD20 Transfer: JB3 > Firewire > Notmad Explorer > Audacity (split and fade) > Flac16(8) | |
| 4/27/05 | Washington, DC | 3 | Sennheiser K6/ME64 > Denecke AD20 > JB3 Microphones XY 45 deg on 10' pole in Tapir Section left side Optical out to JB3 from AD20 Transfer: JB3 > Firewire > Notmad Explorer > Audacity (split and fade) > Flac16(8) | |
| 4/29/05 | Norfolk, VA | 3 | Nak 300's FOB > D8 > ? > CDR > EAC > WinXP Pro > CDWave Editor* > Flac Frontend > FLAC | |
| 4/30/05 | Philadelphia, PA | 3 | AKG 393 (DIN, 90deg, 17cm) > UA-5 > SBM-1 > DA-P1
> Sony D8 > coax > Hosa 276 > optical > JB3 Location: Front of TS (left of
SBD), Stand height 9ft Lineage: JB3 > usb > WinXP Pro > CD Wave Editor > Flac Frontend > FLAC |
|
| 5/1/05 | Johnson City, NY | 3 | AKG C568EB > Edirol UA-5 (D) > Kimber OPT1 > Nomad
Jukebox 3 Mastering: WAV > Adobe Audition 1.5 > WAV > Totalrecorder 5.1 > WAV > FLAC |
|
| 5/21/05 | Marin, CA | 2 | SPCM-8 > SPBM-6 @ 107 HZ > Nomad JB3> USB > Sound Forge 7.0 (48~44.1) > CD Wave Editor > FLAC 5.0 mics in visor-> ORCHESTRA Row: 4 Seat: 18 (seven rows from stage, near center) | |
| 6/8/05 | Covington, KY | 3 | AKG 393s(FOB, ORTF)->UA-5@48 kHz->Nomad JB3 Transfer: JB3->PC->Cool Edit Pro (48 kHz->44.1 kHz)->CDWAV->FLAC | |
| 6/10/05 | St. Louis, MO | 3 | AKG C1000S (FOB, DFC) > Denecke AD-20 > Sony PCM-M1
Master DAT Transfer: Sony PCM-M1 Master DAT > HHb 830 CDR > Plextor 48x24x48 > EAC > CDwave > CDR |
|
| 6/11/05 | Manchester, TN | 1 | XM Radio Online Broadcast (high bandwidth feed) > Total Recorder 5.1 (16 bit, 44.1k) > CDWav > FLAC Frontend > .flac | |
| 6/12/05 | Manchester, TN | 2 | (FOB/DFC/9' high)B&K 4021(ORTF)>Lunatec
V3(+35db)>Sony M1@48khz. Transfer:Master DAT(Tascam DA-20 MK II)>AP2496>Soundforge 7.0 (normalize,resample,fades)>CD Wave>shntool v1.2.3>FLAC |
|
| 8/5/05 | Terra Alta, WV | 3 | KM184s>V3>D8>HK CD burner | |
| 8/6/05 | Terra Alta, WV | 3 | KM184s>V3>D8>HK CD burner | |
| 8/7/05 | Charlottesville, VA | 3 | Source: B&K4022(ortf)>Sound Devices 744T (fob/dfc) Location: fob Section 102, Row 10 Seat 6 Transfer: 744T>soundforge 7.0 (fades/resampling/dithering)>cdwav>flac |
|
| 8/9/05 | Ocean City, MD | 3 | ADK51TL XY 90deg > V3 > JB3 Location: Section 3, Row U - 5 rows FOB, Right side, 12' high. Transfer: Firewire > Audacity > Flac | |
| 8/10/05 | Baltimore, MD | 3 | AKG ck63s (NOS, clamped to balcony DFC)->JK Labs DVC V20->Mod SBM-1->M1 Transfer: Tascam DA30 MKII->Sony CDRW-33->EAC->CD Wav->Flac | |
| 8/12/05 | Mariaville, NY | 2 | W/ Donna Jean Godchaux | AKG SE 300B/CK 92 [FOB omni split 20 feet stands @ 8']> Oade w-mod UA-5 (44.1 kHz)> optical> JB3 transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC |
| 8/27/05 | Wallingford, CT | 2 | Nakamichi 300s(w/CP4 shotguns)>Sony SBM-1>Sony PCM-M1 Transfer: Fostex D5>Audiophile2496>SoundForge6.0>CDWave>FLAC Location: Orch 205-Row YY Seats 5/6 | |
| 8/28/05 | Syracuse, NY | 2 | B&K 4011 (C) (X-Y 90deg) > ZiFerio NBox@ 44.1 > Sony M-1 > Sony Digi to Optical Cable > JB3 Mic Config: X-Y (90 deg) Location: 16th Row Dead F*ing Center, Seat 4 Lineage: JB3 > USB > Creative Play Center > CD Wave Editor > CDR > EAC > WinXP Pro > CDWave Editor > Flac Frontend > FLAC16. | |
| 8/30/05 | Philadelphia, PA | 2 | AKG 393 > UA-5 > DA-P1 > coax > HOSA 276 > optical > JB3 Mic Config: DIN (90 deg., 17 cm) Mic Location: Section B (center section behind the SBD), Row M, Seats 101&102 Transfer: JB3 > Creative Play Center (USB) >WinXP Pro > CD Wave Editor > Flac Frontend > FLAC16. | |
| 9/1/05 | New York, N.Y. | 2 | AKG 461's>V3>JB3 Location: DFC/FOB 30 Ft. from stage, Std at 7 ft. Transfer: JB3>CDwave>Flac | |
| 9/2/05 | Gilford, NH | 2 | fob/dfc Neumann DINa ak40>lc3>km100>Oade advance concert mod Marantz PMD660 16/44.1 master.wavs > CD-WAV > Flac | |
| 9/4/05 | Atlantic City, NJ | 3 | RD SBD not for trade | |
| 9/5/05 | Albany, NY | 2 | Microtech Gefell M200 (DINa) > MiAGi-II Silver Clad Cables > EAA PSP-2 > Oade T-Mod+ UA-5 > JB3 Lineage: JB3 > CDWave > FLAC Location: DFC, directly behind the SBD, ~10' high | |
| 9/24/05 | Berkeley, CA | 1 | MBHO 603a/ka200n>Sound Devices 722 @ 24bit/96khz Mics located Dead Center at the bottom of the lawn - top of bench seating Mics ORTF | |
| Fall 2005 | East Coast | 1 | Bruce Hornsby w/ Bob Weir | Various AUDs>SHN>CDR |
| 10/25/05 | Milwaukee, WI | 3 | AKG391's > ad20 > m1 > Harmon Kardon cdr-30
standalone Transfer from audios: EAC (yes it's set correctly) > FLAC16 |
|
| 10/27/05 | Chicago, IL | 3 | Peluso CEMC6 CK-41 Hypercardioid Caps DIN @ 9 ft. high, 6 ft.
Right of Center (Tapers Section) > Bumblebee MiAGi-II Silver Clad Custom Mic Cables
> Oade Digi-Mod UA-5 > Marantz PMD670 Conversion: Compactflash Card > Sandisk Card Reader > Audacity > CD Wave Editor > FLAC Frontend |
|
| 10/29/05 | Buffalo, NY | 3 | Oktava Dorsey-mod mk012{DIN,FOB~15from stage center} > V3 > JB3@44.1 > wavelab 4.0 > Flac | |
| 10/31/05 | Toronto, ON | 3 | 3 Nak CM 300's - All X-Y, w/2 CP4's (guns) and one CP3 (super omni) | |
| 11/1/05 | Cleveland, OH | 3 | AKG C 414B-ULS(card,
DIN)>V3>JB3@44.1>USB>CDwav>Flac16 right front corner of SB @ 8ft'4 ft ROC. |
|
| 11/2/05 | Baltimore, MD | 3 | FOB DFC 4th-to-5th row, out-of-hat at 6+ feet AKG ck63s->JK Labs DVC V20->mod SBM-1 (@48)->M1 | |
| 11/4/05 | Greensburg, PA | 3 | AKGc451b's > MP2 > ADC-20 > 7 pin > PCM-M1 @ 48
KHz Transfer: PCM-M1 > 7 pin > SPDIF > audiophile 2496 > cool edit pro > wav tracks > resampled to 44.1 KHz at highest setting Location: balcony- right side row F seat 7, stand 5' high |
|
| 11/5/05 | Mashantucket, CT | 2 | Nak 100 Mic's & Sony M1 DAT> FLAC | |
| 11/7/05 | Westbury, NY | 3 | Schoeps CCM4's > Reutelhuber Box > Sony M1 DAT Theatre in the Half-Round, From the Taper Section, Mic's Up Approx. 10-12' |
|
| 11/8/05 | Frederick, MD | 3 | ADK A51TL's XY 90* > V3 > MT Location: FOB
Row CC Seat 107 DFC, 7' Transfer: USB > Audacity (24/48>16/44, Fades & Splits) > WAV > FLAC |
|
| 11/10/05 | Jim Thorpe, PA | 3 | AKG 481's(ORTF)Bumble Bee Cables>V3>JB3 Location: Directly in front of SBD/DFC at 10 Feet Transfer: JB3>CDwave>flac | |
| 11/11/05 | Jim Thorpe, PA | 3 | AKG 483's(din)>Lunatec V3>JB3 Location: DFC in front of board, stand at 12 feet* Transfer: JB3>CDwave>flac | |
| 11/12/05 | Worcester, MA | 3 | FM Source ->Recorded with roxio Easy media creator 7->CDwave->Flac | |
| 11/14/05 | Asheville, NC | 3 | AKG 480(ck63)>Oade WMod UA-5>JB3 Optical-In
(.wav@44.1kHz) Lineage: JB3>Firewire>Wavelab 5>CD Wave>.flac16 |
|
| 11/15/05 | Atlanta, GA | 3 | ADK SC-1 > Audio Technica AT8202 (@ -20dB) > Denecke
PS-2 > Denecke AD-20 > optical S/PDIF > Creative Jukebox 3 Lineage: Firewire > CEP > CoolFLAC > FLAC (level 8 with tags) Location: Stand mounted, 9 feet high, DFC/FOB, 9th row |
|
| 11/16/05 | Atlanta, GA | 3 | ADK SC-1 > Audio Technica AT8202 (@ -20dB) > Denecke
PS-2 > Denecke AD-20 > optical S/PDIF > Creative Jukebox 3 Lineage: Firewire > CEP > CoolFLAC > FLAC (level 8 with tags) Location: Stand mounted, 9 feet high, DFC/FOB, 6th row |
|
| 11/18/05 | St. Petersburg, FL | 3 | Neumann's KM184's>Lunatec V3 opt Mod>JB3; JB3>Creative Playcenter>CD WAVE Editor>EAC>CDR (untracked); **EAC: Wavelab 5.0 (append & fades) > CD Wave 1.94.2 > Flac16 (5) Location: DFC - FOB 20 Feet away@10 feet | |
| 11/19/05 | Boca Raton, FL | 3 | Neumann TLM-170's - 35' from stage DFC - X/Y-90*-Blumlien-> V3-> Optical->JB3 Master: Firewire transfer->SoundForge6.0 (editing & fades)-> CD Architect5.0->Burn->EAC->Flac Frontend | |
| 11/20/05 | Orlando, FL | 3 | Neumann TLM-170's (behind sounboard/2 feet left of DC)X/Y-90*-Cardiod-> V3->Optical-> JB3 Master: Firewire transfer->SoundForge6.0 (editing & fades)->CD Architect5.0->Burn->EAC->Flac Frontend | |
| 12/2/05 | Denver, CO | 3 | AKG C-481 (DIN)> W-mod UA-5 (24 bit, 48 kHz)> PMD
671> PC> WaveLab 4.0g (UV22 HR dither to 16 bit, 44.1 kHz)> CDWav> FLAC Frontend 1.7.1 |
|
| 12/2/05 | Denver, CO | 1 | FM SBD > Yamaha RX-V650 > CDWav > FLAC Frontend > .flac | |
| 12/03/05 | Santa Fe, NM | 2 | fob, dfc schoeps mk4(dina)>kc5>cmc6>v2>dap1 sony r300>spdif>terratec ews88mt>samplitude>cdwav>flac16 |
|
| 12/4/05 | Phoenix, AZ | 3 | schoeps CMCxt/Mk41 > Sound Devices 744T transfer: 744T Firewire > HDD > Wavelab 5 (resampling, dithering, tracking) > WAV > FLAC |
|
| 12/6/05 | Tucson, AZ | 3 | C4's (XY 90* @ 9ft 10ft ROC by SBD cage) > Canare Starquads > UA-5 (Digi Mod) > Optical > JB3 > FLAC | |
| 12/10/05 | Los Angeles, CA | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp. |
|
| 12/13/05 | San Francisco, CA | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp. |
|
| 12/13/05 | San Francisco, CA | 2 | Set II & Encores | spcm-8cardioid > spbm-6 > nomad jb3 (clipped onto 8' stand left side of SBD)> Sound Forge 7 > CD Wave Editor > FLAC 5 |
| 12/16/05 | Portland, OR | 3 | AKG 481's > Audio Magic X-Streamz > UA-5 (Oade Warm mod) > M-Audio MicroTrack 24/96 (v1.2.0) @ 24/48 Transfer: Wavelab 5.01 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.94.2 > Flac16 (6) | |
| 12/17/05 | Seattle, WA | 3 | AKG 481's > Audio Magic X-Streamz > UA-5 (Oade Warm mod) > M-Audio MicroTrack 24/96 (v1.2.0) @ 24/48 Location: Just in front of the sbd which was about 15' left of center @ 10' (XY) Transfer: Wavelab 5.01 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.94.2 > Flac16 (6) | |
| 2006 | VH1 Special | 1 | VCD | |
| 2/5/06 | At Sea | 3 | Dave Matthews and Friends Cruise | Ratdog->AKGc1000->SBM-1->PCM-1
DAT->UA-1D->WAV->MKW shn Location: Center, aprox. 50' back from stage |
| 3/1/06 | Berkley, CA | 2 | dead to the world kpfa 94.1fm | Console>Dat>Sonic>Eac>Flac16(dsbd) |
| 3/16/06 | Charleston, SC | 3 | Octava MC-012 (cards) -> d-mic 20 -> coax -> CO2
-> Nomad JB3 location: fob/dfc/30' from stage/stand @ 8' (at beam) transfer: JB3 -> Creative Play Center -> FLAC -> wav -> CD Wave Editor > FLAC |
|
| 3/17/06 | Myrtle Beach, SC | 2 | (fob) AKG 480/ck61 -> V3 -> AD2K-> DA-P1 transfer: DA-P1 -> Standalone Burner -> CD's -> EAC (secure) -> wav -> WavMerge 2.1 -> CD Wave Editor -> FLAC (Level 6) |
|
| 3/18/06 | Norfolk, VA | 3 | Neumann ak20+ak50 (M/S)>lc3>km100>V3>AD2K+>JB3 Location: @ SBD/DFC Clamped To Stand @ 7ft. Transfer: JB3>Creative File Manager>Wavelab 5 (Gain Adjustments + Normalized)>cdwave>flac | |
| 3/23/06 | Northampton, MA | 2 | JW Mod AKG 460/CK61's (ORTF, ~15ft from stage, DFC) > Oade ACM Mod Marantz PMD660 Lineage: WAV's > EAC (trims & splits) > Flac | |
| 3/24/06 | Philadelphia, PA | 3 | Neumann SKM 184's {DIN 90* (17cm)} > Lunatec V3 (44.1) Optical Mod > JB3 (16/44.1) Location : Clamped to Right Center Rail of the VIP section above the SBD, Left Center 14 Feet Tall Lineage: JB3 > Creative Play Center > CD Wave Editor > CDR > EAC(no errors) > WinXP Pro > Flac Frontend > FLAC16. | |
| 3/25/06 | Philadelphia, PA | 3 | Neumann SKM 184's {NOS (30cm)} > Lunatec V3 (44.1) Optical Mod > JB3 (16/44.1) Location : Clamped to Right Center Rail of the VIP section above the SBD, Left Center. 14 Feet Tall Lineage: JB3 > Creative Play Center > CD Wave Editor > CDR > EAC > Win XP Pro > Flac Frontend > FLAC16. | |
| 3/27/06 | Washington, DC | 3 | ADK A51TL's (Hypers XY 90deg) > V3 > MT -Recorded at
24/48 Location: Row F Seat 108 clamped to seat ~7' Transfer: Wavelab 5.0 (fades, resample, and dither (UV22 HR)) > CD Wave 1.94.2 > Flac16 (6) |
|
| 3/28/06 | Poughkeepsie, NY | 3 | Neumann KM184> Oade w-mod UA-5 (44.1 kHz)> optical> JB3 [DIN 90* FOB DFC] transfer: JB3> firewire> Sound Forge 6.0> cdWave> FLAC Frontend | |
| 3/30/06 | Syracuse, NY | 3 | Location : Orchestra Left Center, Row A,
Seat 101, ~15' back, ~7' on stand Mic Config : 18 cm, 90º Source : Microtech Gefell M20 > JK Labs ECMS-23 > EAA PSP2 > Lunatec V3 > MicroTrack Recorded Format : 24 bit, 48 kHz Conversion : MicroTrack > IBM ThinkPad T41 Editing : Wavelab 5.00a (48>44.1 kHz resample and dither) Dither : MegaBitMax, Normal, Medium Noise Shaping Final Format : 16 bit, 44.1 kHz Tracking : CD Wave Compression : FLAC Frontend, Level 6 |
|
| 3/31/06 | Hampton Beach, NH | 3 | OTS, 15' off center to right. MONO PA mix Studio Projects LSD2(cards@90deg)> Oade ACMod Marantz PMD660 @ 16/48 |
|
| 4/1/06 | Boston, MA | 3 | AKG CK92(split 9')>MK 90/3>SE300b>Audio Magic
Hyper-Conductors>Edirol UA-5 (Oade T-Plus Mod)>JB3 .wav @ 44.1 Transfer: JB3>firewire>pc>CDwav>Flac Frontend 1.7.1>Flac |
|
| 4/3/06 | Providence, RI | 3 | RatDog SBD ---> Not for Trade | |
| 4/6/06 | New York, NY | 3 | w/ Donald Trump | Microtech Gefel M200 (cardiod) > EAA PSP 3 > Sony D8 > DAT > HHB 850 > CDR > EAC > .wav > flac frontend level 8 > .flac 1st Row Loge Left Center Aisle |
| 4/7/06 | New York, NY | 3 | Microtech Gefel M200 (cardiod) > EAA PSP 3 > SBM1 > Sony D8 > DAT > HHB 850 > CDR > EAC > .wav > flac frontend level 8 > .flac 1st Row Loge Left Center Aisle | |
| 4/08/06 | New York, NY | 3 | Neumann SKM 184's (din 90*/20cm) > Lunatec V3(44.1) Optical Mod > JB3 (16/44.1) Location: F O B - D F C/ row J-107&108 @ 9 feet High Lineage: JB3 > USB > Creative Playcenter > CD WAVE > CDR > EAC > Flac Frontend(level 6) > FLAC16. | |
| 4/26/06 | San Francisco, CA | 3 | Weirbacks | 3 CM 300 Naks X-Y, 2 CP4's (Guns) 1 CP3 (Omni) DAT > ? > flac16 |
| 4/28/06 | Wilkesboro, NC | 2 | Weirbacks | Sony MS907 > Sony MZR37 MD Transfer: Sony MDS-101 optical out > JB3 > CDWave> FLAC |
| 5/20/06 | Berkeley, CA | 1 | Nakamichi CM 700s -> RME QuadMic -> MT2496 (24/48) Transfer: MT2496 -> Audacity (16/44.1) -> CD Wave -> FLAC | |
| 6/9/06 | Santa Rosa, CA | 2 | Neumann KMF4i > Denecke PS2 > Modified D8
Location: 7 ft stand, Directly FOB Transfer: Tascam DA-20mkII > Prodif Gold > Soundforge 6.0 > CD wave (tracks) > Flac |
|
| 6/24/06 | Santa Margarita, CA | 2 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp> FLAC | |
| 6/28/06 | Phoenix, AZ | 2 | ADK A51TL (Card, XY 90*) > V3 > 744t Location: TS , 10' DFC Transfer: Sound Studio 3.04 (Resample, Dither, Fades) 24/48 > 16/44.1 > Flac | |
| 6/30/06 | Magna, UT | 2 | Neumann sm69 fet M/S > 744t @ 24/96 Location: Rear of SBD DFC 12' Transfer: Sound Studio 3.04(M/S Matrix, Resample, Dither) 24/96 > 16/44.1 > Flac | |
| 7/1/06 | Red Rocks, CO | 2 | Neumann sm69 fet M/S > 744t @24/96 Location: TS, back of board, 8' DFC Transfer: Sound Studio 3.04 (M/S matrix, Resample, Dither, Fades) 24/48 > 16/44.1 > Flac | |
| 7/2/06 | Red Rocks, CO | 2 | AKG C 480 B comb/ CK63-ULS (DINa 6.5", 90 degrees)> Oade ACM Marantz PMD671 (44.1 kHz, 16 bit)> WAV> FLAC | |
| 7/6/06 | Milwaulkee, WI | 2 | AKG C391/ck91 > Denecke AD20 > Sony M1 Dat Recorder > Dat Master > CD > WAV > FLAC | |
| 7/7/06 | Kansas City, MO | 2 | Peluso CEMC6/ck4 > MP-2 > mod SBM-1 > D100 Location: FOB / DFC / DIN 70° / mics stand @ 10' Lineage: DA-20 mkII > Dio 2448 > Cool Edit Pro > Wav > Flac | |
| 7/10/06 | Canandaigua, NY | 2 | Location : Center, Row N, Seat 404, ~30'
from stage, ~9' high on stand\ Source : Microtech Gefell M20 (~18 cm, 90º) > JK Labs ECMS-23 > Oade ACM Marantz PMD671 ( 24 bit, 48 kHz) > Compact Flash > IBM ThinkPad T41 Wavelab 5.00a (48>44.1 kHz resample and dither) > MegaBitMax, Medium Noise Shaping, Normal Dither Amount > WAV > FLAC |
|
| 7/11/06 | Philadelphia, PA | 3 | Nakamichi 300s w/CP4 Shotguns > Sony SBM-1 > Sony PCM-M1 > coax > Hosa 276 > optical > Nomad JB3 Mic Config: Pointed at stacks 11-12 feet high Location: TS, LOB, LOC Transfer: Nomad JB3 > usb > Creative PlayCenter > CD Wave Editor > Trader's Little Helper > FLAC16 | |
| 7/13/06 | New York, NY | 2 | Neumann SKM 184s (din 90*/20cm) > Lunatec V3 (44.1) Optical Mod > JB3 (16/44.1) Location: B O B -DFC / Row P - Seat 407 @ 10 feet high Lineage: JB3 > USB > Creative PlayCenter > CD Wave Editor > CDR > EAC* > WinXP Pro > Trader's Little Helper > FLAC | |
| 7/14/06 | New York, NY | 2 | Neumann SKM 184s (din 90*/20cm) > Lunatec V3 (44.1) Optical Mod > JB3 (16/44.1) Location: B O B -DFC / Row N - Seat 409 @ 9 feet high Lineage: JB3 > USB > Creative PlayCenter > CD Wave Editor > CDR > EAC* > WinXP Pro > Trader's Little Helper > FLAC | |
| 7/15/06 | Mansfield, MA | 2 | Neumann km184> v2> sbm-1 (44.1 kHz)> optical 7pin> JB3 [DIN 90* OTS sec 6 row F] > firewire> Sound Forge 6.0> cdWave> FLAC | |
| 8/19/06 | Mariaville, NY | 2 | w/ Donna Jean | Neumann km184> v2> SBM-1 (44.1 kHz)> optical 7-pin> JB3 [DIN 90* FOB LOC] > Firewire> Sound Forge 6.0> cdWave> FLAC |
| 8/21/06 | Ridgefield, CT | 3 | (FOB) Row J (10TH ROW) Seat 106 DEAD CENTER!!Stand @ 8.5 ft. Neumann SKM 184's [Din 90* (20cm) 16/44.1] > Lunatec V3(Opti-Mod) > JB3 >Creative Labs Playcenter> CD WAVE>CDR>EAC(no errors)>Win XP Pro>CD Wave Editor>Trader's Little Helper>FLAC | |
| 8/22/06 | Ridgefield, CT | 3 | AKG CK1x>AKG Actives>JW Mod AKG 460's>722>Adobe Aud. 16 bit>CDwav>flac Location: Front left corner of SBD, Stand at 10 feet | |
| 8/25/06 | Baltimore, MD | 2 | Neumann sm69 fet > V3 (analog out) > 744t @ 24/48 Location: Balcony above sbd, DFC, clamped to rail, 7' high. Transfer: Firewire > Sound Studio 3.0.4 (resample/dither, fades and splits) > flac | |
| 8/26/06 | Baltimore, MD | 3 | ADK A51 TL Hypers NOS 100* > V3 (analog out) > 744t @ 24/48 Location: Balcony above sbd, DFC, clamped to rail, 8' high. Transfer: Firewire > Sound Studio 3.0.4 (resample/dither, fades and splits) > flac | |
| 10/8/06 | San Francisco, CA | 2 | "Wierbacks" | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp > FLAC |
| 10/8/06 | Geneva, NY Radio Broadcast | 1 | Bob Weir Interview | FM |
| 10/20/06 | Chicago, IL | 3 | AKG 391/ck91 > Denecke AD-20 > M1 > Standalone Burner > EAC > Flac | |
| 10/21/06 | Milwaulkee, WI | 3 | AKG 391/ck91 > Denecke AD-20 > M1 > Standalone Burner > EAC > Flac | |
| 10/26/06 | Columbus, OH | 3 | AKGc451b's > MP2 > Edirol R-09 @ 16/48 KHz > usb > hard drive > cool edit pro > tracks > resampled to 44.1 KHz at highest setting > flac | |
| 10/27/06 | Buffalo, NY | 3 | Mic (i patched into someones $5000 mics and dont know what model) > Sony MZ-N707 > GoldWave v5.13 > Flac Frontend (level 8) | |
| 10/30/06 | Geneva, NY | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3
(super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp |
|
| 10/31/06 | Westbury, NY | 3 | 3 Mic Mix NOS 30cm Stand @ 9 Feet 3 Nakamichi 300's 2CP1's ->1 CP-3 Super Omni Center->Nakamichi MX-100 ->JB3 Transfered: JB3 >Firewire>Dell >CD Wave->MKW->shn | |
| 11/1/06 | Westbury, NY | 3 | 3 Mic Mix NOS 30cm Stand @ 9 Feet 3 Nakamichi 300's 2CP1's ->1 CP-3 Super Omni Center->Nakamichi MX-100 ->JB3 Transfered: JB3 >Firewire>Dell >CD Wave->MKW->shn | |
| 11/3/06 | Albany, NY | 3 | Nakamichi 100s (shotgun) > SBM1 > Sony D8 > DAT > ? > CDR > EAC > .wav > Trader's Little Helper > .flac | |
| 11/4/06 | Utica, NY | 3 | Microtech Gefell M20 (~18 cm, 90º) (Orchestra, Left of Center, ~10' from stage lip, ~7.5' high (mics mounted on the orchestra pit barrier, in the aisle, between Seat 1 and 101, Row A))> JK Labs ECMS-23 > Oade ACM Marantz PMD671 Recorded Format: 24 bit, 48 kHz Conversion: Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC | |
| 11/6/06 | Stroudsburg, PA | 3 | AKG CK1x(cards)>MK46>JWMod 460's>Sound Device 722@24/96 Location: *FOB/DFC Stand at 9 feet Transfer: 722>Adobe Aud. 2.0>16bit>Cdwav>flac | |
| 11/7/06 | York, PA | 3 | DPA 4022 > V3 (analog out) > SD 744t @ 24/96 Location: Front Row Balcony Seat 110/LOC stand at rail/DIN/4ft Transfer: 744t > HDD > Audacity 1.3.2b (gain, resample, dither) > Sound Studio 3.0.4 (fades and splits) > FLAC | |
| 11/9/06 | Uncasville, CT | 2 | Elation KM201's>Lunatec V2>Graham-Patten ADC-20>Sony TCD-D8 Clamped to railing above exit doorway, section 17, Row K, Seat 15 Conversion: Tascam DA-20>Egosys U2A>Sound Studio 2.1.1b3>AIFF>xACT 1.58 | |
| 11/10/06 | Lowell, MA | 3 | Neumann ak40(ORTF)center balcony rail > lc3 > ka100 > hydra silver ICs > Apogee miniMP > hydra IC > iRiver120 @ 16/44.1 > FLAC | |
| 11/11/06 | Newark, NJ | 3 | AKG CK1x>MK46>JWMod 460's>Sound Device 722@24/96 Location: Row A First Teir Center, clamped to rail. Transfer: 722>Adobe Aud. 2.0>16bit>Cdwav>flac | |
| 11/13/06 | Atlanta, GA | 3 | ADK A51-TL Hypers (DINa) > Hydra Silver Clad XLRs > Oade ACM Mod Marantz PMD660 (-20dB pad) @ 16bits/44.1KHz Location: First Balcony, second row, ~8' Right of Center @ 7.5' Lineage: PMD660 > USB > Cool Edit Pro 2 - Fades only > CD Wave > Flac Frontend (Level 6) > FLAC | |
| 11/16/06 | Orlando, FL | 3 | Neumann SMK 184s NOS 30 cm (110 deg.) > Lunatec V3 [(44.1) opti-mod] > JB3 (16/44.1) Location: BOB, 3 feet LOC, 9 feet tall (Set II DIN 20 cm 90deg. all else same as above) Transfer: JB3 > CreativePlayCenter > CDWave > CDR>FLAC | |
| 11/17/06 | St. Petersburg, FL | 3 | (FOB) Neumann SKM 184s 90 deg. (20 cm) Mics @ 11 feet > Lunatec V3 [(opti-mod) 44.1] > JB3 (16/44.1) Location: FOB, 20-25 feet from stage, DFC Transfer: JB3 >CreativePlayCenter >CDWave>tracked into 3 .wav files>CDR>EAC (no errors)>CEP 2.0(files joined)>CDWave>TLH>FLAC | |
| 11/18/06 | Boca Raton, FL | 3 | Neumann TLM 170s (hyper cardoids) > 744t > Lunatec V3 (opti-mod) > JB3 (16/44.1) > Creative PlayCenter > CDWave > CDR > EAC (no errors) > TLH > FLAC | |
| 2/11/07 | Las Vegas, NV | 3 | Schoeps mk41(DINa)>kc5>cmc6>Neve Portico with silk>744t>CD Wave>Wavelab 5>Flac | |
| 2/13/07 | Anaheim, CA | 3 | JW mod AKG 460/ck61 (DIN 100) > EAA PSP-2 > 722 Location: FOB ~ 35' from Stage ~ 2' ROC ~ 6' High Transfer: 722 > Firewire > SoundForge 8.0 > CD Wave 1.95.1 Lineage: 24bit/48kHz > 16bit/44.1kHz > FLAC (Level 6) Editing: SoundForge: Set 1 - Normalized to 0db; volume of some claps reduced Resampled to 44.1kHz w/ Anti Alias, Interpol accuracy Dither to 16bit: Triangular w/ Noise Shaping: Equal Loud Contour CDWave: Tracking FLAC Frontend: FLAC | |
| 2/14/07 | San Francisco, CA | 3 | 3 Nak CM 300's - All X-Y, with 2 CP4's (guns) and one CP3 (super Omni) direct to dat using a Tascam Porta 1 mixing board / mic preamp > wav> shn | |
| 2/16/07 | Portland, OR | 3 | ADK TL's (Hypers) > HYDRA stereo XLR cables > UA-5 (Oade Warm mod) > Wavelab 5.01 (@24/48). Clamped to balcony rail, ROC Transfer: Wavelab 5.01 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.94.2 > Flac | |
| 2/18/07 | Vancouver, BC | 3 | ADK TL's (Hypers) > HYDRA stereo XLR cables > UA-5 (Oade Warm mod) > Wavelab 5.01. Transfer: Wavelab 5.01 (gain applied, fades, resample, and dither - UV22HR) > CD Wave 1.94.2 > Flac | |
| 3/2/07 | Syracuse, NY | 3 | (ORC LC) Row C, Seats 105 and 107, ~5' LOC, ~20' from stage lip, ~7' high Source : Microtech Gefell M20 > JK Labs ECMS-23 > Oade ACM Marantz PMD671 Conversion: Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (3.5 dB reduction to balloon hit at 2:41 of s2t07, resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Tracking : CD Wave Compression: FLAC | |
| 3/3/07 | Rochester, NY | 3 | MK4 ORTF > KCy I > VMS 02b IB +10 > R09 (24/48) Location: Section ORCHC ROW S Seat 103-4 Conversion: WAV > PC > Soundforge 8.0.53 (normalize) > CDWav 1.94.5 > FLAC | |
| 3/4/07 | Greensburg, PA | 3 | AKG c451b's > MP2 > Edirol R-09 @ 48 KHz Transfer: R-09 > usb > hard drive > cool edit pro > tracks > resampled to 44.1 KHz at highest settingLocation: orchesta center, row W between seats 10 & 9 (seats 6-7 should be dead center of stage), stand just under 6' high | |
| 3/6/07 | Peekskill, NY | 3 | AKG CK1x>MK46 Cables>AKG JWmod 460's>722@24/96 Location: Front Center Mezzanine Left Row A Seat 125(clamped to rail) Transfer: 722>Adobe Aud.>16 bit>CDwav>flac16 | |
| 3/8/07 | New York, NY | 3 | Nakamichi CP701's(modded 700's)>722@24/96 Location: Front CenterLower Balcony Row A(clamped to rail) Transfer: 722>Adobe Aud.>16 bit>CDwav>flac | |
| 3/9/07 | New York, NY | 3 | ADK A51-TL Hypers (DINa) > Hydra Silver Clad XLRs > SD722 @ 24bits/96KHz Location: Row S Behind Soundboard, Center @ 7.5' Lineage: SD722 > Cool Edit Pro 2 - Fades, Resample/Dither to 16/44.1 > CD Wave > Flac | |
| 3/10/07 | New York, NY | 3 | Nakamichi CP701's(modded 700's)>722@24/96 Location: FOB Row F Center, Stand at 7~8 Feet Transfer: 722>Adobe Aud.>16 bit>CDwav>flac | |
| 3/12/07 | Concord, NH | 3 | 21st row, center (about 15' under the balcony, and 15' FOB) Studio Projects LSD2 (XY cardioids) > Apogee mini MIC PRE (HPF engaged) > Korg MR-1 1bit / 2.8gHz DSD>?>FLAC | |
| 3/16/07 | Jim Thorpe, PA | 3 | AKG 393s > Segue Dogstar XLRs > Oade digi-mod UA-5 > optical > JB3 (16 bit, 44.1 kHz) Transfer: JB3 > 2.0 USB > Audacity v1.2.4 > CD Wave v1.94.7 b > Trader's Little Helper v1.0.0.0 > Flac (level 6) Location: Directly FOB; 5' Right of Center; Olson (135 degrees, 20 cm) @ 10' | |
| SCI | ||||
| 9/6/96 | Portland, OR | 1 | ||
| 3/20/97 | Telluride, CO | 3 | SBD>DAT>HD>CDR | |
| 5/6/99 | Austin, TX | 1 | w/ Haynes and Woody | |
| 1/27/00 | Albuquerque NM | 3 | awesome show!!! | |
| 2/6/00 | Santa Ana, CA | 3 | SBD | |
| 3/17/00 | Chico, CA | 3 | ||
| 4/29/00 | Richmond, VA | 1 | ||
| 5/6/00 | Atlanta, GA | 1 | w/ Bela Fleck | |
| 6/24/00 | Merrimac, WI | 3 | SBD | |
| 7/14/00 | North Plains, OR | 3 | neumann>lunatec v2>apogee>dat>sound forge>cdr | |
| 7/21/00 | Berkeley, CA | 3 | dsbd>apogee rosetta>tascam dap-1 | |
| 11/1/00 | Bethlehem, PA | 3 |
| 11/4/00 | Charlottesville, VA | 3 | ||
| 8/6/01 | Mt. Shasta Ski Resort | 3 | ||
| 8/7/01 | Mt. Shasta Ski Resort | 3 | ||
| 10/31/01 | New York, NY | 4 | ||
| Jupiter Coyote | ||||
| 2/6/99 | ???????? | 2 | ||
| Galactic | ||||
| 10/20/97 | San Fransisco, CA | 3 | SBD | |
| 2/13/99 | New Orleans, LA | 3 | ||
| 5/29/99 | Angel's Camp, CA | 3 | w/ Skerik | |
| 8/1/99 | Memphis, TN | 1 | w/ Allen Woody | |
| 5/4/00 | H.O.B. | 3 | ||
| 7/27/00 | Nashville, TN | 1 | B&K4011>psp-2>sbm1>d8 | |
| 7/30/00 | Menphis, TN | 2 | ||
| Crusader Rabbit Stealth Band | ||||
| 6/10/01 | Mill Valley, CA | 3 | FOB B&K 4011's>V2>Sonic AD2K>Da-p1>Shn | |
| 12/31/01 | Oakland, CA | 1 | Neumann KM150's>DAP-1>Waves L2>Sontec 250c>Manley Variable-MU>Apogee PSX-100 AD converter>PC>Samplitude v.5.50.0.0>CDR | |
| TOO/The Dead | ||||
| 6/00/02 | Club Front Studio | 1 | Rehearsals | SBD>DAT>SS>CDR |
| 8/3/02 | East Troy, WI | 3 | SBD/FM>?>CDR | |
| 11/27/02 | Cleveland, OH | 3 | AUD | |
| 11/30/02 | Detroit, MI | 3 | Source: NeumannAK40>LC3actives>Neumann KM100>Sound DevicesMP2>ApogeeMiniMe> USB>Fujitsu Lifebook 2110>Wavelab4.00c@ 24bit/48K Transfer: Wavelab 4.00c (48 > 44.1)> Dither via UV22HR with Default settings>WAV >MKWact>SHN | |
| 6/15/03 | Manchester, TN | 3 | ||
| Derek Trucks Band | ||||
| 12/31/98 | Atlanta, GA | 1 | w/ Gov't Mule | |
| 3/25/00 | NY, NY | 2 | ||
| 4/1/00 | Athens, GA | 2 | w/ Count M'butu | w/ Susan Tedeschi |
| 8/6/00 | Lake Harmony, PA | 1 | Sennheiser 441>sonyD5>dat>cdr | |
| 9/7/00 | Winston-Salem, NC | 2 | ||
| 9/1/01 | Chattanooga, TN | 2 | DSBD | |
| 1/23/02 | Anapolis, MD | 1 | set II only | DSBD |
| The Doors | ||||
| 4/19/68 | Westbury, NY | 1 | ||
| 9/20/68 | Stockholm, Sweden | 1 | ||
| 3/1/69 | Miami, FL | 1 | ||
| 6/1/69 | Mexico City | 1 | ||
| 1969&71 | The Lost Paris Tapes | 1 | The Private Tapes Of James Douglas Morrison (March 1969 and June 1971) | audio-cd > wav (eac) > split (goldwave) > shn |
| xx/xx/70 | The Ceremony Continues | 1 | Interview With Jim Morrison | |
| xx/xx/70 | Highway | 1 | Jim Morrison Movie | unknown (VHS) > VCD (tree) > dat>mpg (TMPGEnc) |
| 6/5/70 | Seattle, WA | 1 | ||
| 6/6/70 | B.C. Canada | 1 | ||
| 6/7/70 | Seattle, WA | 1 | ||
| 8/29/70 | Ile of Wight, England | 1 | sbd>bootcd(palace of exile)>cdr>shn |
| 8/30/70 | Ile of Wight, England | 1 | ||
| 5/18/70 | Detroit, MI | 2 | ||
| Leftover Salmon | ||||
| 8/12/98 | Chico, CA | 2 | w/ SCI | sbd/aud matrix sounds great!!! |
| 3/13/00 | Winter Park, CO | 2 | ||
| Moe. | ||||
| 5/16/97 | Lexington, VA | 3 | ||
| 12/30/99 | Poughkeepsie, NY | 3 | ||
| 5/7/00 | Winston-Salem, NC | 3 | Earthworks>SBM1>D8> | Tascam da20-mkII> zefiro za-2 digital soundcard>Soundforge 4.5 w/ noise reduction plug in |
| 6/10/00 | New York City | 3 | ||
| 6/24/00 | Bridgeport, CT | 1 | w/ Gobb Droll | Senheiser441>sonyD5>dat>cdr |
| 9/22/00 | Osaka, Japan | 2 | ||
| 10/15/00 | Las Vegas, NV | 3 | ||
| 10/20/00 | Hollywood, CA | 3 | ||
| 10/31/00 | Upper Darby, PA | 3 | ||
| 6/22/01 | Cleveland, OH | 3 | ||
| 11/6/01 | Peoria, IL | 3 | FOB>NakCm300/CP-4shotgun>SBM-1>DAT>CD | |
| 7/7/02 | Detroit, MI | 2 | AKGc100s(OTS)>Zeifro>PCM-M1>Hosa Coax>Delta CIO 2496>SF>Wav>SHN>EAC>CDR | |
| 4/21/02 | Philadelphia, PA | 3 | Schoeps CMC4mk4>Oade Pre-amp>AT8202>Zefiro>DA-P1 | |
| 2/15/03 | Las Vegas, NV | 3 | (FOB/DFC) Schoeps mk4v > kc5 > m222 > ks222> nt222 (+10) > Tascam DA-P! @ 48 Hz > Sony 59ES > Monster s/pdif > Audiophile 2496 > Wave Lab 4.0 > CDWave > mkwACT v.97b > shn (w/seek tables appended) | |
| 6/15/03 | Manchester, TN | 2 | ||
| Jerry Garcia | ||||
| 60's-90's | Jerry Compilation | 10 | SBD/AUD's > FLAC | |
| xx/xx/xx | 1 | Jerry Interview | MP3 | |
| xx/xx/xx | "Real Jerry" | 1 | Jerry RS Interview | |
| various dates | Jerrities Vol. 1 | 1 | very cool stuff!! | |
| 1957-58 | Bobby Freeman Album | 1 | Jerry playing electric guitar on Bobby Freeman's 'Do You Wanna Dance' | LP>?>SHN |
| 7/xx/61 | San Carlos, CA | 1 | Aud>?>CDR>EAC>Cool Edit>CDWAV>mkwact>SHN | |
| 4/xx/67 | San Francisco | 2 | Jerry&Phil Radio KMPX Radio Show | PreFM>MR>R>DAT>CD>CoolEdit>SHN>EAC>CDR |
| 7/28/68 | Marin County, CA | 1 | SBD > ? > CD | |
| 2/19/69 | San Francisco, CA | 1 | Garcia & David Nelson , High Country | SBD>MR>Reel>DAT>CD(2)>EAC>CDR |
| 10/28/69 | Airplane House | 1 | SBD>MR>C>DAT>CDR | |
| 10/21/70 | San Francisco, CA | 1 | "Matrix Tuesday Night Jam Sessions" | SBD> R> DAT> CD>EAC>SHN |
| 5/11/71 | San Francisco, CA | 1 | w/ Merl Saunders | Unknown source > reel > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC |
| 9/24/71a&b | San Anselmo, CA | 2 | w/ Merl Saunders | MSR>1C>DAT>Digi001> SHN>CD>EAC>CDR |
| 12/xx/71 | Wash,DC | 1 | Garcia & Cage | SBD > 7" mono open reel > 24 bit transfer > resample > CD-R > SHN |
| 1/15/72 | San Francisco, CA | 2 | w/ Merl Saunders | MAR > 2C > D > CDx1 > EAC > SHN |
| 1/19/72 | San Anselmo, CA | 1 | SBD>MR>C>DAT>CDR | |
| 1/20/72 | San Anselmo, CA | 2 | 10" master SBD reels @ 7.5 ips > 1 cassette generation (Maxell XLIIS 100 Nakamichi CR-7A playback) > Lucid AD9624 24 bit A/D converter (44.1kHz) > Sony R500 DATx0 > DATs > CD > EAC > SHN |
|
| 1/26/72 | Boston, MA | 2 | w/ Howard Wales | FMSBD>RR>CD>EAC>SHN |
| 2/6/72 | San Francisco, CA | 2 | SBD>MR(pre-fm)>DAT>CDR | |
| 6/30/72 | San Francisco, CA | 2 | MSR>DAT>CDRs>EAC>SHN>ProTool5.0.1>SHN>CD>EAC>CDR |
|
| 11/23/72 | Austin, TX | 2 | SBD>MC>C>DAT>CDR | |
| 12/20/72 | Berkeley, CA | 3 | FM SBD>MR>DAT>C>DAT>CDR | |
| 12/28/72 | Berkeley, CA | 3 | w/ Merl Saunders | SBD (DAT: MSR>D>1C>D) |
| 1973 | Studio | 1 | Compliments Demos | Studio SBD |
| 1/15/73 | Cotati, CA | 2 | w/ Merl Saunders | SBD>MR>PCM>CDR>EAC>SHN |
| 1/24/73 | San Francisco, CA | 3 | w/ Merl Saunders | Early Show SBD>MR > P > DATs > Digi001 > SHN Late Show SBD>MR > PCM > DAT > CD > EAC > SHN |
| 1/25/73 | San Francisco, CA | 3 | w/ Merl Saunders | early and late SBD>MR>C>DAT>CDR>SHN |
| 3/7/73 | Berkeley, CA | 1 | w/ Merl Saunders | MSR>DAT3x>Delta Dio 2496>Soundforge>WAV>FLAC |
| 5/4/73 | Palo Alto, CA | 2 | w/ Merl Saunders | MSR>DAT3x>Delta DIO 2496>Soundforge>wav>flac |
| 5/5/73 | Palo Alto, CA | 2 | w/ Merl Saunders | SBD>MR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac |
| 5/23/73 | Santa Monica, CA | 1 | w/ Merl Saunders | MAR (Sony ECM-22Ps > Sony 770) > 2R >(played through DAT machine) > CD > EAC > SHN |
| 7/5/73 | San Anselmo, CA | 3 | w/ Merl Saunders | MSR>DAT4x>Delta DIO 2496>Soundforge>WAV>CD Wave Editor>FLAC |
| 7/8/73 | Sausalito, CA | 2 | FM>MFR>DAT>CDR | |
| 7/10/73 | Berkeley, CA | 2 | Master soundboard cassette > PCM > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac | |
| 7/11/73 | Berkeley, CA | 1 | SBD>MR > 2P > 3D > 1CD > EAC > SHN | |
| 7/19/73 | San Francisco, CA | 1 | Set 2 partial | SBD>MR > PCM > C > C > DAT > WAV >SHN |
| 1/17/74 | Berkeley, CA | 2 | w/ Merl Saunders | SBD>MR >DAT (44.1KHz) >CDR > EAC > .shn |
| 1/18/74 | Berkeley, CA | 4 | w/ Merl Saunders | Sony ECM 250 > Sony TC-110MAC > D > CD > EAC >
SHN |
| 1/19/74 | Berkeley, CA | 1 | w/ Merl Saunders | SBD>MR>PCM>DAT>CD>EAC>SHN |
| 2/5/74 | San Francisco, CA | 3 | w/ Merl Saunders | SBD>MR>?R>DATs>CDs>EAC>SHN |
| 2/9/74 | Moraga, CA | 2 | w/ Merl Saunders | Master soundboard reels (7" 1/4 track @ 7.5ips recorded
with Sony TC-377) > Teac X-300R playback > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator >Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > editing (SF Studio6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). |
| 3/9/74 | Berkeley, CA | 2 | w/ Merl Saunders | SBD>MR>DAT3x>Delta DIO 2496>Soundforge>WAV>CD Wave Editor>FLAC |
| 4/20/74 | Hollywood, CA | 1 | Great American String Band | multi gen cass/soundboard > BBE362NR > DAT > Sek'd Prodif Plus > Soundforge > Cdwin > SHN |
| 6/4/74 | San Anselmo, CA | 2 | w/ Merl Saunders | SBD>MR>PCM>DAT>CDR |
| 6/5/74 | San Anselmo, CA | 1 | w/ Merl Saunders Set II | S:R?>?>CD |
| 6/12/74 | Berkeley, CA | 2 | Great American String Band | S:R>C>D>CDx1>EAC>SHN >CD plextor241040A write offset -30>EAC>CDR |
| 7/2/74 | New York, NY | 2 | w/ Merl Saunders | MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O >HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn |
| 7/3/74 | New York, NY | 2 | w/ Merl Saunders | MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152)
> Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > shn |
| 8/9/74 | Berkeley, CA | 2 | w/ Merl Saunders | AUD>MC>Sony ECM-270 + Sony ECM-250>Sony TC-152) > DATx1>CD>EAC > CD > EAC > SHN >CD(2)>EAC>CDR |
| 8/11/74 | Berkeley, CA | 2 | w/ Merl Saunders | MAC (Louis Falanga's onstage Sony ECM-250 > Sony TC-110) > DATx1 > CD > EAC > CD > EAC > SHN |
| 8/15/74 | San Francisco, CA | 2 | w/ Merl Saunders | AUDMC (Taped by Bob Menke and Louis Falanga, Sony ECM-270 + Sony ECM-250 upfront > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN |
| 8/24/74 | San Francisco, CA | 2 | w/ Merl Saunders | 10" MSR > C > DAT > CD > EAC > SHN |
| 10/5/74 | Berkeley, CA | 2 | w/ Merl Saunders | AUD>MC>Sony ECM-270 + Sony ECM-250 > Sony TC-152 > DAT > CD>EAC>CD>EAC>SHN>CD(2)>EAC>CDR |
| 10/6/74 | San Francisco, CA | 1 | w/ Merl Saunders | MSR > ? > D > CD > EAC > SHN |
| 10/27/74 | Huntington Beach | 1 | late show w/ Merl Saunders | AUD>MC>C>C>DAT>WAV>SHN |
| 11/14/74 | Boston, MA | 1.5 | AUD annoying static at the beginning of each track | |
| 11/15/74 | Worcester, MA | 1.5 | SBD>MC>C>DAT>CDR | |
| 11/28/74 | San Francisco, CA | 3 | w/ Merl Saunders | MSR>PCM>DAT>EAC>CDR |
| 5/30/75 | San Francisco, CA | 1 | Diga Rhythm Band | MSR>C>R>CDR>EAC>FLAC |
| 7/4/75 | San Francisco, CA | 2 | SBD>DAT>MR>C>DAT>CDR | |
| 8/20/75 | San Francisco, CA | 2 | Keith & Donna Band | MSC>1 Reel>DAT>CDR>WAV>SHN |
| 10/11/75 | Berkeley, CA | 3 | MSR @ 15 ips > 1 reel @ 7.5 ips > Sony PCM 501 > unknown PCM/Beta gens > Sony SL-HF450 playback > Sony PCM-601 > Digital Domain VSP-P > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > Shntool > FLAC | |
| 10/12/75 | Berkeley, CA | 2 | SBD | |
| 10/17/75 | Concord, CA | 1 | SBD>MR>PCM>DAT>CDR | |
| 10/23/75 | Providence, RI | 2 | FOB MAC (taped by Jimmy Warburton, 20th row center, Sony ECM-99 stereo mic > Sony TC 152SD master cassette [Dolby B]) > playback on Sony TC152SD > Teac A2300SD 1st gen reel [Dolby B off] >playback on Akai GX-4000D > A/D using an ART DI/O nto an Egosys Waverterminal 2496 digital soundcard > master CD > HP 9350i extraction using EAC >shn | |
| 10/24/75 | Boston, MA | 3 | Early & Late Shows FOB MAC (taped by Jimmy Warburton, 3rd row left-center, Sony ECM-99 stereo mic > Sony TC 152SD master cassette) > playback on Sony TC 152SD > 1 reel > playback on Akai GX-4000D > A/D using an ART DI/O into an Egosys Waverterminal 2496 digital sound card > master CD > HP 9350i extraction using EAC > .shn encoding using mkwACT |
|
| 12/19/75 | San Francisco, CA | 2 | SBD>MR>DAT>CDR | |
| 12/20/75 | San Francisco, CA | 2 | SBD>Rm>Reel>PCM>Dat>CD>SHN | |
| 12/31/75 | Berkeley, CA | 2 | SBD: DAT: MSR[pre-FM]>DAT>CDR | |
| 1/7/76 | San Rafael, CA | 1 | SBD>MR>C>DAT>CDR | |
| 1/9/76 | Palo Alto, CA | 2 | SBD > MR > ? > 1C > 1D > 1CD > EAC > SHN | |
| 1/10/76 | Palo Alto, CA | 2 | AUD>C>?>CD>EAC>SHN | |
| 1/25/76 | San Rafael, CA | 2 | Studio Rehearsal | SBD > MC > DATs > Sony PCM R500 > HHB 800 CD/0
> HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn |
| 1/27/76 | Berkeley, CA | 2 | MSR (2 track 7" reels @ 15ips) > cassette (TDK
SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN > patched using Sound Forge Studio 6.0 |
|
| 2/14/76 | Berkley, CA | 2 | SBD>MR>C>DAT>CDR | |
| 2/21/76 | Encinitas, CA | 1 | SBD>MR>C>DAT>CDR | |
| 2/22/76 | Encinitas, CA | 3 | MAC > 2C > DATs > CDs > HP 9350i extraction (EAC v0.9beta 4) > cleaning using Sound Forge Studio 6.0 > re-tracking (CD Wave v1.6) > sector boundary verification(shntool v1.01) > .shn | |
| 2/24/76 | Berkley, CA | 2 | MAC (Taped by Bob Menke and Louis Falanga, Sony ECM-250 + Sony ECM-270 mics > Sony TC-152) > DAT > 2 or 3 CD gens > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > normalization (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn |
|
| 3/6/76 | Seattle, WA | 3 | AUD(Sony ECM 18N mics>Sony TC-152 from 4th or 5th row)> :MC>CD>SHN | |
| 7/8/76 | Berkley, CA | 2 | SBD>?>DAT>WAV(via analog cables)>SHN | |
| 7/9/76 | Berkley, CA | 1 | SBD>MR>Reel>PCM>DAT | |
| 7/20/76 | Berkeley, CA | 1 | SBD > Master Reel > PCM > DAT (44.1khz) Transfer: Conner CTD8000H/R-S DDS > Wavelab 4.0 > mkwACT | |
| 8/2/76 | Berkeley, CA | 2 | MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD > EAC > SHN | |
| 8/16/76 | Berkeley, CA | 2 | SBD R/? > CDR | |
| 9/10/76 | Berkeley, CA | 2 | MSR (2 track 7" reels @ 7.5ips) > 1C > DAT > CD
> EAC > SHN + patched with MA? > 1R > DAT > CD > EAC > SHN |
|
| 9/11/76 | Berkeley, CA | 2 | MSR (2 track 7" reels @ 7.5ips) > 1 cassette > 2
DAT > Sony R500 playback > Sony CDR-W33 (master CD) > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn |
|
| 9/12/76 | Berkeley, CA | 2 | SBB>MR(2 track 7" reels @ 7.5ips) -> Cass (TDK SA-X100 played back on Nakamichi CR-7A cassette deck Dolby off) ->Lucid 9624 A-D converter @ 44.1kHz -> Dat->Prodif Plus -> Samplitude v6.0 ->SHN | |
| 11/12/76 | Davis, CA | 1 | MSR > D > CD > EAC > SHN | |
| 11/13/76 | Arcata, CA | 1 | MSR > DAT > CD > EAC > SHN | |
| 11/15/76 | Berkeley, CA | 1 | MSR > DAT > CD > EAC > SHN | |
| 11/19/76 | Pismo Beach, CA | 2 | MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II by J.Powell. DAT>SHN transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN | |
| 11/20/76 | Pismo Beach, CA | 3 | MSC>C3>DAT>WAV>SHN. Cassette>DAT transfer: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II transfer: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)> SHN |
|
| 12/22/76 | Berkeley, CA | 2 | MSR > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn |
|
| 2/5/77 | Goleta, CA | 3 | SBD>MR>?>Cx>CDR>WAV>SHN | |
| 6/23/77 | Santa Rosa, CA | 1 | Sony ECM -> Sony TC-152 MAC -> D -> CD | |
| 7/3/77 | Palo Alto, CA | 1 | Set 2 | SBD>MC > 1C > DAT > CD > EAC > SHN |
| 7/23/77 | Berkeley, CA | 2 | SBD -> Cassette Master -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC | |
| 7/29/77 | San Francisco, CA | 3 | SBD>MC>C>DAT>CDR | |
| 8/7/77 | Berkeley, CA | 1 | end of Set I and all of Set II | SBD>MC > DAT > CD |
| 10/2/77 | Portland, OR | 1 | Jerry Interview | |
| 11/23/77 | Waterbury, CT | 2 | MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn |
|
| 11/25/77 | Upper Darby, PA | 1 | Unknown AUD > Cassette? > CD > EAC > SHN v3 | |
| 12/2/77 | Boston, MA | 2 | DAT: Sony ECM 99a>Sony152>MAC>D>EAC>MKWact>SHN>CD | |
| 12/4/77 | New Brunswick, NJ | 1 | SBD>MC > DAT > CD > EAC > SHN | |
| 12/6/77 | Greenvale, NY | 3 | SBD>>MR>>C>>D>>CD> EAC > SHN v3 | |
| 12/8/77 | Albany, NY | 3 | SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v7.02 -> SHN>EAC>FLAC |
|
| 12/11/77 | Happy Valley, PA | 3 | SBD>REEL>DAT>CDR | |
| 12/23/77 | Berkeley, CA | 1 | MF? (no taping information) > Richard Foster's 1st gen
reels > Uher Royal DeLuxe reel to reel playback @ 7.5 ips > Tascam DA-20 DAT @ 48khz > Fostex master CD > EAC > SHN |
|
| 3/9/78 | Cleveland, OH | 2 | SBD>MC > ? > DAT > CD > EAC > SHN | |
| 3/11/78 | Pawtucket, RI | 1 | Jerry Interview, w/ Weir interview Filler 3/10/78 | PREFM-SBD>?>Gefen Master?>GoodBear CD |
| 3/11/78 | Pawtucket, RI | 2 | AUD (Sony ECM-99a mics)>MC>DAT>CDR | |
| 3/18/78 | Washington, D.C. | 2 | SBD>RTR(PreFM)>MC>SSSB(DolbyB encoded)>CDR | |
| 3/19/78 | Pittsburgh, PA | 2 | SBD>MC>2C>DAT>CDR | |
| 3/22/78 | Sebastopol, CA | 2 | SBD > CM(x) > CDR > WAV > SHN | |
| 10/3/78 | San Francisco, CA | 1 | w/ Merl Saunders | Master audience tape (unknown mics, unknown deck, taped by A. Tsukada) > unknown analog generations > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) |
| 10/24/78 | Berkeley, CA | 2 | MAC (Sony ECM99 >Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > very slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn | |
| 3/7/79 | San Rafael, CA | 2 | Reconstruction | MSR -> PCM -> DAT -> Digi001 -> SHN DAT@48 -> Optical S/PDIF -> HD (24 bit @48) -> ProTools LE 5.0.1 (tracking, 16 bit/44.1) -> WAVE -> SHN |
| 3/8/79 | Cotati, CA | 2 | Reconstruction | SBD>MR>DAT>SHN>CDR>EAC>CDR |
| 3/9/79 | Cotati, CA | 2 | Reconstruction | SBD>MR>DAT> WAV>CDR |
| 4/8/79 | Cotati, CA | 2 | Reconstruction | SBD > MR > PCM > DAT > CD > EAC > SHN |
| 6/8/79 | Moraga, CA | 2 | Reconstruction | MSR>PCM>C>C>DAT>WAV>SHN |
| 6/16/79 | Palo Alto, CA | 2 | Reconstruction | SBD>MR>PCM>DAT>CDR |
| 6/17/79 | Palo Alto, CA | 2 | Reconstruction | SBD> PCM > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac |
| 6/22/79 | Palo Alto, CA | 1 | Reconstruction | SBD>Master Reel>PCM>DAT>ZA2>Soundforge 4.0>CDWAV>SHNv3 |
| 7/6/79 | Berkeley, CA | 2 | Reconstruction | Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN. EAC > SHN |
| 7/8/79 | Berkeley, CA | 2 | Reconstruction | SBD>MR>PCM>DAT>CDR |
| 7/22/79 | Santa Monica, CA | 1 | Reconstruction | SBD > M?> ? > CD > EAC > SHN |
| 8/10/79 | San Francisco, CA | 2 | Reconstruction | AUD(JVC stereo mic>TEAC PC10)> MC> 3CD> WAV> SHN |
| 11/16/79 | Palo Alto, CA | 1 | Set 1 Only | AUD(SONY ECM99's)>Sony TCD5>Master Cassette>Roland UA-30 USB A/D > MAC G3 Powerbook>WAV>CDR>WAV>SHNv3 |
| 11/18/79 | Berkeley, CA | 2 | AUD(SONY ECM 99)>SONY TCD5>DAT>CDR>WAV>SHNv3 | |
| 12/20/79 | Palo Alto, CA | 1 | MSC>C>C>D>WAV>SHN. Cassette>DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II. DAT>WAV>SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording/editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN | |
| 12/21/79 | Berkeley, CA | 2 | AUD>MC>C>DAT>CD>CDR | |
| 1/20/80 | Palo Alto, CA | 1 | (Set 1 part of 2) | SBD>MC>C>DAT>CDR |
| 2/7/80 | Santa Cruz, CA | 2 | SBD>MC>DAT>CDR>WAV>SHN | |
| 2/12/80 | Wahington D.C. | 2 | AUD FOB(Shure mics)>MC>DAT>CDR | |
| 2/15/80 | Boston, MA | 2 | MAC > DAT > WAV > FLAC16. Mics/taper most likely Nak 700s w/ D-5 Recorder by Steve Rolfe. DAT > WAV and lossless | |
| 2/17/80 | Oswego, NY | 3 | AUD>MC>DAT>CDR | |
| 2/19/80 | Syracuse, NY | 2 | Source: unknown condenser mics (on spreader bar) > Sony 158 > JVC cassette deck > Maxell II 90 Mic Config: pointed at the stacks Location: balcony, midway back Lineage: MAC: Sony TC-D5M (Maxell II 90) > UA-5 Oade Custom Mod > IBM R40 > WinXP Pro > Sound Forge 5.0 > CDR > EAC (no errors) > WinXP Pro > Flac Frontend > FLAC | |
| 2/22/80 | New Brunswick, NJ | 2 | AUD FOB(Nakamichi CM-700 mics)>MC>DAT>CDR | |
| 2/26/80 | Providence, RI | 3 | w/ Hunter opener | AUD(Nakamichi CM-700 mics)>MC>DAT>CDR |
| 2/28/80 | Union, NJ | 3 | Early & Late | AUD(Sony ECM-280s > Sony TC-D5) MC > DAT > CDR > EAC > SHN |
| 2/29/80 | Calderone Theater | 1 | Late Show | SBD>MR>REEL>DAT>CDR |
| 3/1/80 | Passaic, NJ | 2 | Early show | MFR (Taped by Barry Glassberg from WNEW-FM, New York) >
TEAC X-2000R playback @ 7.5 ips (no Dolby) > Tascam DA-40 DAT > Tascam CDRW-700
master CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9
beta 4) > sector boundary verification (shntool v1.01) > .shn |
| 3/1/80 | Passaic, NJ | 1 | Late Show | MAC > DATs > CDs > HP 9350i extraction (EAC v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn |
| 3/7/80 | San Francisco, CA | 2 | MAC ( Sony ECM 99[right at Jerry's feet] > Sony TC-D5) Sony
TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav >CD/0 > HP 9350i extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wavev1.6) > sector boundary verification (shntool v1.01) >shn encoding (mkwACT v0.97 beta 1) |
|
| 3/8/80 | San Francisco, CA | 2 | AUD>MC>DAT>CDR | |
| 3/26/80 | Berkeley, CA | 2 | AUD(SONY ECM99's)>Sony TCD5>Cassette Master>Roland UA-30 USB A/D > MAC G3 Powerbook>CDR>WAV>SHNv3 | |
| 7/24/80 | Hartford, CT | 3 | AUD>MC>DAT>CDR | |
| 7/27/80 | Albany, NY | 2 | AUD(mic unknown)>CM>DAT>CDR>WAV>SHNv3 | |
| 8/9/80 | Palo Alto, CA | 1 | MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > slight editing (Sound Forge Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC encoding (Flac Frontend v.1.7.1 etree edition). EAC >> FLAC | |
| 1/27/81 | San Francisco, CA | 1 | MAC? > ? > cassette > CD > EAC > CD Wave > FLAC | |
| 1/29/81 | Santa Cruz, CA | 2 | MAC (modified Nakamichi CM-700 mics >Sony TC-D5 cassette deck [Maxell XLII]) > Nak Dragon playback >Cardas audiophile cables > HHB CDR 800 master CD > unknown CD gens > HP 9350i extraction (EAC v0.9 beta 4) > sector boundaryverification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta v.1) | |
| 1/31/81 | Berkeley, CA | 2 | SBD > Cassette(x) > CDR >WAV >SHN | |
| 2/5/81 | Bethlehem, PA | 2 | AUDMC > Nak 300s > Sony D5M (just behind SBD) Cassette > Digital transfer by Jim Wise using a Nakamichi Dragon > HHB 800 CD burner | |
| 2/15/81 | Glassboro, NJ | 2 | Nak DM500 > master cassette > DAT > CDR > shn | |
| 3/28/81 | Essen, Germany | 1 | Jerry Interview | MC>SoundForge>?>SHN>EAC>CDR |
| 5/22/81 | San Francisco, CA | 1 | "Benefit for Nuclear Disarmament" | MAC (Taped by John Angus & Scott Hart, unknown mics > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD |
| 5/28/81 | Palo Alto, CA | 1 | SBD>MC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > level 8 FLAC | |
| 5/30/81 | Petaluma, CA | 1 | MSC > ? > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > slight editing (Sound Forge Studio 6.0) > sector boundary verification (shntool v1.01) > level 8 FLAC | |
| 6/26/81 | San Francisco, CA | 1 | w/ Phil Lesh | MS? > ? > CD > EAC(secure) > Cool Edit (cleanup/pitch correction) > CDWAV > mkwact(seekable) > shn |
| 7/10/81 | St. Paul, MN | 2 | Jerry Interview | MC>Cx3>AIFF>WAV>SHN |
| 11/3/81 | Owings Mill, MD | 1 | sbd>cm>cx2>aiwa f810>tascam DA30-mkII>zoltrix nightengale 6.0@44.1>sf6.0>cdwav>shn | |
| 11/4/81 | Albany, NY | 2 | MAC(Nak 300s> Sony TC-D5M)>CDR>WAV>SHN | |
| 1/11/82 | San Francisco, CA | 2 | MSC>DAT >CDR>WAV>SHNv3 | |
| 2/2/82 | Santa Cruz, CA | 2 | MAC(Nak700s)>CDR>WAV>FLAC16 | |
| 2/3/82 | Santa Cruz, CA | 2 | MAC(NAK700s)>?>CDR>WAV>FLAC | |
| 2/4/82 | Palo Alto, CA | 2 | SBD>MC>D>CDRs>TAE>WAV>SHN | |
| 2/5/82 | Palo Alto, CA | 1 | MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN |
|
| 2/26/82 | Berkeley, CA | 2 | MSC -> DAT -> CDRs -> Track Thief ->> Pro Tools LE 5.0.1 -> SHN>FLAC | |
| 2/27/82 | Palo Alto, CA | 2 | SBD>MC>DAT>CDR>EAC>SHn>FLAC | |
| 2/28/82 | San Francisco, CA | 1 | MSC>DAT>CDRs>Track Thief>ProTools 5.0.1 >SHN>FLAC | |
| 3/7/82 | San Jose, CA | 2 | FM > MC > CDR Transfer: Tascam 322 > Marantz CDR500 > CDR | |
| 3/17/82 | Chico, CA | 2 | SBD>MC>DAT>CD>EAC>SHN | |
| 3/20/82 | Garberville, CA | 2 | SBD > FM > C > ? > WAV > SHN | |
| 3/27/82 | Berkeley, CA | 2 | probably MSC>DAT>?>SHN | |
| 4/10/82 | Passaic, NJ | 2 | SBD>?>DAT>CDR>WAV>SHNv3 | |
| 4/21/82 | New York, NY | 2 | MSC > PCM > DAT > CDs > HP 9350i extraction (EAC v0.9beta 4) > patching (Sound Forge Studio 6.0) > tracking(CD Wave v1.6) > sector boundary verification (shntoolv1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN | |
| 5/1/82 | Berkeley, CA | 2 | MSC > Cx > D > CDR > WAV > SHN | |
| 5/5/82 | Salem, OR | 1 | SBD>MC>DAT>CDR | |
| 5/8/82 | Berkeley, CA | 2 | MSC > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN |
|
| 6/4/82 | Portland, OR | 2 | SBD>CM>DAT>CDR>WAV>SHN | |
| 6/16/82 | South Fallsburg, NY | 2 | AUD>MC>DAT>CDR | |
| 6/18/82 | South Yarmouth, MA | 2 | SBD > DAT > CD > Plexwriter PX-W4824A extraction (EAC
v0.9 beta 4) > joined wavs (WavMerge v2.1) > normalization and minor editing (SF
Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01)
> .shn encoding (mkwACT v0.97 beta 1). EAC > SHN |
|
| 6/20/82 | Portland, ME | 2 | FOB MAC w/ Nak 700's>Sony TC-D5m>DAT>CDR>WAV>SHNv3 | |
| 6/24/82 | Passaic, NJ | 2 | Late Show | SBD > CM > DAT > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC |
| 6/26/82 | Washington D.C. | 1 | Early Show | SBD>MC>DAT>CDR |
| 10/13/82 | Santa Cruz, CA | 2 | MAC(NAK)>CD>WAV>SHN | |
| 11/3/82 | New Orleans, LA | 2 | SBD:C>C>DAT>CD>EAC>SHN | |
| 11/11/82 | New York, NY | 2 | Early Show | Jim Wise AUD Beyer M-160's + Senn421 blend > outboard mixer set up @ SBD on stand |
| 11/11/82 | New York, NY | 2 | Late Show | Jim Wise AUD Senn421's > Uher's cassette machine |
| 11/15/82 | Union, NJ | 1 | MSC>C>DAT>WAV>CDR>SHN | |
| 1/21/83 | Santa Rosa, CA | 1 | Jerry Interview | FM |
| 1/22/83 | Pheonix Theater | 2 | SBD>MC>DAT>CDR | |
| 1/24/83 | Berkeley, CA | 2 | SBD>MC>PCM>DAT>WAV>SHN | |
| 2/27/83 | Palo Alto, CA | 1 | SBD>MC>DAT>CDR>WAV>SHN | |
| 3/5/83 | Santa Cruz, CA | 2 | SBD>MC>DAT>CDR>EAC>SHN | |
| 3/12/83 | Beverly Hills, CA | 2 | Early Show | AUD (mics/taper unknown)>C>?>CDR>WAV>SHN |
| 5/31/83 | New York, NY | 2 | MAC (FOB Nak 700s > Sony TC-D5) >master played back on Nak Dragon > ART DI/O > CoolEdit 2000 > master CD > HP 9350i extraction (EAC v0.9beta 4) > sector boundary verification (shntool v1.01) >shn | |
| 6/1/83 | New York, NY | 2 | MAC (FOB Nak 700s > Sony TC-D5) >master played back on Nak Dragon > ART DI/O > CoolEdit 2000 > master CD > HP 9350i extraction (EAC v0.9beta 4) > sector boundary verification (shntool v1.01) >shn | |
| 11/12/83 | Palo Alto, CA | 2 | SBD > CM > DAT Transfer: DAT (60ES) > Waveterminal U2A (48 > 44.1) > CDWAV > Flac | |
| 11/14/83 | San Francisco, CA | 2 | SBD:MSC > DAT > CDR > WAV > SHN | |
| 11/25/83 | Cleveland, OH | 2 | SBD>?>DAT>CDR>EAC>SHN | |
| 11/27/83 | Washington, DC | 2 | SBD:MSC>DAT>CDR>WAV>SHN | |
| 11/29/83 | Providence, RI | 2 | SBD > MC > DAT > CDR > WAV > SHN | |
| 11/30/83 | Hartford, CT | 2 | MAC(Aiwa stereo michrophone hidden in a wrist splint at cheek level> unknown deck)> DAT > WAV > SHN | |
| 12/2/83 | Upper Darby, PA | 2 | SBD>MSC>DAT>CDR | |
| 12/3/83 | Boston, MA | 3 | SBD>MSC>DAT>CDR>EAC>SHN | |
| 12/4/83 | Stony Brook, NY | 2 | Sennheiser 421's>D5>MC>SBM>Wave Terminal 2496>SF>Plextor burn>CD>EAC>SHN>CDR | |
| 12/9/83 | New York, NY | 4 | MAC (Taped by Mark Cohen, FOB Nak 700s > Sony TC-D5) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > WAV > .shn > sector boundary fix (shntool v1.01) > .shn |
|
| 1/16/84 | Eugene, OR | 2 | AUD MC > C > CD > WAV > SHN* Sennheiser MD441's > Sony TC-D5(M?)no Dolby center orchestra, taper unknown. Sony TC-D5M > Marantz PMD340 *Cats Under The Stars separate source, shn txt provides: |
|
| 5/18/84 | Irvine, CA | 2 | FM-SBD > MC > Cx > CD > EAC > WAV > FLAC | |
| 5/20/84 | Reseda, CA | 2 | D/5> 2 Nak CM 300s w/cp-1 caps (No Guns)>DAT>HHB 830 CD Recorder>SHN | |
| 6/3/84 | San Francisco, CA | 2 | SBD : MC > DAT > CDR>EAC>SHN>CDR | |
| 8/11/84 | Caldwell, NJ | 2 | AUD>MC>DAT>CDR | |
| 8/16/84 | East Setauket, NY | 2 | MAC (Nakamichi CM-300 mics > Sony D5) > Ultracurve Pro-Digital 24 bit DSP mainframe > HHb master CD > CDs > HP 9350i extraction (EAC v0.9 beta 4) > re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn | |
| 11/16/84 | University Park, PA | 1 | w/ Kahn | FOB>anolog2>Cool Edit>CDR |
| 11/17/84 | Boston, MA | 1 | w/ Kahn | Source: Audience (unknown mics, dfc 1st row) > Master
Cassette (unknown gear) Transfer 1: MC > C(1) (Scotch XSM-90 Metal tape) Transfer 2: C(1) > Aiwa AD-F180 > THC cables > Edirol UA-5 > PC (USB) > Wavelab 5.01 @ 24/96. Mastering: Wavelab 5.01a (X-noise to reduce hiss; L3 Multimaximizer to increase gain & dither to 16 bits) > resample to 44.1 khZ > FLAC>>(too)>>FLAC |
| 11/24/84 | Passaic, NJ | 2 | MAC(Stealth Handheld Audio Technica 835 mics recorded right paracentral 10th row > Sony TC-D6 cassette deck with Dolby B noise reduction)>CD>WAV>SHN | |
| 11/26/84 | Hartford, CT | 2 | SBD>MC > C > DAT > WAV > SHN | |
| 12/6/84 | Portland, OR | 2 | SBD > CMx > CDR > WAV > SHN | |
| 8/4/85 | San Francisco, CA | 1 | MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] >Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) >Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 >Steinberg's Wavelab 3.0 (bit resolution & resampling toCDR redbook 16/44.1 > CDWav beta1.6 (tracking only) >SHNv3 (MKW ACT). | |
| 8/5/85 | San Francisco, CA | 2 | MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center] >Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) >Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 >Steinberg's Wavelab 3.0 (bit resolution & resampling toCDR redbook 16/44.1 > CDWav beta1.6 (tracking only) >SHNv3 (MKW ACT). |
|
| 8/9/85 | San Francisco, CA | 2 | MAC (John Corley's disassembled Nak 700s
clipped to brim of |
|
| 8/17/85 | Guerneville, CA | 2 | w/ Kahn | MAC (Nak 700s >Sony TC-D5M>CD>WAV>SHN |
| 10/16/85 | Santa Cruz, CA | 2 | Digital mix from 4 channel cassette master - Soundboard plus
Microphones over stage - matrix mix 2 channels of monitor soundboard and 2 channels of Crown PZM microphones over stage > Dolby C Maxell XLII-S cassette masters > Yamaha MT44D 4 channel recorder (4 channels of 45 minutes per 90 min. tape in one direction when sensor is on back of cassette). Transfer: Yamaha MT44D (Dolby C on) > Macintosh with Echo Layla audio interface > AIFF > Pro Tools (digital matrix mix, normalization, time alignment & tracking) > AIFF > xAct (Flac level 8 files with sector boundaries verified). md5 file created with checkSum+. |
|
| 10/16/85 | Santa Cruz, CA | 1 | w/ Kahn | SBD |
| 1/27/86 | New York, NY | 1 | w/ Kahn | SBD>MC>DAT>Cool Edit>CDSHN>CDR |
| 1/28/86 | New York, NY | 1 | SBD>MC>DAT>CDR | |
| 2/21/86 | San Francisco, CA | 1 | MAC(Nak700s)>CDR>WAV>SHNv3. | |
| 5/30/86 | San Francisco, CA | 2 | FOB Master - NAK 300's>Sony D5>Cool Edit>CD Wave>SHN | |
| 10/18/86 | San Francisco, CA | 2 | MAC(Nak700s>Sony TCD5M)>CDR>WAV>SHNv3 | |
| 11/14/86 | San Rafael, CA | 1 | SBD>PCM>DATs>CD>EAC>FLAC | |
| 10/31/86 | Oakland, CA | 1 | (FOB) Beyer M88 -> Cassette Master (Sony TCD5M) Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital ADC8X96 -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN | |
| 2/15/87 | Petaluma, CA | 2 | Olatunji & His Drums Of Passion | SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC |
| 3/6/87 | San Francisco, CA | 1 | AUD> ??? >CDR> ??? >CDR >EAC>FLAC >WAV>SHN | |
| 3/8/87 | San Francisco | 2 | MAC (Disassembled Nak 700s clipped to
brim of hat for stealth |
|
| 3/9/87 | San Francisco | 2 | MAC (Disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center]> Sony TCD5M> CDR> EAC>CDWav (Retracking)>SHN |
|
| 8/29/87 | Piercy, CA | 2 | SBD | |
| 10/15/87 | New York, NY | 1 | Set I (some of 2) | AUD>MC>CDR |
| 10/28/87 | New York, NY | 1 | SBD>?>DAT>CDR>EAC>SHN | |
| 12/4/87 | Los Angeles, CA | 2 | SOURCE SBD > PCM# > DAT MASTERING: WAV > SLOTH DAW > FLAC16 | |
| 12/6/87 | Los Angeles, CA | 2 | MAC
(6th row-FF-4th seat left of center,RadioShack Tie Pin Lavalier Omni mics > Sony
WM-D6C) >playback on master Sony WM-D6C "B" nr > Canare custom(shielded)
cable > Tascam DA-20mkII DAT 48khz master DAT >playback on Tascam DA-20mkII DAT >
Marigo Audio LabApparition Reference Coaxial/ RCA cable > Tascam 700 CDRW master CD > Marantz CDR 550 Dual Well Recorder CD clone (DAO,1x) > CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn |
|
| 12/17/87 | San Francisco, CA | 1 | VCD | Video & SBD |
| 3/5/88 | San Francisco, CA | 2 | SBD:MSC>CASS>DAT>CDR >WAV>SHN | |
| 4/26/88 | San Rafael, CA | 1 | FOB Sony ECM-77B > Sony D5 > Cool Edit >CD > SHN > CD > EAC > SHN | |
| 7/7/88 | Cotati, CA | 2 | Acoustic Band | A:C>CD>eac>shn Disc One: Early Show Recorded at Front Row Table. Audio-Technica AT 831R mics > Marantz PMD-430 > Tascam CD-RW700 Disc Two: Late Show Recorded in front of left PA stack. Radio Shack behind the ear mics > Sony TC-D6 |
| 11/5/88 | Stateline, NV | 2 | MAC(Nak700s)>D>CDR>WAV>SHN | |
| 11/26/88 | Los Angeles, CA | 2 | SBD > Cassette Master > DAT > CDR > WAV > SHNv3 | |
| 12/4/88 | Oakland, CA | 1 | Garcia, Weir & Wasserman | SBD>??>DAT>CDR>SHN |
| 1/28/89 | San Francisco, CA | 2 | SBD>??>CDR>SHN | |
| 5/20/89 | San Diego, CA | 2 | SBD -> Dat -> Cm -> SBM2 -> Sonic Solutions -> CD -> EAC -> SHN Last 3 Songs Patched w/ Nakamichi 300/CP1 -> Cm -> CD -> Samplitude v7.02 Pro -> SHN | |
| 5/22/89 | Universal City, CA | 2 | SBD>MDAT>CASS>SonicSolutions>CDR>mkw>SHN | |
| 5/27/89 | Oakland, CA | 1 | SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR | |
| 9/1/89 | Columbia, MD | 2 | FOB (Schoeps cmc 34's)>DAT>CDR>WAV>SHN | |
| 9/2/89 | Columbia, MD | 2 | Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta)>SHN | |
| 9/5/89 | Hartford, CT | 2 | SBD>MC>Cass>DAT>CDR>WAV>SHN | |
| 9/6/89 | Uniondale, NY | 2 | FOB Aud>Sennheiser Audio 2000 Mic setup > CM W/ Dolby C > Cass> >Nak DR-10 (Playback)>Midiman Flying Cow A/D>RME Digi96/8> Steinberg's Wavelab 3.0>CDWav v1.6 (tracking only)>SHNv3 | |
| 9/10/89 | Mansfield, MA | 2 | FOB(Schoeps CMC34)>DAT>CDR>WAV>SHNv3 | |
| 9/10/89 | Mansfield, MA | 2 | SBD > MC > Cx > WAV > FLAC patched w/ Schoeps CMC34 | |
| 9/16/89 | Hoffman Estates, IL | 2 | sBD->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn | |
| 10/31/89 | Concord, CA | 2 | MAD (taped by Marcus Buick and Sean Webber-Small,B&K 4011's @ 110 ORTF [handheld, Section FF, Row F,Seat 104]) > Monster M1000 > TAO Research (Oade designed supply) > Monster M1000 > Panasonic SV250,Panasonic SV250 > Sony PCM601 > Sony SL360, SonySL360 > Sony PCM701 > Digidesign 442/Quadra650,edited w/ProTools 3.1, mastered with Masterlist 1.2 >Sony920s 2x CD mastering burner master CD > HP 9350i extraction using EAC (v0.9 beta 4) > sector boundary alignment using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). |
|
| 12/11/89 | San Francisco, CA | 1 | Garcia & Weir | FM Broadcast>cassette master> Sound Forge 6.0> wav> shn |
| 2/3/90 | San Francisco, CA | 1 | Set 1 | SBD>CASS>?>CDR>WAV>SHNv3 |
| 4/29/90 | San Francisco, CA | 1 | SBD>DAT>CD>WAV>SHN | |
| 5/12/90 | Honolulu, HI | 2 | MAC(Sony
TCD-5M: FOB 2 Neumann km 86 mics) > WAV > SHN FOB recording, way up front, so lots of guitar in the mix Sony TCD-5M w. 2 Neumann km 86 mics, no mic preamp used Recorded by Frank Streeter |
|
| 5/20/90 | Hilo, HI | 1 | MAC(Sony
TCD-5M (Felix): FOB 2 Neumann km 86 mics no mic preamp used) > WAV > SHN |
|
| 8/5/90 | Berkeley, CA | 2 | FOB>Nakamichi 700>Dat>CD>Cool Edit Pro>CD> WAV > SHN | |
| 8/8/90 | San Francisco, CA | 2 | MAC(unknown mics/taper) > C > C > DAT > WAV > SHN | |
| 8/9/90 | San Francisco, CA | 2 | MAC(unknown mics/taper) > C > C > DAT > WAV > SHN. | |
| 11/11/90 | Los Angeles, CA | 2 | Audmc/Toa DM1200d(1st RowBalcony)> D-6>Jb3> Goldwave> Cdwav>Flac | |
| 11/13/90 | Los Angeles, CA | 2 | Set 1 Audmc(ff n2 orch)/Toa
DM1200d>D-6>Jb3>Goldwave> Cdwav>Flac Set 2 Audmc(ff n2 orch)/Toa DM1200d>D-6>Cas>Jb3>Goldwave> Cdwav>Flac |
|
| 11/15/90 | Los Angelels, CA | 2 | Audmc/Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac | |
| 11/16/90 | Los Angeles, CA | 2 | Audmc/Toa DM1200d>D-6>Jb3>Goldwave>Cdwav>Flac | |
| 11/20/90 | San Francisco, CA | 2 | AUD > ? > CDR > WAV > SHNv3 | |
| 12/17/90 | Mill Valley, CA | 1 | Garcia and Grisman | AUD:D > DAT > CD>SHN |
| 2/3/91 | San Francisco, CA | 1 Set II | Garcia and Grisman | SBD>DAT>ZA2>SHN>CDR |
| 3/1/91 | San Francisco, CA | 2 | FOB->B+K 4011->Neumann PS->Dat->CD >EAC>SHN | |
| 4/20/91 | San Francisco, CA | 2 | AUD (FOB Schoeps CMC3/MK4) > DAT > CDR > WAV > SHNv3 | |
| 4/21/91 | San Francisco, CA | 2 | FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn |
|
| 8/10/91 | Piercy, CA | 2 | AUD(mic's unknown)>DAT>CDR>WAV>SHN | |
| 8/24/91 | Squaw Valley, CA | 2 | SBD>DAT>CDR | |
| 8/25/91 | Squaw Valey, CA | 2 | SBD>DAT>SHN>CDR | |
| 11/6/91 | Landover, MD | 2 | FOB (Schoeps 34 > Oade) > DAT > CDR > WAV > SHN | |
| 11/9/91 | Hampton, VA | 3 | Schoeps FOB Schoeps CMC3/mk4 (ortf handheld in "sweet spot")>Oade Mic Pre>Sony D7 >Master DAT>CD(no intermediate DAE)>EAC>SHN | |
| 11/10/91 | Charlotte, NC | 2 | AUD(mics unknown)>DAT>CDR>WAV>SHN | |
| 11/12/91 | Philadelphia, PA | 3 | VCD | (Video) Source: Audience tripod setup (Audio)Source: FOB(NAK 700's)>DAT>CDR>WAV>SHNv3 |
| 11/13/91 | Worcester, MA | 2 | FOB(Schoeps CMC3 + MK4) > DAT CDR > WAV >SHN | |
| 11/15/91 | New York, NY | 2 | FOB(Schoeps)>DAT>CDR>WAV>SHNv3 | |
| 11/16/91 | Albany, NY | 2 | FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHN>EAC>CDR | |
| 11/17/91 | Hartford, CT | 2 | FOB SCHOEPS> TASCAM DAT> CDR> WAV> SHN>EAC>CDR | |
| 11/19/91 | Providence, RI | 2 | Akg 451/CK1 > B18 > D3 Location: 26th Row Center EAC -> Shntool (SBE) -> Mkwact -> SHN | |
| 11/20/91 | Rochester, NY | 2 | Schoeps FOB > DAT > CD: Panasonic SV3700 > HHB CDR800 | |
| 11/20/91 | Rochester, NY | 2 | Nakamichi 700s in a hat > Reutelhuber P/S > Sony D3 master DAT > CD > EAC > FLAC level 8. | |
| 11/22/91 | Rosemont, IL | 2 | FOB Schoeps> PCM> DAT> CDR> WAV> SHNv3(seekable) | |
| 11/23/91 | Milwaukee, WI | 2 | AUD : MAD>DAT >??>SHN | |
| 11/24/91 | Minneapolis, MN | 2 | FOB Schoeps> PCM> DAT> CDR> WAV> SHN | |
| 12/8/91 | Warfield theatre | 2 | Garcia and Grisman | SBD>DAT>CDR>EAC>SHN>CDR |
| 12/9/91 | Warfield theatre | 2 | Garcia and Grisman | MAD (rig, location, and taper uncertain) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD >initial editing/tracking using Cool Edit 2000 > CDx1 > EAC > re-tracking using CD Wave > SHN using mkwACT.Proper sector boundaries verified using shntool |
| 4/30/92 | San Francisco, CA | 2 | FOB Schoeps CMC34 > Oade Custom Power Supply > Panasonic SV-255 DAT @48KTranfer: DAT Clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 (resample, addfades) > CD WAV > SHN | |
| 5/xx/92 | Warfield theatre | 1 | Garcia and Grisman | SBD>DAT>CDR>EAC>SHN |
| 5/2/92 | Warfield theatre | 2 | AUD (Nak 700's > Sony D-10) > MAD >DAT > CDR > WAV> SHN | |
| 5/7/92 | Warfield theatre | 2 | Garcia and Grisman | MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). EAC >> SHN |
| 5/8/92 | Warfield theatre | 2 | Garcia and Grisman | MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT(v0.97 beta 1). EAC >> SHN |
| 5/9/92 | Warfield theatre | 2 | Garcia and Grisman | MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > slight editing using Sound Forge Studio 6.0 > tracking using CD Wave (v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT(v0.97 beta 1). EAC >> SHN |
| 5/10/92 | Warfield theatre | 2 | Garcia and Grisman | MAD (unknown taper, location, gear) > unknown DAT gens > unknown CD gens > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave(v1.6) > sector boundary verification using shntool (v1.01) > .shn encoding using mkwACT (v0.97 beta 1). EAC >> SHN |
| 7/29/92 | Universal City, CA | 2 | DAUD (Beyer 201s, 90 degrees, up front, DFC) DAT-> CD Master-> EAC(in Secure Mode)-> CDWave-> SHN | |
| 10/31/92 | Oakland, CA | 2 | SBD>DAT>?>DAT>CDR>SHN | |
| 2/25/93 | San Francisco, CA | 2 | Neumann mics (vintage 1957, tube electronics)>MAC>CDR> EAC (Secure mode)>shn(MKWACT) |
|
| 2/26/93 | San Francisco, CA | 1 | Set 1 | DSBD > DAT Transfer: TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > *Adobe Audition 1.5 > shntool > FLAC |
| 2/26/93 | San Francisco, CA | 1 | Set 1 | SBD + AUD Matrix Mix (50%-SBD/50%-AUD) SBD Source: DSBD > DAT Transfer: TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > *Adobe Audition 1.5 > shntool > FLAC AUD Source: Neumann mics (Vintage 1957, tube electronics) > MAC > CDR> EAC (Secure mode) > SHN |
| 2/26/93 | San Francisco, CA | 2 | Source Neumann mics (vintage 1957, tube
electronics)>MAC>CDR> EAC (Secure mode)>shn(MKWACT) |
|
| 2/27/93 | San Francisco, CA | 2 | Source Neumann mics (vintage 1957, tube
electronics)>MAC>CDR> EAC (Secure mode)>shn(MKWACT) |
|
| 4/12/93 | San Francisco, CA | 1 | National Anthem | tv > cassette > .wav (CoolEdit) > .shn |
| 4/18/93 | San Diego, CA | 2 | MAD("Vintage Neumann",KM54s?)>DAT>CDR>WAV>SHN | |
| 4/25/93 | San Francisco, CA | 2 | FOB(Neumann KM54)>DAT>CDR>WAV>SHN | |
| 9/17/93 | NYC, NY, NPR Studios | 1 | w/ David Grisman | SBD: DAT (pre-FM) -> DAT -> CDR -> EAC -> SHN |
| 11/8/93 | Hartford, CT | 2 | MAD(FOB DFC Schoeps MK4 at 110 degrees handheld > Active Cables > Oade Microphone Preamp > Panasonic SV-255 DAT deck> D > CDR > WAV > SHN | |
| 11/9/93 | Portland, ME | 2 | FOB Schoeps MK4 > Oade custom pre-amp > Sony D10 @48K>???>SHN>CDR | |
| 11/11/93 | Providence, RI | 2 | SchoepsCMC5>MKH>D5>DAT>CDR |
| 11/12/93 | New York, NY | 3 | DFOB
(Sec. 2, Row U) -- Schoeps MK-4 -> Active Cables -> CMC? -> Oade Mic Pre ->
Panasonic SV-255 -- Recorded by Clay Brennecke and Keith Litzenburger Master DAT -> SHN conversion: d7->coax->zoltrix nightingale (mod)->cooledit 2000 sample rate conversion->cdwav->shn |
|
| 11/16/93 | Philadelphia, PA | 2 | Source A:FOB(DAUD)>DAT>?>CDR>EAC(secure)>Cool Edit
Pro>CD WAV> SHN(seekable) Source B:FOB/DFC,section 102Row 13 seat 9, Schoeps MK4 at 110 degrees handheld both Sets>Active Cables> Oade Microphone Preamp>Panasonic SV-255> (DAT master played through)>PCM-M1>Oadie active cable> Edirol UA-5(hardware resampled)USB out>USB in(HP Omnibook 500)>CE2K>CDWAV>SHN>WAV>Cool Edit Pro>CD WAV>SHN |
|
| 11/18/93 | Richmond, VA | 2 | FOB(Schoeps CMC3 MK4)>DAT>CDR | |
| 11/19/93 | Hampton, VA | 2 | DAUD>CDR | |
| 1994 | ??? | 1 | Jerry Int. | |
| 1/12/94 | San Francisco, CA | 2 | Garcia and Grisman | MAD (unknown taper, location, & equipment) > DATs >
playback on Tascam DA-30 > HHB-800 master CD > 2CD > HP 9350i extraction using EAC > tracking using CD Wave > .shn encoding using mkwACT. D > CD by David Minches, EAC > SHN >AU@96000 hz 32 bit float digitally remastered by Bob Loy(The Other One)>16 bit signed pcm wav @ 44100 hz>tracked@16bit>FLAC |
| 1/13/94 | San Francisco, CA | 2 | MAD (unknown taper, equipment &
location)>DATs>playback on Tascam DA-30 > HHB-800 master CD>2CD>HP 9350i extraction using EAC >tracking using CD Wave > .shn encoding using mkwACT>>AU@96000 hz 32 bit float digitally remastered by Bob Loy(The Other One)>16 bit signed pcm wav @ 44100 hz>tracked@16bit>FLAC |
|
| 2/5/94 | San Francisco, CA | 2 | SBD>MR>DAT>(*)CASS>DAT>CDA>WAV(EAC)>DAW(Bertha)>CDA/SHN | |
| 4/18/94 | San Francisco, CA | 2 | FOB(Neumann KM54)>DAT>CDR>WAV>SHNv | |
| 4/25/94 | San Francisco, CA | 1 | SBD >DAT>MC>DAT>CDR>WAV>SHNv | |
| 4/26/94 | San Francisco, CA | 2 | MAD(Neumann KM54s>D)>DAT>CDR>WAV>SHN | |
| 4/27/94 | San Francisco, CA | 1 | DSBD > DAT > CDR > EAC > shn | |
| 6/3/94 | Tiburon, CA | 2 | SBD > RR > DAT(3)Panasonic SV-3800 > Monster Coax > Audigy Soundcard > Soundforge 6.0 > flac | |
| 8/14/94 | San Francisco, CA | 3 | SBD>DAT>MC>DAT>CDR | |
| Spring 1995 | Jerry's House | 2 | Studio | |
| 8/13/95 | San Francisco | 4 | Jerry Memorial | |
| 2005 | Pure Jerry Sampler | 1 | SBD | |
| Old & in the Way | ||||
| xx/xx/7x | Rehersal | 1 | SBD->Cassette->CDR->Peak->SHN | |
| 1973 | Studio | 2 | 2 seperate rehersals | #1 SBD M?>?>D>CD #2 M?>?>D>CD |
| 3/2/73 | Sausalito, CA | 1 | FM (KSAN) MSR>R>D>CD>EAC>SHN | |
| 4/16/73 | San Francisco, CA | 1 | SBD>MC>CDR | |
| 4/21/73a | Sausalito, CA | 1 | FM (DAT: MFR>D>CD) | |
| 6/5/73 | Boston, MA | 2 | AUD>MC>Tascam 122MKIII>Numark 20 Band Equalizer>HHB CDR 830>eac(secure mode)>FLAC | |
| 6/6/73 | Passaic, NJ | 2 | SBD>MR>3rd gen cassette played back on Nakamichi CR7E>DAT>CDR>SHN | |
| 6/8/73 | Warrenton, VA | 1 | MAC (Taped by Jerry Moore, Sony 126 w/ built-in mic, right in front of stage) > ? > transfer (Dave Tamarkin) > digital cleanup (Peter G.) > CD |
|
| 7/21/73 | San Anselmo, CA | 1 | SBD>MR>DAT>CDR | |
| 7/22/73 | Sacramento, CA | 2 | SBD | |
| 7/23/73 | San Francisco, CA | 2 | SBD>MR>DAT>CDR | |
| 7/24/73 | Palo Alto, CA | 1 | FM MSR>D>CD>SHN | |
| 9/30/73 | Stinson Beach, CA | 2 | SBD>MR>DAT>CDR | |
| 10/xx/73 | Unknown | 2 | MSR>R>R>D>CD>SHN | |
| 11/4/73 | Cotati, CA | 1 | SBD>MR>?>DAT>CDR | |
| 4/27/74 | San Rafael, CA | 1 | AUD - MA?>?>D>CD>SHN | |
| Legion of Mary | ||||
| xx/xx/74 | "DICK'S GIFT" | 2 | SBD (MSR>DATs>CDRs>EAC>SHN) SBD
(MSR>DATs>CDRs>EAC>SHN) |
|
| 2/9/74 | Orinda, CA | 2 | - SBD Reel 15 IPS (baked & transfered to DAT about '93) /
48khz low-gen clone - Sony PCM-1 / 7 pin - Nightengale PCI / Optical (reverse format) - Ce Pro 2000 Record 48k - Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter - CDWav / ShnTool / FLAC |
|
| 7/22/74 | Berkeley, CA | 2 | MSR>C>DAT>CDRs>EAC>SHN | |
| 8/30/74 | Davis, CA | 2 | SBD>MR>DAT>CDR | |
| 9/2/74 | San Francisco, CA | 2 | SBD>MR>?>CD>EAC>MKW>SHN | |
| 10/31/74 | San Francisco, CA | 2 | SBD>MR>R>C>DAT>WAV>SHN | |
| 11/28/74 | San Francisco, CA | 3 | SBD>MR>REEL>PCM>DAT>CDR | |
| 2/14/75 | San Francisco, CA | 2 | Instrumental show | MAC > 1/4" Sony TC-377 7" reel > Teac X-300R playback >HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (CoolEdit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator >HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) >editing (SF Studio 6.0) > sector boundary verification(shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1).Reel > CD by Ed Perlstein, EAC > SHN |
| 3/7/75 | Berkeley, CA | 2 | AUD (mics and taper unknown) > ? > C > DAT > WAV > SHN. | |
| 3/8/75 | Los Angeles, CA | 2 | MAC (Taped by Dave Philips) > ? > PCM > CD > HP
9350iextraction (EAC v0.9 beta 4) > tracking (CD Wave) >slight editing (SF Studio
6.0) > sector boundary verification (shntool v1.01) > .shn |
|
| 3/15/75 | Berkeley, CA | 3 | AUD + SBD compilation Audience portions: MAC > 1/4" Sony TC-377 7" reel > TeacX-300R playback > > HHB Burn-It master CD-RW > Easy CD-DA Extractor > Dell Inspiron 4100 laptop > possible volume adjustment (Cool Edit 2000) > tracking (CD Wave) > CDR using EZ-CD Creator > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > slight editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn Soundboard portions: MSR > ? > Andy Lemieux's cassette > Nakamichi Dragon playback > ART DI/O > hard drive > tracking (Cool Edit 2000) > master CD (Easy CD Creator) > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn |
|
| 3/16/75 | Boulder, CO | 1 | AUD > ? > CDR > WAV > SHN | |
| 4/4/75 | Brooklyn, NY | 3 | MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN | |
| 4/5/75 | Passaic, NJ | 1 | MSC > played back on Nak Dragon > Apogee A/D 1000 > Panasonic sv3800 (master DAT) > played back on Sony R500 > Sony CDR-W33 (master CD) > HP 9350i extractionusing EAC > .shn | |
| 4/6/75 | Boston, MA | 3 | Master Soundboard Cassette> DAT> CDR> SHN | |
| 4/8/75 | New York, NY | 2 | MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn | |
| 4/9/75 | New York, NY | 4 | betty-board > dat > flac file (as reported by d. oade) > flac frontend > cdwav (tracks) > flac frontend | |
| 4/9/75 | New York, NY | 1 | Late Show | SBD |
| 4/10/75 | New York, NY | 2 | Early Show | MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) >Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 >master CD > HP 9350i extraction (EAC v0.9 beta 4) >sector boundary verification (shntool v1.01) > .shn |
| 4/11/75 | New York, NY | 4 | MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) >Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn | |
| 4/12/75 | Scranton, PA | 1 | SBD>MR>Reel>PCM>Reel>DAT>CDR | |
| 4/13/75 | Washington D.C. | 1 | MSR -> 1R -> P -> DATs -> Digi001 -> SHN | |
| 4/18/75 | Chicago IL | 1 | MSR>1R>1PCM>3DAT>CD>EAC>SHN | |
| 4/19/75 | Milwaukee, WI | 2 | SBD>MR>Reel>PCM>DAT>CDR | |
| 4/20/75 | Madison, WI | 3 | Soundboard > Master Reel > DAT > CDR > CDWAVE > Flac | |
| 5/15/75 | San Francisco, CA | 3 | AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) > DATx1 > CD > EAC > SHN |
|
| 5/21/75 | Berkeley, CA | 2 | SBD>MC>DAT>CDR | |
| 6/3/75 | Berkeley, CA | 2 | AUD>DAT>CDR | |
| 6/4/75 | Berkeley, CA | 2 | AUD>MC (Bob Menke and Louis Falanga's Sony ECM-270+ Sony ECM-250 onstage > Sony TC-152) > R > D > CD>EAC>SHN |
|
| 6/8/75 | Palo Alto, CA | 1 | MAC > DAT > CD > EAC > SHN Recorded by David Gans, Sony ECM-? > Sony TC-152 | |
| 6/21/75 | Berkeley, CA | 2 | SBD>MR>REEL>PCM>DAT>CDR | |
| 6/22/75 | Berkeley, CA | 3 | AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage, one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1 >CD > EAC > CD > EAC > SHN | |
| 7/4/75 | San Francisco, CA | 3 | SBD>MR>C>DAT>CDR | |
| Neal Cassady | ||||
| 10/??/65 | San Francisco, CA | 1 | Cowboy Neal at the Wheel | ? > Cass (maxell XLII-S) Transfer: Sony TC-WE305 > coax > Audigy > Soundforge 6.0 > CD Wave > Flac |
| Janis and Jorma | ||||
| 6/25/64 | Jorma's Apt. S.F. | 1 | ||
| Phil and Friends | ||||
| 9/24/94 | Berkeley, CA | 1 | awesome acoustic!!!! | |
| 10/28/00 | Los Angeles, CA | 3 | ||
| 7/7/01 | Red Rocks, CO | 3 | DSBD>DAT>SHN official release, thanks Phil!!! | |
| 7/15/01 | Noblesville, IN | 3 | ||
| 7/17/01 | Detroit, MI | 3 | DPA 4060>V2>DAP1>M1>DAT>CDR | |
| 8/2/01 | Virginia Beach, VA | 2 | AUD>DAT>CDR>EAC>SHN>WAV>CDR | |
| 12/30/01 | Oakland, CA | 3 | ||
| 12/31/01 | Oakland, CA | 4 | incl. Crusader Rabbit set | Neumann KM150's>DAP-1>Waves L2>Sontec 250c>Manley Variable-MU>Apogee PSX-100 AD converter>PC>Samplitude v.5.50.0.0>CDR |
| Strangefolk | ||||
| 12/7/98 | Burlington, VT | 3 | DSBD | |
| 8/17/00 | Hampton Beach, NH | 3 | Neuman km140's>sonosax sx-m2>da-p1 | |
| 6/3/01 | Lawrence, KS | 2 | AUD>DAT>CDR | |
| Led Zepplin | ||||
| 4/27/69 | Fillmore West | 2 | ||
| 5/13/73 | Mobile, AL | 2 | ||
| 6/21/77 | Inglewood, CA | 3 | ||
| BelaFleck&Flecksotnes | ||||
| 11/11/99 | San Fransisco | 2 | ||
| 4/11/00 | Charlottesville, VA | 1 | set 1 only | |
| Phish | ||||
| 7/25/92 | Stowe, VT | 1 | w/ Santana | |
| 8/11/93 | Rochester, MI | 2 | (F.O.B.) B&K 4011's Transfered: da-20mkii > montego II plus s/pdif > soundforge > cdwav > shn | |
| 8/12/93 | Grand Rapids, MI | 2 | (F.O.B.) B&K 4011's>DA-P20 transfered: da-20mkii>montego II plus s/pdif>soundforge>cdwav>shn | |
| 12/30/93 | Portland, ME | 2 | SBD > Panasonic 3700 (master DAT); Master DAT played back
on 3700 > Tascam pro analog deck (1st gen cass); Playback of 1st gen cass on Nak CR3A
> Sony DTC700 @48kHz Master (from Sony DTC700) used in below transfer Conversion: R500 > Canare Coax > Sek'd Prodif Plus > Soundforge 5.0 (fade in/out/edits/48>44.1 at highest setting[4of4]with anti-alias filter) > CD Wave > SHNv3 via Monkey's/md5sum.exe (shn files have seek tables appended) |
|
| 12/31/93 | Worcester, MA | 3 | FM > DAT > CD-R > EAC > SHN | |
| 10/6/00 | Mountianview, CA | 3 | w/ Bob Weir | |
| 12/31/02 | New York, NY | 3 | DSBD | |
| Blues Traveler | ||||
| 3/3/91 | Chicago | 1 | ||
| 12/31/97 | Pampano Beach, FL | 3 | DSBD | |
| 11/11/00 | Clifton Park, NY | 3 | ||
| NMAS | ||||
| 6/25/99 | Oxford, MS | 2 | ||
| 3/4/00 | Atlanta, GA | 4 | w/ JoJo!!! | |
| 4/1/00 | Detroit, MI | 1 | DSBD | |
| 11/24/00 | Memphis, TN | 1 | ||
| 11/25/00 | Memphis, TN | 1 | ||
| 1/6/01 | Oxford, MS | 2 | ||
| 1/25/01 | Detroit, MI | 2 | ||
| 10/5/01 | Athens, GA | 2 | (FOB)AKG480>Lunatec V2>HHB | |
| The Word | NMAS, John Medeski, & Robert Randolph | |||
| 6/27/01 | New York, NY | 1 | B&K4022s>Sasonex SX-M2>AD2K>HHB1PRO | |
| Alice Cooper | ||||
| 5/11/73 | Los Angeles, CA | 1 | SBD->?->CD-R->EAC->WAV->FlacFrontend->Flac | |
| Weird Al | ||||
| 4/9/04 | Appleton, WI | 2 | CSB > MD > CEP > WAV > FLAC Frontend > FLAC | |
| The Beach Boys | ||||
| 4/20/74 | South Bend, IN | 2 | Craig mono cassette recorder / Kent external microphone > master Maxell UD audience cassettes > wav > cdr> eac (secure) > wav > flac level 8, sector align | |
| Les Claypool's FFB | ||||
| 8/18/00 | Palookaville, CA | 2 | aud>mix pad(samson)>apogee ad1000>da-p1>d8 | |
| 9/2/00 | Turin, NY | 2 | ||
| 9/29/00 | Las Vegas, NV | 3 | ||
| Dave Matthews Band | ||||
| 1/3/94 | Atlanta, GA | 2 | SBD>MC>DAT>CoolEdit>CDR>SHN | |
| 2/25/94 | Sweetbriar, VA | 2 | SBD>MC>C>DAT>CoolEdit>Wav>SHN | |
| 3/10/94 | Boulder, CO | 3 | DSBD>Archive Python DDS/vdat > .wav (Direct DAT
extraction, no soundcard)48 > 44.1 done with SOnic Foundry SoundForge 4.5 at highest
quality Tracks parsed using CD-Wav |
|
| 9/4/94 | Stanhope, NJ | 1 | DSBD>DAT>CD>SHN | |
| 2/24/95 | NY, NY | 2 | DSBD | |
| 4/7/95 | Durham, NC | 2 | SBD > Cass. (?) > WAV > SHN > WAV > Cool Edit 2000 remaster (Precision 7, Smooth 2,amplified 200%, 9db bass boost, treble boost, 9000Hz Low EndFilter) > WAV>SHN (REMASTER) | |
| 5/10/95 | San Francisco, CA | 1 | SBD>FM>DAT>SHN | |
| 9/27/96 | East Lansing, MI | 2 | DAUD [Schoeps CMC6/MK4 -> Sony D-10 Pro]>Archive Python DDS/vdat > .wav (Direct DAT extraction, no soundcard)>WAV>SHN | |
| 11/7/96 | Seattle, WA | 2 | Sony 909> MiniDisc> D8> DAT(master)> Audiophile2496> CDWAVE 48k> Cool Edit Pro resample to 44.1k> CDWAVE to track> FLAC | |
| 7/23/97 | Columbus, OH | 2 | DAUD>Archive Python DDS/dat2wav>.wav>SHN | |
| 5/25/98 | Morrison, CO | 3 | Schoeps MK4 > Sonosax > DA-P1 >Sony TCD-D8 > Opcode DATPort > Pentium II 450 > Samplitude (48khz > 44.1khz) >CDWAV > SHN | |
| 8/9/98 | Noblesville, IN | 2 | B&K 401>Lunatec V2>Apogee1000>DA-P1>DAT>sony r300>zefiro za2(coax)>cooledit proExtract/SHN | |
| 7/17/99 | George, WA | 2 | DSBD>DAT>CDR>SHN | |
| 9/7/02 | George, WA | 3 | ?>SHN>CDR | |
| 6/24/04 | Columbus, OH | 2 | DPA 4015 Wide Cardioid > Luminous Audio Technology
Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@
96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect
> Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz
via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk)
> Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz) Location: Section A, Row T, Seats 8 and 9. Stageleft stack, stand at 15', 4015's spaced 1', A-B, as part of a modified Corey-Martin surround configuration (see below). HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 (@ 24/96kHz) > Spark XL 2.8 > xACT 1.3 Dithered to 16-bit and resampled via T.C. Works' MegaBitMax and its Ultra-Noiseshaping function |
|
| 7/20/04 | Camden, NJ | 2 | M200s (X-Y, 13', -10dB pad) > Oade M148 > mod SBM-1 @ 44.1 kHz >TCD-D8 > Active 7-pin > Audiowerk2 > cdwav > Sound Forge Pro 6 > cdwav > shntool> SHN | |
| 7/31/04 | West Palm Beach, FL | 2 | Neumann KM140s > Lunatec V2 > Apogee MiniMe>flac | |
| 8/1/04 | West Palm Beach, FL | 3 | DPA (B&K) 4022s > Lunatec V3 @ 16/44.1 > Sony D8 > Metric Halo ULN-2 > Apple PowerBookG4 > Spark XL 2.8.2 > xACT 1.4d9 > SHN | |
| 8/4/04 | Nashville, TN | 3 | ck61 > Active Cables > JK Labs DVC > Apogee Mini-Me
> M1 @ 48k DAT > Emagic 2|6 > Spark XL v2.8. Tracked and resampled with Spark. Shn file set created with xACT v1.4 |
|
| 8/5/04 | Cincinnati, OH | 2 | ck61 > Active Cables > JK Labs DVC > Apogee Mini-Me > Apple G4 Powerbook @ 24/48 via Spark XL v2.8 Tracked, resampled, and dithered via Spark XL v2.8. Shn file set created with xACT v1.4 | |
| 8/7/04 | East Troy, WI | 3 | mbho 603/ka500hn > mp-2 > mod sbm-1 @ 44.1 > d100
DAT > SHN: d8 > Aopen aw-850 > CDWave > SHNtool |
|
| 10/11/04 | Washington, DC | 1 | DSBD (digital broadcast matrix)>S/PDIF > Digidesign
Digi002-R > iMac G4 Mastered in Protools 6.1 > Peak 3.2 (track splits) >FLAC frontend. |
|
| 12/10/05 | New York, NY | 3 | AUD + AUD Matrix Mix 6 Source Mix: DPA 4015 Wide Cardioid; DPA (B&K) 4022s; AKG CK1x(din); AKG c391b; Schoeps CMC5(modified); AKG 480/ck63 (DIN, ~12') |
|
| Allman Brothers | ||||
| 9/23/70 | New York, NY | 1 | MPEG Video | 2nd Gen Video |
| 12/31/73 | San Francisco, CA | 4 | w/ Garcia | SBD>MR>DAT>CDR>SHN |
| 6/25/91 | London, England | 2 | SBD | |
| 6/11/92 | Los Angeles, CA | 1 | Acoustic show | |
| 7/4/92 | Red Rocks, CO | 3 | ||
| 9/7/92 | Atlanta, GA | 2 | ||
| 7/23/94 | St. Louis, MO | 2 | SBD | |
| 5/3/96 | Pelham, AL | 3 | ||
| 3/9/00 | New York, NY | 3 | ||
| 8/6/00 | Scranton, PA | 3 | w/ Govt. Mule | |
| 6/14/03 | Manchester, TN | 2 | ||
| Robert Hunter | ||||
| 2/14/03 | San Francisco, CA | 1 | AKG C1000s (hypercardiod caps)->samson mixpad 4->vxpocket v2->DAT>CDR | |
| 4/3/03 | Chicago IL | 2 | (SBD) Midas Heritage 1000> Sony TCD-D10II (oade mod) > ? > .WAV > FLAC | |
| Pink Floyd | ||||
| 11/21/68 | Switzerland | 2 | DSBD | |
| 12/22/70 | Yorkshire, Eng. | 2 | ||
| 6/5/71 | Berlin,Germany | 1 | ||
| 3/13/72 | Sapporo, Japan | 1 | ||
| 4/8/75 | Vancouver, Canada | 1 | set 1 | |
| ??/??/75 | Hamilton, Canada | 2 | ||
| 2/7/80 | Los Angeles, CA | 2 | ||
| 3/30/94 | Tampa, FL | 2 | ||
| James Brown | ||||
| 10/12/92 | San Francisco, CA | 1 | Soundboard DAT CLONE Playback in Sony TCD-D10PROII>Edirol R-4 Wavelab 5.0 for sampling rate conversion>CD Wav Editor (Track Marks)>FLAC | |
| Otis Redding | ||||
| 1967 | Various Locations | 1 | ||
| Leadbelly | ||||
| 11/21/48 | Minneapolis, MN | 1 | AUD > ?? > CDR > EAC > FLAC | |
| Quicksilver Messenger Service | ||||
| 1966/67/68 | Studio Sessions | 2 | ||
| Stone Temple Pilots | ||||
| 8/29/93 | Dronten, Netherlands | 1 | SBD>FM>CDR>EAC>FLAC | |
| Queen | ||||
| 6/6/77 | London, UK | 2 | SILVER CDs > (EAC) WAV > (FRONTEND) FLAC | |
| The Roots | ||||
| 1/8/97 | Lund, Sweden | 1 | Soundboard (FM Broadcast) | |
| Tea Leaf Green | ||||
| 4/17/04 | Flagstaff, AZ | 2 | 2(Oktava012HC)On stage > V2 + (SBD > UA1) > Powerbook > FLAC | |
| 5/8/04 | Spotsylvania, VA | 2 | Source: [Matrix] SBD + Unknown Mics (on stage/ortf) >
Mackie 1202V12 > Mini-Me > DA-P1 Conversion: Master DAT > Unknown Standalone > CDR > EAC (secure mode) > WavMerge > CDWave (re-track) > FLAC Frontend (level 6) > flac |
|
| 7/10/04 | Denver, CO | 3 | SBD + Neumann KM 143's 'onstage' > Lunatec V2 > Powerbook using DP4 > FLAC | |
| 8/16/04 | Burlington, VT | 2 | SBD + Neumann KM 143's > Lunatec V2 > Powerbook using DP4 > FLAC | |
| 8/17/04 | Northampton, MA | 3 | SBD + Neumann KM 143's > Lunatec V2 > Powerbook using DP4 > FLAC | |
| 2/4/06 | Chicago, IL | 3 | AKG 483>V3(HPF2)>MT2496>?>FLAC | |
| Pearl Jam | ||||
| 4/3/94 | Atlanta, GA | 2 | Sony Australia promo cd > cdr > dEdit > dEQ > flac (cuts in promo cd patched with pre-FM (satellite) > dat1 > cdr1) | |
| 7/11/95 | Chicago, IL | 2 | ||
| 3/5/98 | Melbourne, AUS. | 2 | ||
| Ted Nugent | ||||
| 7/28/76 | Houston, TX | 1 | Soundboard Master > 1st Generation Cassette > Cool Edit Pro> CDR > FLAC | |
| 1797&81 | Detroit, MI | 2 | Clean Soundboard -Flac Silver CD > Xact > Flac | |
| 8/26/95 | Louisville, KY | 1 | FM Broadcast > Unknown Transfer > Cdr (?) > Xact > Flac | |
| 1/28/05 | Green Bay, WI | 1 | CSC > MD > CEP > WAV > CD Wave Editor > FLAC | |
| Stevie Wonder |
| 7/4/73 | 1 | SBD | ||
| Gregg Allman&Friends | ||||
| 1/1/00 | Atlanta, GA | 2 | ||
| Hunter S. Thompson | ||||
| 11/01/77 | Boulder, CO | 1 | SBD>??>SHN>CDR | |
| KDTU | ||||
| 11/11/98 | Chico, CA | 2 |
| 10/30/99 | New Orleans, LA | 3 | SBD | |
| 1/18/00 | Crested Bute | 2 | ||
| Flaming Lips | ||||
| 10/21/00 | Reykavik, Iceland | 1 | FM > SB Live > WAV > CDR(m) > EAC> WAV > SHN | |
| 8/4/06 | Detroit, MI | 2 | DPA 4061s > SP-SPSB-1 > iRiver H120 Conversion: iRiver H120 > USB > Cool Edit Pro (fades) > CDWav 1.94.5 > FLAC | |
| Uncle Waren's Cracker Barrel | ||||
| 5/6/01 | Atlanta, GA | 1 | Haynes, Schools, Abts | SBD>FM>CDR |
| Bloodkin | ||||
| 10/2/99 | Atlanta, GA | 1 | SBD> Tascam DA-P1>Tascam DA-P1> S/PDIF> Ego-Sys U2A> Cool Edit Pro> CDWave> mkwACT | |
| Doc & Merle Watson | ||||
| 6/22/85 | Telluride, CO | 1 | ||
| Bruce Springsteen | ||||
| 7/31/78 | My Father's Place | 1 | ||
| 7/7/78 | L.A., CA | 3 | ||
| 8/9/78 | Cleveland, OH | 3 | FM broadcast 100.7 wmms!!! | |
| Metallica | ||||
| 8/29/89 | Seattle, WA | 2 | ||
| Stevie Ray Vaughn | ||||
| 6/19/85 | ????? | 1 | ||
| Oysterhead | ||||
| 5/4/00 | New Orleans, LA | 2 | ||
| 11/6/01 | Cleveland, OH | 2 | ||
| Beastie Boys | ||||
| 1989 | Original Ill | 1 | Studio>?>FLAC | |
| 1989 | Paul's Boutique Demos | 1 | Studio>?>FLAC | |
| 5/22/92 | Randy's Rodeo, NJ | 2 | DSBD | |
| 6/20/98 | Loreley, Germany | 1 | ||
| 6/26/98 | Roskilde, Denmark | 1 | ||
| Black Sabbath | ||||
| 12/20/70 | Paris, France | 1 | French TV broadcast>?>FLAC>CDR | |
| 7/4/74 | California Jam | 1 | ||
| Bruce Hornsby | ||||
| 7/28/98 | York, PA | 3 | DSBD> CD-R> EAC> WaveLab 4.0> FLAC | |
| 11/6/98 | Oakland, CA | 2 | Early show w/ Phil | |
| Lynyrd Skynyrd | ||||
| 11/4/75 | Cardiff, Wales | 1 | SBD>?>FLAC | |
| Dire Straights | ||||
| 3/6/74 | Philadelphia, PA | 1 | ||
| William Shatner | ||||
| 1977 | Hofstra University | 1 | ||
| Madonna | ||||
| 8/26/01 | Detroit, MI | 2 | ||
| 10/19/92 | Birmingham, AL | 2 | ||
| 5/21/06 | Los Angeles, CA | 1 | Nomad Jukebox 3 / ISI-HMAB-1 | |
| Frank Zappa | ||||
| 10/26/68 | Paris, France | 1 | SBD>?>FLAC>CDR | |
| Dinosaur Jr. | ||||
| 4/8/06 | Atlanta, GA | 2 | Neumann KM-184(DIN)> Lunatec V2> Nomad Jukebox 3 Transfer: Nomad Jukebox 3> Firewire> Cool Edit Pro(DSP)> CDWave> FLAC Frontend |
|
| Aeorsmith | ||||
| 8/29/75 | Central Park, NY | 1 | SBD > ? > KBFH Master Disc > EAC > SHN | |
| Drive-By Truckers | ||||
| 2/18/04 | Denver, CO | 3 | AUD / SBD Mix [mixed with SF Vegas 1.0. Aprox. 65% Aud/35% SBD mix] AUD SOURCE: Oktava MC012 > Edirol UA5 > Optical > Nomad JB3 > USB > Sound Forge 6.0 (EQ / Waves Ultramaximizer) SBD SOURCE: SBD > JB3 > SHN > WAV > Sound Forge 6.0 (EQ / Waves Ultramaximizer) |
|
| 7/3/04 | Berwyn, IL | 2 | MBHO 603a/KA200>V3>M1 (FOH)>Conner CTD8000> DAT2WAV>Soundforge>Samplitude>WAV>FLAC | |
| Jimi Hendrix | ||||
| xx/xx/xx | Sotheby Auction tapes | 1 | ||
| 5/18/67 | Hamburg, Germany | 1 | German FM radio ~ master analog tape ~ stand alone CD recorder ~ CD ~ EAC ~ Flac | |
| xx/xx/68 | Jimi's Apartment | 1 | Hendrix's Rig>EAC>SHN | |
| 3/7/68 | London | 1 | SBD | |
| 8/17/69 | Bethal, NY | 1 | Woodstock!!!! | |
| Grisman & Rice | ||||
| 4/30/95 | Wilkesboro,NC | 1 | Melefest | |
| Jimmy Buffett | ||||
| '73 & '94 | Cocktails at Sunrise | 2 | San Fransisco 1973 | Jones Beach, NY 1994 |
| 7/4/80 | Minneapolis, MN | 1 | SBD>?>FLAC | |
| 7/9/85 | Boston, MA | 1 | ||
| 9/4/05 | Wrigley Field | 2 | Radio Margaritaville broadcast > total recorder > cd wave editor > FLAC | |
| 9/5/05 | Wrigley Field | 2 | Radio Margaritaville broadcast > total recorder > cd wave editor > FLAC | |
| Keller Williams | ||||
| 3/24/01 | Las Vegas, NV | 2 | ||
| BB King, Hendrix | & Butterfield Blues Band | |||
| 1968 | Ungano's, NY | 1 | ||
| Voices of Harmony | ||||
| 8/?/92 | Newport, RI | 1 | Joan Baez, Indigo Girls, | Mary-Chapman Carpenter |
| Outkast | ||||
| 10/16/00 | Los Angeles, CA | 1 | SBD | |
| Radiohead | ||||
| 8/14/01 | Boston, MA | 2 | FOB Schoeps MK4(ortf)>KC-5 actives>CMC6>Sasonax SX-M2>SBM-1>D7>SF>WAV>SHN>CDR | |
| Jerry Joseph | ||||
| 6/14/03 | Manchester, TN | 1 | ||
| Robert Randolph | ||||
| 6/14/03 | Manchester, TN | 2 | ||
| Neil Young | ||||
| 6/13/03 | Manchester, TN | 2 | ||
| James Brown |
| 8/26/68 | Dallas, TX | 1 | SBD | |
| 3/8/71 | Paris, France | 1 | ||
| Betts & Clements | ||||
| 11/4/74 | NY, NY | 1 | FM/SBD | |
| MF Doom | ||||
| 1/30/06 | Boulder, CO | 1 | SOURCE: LC-CSB > Sharp MDMs722 (used as preamp) > Nomad JB3 LOCATION: Front drink rail (25ft from stage), slightly right of center. CONVERSION: JB3 > Firewire > Soundforge 7.0 (slight Eq > Waves L2) > FLAC | |
| Tracy Chapman | ||||
| 10/26/85 | Arlington, MA | 1 | ||
| George Clinton & Parliment Funkadelic | ||||
| 10/8/92 | Minneapolis, MN | 3 | SBD>?>SHN | |
| 11/10/00 | Cleveland, OH | 3 | AUD | |
| 8/30/03 | Cleveland, OH | 2 | SBD/AUD mix: sbd>dap1, schoeps ccm4 > minime > vaio >SHN | |
| 9/23/04 | Carroboro, NC | 3 | SBD>?>SHN | |
| Dave Chappelle | ||||
| 4/14/04 | Columbus, OH | 1 | CSB > Sony D100 Stealth Transfer: D8 > M-Audio Audiophile 24/96 > Sound Forge 6.0 > CDWave > flac frontend (level 6) > .flac | |
| 8/24/06 | Washington, DC | 2 | DPA 4060s on top of hat in balcony on left side > Sony D8 > (48k) DAT master Transfer: Master DAT playback - Sony D8 > SB Live (48 > 44.1 conversion) > Cool Edit Pro 2 > WAV > FLAC | |
| The Rolling Stones | ||||
| xx/xx/71 | Begger's Banquet Studio Outtakes | 1 | ||
| 3/13/71 | Leeds, England | 1 | SBD | |
| 6/24/72 | Fort Worth, TX | 1 | 2nd show | |
| 10/17/73 | Brussels, Belgium | 1 | ||
| 7/13/75 | Inglewood, CA | 2 | ||
| MM&W | ||||
| 11/7/99 | Minneapolis, MN | 2 | shoeps cmc6MK4vs>LunatecV2>sbm-1>D8 | |
| 5/2/00 | Minneapolis, MN | 3 | akg 461's>LunatecV2>adc-20>dap-1 | |
| Blue Floyd | ||||
| 1/20/00 | Alexandria, VA | 3 | ||
| 1/31/00 | New York, NY | 3 | ||
| 2/5/00 | Hartford, CT | 3 |
| 2/19/00 | Des Moines, IA | 5 | early and late shows | |
| Marvin Gaye | ||||
| 1/4/74 | Oakland, CA | 1 | SBD/AUD Matrix | |
| 10/3/76 | London England | 1 | SBD/AUD Matrix | |
| The Comes a Time Benefit | ||||
| 9/24/05 | Berkeley, CA | 5 | The Music of Jerry Garcia | Source: MBHO 603a/ka200n>Sound Devices 722 @ 24bit/96khz Mics located Dead Center at the bottom of the lawn - top of bench seating Mics ORTF |
| Rush | ||||
| 12/16/74 | Cleveland, OH | 1 | ||
| B.B. King | ||||
| xx/xx/72 | Kansas City, MO | 1 | ||
| xx/xx/90 | NY, NY | 1 w/ | Albert King, Clapton,SRV, | Etta James, Gladys Knight, Dr. John, Chaka Khan |
| xx/xx/97 | Stuttgart, GM | 1 | ||
| Cat Stevens | ||||
| 6/22/74 | Tokyo, Japan | 1 | SBD | |
| John Coltrane | ||||
| 4/9/60 | Amsterdam, Holland | 1 | SBD | |
| Severe Driving Probs. | ||||
| 4/??/89 | Athens, GA | 2 | SBD>cass>analog SC>cool edit NR>CD |
| Norah Jones | |||
| 6/16/03 | Charlotte, NC | 2 | DPA4022 > Sonosax SX-M2 > D100 (Sec ORCHC Row N Seat 109, 15th row center) DAT > SHN: D100 > Emagic Audiowerk2 > Dell Dimension 8200 >Soundforge v4.5 > mkwACT 0.97 Beta 1 |
| Bob Marley | |||
| 5/24/73 | Regency, England | 1 | Bootleg cd>EAC>SHN>CDR |
| 10/31/73 | Savalito, CA | 1 | |
| 12/2/73 | Savalito, CA | 1 | SBD reel> ???> CDR |
| 6/10/75 | Chicago | 1 | SBD>DAT>CDR>SHN>CDR |
| 7/3/75 | San Francisco, CA | 1 |
| RUN DMC | |||
| 1985 | NYC, NY | 1 | soundboard |
| Jerry Seinfeld | |||
| 1/25/02 | Arlington, TX | 1 | CSB>sony mdr55>(1)80min CDR CSB>sony mdr55>(1)80min CDR |
| 1/13/05 | Topeka, KS | 2 | AUD Lineage: Sony DV Camera (DCR-TRV19) with external ATR25 Stereo Mic (only audio recorded) -> Sony Premium DV Tapes -> Final Cut Pro -> AIFF -> Audacity (track separation) -> WAV -> xACT -> FLAC |
| Gov't Mule | |||
| 12/31/96 | NY, NY | 3 | |
| 6/26/97 | Atomic Studios | 1 | Warren Haynes solo early show |
| 8/9/97 | on the Mtn., in PA | 1 | |
| 5/23/98 | wwwv Radio Fest, VA | 2 | |
| 3/20/99 | Poughkeepsie, NY | 3 | |
| 10/9/99 | Chicago | 2 | |
| 12/31/99 | Atlanta, GA | 3 | |
| 3/7/00 | NY, NY | 1 | w/ Johnny Neel 1st set only |
| 3/8/00 | NY, NY | 3 |
| 3/29/01 | Raleigh, NC | 2 | w/ Dave Schools | neuman SKM184>HHb PDR 1000 |
| 3/30/01 | Winston-Salem, NC | 2 | w/ Dave Schools | |
| 3/31/01 | Nashville, TN | 2 | w/ Dave Schools | |
| 4/4/01 | Athens, GA | 2 | w/ Dave Schools | |
| 5/5/01 | New Orleans, LA | 3 | w/ Dave Schools | |
| 9/7/01 | Nahville, TN | 2 | w/ Dave Schools | |
| 9/14/01 | Denver, CO | 3 | w/ Dave Schools | B&K 4022s>V2>Sonic AD2KT>16N53>D8 |
| 9/15/01 | Telluride, CO | 2 | w/ Dave Schools | |
| 9/20/01 | San Francisco, CA | 4 | w/ Les Claypool | |
| 9/21/01 | West Hollywood, CA | 3 | w/ Dave Schools | |
| 9/29/01 | Chicago, IL | 3 | ||
| 10/7/01 | Cleveland, OH | 3 | ||
| 10/20/01 | Atlanta, GA | 3 | ||
| 10/25/01 | New York, NY | 3 | AKG C480B&CK61ULS>V2>Sonic AD2K>DAP1 | |
| 10/28/01 | New Orleans, LA | 2 | w/ Dave Schools | Schoeps MK4>KC5>CMC6>V2>Mods6m1>CDR |
| 2/19/02 | Columbus, OH | 3 | w/ Dave Schools | |
| NRPS | ||||
| 5/2/70 | Harpur College | 1 | w/ Weir and Garcia | |
| Traffic | ||||
| 11/23/70 | Fillmore East | 1 | SBD | |
| Moses Guest | ||||
| 2/4/01 | Houston, TX | 1 | ||
| Tenacious D | ||||
| 7/22/00 | Portland, OR | 2 | SBD > DAT > CDR > SHN | |
| 12/20/03 | Los Angeles, CA | 1 | ECM-MS907 > Line In > MZ-N510. Transfer: MZ-RH10 > Soundforge > wav > flac | |
| Ray Charles | ||||
| 3/6/62 | Berlin, Germany | 1 | SBD | |
| Muddy Waters | ||||
| 3/6/77 | Upper Darby, PA | 1 | ||
| 10/18/77 | Glennvale, NY | 1 | pre-FM stage mics>Cass>WAV>CDR>SHN | |
| Barbara Cue | ||||
| 2/3/01 | Athens, GA | 1 | ||
| Johnny Lee Hooker | ||||
| 8/30/66 | NY, NY | 1 | ||
| Elvis | ||||
| xx/xx/xx | Elvis in a Blue Mood | 1 | ||
| 3/20/74 | Memphis, TN | 1 | ||
| Tori Amos | ||||
| 4/29/94 | London, England | 2 | SBD>DAT>CDR | |
| James Taylor | ||||
| 5/1/74 | Carnegie Hall | 1 | SBD | |
| 9/5/94 | Mansfield, MA | 1 | ||
| Howlin' Wolf | ||||
| 11/6/64 | Bremen, W. Germany | 1 | ||
| Arethra Franklin | ||||
| 5/19/71 | Fillmore West | 1 | ||
| Yonder Mountain String Band | ||||
| 8/8/00 | Tea Alta, WV | 1 | SBD | |
| Jimmy Dawkins | ||||
| 11/23/94 | Baltimore, MD | 2 | Sonic Studios DSM-6p | >Sony WM D-6c>NakCR-2>Gina>CDR |
| ICE CUBE | ||||
| 8/2/92 | Chicago,IL | 1 | aud 'Silver' CD > EAC > WAV > FLAC | |
| Larry McCray | ||||
| 5/14/01 | Albany, NY | 1 | ||
| John Brown's Body | ||||
| 4/1/01 | Austin, TX | 2 | DSBD>DAT>CDR>SHN | |
| Cypress Hill | ||||
| 5/18/99 | Vienna, Austria | 1 | SBD | |
| Eddie Shaw | ||||
| 5/31/96 | Chicago, IL | 1 | FM | |
| Johnny Winters | ||||
| 3/6/77 | Upper Darby, PA | 1 | ||
| Jethro Tull | ||||
| 7/9/05 | Lugano, Switzerland | 2 | Soundboard > DAT > wave > flac | |
| Stevie Wonder | ||||
| 1/xx/74 | London | 2 | SBD | |
| Snoop & Dre | ||||
| 6/19/00 | San Jose, CA | 1 | DSBD >DAT >?>SHN>CD>EAC>CDR | |
| Mark Knopfler | ||||
| 6/16/01 | Hamburg, Germany | 2 | SBD | |
| Guns N' Roses | ||||
| 6/17/91 | Uniondale, NY | 2 | ||
| 12/5/91 | Buenos Aires, Argentina | 2 | SBD | |
| Willie Nelson | ||||
| xx/xx/78 | Salt Lake City, UT | 2 | SBD | |
| 9/12/93 | Petuluma, CA | 2 | SBD | |
| 12/3/97 | Austin, TX | 2 | sbd > ? > cdr > eac > shn > Retrack: mkwact > wav > shntool (join) > cdwave (retrack) > mkwact > shn | |
| 5/24/98 | Bad Reichenhall, Germany | 3 | SoundBoard > Dat > Pro Tools > CDR > Flac | |
| 4/27/00 | Wilksboro, NC | 2 | ||
| 8/14/00 | Live by Request | 1 | ||
| 6/29/03 | Vernon, NY | 2 | Neumann KM184 [ORTF 110* 15' FOB 4' LOC] > PS-2> AD-20
(44.1 kHz)> PCM-M1 transfer: PCM-R300>coax> DIO 2448> sound forge 5.0> cdWave>mkw>SHN |
|
| 7/16/06 | Charlottesville, VA | 2 | mk41 > kcy > vms02ib > d8 (48k) Location: RofC, Pointed at Stack Transfer: R500 > SRC2000 > DATport > Wavelab > SHNtool > FLAC | |
| 8/12/06 | Atlantic City, NJ | 2 | dpa-4061 > dpa-mps6030 > edirol r09 (24/44.1) macintosh > dsp-quattro x > xACT 1.58 > flac | |
| Susan Tedeschi | ||||
| 7/22/01 | Rochester, NY | 1 | DSBD | |
| N.W.A. | ||||
| 3/24/89 | Anaheim, CA | 1 | SBD>cass gens ? >CDR | |
| Dylan & Cash | ||||
| 2/1-18/69 | Nashville, TN | 1 | Columbia Studio Sessions | SBD |
| DANZIG | ||||
| 1988 | Atlantic Recording | 1 | LIVE WITH JAMES AND KIRK OF METALLICA | vinyl(Project 1.2/Ortofon OMB10) > wave (normalize, declicker) > FLAC |
| Miles Davis | ||||
| 11/2/69 | Paris, France | 1 | ||
| 11/3/69 | Paris, France | 1 | ||
| Tribe Call'd Quest | ||||
| 11/24/92 | New York, NY | 1 | SBD | |
| Red Hot Chili Pep | pers | |||
| 8/12/00 | Jones Beach | 2 | ||
| ZZ Top | ||||
| 6/15/80 | Passaic, NJ | 1 | FM Trade>CDR>EAC>Flac | |
| 8/30/80 | Live Nationwide | 1 | ||
| Santana | ||||
| 8/23/87 | Angels Camp, CA | 2 | D2 all 1 track | |
| Big Wu | ||||
| 7/1/00 | Madison, WI | 1 | ||
| Steve Kimock Band | ||||
| 2/5/02 | Trenton, NJ | 3 | ||
| Robert Randolph | ||||
| 8/23/01 | NY, NY | 1 | First Set only | |
| Buddy Guy | ||||
| 5/20/94 | NY, NY | 2 | DSBD>DAT>CDR | |
| 7/26/95 | Green Bay, WI | 1 | ||
| Alice in Chains | ||||
| 12/20/92 | Seattle, WA | 1 | SBD > DATM > CDR > EAC > dEDIT > mdwACT > SHN | |
| Johnnie Johnson | ||||
| 2/21/92 | Chicago, IL | 1 | Sony Stereo Mini Mics > Sony D3 Analog Deck > MC > DAT > CDR > LibParanoia > FLAC16 | |
| Arlo Guthrie | ||||
| 1967 | New York, NY | 1 | Soundboard | |
| Frank Sinatra | ||||
| xx/xx/42 | Avalon, S.F., CA | 1 | ||
| xx/xx/62 | Chicago, IL | 1 | w/ Dean Martin | |
| xx/xx/65 | Las Vegas | 1 | w/ Count Bassie Orch. | SBD |
| 5/22/68 | Oakland, CA | 1 | Master Reel SBD > CD > EAC > FLAC | |
| 5/5/86 | Philadelphia, PA | 1 | ||
| 9/10/93 | Puyallup, WA | 1 | ||
| Ratpack | ||||
| 12/22/62 | Chicago, IL | 1 | SBD | |
| 6/20/65 | Keil Opera House | 1 | ||
| O'Brien & Scott | ||||
| 4/28/00 | Wilkesboro, NC | 1 | ||
| A Perfect Circle | ||||
| 4/15/00 | Columbus, OH | 1 | Core Sound Cardiods > Sony PCM-M1 | |
| Del McCoury B. | ||||
| 6/14/97 | Grass Valley | 1 | ||
| MISFITS | ||||
| 4/13/82 | LOS ANGELES, CA | 1 | cdr>wave(EAC)>FLAC | |
| Van Morrison | ||||
| 12/17/95 | Dublin, Ireland | 2 | DSBD | |
| Indigo Girls | ||||
| 6/11/92 | Los Angeles, CA | 1 | ||
| Pantera | ||||
| 12/?/89 | Dallas, TX | 1 | Power metal live | SBD very rare stuff |
| 10/21/90 | Dallas, TX | 1 | Showdown | |
| 3/14/92 | Irvine Meadows, CA | 1 | The hell with it | SBD full show |
| 92/93 | USA Tour | 1 | Walk on the Wild Side | |
| 1993 | Europe Tour | 1 | In the Skin! | |
| 4/10/94 | Montreal, Canada | 1 | Far Beyond Live | |
| 4/12/94 | Roseland, NY | 1 | They're Broken | |
| 5/1/94 | Tokyo, Japan | 2 | Slaughterded Show | Silver cd's(Superb Quality SBD)>EAC>WAVE>FLAC |
| 5/2/94 | Santa Monica, CA | 2 | Power Groove | |
| 6/4/94 | Donington Park, UK | 1 | Castle Donnington | |
| 6/4/94 | Donington Park, UK | 1 | Armed and Dangerous | |
| 7/15/94 | San Jose, CA | 2 | Live in San Jose | |
| 8/18/94 | Uniondale, NY | 1 | Support the Madmen | |
| 7/5/95 | Austin, TX | 1 | Unscarred | AUD |
| ?/?/95 | ?????????? | 1 | Noise, Booze,& Tattoos | AUD |
| 12/5/96 | Austin, TX | 1 | Unscarred | |
| 5/31/98 | Holland, Netherlands | 1 | Black Tooth | |
| 6/9/98 | Buenos Aires | 1 | 102 Proof | |
| 12/31/98 | Phoenix, AZ | 1 | New Years Eve '98 | |
| 1/8/99 | San Jose, CA | 1 | SBD | |
| 2/12/99 | Dayton, OH | 1 | Kings of Modern Metal | |
| ??????? | The complete SOUNDBOARD Collection | 1 | SBD | |
| 8/8/00 | Cincinnati, OH | 1 | AUD (master) | |
| Tool | ||||
| 11/14/96 | Chicago, IL | 1 | Stinkfyst | AUD |
| 12/12/96 | Houston, TX | 1 | Dirge | SBD |
| 11/2/97 | Holland | 1 | 46+2 | Lib. bootl cd ("46+2")>CDR |
| 7/11/98 | Ozzfest, Blockbuster Ctr | 1 | AUD>?>Lib. boot>SHN>CDR | |
| 8/3/01 | Red Rocks | 2 | FOB DFC 4th row AKG d91>JK labs pre>D100 | |
| Slayer | ||||
| 6/2/85 | Luttenberg Holland | 1 | SBD | |
| Sepultura | ||||
| 5/28/90 | London, England | 1 | Live from the Jungle | SBD |
| 11/?/93 | Milano, Italy | 1 | The End of the World | SBD |
| 6/4/94 | Donnington, England | 1 | ||
| 6/26/96 | Stockholm | 1 | Set Us Free | SBD |
| ?/?/96 | Amsterdam, Holland | 1 | Hatred | SBD |
| 1998 | Cincinnati, OH | 2 | Your Tribe our Tribe | SBD w/ SOULFLY |
| 10/5/98 | New Orleans, LA | 1 | @ H.O.B. | |


