Wetenschapsmethodologie

References

FALLING WATER HOUSE 

 

Frank Lloyd Wright

 

Ohiopyle, (Bear Run), Pennsylvania

 

1995

 

waterfall, house, nature, elements, orthogonal, modern, organical, reinforced concrete 

 

 

 

 

 

 

 

 

 Bron: www.franklloydwright.org

ULURU-KATA TJUTA CULTURAL CENTRE

 

Gregory Burgess Architects

 

Uluru-Kata Tjuta National Park, Nothern Territory, Australia

 

1935

 

organic architecture, ecology, sustainability, energy, culture

 

 

 

 

 

 

 

 

 

Bron: van der Ree, Pieter (2000) “Organische

Architectuur”  Zeist, Uitgeverij: Vrij Geestesleven                   

JEWISCH MUSEUM

 

Daniel Libeskind

 

Berlin

 

1998

 

museum, form, unusual, zigzag, composition, route, Jewisch, history, competition,m voids

 

 

 

 

 

 

 

 

 

Bron: http://www.galinsky.com/buildings/jewishmuseum/

CENTRE POMPIDOU

 

Richard Rogers & Renzo Piano

 

Paris

 

1972-1978

 

culture, color, function, museum, modern art, inside out, technical beauty,      glass, steel, touristic

 

 

 

Bron: http://www.centrepompidou.fr/home30ans/index.html

Comparisation

FALLING WATER HOUSE 

 

Frank Lloyd Wright

 

Ohiopyle, (Bear Run), Pennsylvania

 

1995

 

waterfall, house, nature, elements, orthogonal, modern, organical, reinforced concrete 

 

TYPE

Living house

 

CONCEPT

The concept is about organic architecture which promotes harmony between man and nature. The building is designed to be part of the environment around it.

 

MODEL

The building is designed with orthogonal lines only. Due to the big flat surfaces the building is integrated in nature.

 

PROGRAM

This house ment to live in. The program is situated around the fire place which is the center part of the house.

 

 

JEWISCH MUSEUM

 

Daniel Libeskind

 

Berlin

 

1998

 

museum, form, unusual, zigzag, composition, route, Jewisch, history, competition,m voids

 

TYPE

Museum

 

CONCEPT

The dissapearing Jewish culture is the base of the design of this building. The architect has used the concepts of absence, emptiness and invisibility to design the building.

 

MODEL

The concept takes form in a lightning-strike-formed plan. This idea is repeated on the surface of the building where voids, windows, and perforations form a special composition.

 

PROGRAM

The architectural route si very important in this museum. Bridges and corridors will lead all visitors through the building.

 

 

Create a free website at Webs.com