… if it's just you who thinks this way…
© JRC
Challenge: "There's a theory, one I find persuasive, that the quest for knowledge is, at bottom, the search for the answer to the question: ''Where was I before I was born'.' In the beginning was what? Perhaps, in the beginning, there was a curious room, a room like this one, crammed with wonders; and now the room and all it contains are forbidden you, although it was made just for you, had been prepared for you since time began, and you will spend all your life trying to remember it.” – Angela Carter
The challenge is simply to write about your curious room..."
My destiny was altered at birth. I might not have had a better life, granted. But circumstances changed who I was meant to be. I was melted like ice cubes and resculpted into something else. Someone else.
My heart first drummed inside a woman – a girl, in fact – who I'd never know. Never love. I remained inside her throughout the winter of 1969. Born into a new spring in 1970. She was about to change my life before it had started and she had no idea whether I'd cope, pull the plug, live to a hundred or get flattened by a bus at fifteen. Apparently, suicides are higher among those born in spring. I don't suppose she was aware of that back then when she carried me through the dark cold evenings; lying awake at night, talking to me, preparing me for the world. Her world – not mine. Perhaps she has a drink for me every April, lights a candle, writes me a card, or just plain forgets… She could be wishing me a happy life when I'm dead and buried. She'd never know.
Her body fed me, cocooned me, allowed me to grow. I should have been born as someone else: 'Alison Dawn Kelly'. But Alison disappeared before trying on her own shoes. Instead, she became me – and sometimes I'm not sure whether my clothes really fit me.
Identity crisis? Maybe. But do any of us know who we really are? How further confused would you be if your identity had been switched at birth. Your history obliterated, only to take on another family's. 'Borrowed history', I always call it.
Memories of Grandad will always be Grandad, as will those of Nan. And, of course, my parents will always be my parents. I'm blessed; truly. But there's no fooling Mother Nature. Nobody to blame but me for my fat arse, my short fuse, tears during sad commercials and the way people's pain pulls at my heartstrings. As I pour another glass of wine, I wonder if there's a history of liver disease in the family – Alison's family – not the history I adopted when my parents adopted me. Medical history is a blank. At least I don't have the paranoia of what I might be prone to die from.
My curious room is a sanctuary. Nobody else has a key. My mum probably has some idea what would be in there. After all, she's effectively taken a few of the photographs that sit on top of the bookshelves. There's the one of my parents. 'Birth parents'; 'natural parents', whatever you want to call them. He had sandy coloured hair. Hers was brown. I see them in black and white though as there's too many details missing. My blue eyes stare at monochrome pictures wondering if the images I've created are way off the mark. I'd be surprised if they both had green eyes, so black and white's easier on the imagination.
My father's father was a Methodist Minister, apparently. He's in the photos too in full get-up. That's the only 'natural' family I have. I can't miss them or love them – it's not like I ever knew them – yet the pure nature of me is as a result of these two people meeting. Nurture is a different kettle of fish. The core of me is different to that of my family, but the values and analytical approach to life is surely as a result of my upbringing. I don't feel the urge to meet my natural family, but I do stare intently at the black and white photos in my curious room. There, I can try and fathom who I am and puzzle over my destiny. I wonder how much fate's been altered. Will I die the same way that Alison would have? Would our environments change our bodies? I think she might have lived in Yorkshire somewhere. Perhaps she wouldn't be so independent or headstrong. There's no photo of Alison in the room; just a mirror. She'd look just like me so there's little point.
I keep Alison's shoes by the door to my curious room. I try them on for size occasionally, along with her glasses. I figure she'd have needed them too. I wonder if they're rose tinted and how she'd view her world.
Strange to think of a person missing from the role they were born to fill. Is it fate that she became me, or have they somehow disturbed providence by changing identities.
I lock the door on my way out.
© JRC 2006
|
UKA Prose Workshop Challenge:
It's slightly tongue in cheek, based on lyrics to I Should Be So Lucky by Kylie Minogue. |
© JRC
Your go, darling!
Nope, your turn, sweetie
But you threw a double
No I didn't
You must have!
Says who
You moved two spaces with two dice!
Nope. Not me
Then who?
Not me! Your turn
But it's only us two playing!
Then you're wrong then, aren't you?
I don't think so!
C'mon, just throw the dice
It's certainly not my turn
'tis so
But you should want to throw again
Why?
Because you should
But why?
Because that's how the game's played!
Hmmm
C'mon, don't be silly
I'm not being silly!
Yes, you are!
What's your problem?
My problem? You're kidding me, right?
Well I sure as hell don't have a problem
Don't you want to win?
I am winning
No you're not
Am so
But you're not playing by the rules!
Am playing by my rules
Yeah, that's about right
What's that supposed to mean?
Dunno why you wanted to play in the first place
'cos I'll win
Oooh, 'ark at Mr Modesty
Don't you know it, babe
So why did I bother playing?
'cos you're a fool!
© JRC
Dialogue Challenge: There's a large country pub in the middle of wherever you want it to be. Suffice it to say that it's only accessible by car/bike/a long and tiring walk. No buses or trains stop anywhere near. Every Saturday night, however, this particular den of iniquity is packed with customers all liberally partaking of their favourite tipple.
These, though, are not your normal run-of-the-mill punters. All are, in some way, connected with comedy, be they writers, editors, stand-up comedians, actors or even the characters they play.
Your mission, should you decide to accept it, is to choose two names from the list [not included here], imagine they're holding a conversation together and write up to 300 words of dialogue. It can be solely dialogue, or you can intersperse it with descriptive passages. It's up to you. The only stipulation is that it must be funny.
HYACINTH BUCKET AND VICTORIA WOOD
"Ah, Victoria Wood! Room for a little one?"
"The little one's back soon, Hyacinth." Victoria flashed a quick smile indicating closure of the conversation.
The cutting mark, however, refused to penetrate Hyacinth's thick skin. Her buxom rear squeezed in snugly.
"Tell me, dear". Hyacinth sucked in her cheeks as though trying to reduce her size. "What Christmas plans do you have since you and Julia parted?"
"Julie", Victoria corrected. "And we've not parted."
"Marvellous. I do hate it when relationships fail."
"We just work together, Hyacinth." Victoria's voice barely audible,peeking apologetically from under her fringe at gawping faces.
Hyacinth exaggeratedly tapped the side of her nose, conspicuously mouthing the words "Secret's safe".
"I trust you received notification of our new residence? You'll be needing that for your Christmas card list, dear." The 'r' in Christmas ridiculously over-emphasised.
"How could I forget you, Hyacinth?" Victoria's eyes danced, whilst her tongue remained firmly in the side of her cheek.
"Custom-made change of address cards designed by Sir Charles Wittingbottom, nonetheless."
Victoria looked to the left trying to recall the name. Nothing came so she politely nodded, anxious to avoid conversations about the gilt-edged monstrosity she'd collected from the Post Office. Too big to fit through her letterbox they'd informed her, inbetween coughs, hiding smirks.
"Settled in alright then?"
"Well, I was only saying to Richard yesterday, I don't know how we managed without our en-suite bathroom with gold taps. And Richard is finding the utility room much more to his liking than having to use the kitchen. Although anyone would think he preferred watching the washing machine to the television." Hyacinth guffawed at what she thought was a joke.
Victoria smiled at the sheer ingenuity. The mortgage increase would be worth every penny for the solitude poor Richard had gained!
© JRC