Lincoln Harmony Camp 2009

What is Barbershop Harmony?

Barbershop Harmony is close, unaccompanied vocal harmony produced by four parts: tenor, lead, baritone and bass. The lead usually sings the melody, with the tenor harmonising above the lead. The bass sings the lowest harmonising notes and the baritone sings the all-important missing notes to complete the chord - you'll always find these four parts in both male and female barbershop groups.

The unique - and exciting - quality in barbershop is the phenomenon known as 'expanded sound'. This is created when the harmonics in the individually sung tones reinforce each other to produce audible overtones and undertones. Barbershop singers call this 'ringing a chord'. Singing in a quartet or chorus and creating that 'extra voice' is one of the most thrilling musical sensations you'll ever experience. It might even give you goose bumps!

Singing barbershop is uplifting and energising!
It's one of the most challenging and most fun kinds of music to perform - and it is different from any other kind of choral or group singing.

Selecting a Voice Part

Here are some considerations when choosing a voice part:

Tenor - Tenor is the highest voice part. A tenor should have a light, pure tone that will complement but not overpower the lead.

Lead - Lead is a mid-range voice part. Since the lead usually sings the melody, a lead should sing with authority, clarity and a consistent quality throughout his/her range. Leads also sing with colour and warmth since they are responsible for conveying the interpretation and emotion of a song.

Baritone - Baritones cover approximately the same range as lead, with the baritone harmony crossing above and below the lead notes. Baritones are flexible and must be very accurate.

Bass - Bass is the foundation of barbershop harmony. Bass singers should have a rich, resonant voice and be able to sing with as much authority as the lead.

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