The Chloes

Best Costume Design
The expert seamstresses are...

Atonement Jacqueline Durran	Elizabeth: The Golden Age Alexandra Byrne	The Golden Compass Ruth Myers	Juno Monique Prudhomme	La Vie en Rose Marit Allen
Perfectly symbolistic and eye-catching, but they all blend easily to their environments. Incredible work.	Bombastic, over-the-top, all colors of the rainbow covered. She's the best working today.	Just like with a lot of the film, if only for Mrs. Coulter. She must've had an incredible closet.	Indie in the best sense of the word. Always fitting, always competent, always awesome.	Edith's diva persona could not have been better materialized. RIP you exceptional talent.
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Finalists: There Will Be Blood (Mark Bridges) * The Assassination of Jesse James by the Coward Robert Ford (Patricia Norris) * Becoming Jane (Eimer Ni Mhaoldomhnaigh) * Amazing Grace (Jenny Beaven) Semi-Finalists: Enchanted (Mona May) * Across the Universe (Albert Wolsky) * Lust, Caution (Lai Pan) * Michael Clayton (Sarah Edwards) * Bridge to Terabithia (Barbara Darragh) * Hairspray (Rita Ryack) * Sweeney Todd: The Demon Barber of Fleet Street (Colleen Atwood) * Black Book (Yan Tax)
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Best Film Editing
The wizards of continuity are...

Atonement Paul Tothill	The Diving Bell and the Butterfly Juliette Welfling	Michael Clayton John Gilroy	There Will Be Blood Dylan Tichenor	Youth Without Youth Walter Murch
Falling in and out of truth and fiction, hope and regret, dreams and Briony.	Perhaps the most effective of the film's many artistic triumphs.	A dialogue-heavy legal bore becomes an electrifying thriller. Huh.	It covers a lot in an epic amount of time without you even realizing it.	For helping to make primal chaos rational, lyrical, and confronting.
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Finalists: The Bourne Ultimatum (Christopher Rouse) * Paprika (Takeshi Seyama) * The Lives of Others (Patricia Rommel) * A Mighty Heart (Peter Christelis) Semi-Finalists: La Vie en Rose (Richard Marizy) * Lust, Caution (Tim Squyres) * Hairspray (Michael Tronick) * Away from Her (David Wharnsby) * No Country for Old Men (Roderick Jaynes) * Bug (Darrin Navarro) * The Assassination of Jesse James by the Coward Robert Ford (Curtiss Clayton & Dylan Tichenor)
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Best Production Design
The fab surroundings are...

Atonement Sarah Greenwood	The Golden Compass Dennis Gassner	Harry Potter and the Order of the Phoenix Stuart Craig	Paprika Nobutaka Ike	There Will Be Blood Jack Fisk
For once, it's the set decoration rather than the art direction itself that proves it's worth. That doesn't happen very often.	It just makes sense, you know? It never seems out-of-place or innapropriate, just an awe-inspiring sight to behold.	For the fifth time, his work is breathtaking. Especially the new ones, specifically Umbridge's office and the Ministry.	Completely masterful, and it's all through insanely intricate cyber realities and blending consciouses.	Simple and stark, and a perfect stagey representation of the world in which the characters love to ham it up.
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Finalists: Sunshine (Mark Tildesley) * The Lives of Others (Silke Buhr) * Youth Without Youth (Calin Papura) * Mr. Magorium's Wonder Emporium (Thérèse DePrez) * Tekkon Kinkreet (Shinji Kimura) Semi-Finalists: Across the Universe (Mark Friedberg) * The Diving Bell and the Butterfly (Michel Eric & Laurent Ott) * Sweeney Todd: The Demon Barber of Fleet Street (Dante Ferretti) * La Vie en Rose (Olivier Raoux) * The Assassination of Jesse James by the Coward Robert Ford (Troy Sizemore) * Lust, Caution (Lai Pan) * Hairspray (Mark Gropman)
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