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In his
basement, George Billings, 51, finds a sense of peace and
wonderment in crafting heirloom-quality rocking horses.
"My
horses are special because of their endearing feel and
look," Billings said. "I search for just the right
piece of wood. When I look at the grain of the wood, I see
racing flanks or gentle faces of horses. After the work
begins, it's as if the wood comes alive and begins to breathe.
I love woodworking and it's a wonderful compliment to some of
the theoretical work I do."
By day,
the master craftsman can be found at Webster University where
he works in the Alumni Development Office and teaches several
religion courses.
Billings
finds that creating the horses is an extension of his
spiritual nature and a nice break from a fast-paced lifestyle.
"Working
with the horses, I get to work with my hands as opposed to a
computer," Billings said. "Creating something
beautiful often times brings me peace and a sense of joy. A
lot of times I'll just work with them in the silence of the
shop in the early morning. It can be kind of a meditative
process."
The
process began three years ago when Billings, who had always
loved woodworking, decided to carry on a family tradition.
His
father-in-law, Lucius Meyer, was a German-American master
craftsman who made all sorts of gifts for his family. There
were toy boxes, chairs, foot stools, and, of course, rocking
horses.
"He
died about six years ago," Billings said. "I had to,
unfortunately, pick it up where he left off."
When he
first saw the horses Meyer made, Billings said he just fell in
love with them. Until the day he died, Meyer still was working
on his horses.
"He
left one that was unfinished," Billings said. "He
left all the parts that the had cut out. When he discovered he
was pretty far along with cancer, he couldn't finish it."
The horse
lay in pieces, but the unfinished project made it possible for
Billings to carry on Meyer's work.
"My
wife had one that was put together, but more important was
seeing all the parts, " Billings said.
With the
pieces laid out, Billings consulted with some friends who were
architectural wood workers and before long he created his
first horse.
"It
was a challenge all right," Billings said with a smile.
"There was learning at every step, which is to say I made
a lot of mistakes."
It could
take up to a month for Billings to create a rocking horse from
selecting the wood to attaching the final details. Billings
searched the Midwest for the right wood and selected
kiln-dried poplar from Barnes Millworks in Pittsburg, Kansas.
Once together he fits the horse with leather saddles and
bridles, adds carousel horse eyes, brass or silver buckles and
rings and a lacquer finish.
The horse
comes with thick manes and tails or Billings can make horses
with real horse hair he gets from the Lakota Sioux Indians.
Each rocking horse is then signed and dated.
"They
each have a little bit different character and a little bit
different individuality," he said. "And I notice
when I'm working with them some horses go together better than
others. You have to work with each one to put it together in a
way that it wants to go together." All together Billings
had made about 90 horses.
"Because
they're heirloom quality, they just need to be as
professionally handcrafted as they can be," he said.
"They're meant to last long beyond what we do into
several generations." |